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Ali A (82 KP) rated A Multitude of Dreams in Books
Sep 6, 2023
Trigger Warnings: plague, death, blood, racism, murder, self harm, genocide, survivors guilt
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
Rachel King (13 KP) rated American Gods in Books
Feb 11, 2019
I have only ever read one other adult book ( I don't count Coraline) by Gaiman, which was vastly different from this book in both style and mood - Stardust. A friend recommended I read this book many years ago since I like mythology. I found this book really had not much to do with mythology in the classic sense. Instead the characters that were pulled from mythology, such as Odin, Anansi, Horus, Bast, and Ganesha, among others, behaved like has-been D-list celebrities that struggle to survive in a country that is repeatedly described as "...a bad land for gods." The powers they rarely put on display were minimal and amounted to the same kind of "magic" as a skilled pick-pocket, con-artist, or amateur magician. The few times any real power is observed is once during the sexual scene of a re-invented Queen of Sheba (I'll spare you the R-rated details) and when the gods travel "behind the scenes," a state of existence that only the gods can enter.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
BankofMarquis (1832 KP) rated The Cloverfield Paradox (2018) in Movies
Feb 22, 2018
A fun "who-will-survive" flick
During the Super Bowl, a "surprise" trailer dropped for a new entry in the Cloverfield family of films. The good news is that the film was dropping on Netflix the next day, so fanboys immediately jumped on-line and then started hating on it (again, on-line) because it wasn't exactly what they thought it would be.
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Terminator Salvation (2009) in Movies
Aug 14, 2019
Following up the legendary first two Terminator films was no easy task. Without series creator, James Cameron. many fans found “Terminator: Rise of the Machines” to be lacking the depth, action, and character of the earlier films. When Director McG was announced to continue the war between humanity and the machines in “Terminator Salvation” fans feared that the series might become a campy action film in the vein of the directors “Charlie’s Angels” films. Thankfully for fans, the film more than delivers and continues the dark and intensely human story about the battle for humanities’ survival against the ruthless computer network, Skynet.
The film opens in 2018 where John Connor (Christian Bale), is involved in a raid on a Skynet facility with a group of fellow soldiers. The team is attempting to gain sensitive information from the main servers about Skynet. Along the way, they discover many human prisoners are being kept by the machines and learn what they believe is a weakness in the network that will allow them to defeat Skynet once and for all.
In the aftermath of the mission, John is debriefed by the human leadership and learns that their names are on a Skynet kill list and ironically John is #2 on the list behind someone named Kyle Reese (Anton Yelchin). While the name does not ring any bells with the command staff, John knows the name all too well and how his future, and all of humanity, hinges on this person staying alive.
At the same time, a man emerges named Marcus Wright (Sam Worthington), who meets up with Reese. Together they flee from a an array of deadly machines intent on capturing Reese. In a spectacular action sequence, Reese and Marcus battle a giant machine as well as Hunter Killers and cycle-like assassins that are as relentless as their terminator counterparts. Separated from Reese by the enemy, Marcus meets a resistance pilot named Blair Williams (Moon Bloodgood), who convinces him to return to the resistance camp where John Connor can help him locate Reese.
Fates collide and a shocking secret is revealed that causes division in the resistance and places Connor at odds with his chain of command. As a pending strike on Skynet looms, Connor is forced to undertake a desperate mission to save the future, one that challenges much of what he believes and rocks the very foundation of the resistance. What follows is an intense series of events and an explosive series of action scenes that should delight fans of the series and sets the stage well for future films.
Bale brings his signature intensity to Connor, smoothly moving between the action and dramatic scenes well, something he’s had practice with as Batman. Worthington was a very pleasant surprise. His character not only has an interesting back-story but provides a great compass for the storyline. I did have some questions about how, in a post-Apocalypse setting, things like water were free from fallout, as were blasted out cities, and how military planes and ships survived without having their chips scrambled by a nuclear pulse. That being said, the film works very well. A strong cast and good action were well blended with great effects to create a winning formula. I did wonder where the plasma rifles that were shown in the earlier films were, but did remember that those were shown in a time 11 years in the future from this film.
