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Darren (1599 KP) rated Scream 2 (1997) in Movies
Oct 31, 2019
Characters – Sidney is back studying a college and over the events of the first film, she has moved on with a new boyfriend and new friends, that is until the ‘Stab’ movie is released. Sidney becomes the primary target of the killer and must use the experience with surviving a massacre before to make it out alive. Dewey still suffering the effects of his injuries in the first film, he is no longer a cop and with the events occurring he arrives back in Sidney’s life to try and help before the killer can get near her. Gale wrote the book on the murders, the one that the movie is based on, she is still trying to get a story, but does start to learn the errors in her way when she deals with other reporters. Cotton Weary does have a bigger part this time, as he is trying to piece his life back together after the wrongful accusations. Randy returns to give us the rules needed to make a sequel which an important part of the original. Of our new characters we get the new boyfriend in Derek who seems to be the best part of Sidney’s new life. Cici is the best friend at the college that is the more popular one at the college. This movie does have a larger cast than the first film which doesn’t always give the characters enough screen time.
Performances – Neve Campbell is still good in her role, she does make us believe she is the everyday student that is being tormented by the killer. Courteney Cox and David Arquette continue their good work in the supporting roles, where this film struggles to get the best of the of the supporting cast is by introducing too many characters, with Sarah Michelle Gellar seemingly filling the Drew Barrymore type role, where we expect to see her more in the film.
Story – The story picks up in a universe following the events of the first film where Hollywood makes movies on massacres, with this release we get to see the darker side of Hollywood taking advantage of real-life murders and how the innocent victims and survivor can be painted differently to cinematic purposes, well that seems to be the message I picked up on in this one. when it comes to the slasher side of things we get to watch the victims getting picked off by the killer, this does feel the same as before, while the references through this film focus on the idea of the sequels that Hollywood makes, and how they always story to improve on the last, though we do step away from the horror discussion this time.
Horror/Mystery – The horror side of the film comes from the ideas that people can take advantage of tragic stories for a bigger story, reflecting the events of the film, the mystery can keep us guessing to just who could be behind it this time around with plenty of potential suspects.
Settings – This time the film is set in a college that show us just where Sidney is now in her life which is important as she has moved on, but the event will always be part of her life.
Special Effects – The effects in the film once again show us how blood and gore can be achieved without going over the top.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – Too many supporting characters this time around.
Final Thoughts – This is a sequel that is well worth the watch, it shows progression in the horror genre with a sequel that does make sense to how an everyday person would be moving on with their life after the events in the first one, while still having the tragedy on their shoulder.
Overall: Good fun sequel.
Performances – Neve Campbell is still good in her role, she does make us believe she is the everyday student that is being tormented by the killer. Courteney Cox and David Arquette continue their good work in the supporting roles, where this film struggles to get the best of the of the supporting cast is by introducing too many characters, with Sarah Michelle Gellar seemingly filling the Drew Barrymore type role, where we expect to see her more in the film.
Story – The story picks up in a universe following the events of the first film where Hollywood makes movies on massacres, with this release we get to see the darker side of Hollywood taking advantage of real-life murders and how the innocent victims and survivor can be painted differently to cinematic purposes, well that seems to be the message I picked up on in this one. when it comes to the slasher side of things we get to watch the victims getting picked off by the killer, this does feel the same as before, while the references through this film focus on the idea of the sequels that Hollywood makes, and how they always story to improve on the last, though we do step away from the horror discussion this time.
Horror/Mystery – The horror side of the film comes from the ideas that people can take advantage of tragic stories for a bigger story, reflecting the events of the film, the mystery can keep us guessing to just who could be behind it this time around with plenty of potential suspects.
Settings – This time the film is set in a college that show us just where Sidney is now in her life which is important as she has moved on, but the event will always be part of her life.
Special Effects – The effects in the film once again show us how blood and gore can be achieved without going over the top.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – Too many supporting characters this time around.