Of great significance in James Cameron’s earlier films was the way he deftly combined action and real characters with a complex storyline. “Terminator Salvation” is not as deep as the first two films but it also does not rely on explosions of CGI effects to carry the story. At the core of the film is a bleak but human drama about love, sacrifice, survival, and determination. While some may have issues with the dark tone of the film, it is important to remember that this is about humanities’ struggle against extinction. McG keeps things moving at a brisk pace and has crafted a slick and enjoyable film that has many clever nods to the source material without ever being disrespectful to the franchise. I am looking forward to see what future films in the story will offer, as truly the battle for humanity has just begun.
The film opens in 2018 where John Connor (Christian Bale), is involved in a raid on a Skynet facility with a group of fellow soldiers. The team is attempting to gain sensitive information from the main servers about Skynet. Along the way, they discover many human prisoners are being kept by the machines and learn what they believe is a weakness in the network that will allow them to defeat Skynet once and for all.
In the aftermath of the mission, John is debriefed by the human leadership and learns that their names are on a Skynet kill list and ironically John is #2 on the list behind someone named Kyle Reese (Anton Yelchin). While the name does not ring any bells with the command staff, John knows the name all too well and how his future, and all of humanity, hinges on this person staying alive.
At the same time, a man emerges named Marcus Wright (Sam Worthington), who meets up with Reese. Together they flee from a an array of deadly machines intent on capturing Reese. In a spectacular action sequence, Reese and Marcus battle a giant machine as well as Hunter Killers and cycle-like assassins that are as relentless as their terminator counterparts. Separated from Reese by the enemy, Marcus meets a resistance pilot named Blair Williams (Moon Bloodgood), who convinces him to return to the resistance camp where John Connor can help him locate Reese.
Fates collide and a shocking secret is revealed that causes division in the resistance and places Connor at odds with his chain of command. As a pending strike on Skynet looms, Connor is forced to undertake a desperate mission to save the future, one that challenges much of what he believes and rocks the very foundation of the resistance. What follows is an intense series of events and an explosive series of action scenes that should delight fans of the series and sets the stage well for future films.
Bale brings his signature intensity to Connor, smoothly moving between the action and dramatic scenes well, something he’s had practice with as Batman. Worthington was a very pleasant surprise. His character not only has an interesting back-story but provides a great compass for the storyline. I did have some questions about how, in a post-Apocalypse setting, things like water were free from fallout, as were blasted out cities, and how military planes and ships survived without having their chips scrambled by a nuclear pulse. That being said, the film works very well. A strong cast and good action were well blended with great effects to create a winning formula. I did wonder where the plasma rifles that were shown in the earlier films were, but did remember that those were shown in a time 11 years in the future from this film.
Of great significance in James Cameron’s earlier films was the way he deftly combined action and real characters with a complex storyline. “Terminator Salvation” is not as deep as the first two films but it also does not rely on explosions of CGI effects to carry the story. At the core of the film is a bleak but human drama about love, sacrifice, survival, and determination. While some may have issues with the dark tone of the film, it is important to remember that this is about humanities’ struggle against extinction. McG keeps things moving at a brisk pace and has crafted a slick and enjoyable film that has many clever nods to the source material without ever being disrespectful to the franchise. I am looking forward to see what future films in the story will offer, as truly the battle for humanity has just begun.
Darren (1599 KP) rated 3 Lives (2019) in Movies
Jul 25, 2019
Story: 3 Lives starts when a therapist Emma (Calvey) gets kidnapped after years of being on the run, left trapped with Jamie (Kaps) and Ben (Ricketts) a man that went to prison for her first kidnapping, despite being considered the rescuer. The three escape, with three men Thoms (Taubman), Piggy (Alfieri) and Frotti (Riley) chasing them down.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.
Ivana A. | Diary of Difference (1171 KP) rated By the Feet of Men in Books
Oct 5, 2020
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By the Feet of Men by Grant Price is a very good post-apocalyptic novel, full of adventures and danger. I am glad I got the chance to read and review this book. Thank you to the author, Grant Price, for sending me a copy of his book in exchange for my honest review.
<b><i>Synopsis:</i></b>
The book is set in a post-apocalyptic world, where the world’s population has been decimated by the Change, a chain reaction of events triggered by global warming. Governments have fallen and cities have crumbled. The productions have stopped. The Alps region, which contains the continent’s fresh water, has become a closed state with heavily fortified borders.
The ones that managed to survive cling on by trading through the Runners, truck drivers who deliver cargo and take a percentage. Two Runners, Cassady and Ghazi are called to deliver medical supplies to a research base deep in the Italian desert, where scientists claim to be building a machine that could reverse the effects of the Change.
On this journey they will be joined by a collection of other Runners, all of whom have something to prove and have a story of their own. Standing in their way are starving nomads, crumbling cities, hostile weather and a rogue state set to destroy the convoy. And there’s another problem: Cassady is close to losing his nerve.
<b><i>My Thoughts: </i></b>
The world building in By the Feet of Men is very interesting and very well described, especially the part about the Change and the Koalition. From the beginning, we get a very good idea of what kind of world we are living in now, from global warming, to the starving nomads, to how the Runners make a living. I think that was a very good introduction to the new normal that we are about to engage in.
I think perhaps due to the elaborate description, I found the beginning quite slow. The true adventure and road trip doesn’t start until halfway through the book. Once the adventure begins, though, many things happen in short spaces of time. The pacing is quite fast until the very end. The book contains brutal and graphic details, so it may contain a lot of trigger warnings and I wouldn’t recommend it for the faint hearted people.
I loved Cassady and Ghazi and really enjoyed their backstories.
The way how they made decisions based on their past experiences, which were sometimes very different. I love the constant battle they seem to have between what is right and wrong, when a decision has to be made quite fast to ensure their survival. Sometimes, their survival might mean leaving someone behind, and not both of them would agree that this is the right decision to be made. However, I think there is something much more difficult than making such a decision, and that’s living with the consequences.
Apart from the main characters, I had a very hard time remembering the other characters and their backstories. This made me annoyed a few times. I am very good at remembering side characters, and I usually prefer them to the main characters. However. this wasn’t the case for this book. And this is something that really bothers me.
I was quite intrigued about the ending.
I enjoyed it and I liked how it ended. My initial thoughts were that it was very realistic. It also had an ending that I haven’t seen too much explored in any post-apocalyptic fiction I’ve read or seen. I was a bit disappointed by the lack of explanation to some points. However, I think the main characters’ stories and experiences in the end of the book contributed to a balanced and emotional ending.
I definitely recommend By the Feet of Men to all fans of post-apocalyptic fiction. Something new and fresh, unexplored anywhere else and full of adventure and realistic brutality. I am sure you will enjoy it.
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By the Feet of Men by Grant Price is a very good post-apocalyptic novel, full of adventures and danger. I am glad I got the chance to read and review this book. Thank you to the author, Grant Price, for sending me a copy of his book in exchange for my honest review.
<b><i>Synopsis:</i></b>
The book is set in a post-apocalyptic world, where the world’s population has been decimated by the Change, a chain reaction of events triggered by global warming. Governments have fallen and cities have crumbled. The productions have stopped. The Alps region, which contains the continent’s fresh water, has become a closed state with heavily fortified borders.
The ones that managed to survive cling on by trading through the Runners, truck drivers who deliver cargo and take a percentage. Two Runners, Cassady and Ghazi are called to deliver medical supplies to a research base deep in the Italian desert, where scientists claim to be building a machine that could reverse the effects of the Change.
On this journey they will be joined by a collection of other Runners, all of whom have something to prove and have a story of their own. Standing in their way are starving nomads, crumbling cities, hostile weather and a rogue state set to destroy the convoy. And there’s another problem: Cassady is close to losing his nerve.
<b><i>My Thoughts: </i></b>
The world building in By the Feet of Men is very interesting and very well described, especially the part about the Change and the Koalition. From the beginning, we get a very good idea of what kind of world we are living in now, from global warming, to the starving nomads, to how the Runners make a living. I think that was a very good introduction to the new normal that we are about to engage in.