Final Thoughts – This is a sequel that is well worth the watch, it shows progression in the horror genre with a sequel that does make sense to how an everyday person would be moving on with their life after the events in the first one, while still having the tragedy on their shoulder.
Overall: Good fun sequel.
Lee (2222 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Back in 1974, a low-budget Canadian horror movie by the name of Black Christmas was released and was one of the first to define the slasher movie template that we've now become so heavily accustomed to. Black Christmas already got a remake back in 2006 and now we have another, coming this time from powerhouse movie studio Blumhouse and directed/co-written by Sophia Takal.
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Matthew Krueger (10051 KP) rated the PlayStation version of Resident Evil in Video Games
Jun 27, 2020 (Updated Jun 27, 2020)
The Atmosphere (2 more)
The Horror
The depending on what you need or think that's important.
The Infested Mansion
Resident Evil- like Silent Hill, the atmosphere of a the horror genre is excellent. Resident Evil ask you the question, if you and your team got stranded and the only place to go is a old creepy manison and survive it, can you do it?. The answer for me, no! But for Chris and Jill their have to, no other choice. Thats what i love about Resident Evil, is the atmosphere of the manison, the creepest, the mystery, the suspense, the thrills and the creatures that live inside of it.
The plot: Chris Redfield and Jill Valentine, are members of an elite task force known as S.T.A.R.S., as they investigate the outskirts of Raccoon City following the disappearance of their team members. They soon become trapped in a mansion infested with zombies and other monsters. The player, having selected to play as Chris or Jill at the start of the game, must explore the mansion to uncover its secrets.
Gameplay: The player's character is a member of a special law enforcement task force who is trapped in a mansion populated by dangerous mutated creatures. The objective of the game is to uncover the mystery of the mansion and ultimately escape alive.
To fulfill the game's objective, the player uncovers various documents that provide exposition about the game's narrative, as well as clues that help them solve various puzzles within the mansion. Key items are also available that give the player access to other items or new areas. The player can arm their character with weapons to defend themselves from enemies, although the ammunition available for each firearm is limited and the player must learn to conserve the ammunition they have for situations where they will really need it
The carrying capacity of the player is limited depending on the character and items that the player does not wish to carry at the moment can be stored into an item box to be retrieved for later use. To save their progress, the player must pick up an ink ribbon and use it on any of the typewriters scattered through key locations in the game. However, the supply of ink ribbons the player can acquire is limited much like the player's ammo and healing supplies. Players will encounter and fight various infected creatures as flesh-eating zombies, undead dogs, giant spiders, and other monsters.
Resident Evil was very well received critically and commercially, and is often credited for defining the survival horror genre. Beyond video games, Resident Evil has been credited with re-popularising zombies in mainstream popular culture from the late 1990s onwards (along with The House of the Dead), leading to a renewed interest in zombie films during the 2000s. Resident Evil has since been hailed as one of the most influential and greatest video games of all time. Its success has spawned a multimedia franchise including video games, films, comics, novels, and other merchandise. The game has received dedicated ports to the Sega Saturn, Windows, and Nintendo DS. In 2002, a remake of the same name was released for the GameCube featuring updated graphics, sound, and changes to the gameplay and story. A high-definition remaster of the GameCube game was released in 2015 for modern platforms.
Resident Evil- is one of my favorite survivor horror games of all time and one of my favorite games of all times. Its intense, thrilling, suspenseful and overall scary. Resident Evil is a must to play, if you haven't already. Will you survivie the manison or not!
The plot: Chris Redfield and Jill Valentine, are members of an elite task force known as S.T.A.R.S., as they investigate the outskirts of Raccoon City following the disappearance of their team members. They soon become trapped in a mansion infested with zombies and other monsters. The player, having selected to play as Chris or Jill at the start of the game, must explore the mansion to uncover its secrets.
Gameplay: The player's character is a member of a special law enforcement task force who is trapped in a mansion populated by dangerous mutated creatures. The objective of the game is to uncover the mystery of the mansion and ultimately escape alive.
To fulfill the game's objective, the player uncovers various documents that provide exposition about the game's narrative, as well as clues that help them solve various puzzles within the mansion. Key items are also available that give the player access to other items or new areas. The player can arm their character with weapons to defend themselves from enemies, although the ammunition available for each firearm is limited and the player must learn to conserve the ammunition they have for situations where they will really need it
The carrying capacity of the player is limited depending on the character and items that the player does not wish to carry at the moment can be stored into an item box to be retrieved for later use. To save their progress, the player must pick up an ink ribbon and use it on any of the typewriters scattered through key locations in the game. However, the supply of ink ribbons the player can acquire is limited much like the player's ammo and healing supplies. Players will encounter and fight various infected creatures as flesh-eating zombies, undead dogs, giant spiders, and other monsters.
Resident Evil was very well received critically and commercially, and is often credited for defining the survival horror genre. Beyond video games, Resident Evil has been credited with re-popularising zombies in mainstream popular culture from the late 1990s onwards (along with The House of the Dead), leading to a renewed interest in zombie films during the 2000s. Resident Evil has since been hailed as one of the most influential and greatest video games of all time. Its success has spawned a multimedia franchise including video games, films, comics, novels, and other merchandise. The game has received dedicated ports to the Sega Saturn, Windows, and Nintendo DS. In 2002, a remake of the same name was released for the GameCube featuring updated graphics, sound, and changes to the gameplay and story. A high-definition remaster of the GameCube game was released in 2015 for modern platforms.
Resident Evil- is one of my favorite survivor horror games of all time and one of my favorite games of all times. Its intense, thrilling, suspenseful and overall scary. Resident Evil is a must to play, if you haven't already. Will you survivie the manison or not!
Secret Agents Spy Mission 3D -Covert Escape Action
Games and Entertainment
App
A fierce police vs secret agent and mafia vs crime swat spy mission game where kill or to be killed...
Jesters_folly (230 KP) rated The New Mutants (2020) in Movies
Aug 29, 2020
Contains spoilers, click to show
At the time of writing this, The New Mutants has been out in the UK for about 3 days, on preview, and I have already seen a review headed 'The worst X-Men movie yet', I didn't read the review so maybe the reviewer makes some insightful points but, with a lead like that i doubt it.
You see The New Mutants isn't an X-men film, it's set in the (fox? maybe) X-men universe but it's not superheros'/mutants vs other mutants/robots/government, even thought there is a bit of mutants vs baddies.
It is a 'genesis' story, unlike the X-men films, we are seeing the creation of a new team. Like the X-Men films it starts with a new mutant meeting other Mutants.
The 'new mutant' to the New Mutants is Danielle Moonstar, a native American who's reserve and family are destroyed by a tornado leaving her as the only survivor. Danielle wakes up in a hospital to be told of her lose and that the only reason she survived was because she was mutant and she is now in a hospital where she can learn how to use her powers and then she is introduced to the patients/mutants who are at the hospital.
The mutant roster is the New Mutants of the 80's & 90's comics (minus one or two) and the film has a very 80's feel to it.
The New Mutants has a slow start and almost has a 'Breakfast club with powers' feel to it, you have a group of teens who have been placed together and are unable to leave. They sit around and talk about their past and fight and make friends and kiss and fight their worst nightmares and, suddenly your no longer watching 'The Breakfast Club with powers' but 'Nightmare on Elm street 3: the dream warriors, with powers' (Yes I know the kids in Elm Street 3 get powers for a bit but this is different). The Mutants have to team up to fight all sorts of nasties from their pasts, become one cohesive team and find out who is creating the nightmares.
The New Mutants pulls off the 80's teen movie style well but some of the CGI seems a bit off.
Even with the 80's feel we don't actually know when the film is set, the T.V's in the hospital are often showing 'Buffy the Vampire Slayer' (the series) so that would imply that it's at least late 90's and the X-Men are mentioned although they are referred to as heroes which doesn't seem to fit elsewhere in the fox universe.