I think perhaps due to the elaborate description, I found the beginning quite slow. The true adventure and road trip doesn’t start until halfway through the book. Once the adventure begins, though, many things happen in short spaces of time. The pacing is quite fast until the very end. The book contains brutal and graphic details, so it may contain a lot of trigger warnings and I wouldn’t recommend it for the faint hearted people.
I loved Cassady and Ghazi and really enjoyed their backstories.
The way how they made decisions based on their past experiences, which were sometimes very different. I love the constant battle they seem to have between what is right and wrong, when a decision has to be made quite fast to ensure their survival. Sometimes, their survival might mean leaving someone behind, and not both of them would agree that this is the right decision to be made. However, I think there is something much more difficult than making such a decision, and that’s living with the consequences.
Apart from the main characters, I had a very hard time remembering the other characters and their backstories. This made me annoyed a few times. I am very good at remembering side characters, and I usually prefer them to the main characters. However. this wasn’t the case for this book. And this is something that really bothers me.
I was quite intrigued about the ending.
I enjoyed it and I liked how it ended. My initial thoughts were that it was very realistic. It also had an ending that I haven’t seen too much explored in any post-apocalyptic fiction I’ve read or seen. I was a bit disappointed by the lack of explanation to some points. However, I think the main characters’ stories and experiences in the end of the book contributed to a balanced and emotional ending.
I definitely recommend By the Feet of Men to all fans of post-apocalyptic fiction. Something new and fresh, unexplored anywhere else and full of adventure and realistic brutality. I am sure you will enjoy it.
Merissa (12919 KP) rated Prophecy (Prophecy #1) in Books
Aug 8, 2017
Prophecy (Prophecy #1) by Lea Kirk
Prophecy is the first book in the Prophecy series, and we start off with Alex as she is thrown into a cell after aliens have invaded earth. She has no idea what has happened to her family or friends, but is determined to do what she can. The first time she meets Gryf, she lays one on him and gives him a black eye. Gryf takes it, not only because it goes against in him to 'attack' a woman, but also because he believes it is deserved. He feels an immense amount of guilt in allowing the earth to be attacked. These two have to work together if there is to be any chance of survival.
I thoroughly enjoyed this book! Alex and Gryf are fantastic together. They have a slow-burn romance with some steamy moments, but not too many. As Alex rightly says 'it can be hard getting private time in a refugee camp'. Okay, so I'm paraphrasing, but you know what I mean! Alex is a straight-talking, no-nonsense character who does her best no matter what the situation. Gryf is the honourable Captain who will do anything to protect those who can't protect themselves. He even lumps Alex into that category until she proves otherwise. So many characters in this book, and I loved all of them! Well, apart from the baddies ;) Graig has to be a favourite of mine, and Dante, and Nick, and Ora, and... oh you get the idea! Really pleased to hear that Nick will be getting his own book, and the extra chapter with Graig was sheer perfection.
This story was very well written, with no editing or grammatical errors that disrupted my reading flow. The pace was smooth, the action was exciting, and the romance was wonderful. I have no hesitation in recommending this book, and I look forward to reading more in this series, and by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I thoroughly enjoyed this book! Alex and Gryf are fantastic together. They have a slow-burn romance with some steamy moments, but not too many. As Alex rightly says 'it can be hard getting private time in a refugee camp'. Okay, so I'm paraphrasing, but you know what I mean! Alex is a straight-talking, no-nonsense character who does her best no matter what the situation. Gryf is the honourable Captain who will do anything to protect those who can't protect themselves. He even lumps Alex into that category until she proves otherwise. So many characters in this book, and I loved all of them! Well, apart from the baddies ;) Graig has to be a favourite of mine, and Dante, and Nick, and Ora, and... oh you get the idea! Really pleased to hear that Nick will be getting his own book, and the extra chapter with Graig was sheer perfection.