And this, of course is the biggest problem with the film (and it's not the
films fault), New Mutants was started as a Fox film, as part of their X-Men universe but then it got delayed and then fox got brought out by Disney and the film got delayed again (and many thought it would never to see light day.) Then it got released but, the Disney Marvel cinematic Universe doesn't (yet) have mutants (because they were owned by fox ) so it doesn't fit in with any of the Disney films or, as it was finished by Disney it doesn't fit with any X-Men film and so is floating in the strange limbo shared with Legion and the Gifted.
As a stand alone film it is ok however, as Disney had time to re edit it, it makes you wonder why it has been left open, The New Mutants are formed and ready to see what else life can throw at them, is this how mutants are going to be introduce to the Disney-verse or are we just going to be left hanging.
You see The New Mutants isn't an X-men film, it's set in the (fox? maybe) X-men universe but it's not superheros'/mutants vs other mutants/robots/government, even thought there is a bit of mutants vs baddies.
It is a 'genesis' story, unlike the X-men films, we are seeing the creation of a new team. Like the X-Men films it starts with a new mutant meeting other Mutants.
The 'new mutant' to the New Mutants is Danielle Moonstar, a native American who's reserve and family are destroyed by a tornado leaving her as the only survivor. Danielle wakes up in a hospital to be told of her lose and that the only reason she survived was because she was mutant and she is now in a hospital where she can learn how to use her powers and then she is introduced to the patients/mutants who are at the hospital.
The mutant roster is the New Mutants of the 80's & 90's comics (minus one or two) and the film has a very 80's feel to it.
The New Mutants has a slow start and almost has a 'Breakfast club with powers' feel to it, you have a group of teens who have been placed together and are unable to leave. They sit around and talk about their past and fight and make friends and kiss and fight their worst nightmares and, suddenly your no longer watching 'The Breakfast Club with powers' but 'Nightmare on Elm street 3: the dream warriors, with powers' (Yes I know the kids in Elm Street 3 get powers for a bit but this is different). The Mutants have to team up to fight all sorts of nasties from their pasts, become one cohesive team and find out who is creating the nightmares.
The New Mutants pulls off the 80's teen movie style well but some of the CGI seems a bit off.
Even with the 80's feel we don't actually know when the film is set, the T.V's in the hospital are often showing 'Buffy the Vampire Slayer' (the series) so that would imply that it's at least late 90's and the X-Men are mentioned although they are referred to as heroes which doesn't seem to fit elsewhere in the fox universe.
And this, of course is the biggest problem with the film (and it's not the
films fault), New Mutants was started as a Fox film, as part of their X-Men universe but then it got delayed and then fox got brought out by Disney and the film got delayed again (and many thought it would never to see light day.) Then it got released but, the Disney Marvel cinematic Universe doesn't (yet) have mutants (because they were owned by fox ) so it doesn't fit in with any of the Disney films or, as it was finished by Disney it doesn't fit with any X-Men film and so is floating in the strange limbo shared with Legion and the Gifted.
As a stand alone film it is ok however, as Disney had time to re edit it, it makes you wonder why it has been left open, The New Mutants are formed and ready to see what else life can throw at them, is this how mutants are going to be introduce to the Disney-verse or are we just going to be left hanging.
Chris Sawin (602 KP) rated The Legend of Hell House (1973) in Movies
Jun 19, 2019
Mr. Rudolph Deutsch has hired Lionel Barrett to investigate a haunted house. This isn't any normal haunted house though. It seems as though anyone who enters the house either leaves the house insane or winds up dead. In addition to Mr Barrett, his wife, Ann Barrett, a mental medium named Florence Tanner, and a physical medium who is also the only survivor of the last team of investigators to visit the house named Benjamin Fischer are all visiting Hell House to try and solve this phenomenon. $100,000 is theirs for the taking if they can do it within a week, but will they be able to survive what's caged inside Hell House? Emeric Belasco, a self-proclaimed genius ahead of his time, may have other plans.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Prey in Video Games
Jun 19, 2019
Bethesda and Arkane Studios have combined again on another highly successful and deeply compelling game. After the first two Dishonored games the bar was set exceptionally high and when it was announced that they would be rebooting and reimagining PREY, many gamers were curious to see what would come next.
Playing as Morgan Yu, gamers find themselves aboard the massive Talos I space station during an outbreak of a shape changing enemy known as Typhoids.
The typhoid can mimic any object from a coffee mug to a chair which adds to a high degree of peril facing players as they attempt to survive. Along the way players will be free to explore and take on multiple side quests but resources including precious ammunition are in short supply therefore players will have to gather, recycle, and craft needed materials in order to survive.
The lavish and complex details of the station are impressive but what really makes the game stand out is the multiple ways that players can play the game and complete various objectives. Players are also free to ignore various side quests and select multiple paths to an ending which allows for an incredible amount of replay value.
The enemies are numerous and thanks to a limited amount of ammunition, running and gunning will not work as there are times to fight, run, hide, and you should gray matter in order to survive. At times it can be frustratingly difficult but successfully completing the game does give you a sense of accomplishment which made me think of the first two Dead Space games in terms of their difficulty.
Players will also have the opportunity to enhance their weapons and their abilities ranging from strengthening firearms to being able to mimic the morphing abilities of the Typhoid.
One of my favorites was the Kinetic blast which enabled me to send a powerful shock wave into enemies. This is highly effective but limited due to the amount of kinetic shots and power that a player has at any given time.
Over the numerous hours that I played the game I found myself being drawn further and further into the story line. When multiple mission options arose I often had to face moral choices such as helping fellow survivors or leaving them to their fate so that I may live to complete a mission which ultimately would lead toward completion of the game.
PREY is about choices as the game is crafted to allow players to operate in a morally ambiguous area. You are not required to be the matinee hero nor are you required to be the mustache twirling villain; rather you are free to take advantage of situations as they arise.
One such example saw me take several items of food that had been collected by a group of survivors. I rationalize that with a big battle coming most of them would not survive and that it was up to me to prevail so that I may continue on with the numerous objectives I had before me. This may essentially lead to you having to turn and perhaps kill a fellow survivor which indeed was referenced down the road. The numerous and varied enemies complement the incredibly detailed and massive station which allows for players to take advantage of the zero gravity situations and navigate the outside of the station rather than go through the densely populated core of the station. Of course this only works if various airlocks are indeed open for you to access from the exterior of the station, but this is the type of freedom that players have.
While the difficulty of the game can be a bit frustrating players are able to adjust the difficulty settings and with the multiple gameplay options available to them, patience and persistence will pay off in the end.
The game is a real triumph and is already one of the more impressive titles of 2017. I look forward to seeing what is next for the franchise as PREY is an impressive achievement that will provide countless hours of gaming to even the most hard-core gamer.
http://sknr.net/2017/05/10/prey-3/
Playing as Morgan Yu, gamers find themselves aboard the massive Talos I space station during an outbreak of a shape changing enemy known as Typhoids.
The typhoid can mimic any object from a coffee mug to a chair which adds to a high degree of peril facing players as they attempt to survive. Along the way players will be free to explore and take on multiple side quests but resources including precious ammunition are in short supply therefore players will have to gather, recycle, and craft needed materials in order to survive.
The lavish and complex details of the station are impressive but what really makes the game stand out is the multiple ways that players can play the game and complete various objectives. Players are also free to ignore various side quests and select multiple paths to an ending which allows for an incredible amount of replay value.
The enemies are numerous and thanks to a limited amount of ammunition, running and gunning will not work as there are times to fight, run, hide, and you should gray matter in order to survive. At times it can be frustratingly difficult but successfully completing the game does give you a sense of accomplishment which made me think of the first two Dead Space games in terms of their difficulty.
Players will also have the opportunity to enhance their weapons and their abilities ranging from strengthening firearms to being able to mimic the morphing abilities of the Typhoid.