This story was very well written, with no editing or grammatical errors that disrupted my reading flow. The pace was smooth, the action was exciting, and the romance was wonderful. I have no hesitation in recommending this book, and I look forward to reading more in this series, and by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Acanthea Grimscythe (300 KP) rated The Troop in Books
May 16, 2018
We all have our own ways of dealing with anxiety and depression. One of mine for the former is to kick back with an audiobook and lose myself in World of Warcraft. This week, my audiobook of choice was Nick Cutter’s The Troop. I first discovered Cutter last year after receiving an arc of Little Heaven, which I enjoyed immensely. Naturally, I was not let down with this title.
It’s a fairly short listen, coming in at just over eleven hours. Narrated by Corey Brill, the book tells the story of a bunch of kids and their mentor after a strange encounter with an emaciated man. From there, things spiral downward in a rather interesting turn of events and readers watch the usual trope that comes into play when the threat of apocalypse hangs over a town – or in this case, island. The fact that the cast is mostly teenage boys? That’s of no consequence.
The Troop is what I call a “last man standing” story. I suppose that’s comparable to “final girls” when you think about it. These kids, because that’s all they are, find themselves facing a horror they cannot truly comprehend, and with the military working in favor of the greater good, are on their own. Naturally, that means we’ve got some deep psychological stuff that’s going to go on, as well as several scenes of last minute survival habits – such as harming animals. And, of course, there’s madness tinting this books periphery.
I really enjoyed this approach to a horror story born of what originally begins as a good deed (though clearly is not toward its end). The characters had their own flaws and represented the different types of kids we’re likely to find in a high school class – only, of course, without the presence of any females.
Once again, Cutter has impressed me with his ability to make me cringe, among other things. I definitely look forward to getting my hands on more of his work in the future. Also, the audiobook is worth it. Corey Brill has a gorgeous voice.
It’s a fairly short listen, coming in at just over eleven hours. Narrated by Corey Brill, the book tells the story of a bunch of kids and their mentor after a strange encounter with an emaciated man. From there, things spiral downward in a rather interesting turn of events and readers watch the usual trope that comes into play when the threat of apocalypse hangs over a town – or in this case, island. The fact that the cast is mostly teenage boys? That’s of no consequence.
The Troop is what I call a “last man standing” story. I suppose that’s comparable to “final girls” when you think about it. These kids, because that’s all they are, find themselves facing a horror they cannot truly comprehend, and with the military working in favor of the greater good, are on their own. Naturally, that means we’ve got some deep psychological stuff that’s going to go on, as well as several scenes of last minute survival habits – such as harming animals. And, of course, there’s madness tinting this books periphery.
I really enjoyed this approach to a horror story born of what originally begins as a good deed (though clearly is not toward its end). The characters had their own flaws and represented the different types of kids we’re likely to find in a high school class – only, of course, without the presence of any females.
Once again, Cutter has impressed me with his ability to make me cringe, among other things. I definitely look forward to getting my hands on more of his work in the future. Also, the audiobook is worth it. Corey Brill has a gorgeous voice.
Rachel King (13 KP) rated Catching Fire in Books
Feb 11, 2019
Despite the fact that both Katniss and Peeta have survived the Hunger Games and returned home, the feel of the book is similar to how it felt when they were still entrenched in the drama of the Hunger Games, like they still have to be aware that everything they do and say is being watched and judged by the Capital. There is no feeling of gratitude or relief, only a pervading sense of waiting for the other shoe to drop. The suspense alone kept me from putting the book down much at all until I had finished it.
I really feel for Gale in this book, more so than the first book, both because he has made his feelings known and because "the odds" are never in his favor. He has absolutely no control in his relationship with Katniss simply because the Capitol keeps taking her away from him.
Before I read this book, I was careful not to read too many spoilers, and I wondered if there would be another Hunger Games event in the second book. With the 75th anniversary, this is taken to a whole new level, and of course abused by the Capitol for its own nefarious means. Still, I was curious as to how Suzanne Collins would make it more macabre than the previous one, and she did not disappoint.
I do have to wonder how Katniss completely missed so many clues about the organization of the rebellion against the Capitol. Even though she had moments of suspicion, she was so focused on the survival of Peeta and herself, she could not take the time to ask a few questions, which was frustrating.