One of my favorites was the Kinetic blast which enabled me to send a powerful shock wave into enemies. This is highly effective but limited due to the amount of kinetic shots and power that a player has at any given time.
Over the numerous hours that I played the game I found myself being drawn further and further into the story line. When multiple mission options arose I often had to face moral choices such as helping fellow survivors or leaving them to their fate so that I may live to complete a mission which ultimately would lead toward completion of the game.
PREY is about choices as the game is crafted to allow players to operate in a morally ambiguous area. You are not required to be the matinee hero nor are you required to be the mustache twirling villain; rather you are free to take advantage of situations as they arise.
One such example saw me take several items of food that had been collected by a group of survivors. I rationalize that with a big battle coming most of them would not survive and that it was up to me to prevail so that I may continue on with the numerous objectives I had before me. This may essentially lead to you having to turn and perhaps kill a fellow survivor which indeed was referenced down the road. The numerous and varied enemies complement the incredibly detailed and massive station which allows for players to take advantage of the zero gravity situations and navigate the outside of the station rather than go through the densely populated core of the station. Of course this only works if various airlocks are indeed open for you to access from the exterior of the station, but this is the type of freedom that players have.
While the difficulty of the game can be a bit frustrating players are able to adjust the difficulty settings and with the multiple gameplay options available to them, patience and persistence will pay off in the end.
The game is a real triumph and is already one of the more impressive titles of 2017. I look forward to seeing what is next for the franchise as PREY is an impressive achievement that will provide countless hours of gaming to even the most hard-core gamer.
http://sknr.net/2017/05/10/prey-3/
Chris Sawin (602 KP) rated Bakjwi (Thirst) (2009) in Movies
Jun 22, 2019
Unique take on vampires. (1 more)
Beautiful cinematography.
Father Sang-hyeon is a priest with a bleeding heart. He cares for his patients and does what's in his power to do whatever they ask. EV, the Emmanuel Virus, covers its victims from the waist up with blisters, causes ulcers and hemorrhages in muscle tissue, and even causes victims to vomit blood and die from excessive bleeding if the virus spreads to the internal organs. Sang-hyeon volunteers at the Emmanuel Lab in hopes of finding a treatment for the disease, but winds up contracting the disease himself and dying in the process. The blood he receives during the transfusion, however, miraculously brings him back from the edge of death. While being the lone survivor of the ordeal, the story detailing Sang-hyeon's journey gets more and more spectacular. He comes to the realization that drinking blood makes the blisters that cover his body disappear and that he has superhuman abilities. The transfusion has made Sang-hyeon a vampire. He stays with a childhood friend while struggling with finding ways to quench his hunger for blood in addition to falling in love with Tae-Joo, his best friend's wife.
If anyone sits down with me and has a conversation with me about movies, it's only a matter of time before I reveal that Oldboy is quite possibly my favorite film of all time. So it should be no surprise that I'm willing to see anything the director, Chan-wook Park, or lead actors, Choi Min-sik and Ji-Tae Yu, are involved with. Mainly because of my love for Oldboy, but also because I'm rarely disappointed with anything they are a part of. So when I heard Chan-wook Park was tackling a vampire film, I was thrilled and even more thrilled that he managed to deliver another solid film to his already impressive filmography.
The cinematography is the film's shining feature. Park really knows his stuff when it comes to shooting memorable scenes from behind a camera. Every shot is filled with vibrant colors that leap off of the screen. Every frame of the film seems to tell a story all on its own. I hope there's a Blu-ray release of this film because it will look fantastic. It's rather intriguing to see which elements of the vampire mythology Park used for his vision. Sang-hyeon has to drink blood to survive and to stay looking flawless, has incredible strength, and is vulnerable to sunlight. He doesn't, however, have fangs and also has a reflection in the mirror.
Although I've never seen the film, I couldn't help but feel like this was Chan-wook Park's version of Twilight. The entire middle portion of the film is devoted to Sang-hyeon's and Tae-Joo's love for one another. It felt like the adult version of Twilight, really. There's a lot of blood, nudity, sex, and even a few obscenities thrown in for good measure. Maybe it's the Chan-Wook Park fanboy in me, but I honestly feel like I can guarantee that this is the better film of the two. The psychological aspect that I love about Park's previous films is in Thirst, as well. That's a major factor for me as any film that causes me to think or is unusual in any way winds up becoming a fan favorite. The soundtracks to Park's films always seem to fit its respective film like a glove. Thirst is no exception. While the soundtrack is a bit more subtle this time around, it fit the overall atmosphere of the film rather effortlessly.
The middle portion of the film did seem to drag on longer than everything else in the film. It's weird though as the scenes during that time are crucial to the storyline of the film and it's hard to imagine Thirst being the same film if any of those scenes were cut. Nevertheless, it is my one nitpick of the film.
Chan-wook Park bites into the vampire mythology with Thirst and puts his own dark, psychological twist on it. Park's films always seem to have a specific formula or include most of the following: great writing, beautiful cinematography, a solid cast, some sort of psychological twist that'll mess with your head, and a memorable ending.
If anyone sits down with me and has a conversation with me about movies, it's only a matter of time before I reveal that Oldboy is quite possibly my favorite film of all time. So it should be no surprise that I'm willing to see anything the director, Chan-wook Park, or lead actors, Choi Min-sik and Ji-Tae Yu, are involved with. Mainly because of my love for Oldboy, but also because I'm rarely disappointed with anything they are a part of. So when I heard Chan-wook Park was tackling a vampire film, I was thrilled and even more thrilled that he managed to deliver another solid film to his already impressive filmography.
The cinematography is the film's shining feature. Park really knows his stuff when it comes to shooting memorable scenes from behind a camera. Every shot is filled with vibrant colors that leap off of the screen. Every frame of the film seems to tell a story all on its own. I hope there's a Blu-ray release of this film because it will look fantastic. It's rather intriguing to see which elements of the vampire mythology Park used for his vision. Sang-hyeon has to drink blood to survive and to stay looking flawless, has incredible strength, and is vulnerable to sunlight. He doesn't, however, have fangs and also has a reflection in the mirror.
Although I've never seen the film, I couldn't help but feel like this was Chan-wook Park's version of Twilight. The entire middle portion of the film is devoted to Sang-hyeon's and Tae-Joo's love for one another. It felt like the adult version of Twilight, really. There's a lot of blood, nudity, sex, and even a few obscenities thrown in for good measure. Maybe it's the Chan-Wook Park fanboy in me, but I honestly feel like I can guarantee that this is the better film of the two. The psychological aspect that I love about Park's previous films is in Thirst, as well. That's a major factor for me as any film that causes me to think or is unusual in any way winds up becoming a fan favorite. The soundtracks to Park's films always seem to fit its respective film like a glove. Thirst is no exception. While the soundtrack is a bit more subtle this time around, it fit the overall atmosphere of the film rather effortlessly.
The middle portion of the film did seem to drag on longer than everything else in the film. It's weird though as the scenes during that time are crucial to the storyline of the film and it's hard to imagine Thirst being the same film if any of those scenes were cut. Nevertheless, it is my one nitpick of the film.
Chan-wook Park bites into the vampire mythology with Thirst and puts his own dark, psychological twist on it. Park's films always seem to have a specific formula or include most of the following: great writing, beautiful cinematography, a solid cast, some sort of psychological twist that'll mess with your head, and a memorable ending.
Charlie Cobra Reviews (1840 KP) rated Alone (2020) in Movies
Nov 7, 2020
Fails To Live Up To It's Clone #Alive, Even Though It Was Made First (5/10)
Contains spoilers, click to show
Alone is a 2020 Survival/Horror movie directed by Johnny Martin and written by Matt Naylor. It was produced by Grindstone Entertainment Group and HIG Productions and distributed by Lionsgate. Producers who worked on the film include Rabih Aridi, Anne Jordan, and Johnny Martin. The movie stars Tyler Posey, Summer Spiro and Donald Sutherland.