There were also a few moments of humor interspersed throughout the book, which helped to give me a bit of relief from the suspense and tragedy. Many of the new characters introduced in this book were quite interesting in their own way, and I especially liked the oldest ones because of their surprising ability to survive in ways other than brute strength.
Overall, this book is as engrossing as the first, and I look forward to completing the series with Mockingjay.
I really feel for Gale in this book, more so than the first book, both because he has made his feelings known and because "the odds" are never in his favor. He has absolutely no control in his relationship with Katniss simply because the Capitol keeps taking her away from him.
Before I read this book, I was careful not to read too many spoilers, and I wondered if there would be another Hunger Games event in the second book. With the 75th anniversary, this is taken to a whole new level, and of course abused by the Capitol for its own nefarious means. Still, I was curious as to how Suzanne Collins would make it more macabre than the previous one, and she did not disappoint.
I do have to wonder how Katniss completely missed so many clues about the organization of the rebellion against the Capitol. Even though she had moments of suspicion, she was so focused on the survival of Peeta and herself, she could not take the time to ask a few questions, which was frustrating.
There were also a few moments of humor interspersed throughout the book, which helped to give me a bit of relief from the suspense and tragedy. Many of the new characters introduced in this book were quite interesting in their own way, and I especially liked the oldest ones because of their surprising ability to survive in ways other than brute strength.
Overall, this book is as engrossing as the first, and I look forward to completing the series with Mockingjay.
Whatchareadin (174 KP) rated This Is Where It Ends in Books
Apr 9, 2019
It's every parents worse nightmare. A shooting at their child's school and there is nothing you can do about it. This Is Where It Ends is told from the perspective of four senior students in the thick of the chaos during the 54 minutes Opportunity High School is under attack. Opportunity, Alabama could be any small town in American and we have seen stories like this too many times.
Most of the school is in the auditorium for a new semester assembly they have each year. As the principal finishes the assembly and is about to dismiss everyone, a shot rings out and everyone soon finds out that they are trapped. Why is this happening and who will make it out alive?
Story told by:
- Autumn is a dancer who is destined to follow in her mother's footsteps and go to Julliard and dance all around the world.
- Sylvia is one of the smartest students at Opportunity. She will get into any college that she applies to, but with her mother as sick as she is, will she actually be able to go.
-Claire is a star on the track team and known as "Sarge" to her fellow JROTC classmates. She is fortunate enough not to be in the auditorium during the shooting, but her little brother, Matt is.
-Tomàs is Sylvia's twin brother. He is supposed to be in detention during the assembly, but instead he is in the Principal's office with his best friend Fareed, doing something he shouldn't be doing when he hears the first shot.
Each one of these students have a different view of the terrible incident that is taking place in their school. They all have a different relationship with the shooter. They each play a significant role in helping get students to safety, risking their own lives the entire time.
This is another really good book that I have read this year. I could see myself among those students, feel their fear, and hope for their survival. I thoroughly enjoyed this Big Library Read more than others I have gotten.
I look forward to more books by this author.
Most of the school is in the auditorium for a new semester assembly they have each year. As the principal finishes the assembly and is about to dismiss everyone, a shot rings out and everyone soon finds out that they are trapped. Why is this happening and who will make it out alive?
Story told by:
- Autumn is a dancer who is destined to follow in her mother's footsteps and go to Julliard and dance all around the world.
- Sylvia is one of the smartest students at Opportunity. She will get into any college that she applies to, but with her mother as sick as she is, will she actually be able to go.
-Claire is a star on the track team and known as "Sarge" to her fellow JROTC classmates. She is fortunate enough not to be in the auditorium during the shooting, but her little brother, Matt is.
-Tomàs is Sylvia's twin brother. He is supposed to be in detention during the assembly, but instead he is in the Principal's office with his best friend Fareed, doing something he shouldn't be doing when he hears the first shot.
Each one of these students have a different view of the terrible incident that is taking place in their school. They all have a different relationship with the shooter. They each play a significant role in helping get students to safety, risking their own lives the entire time.
This is another really good book that I have read this year. I could see myself among those students, feel their fear, and hope for their survival. I thoroughly enjoyed this Big Library Read more than others I have gotten.
I look forward to more books by this author.