Aiden (Tyler Posey) who lives alone in an apartment complex, learns of a mysterious rapidly-spreading disease that's causing its victims to attack and eat uninfected people. From his balcony, he can see his neighbors fleeing and others attacking one another. The news reports for people to hide and stay inside so he barricades himself inside his apartment and starts rationing food. His complex is overrun by those that are infected, and with the world falling apart into chaos, he is left completely alone fighting for his life and dealing with complete isolation.
This movie got me so confused in the beginning and not because it was confusing but because it was so similar to #Alive. I mean everything was happening the same in the movie, so much so that I was starting to believe they were made by the same company or something. I looked it up and what I found was that Alone was actually made before it's Korean counterpart #Alive and that #Alive was based off of the same script for Alone. That being said, I would have to say that #Alive is the better film. Alone is not a bad zombie film but having seen #Alive first, Alone fails to live up to it's Korean rival. There were some pretty cool scenes and the movie didn't lack action although it is a little slow paced here and there but just seemed lacking on a couple of fronts. I want to say more but I'm going to save it for the spoiler section. As is I give this movie a 5/10. It's a decent movie and good zombie movie but didn't do anything to go above and beyond. Felt like your average zombie film.
Spoiler Section Review:
So this movie really freaked me out because of how everything plot wise was happening exactly like the movie #Alive. Like how first thing in the movie he starts seeing neighbors going berserk and attacking people, then how he hears the report on the news and how a neighbor barges into his apartment to escape the infected on his floor. It even unfolds the same way from there that the guy is bitten and infected already and how Aiden (Tyler Posey) goes to the kitchen for a knife and kicks the guy out of his apartment as he is transforming into a zombie. So many things happen the exact same from the movie #Alive like how he runs out of food and water, how he tries to kill himself and how he finds out that there is another survivor in the complex which is a girl (Summer Spiro) who he starts communicating with and helps him mentally from going stir crazy. The similarities made this movie way more predictable then normal but I was still going along for the ride because it was interesting enough for a first time watch but I don't feel there is really anything to watch this movie a second time for. Aiden's personality and character were pretty dull and didn't make you empathize with him much. Summer Spiro as Eva was more charming but also didn't have alot to get you invested in her character. The zombies or infected were pretty horrible too with most looking like they were just people who twitched and ran around and less like actual zombies. Also I have a hang up on zombies that don't eat people but look like they just want to spread a disease/virus and I felt like for some of them in this movie it looked liked they weren't really eating their victims. This movie wasn't as scary or cool as #Alive but like I said it's not terrible but suffers from a lot of things that could have been done different. I gave this movie a 5/10.
Aiden (Tyler Posey) who lives alone in an apartment complex, learns of a mysterious rapidly-spreading disease that's causing its victims to attack and eat uninfected people. From his balcony, he can see his neighbors fleeing and others attacking one another. The news reports for people to hide and stay inside so he barricades himself inside his apartment and starts rationing food. His complex is overrun by those that are infected, and with the world falling apart into chaos, he is left completely alone fighting for his life and dealing with complete isolation.
This movie got me so confused in the beginning and not because it was confusing but because it was so similar to #Alive. I mean everything was happening the same in the movie, so much so that I was starting to believe they were made by the same company or something. I looked it up and what I found was that Alone was actually made before it's Korean counterpart #Alive and that #Alive was based off of the same script for Alone. That being said, I would have to say that #Alive is the better film. Alone is not a bad zombie film but having seen #Alive first, Alone fails to live up to it's Korean rival. There were some pretty cool scenes and the movie didn't lack action although it is a little slow paced here and there but just seemed lacking on a couple of fronts. I want to say more but I'm going to save it for the spoiler section. As is I give this movie a 5/10. It's a decent movie and good zombie movie but didn't do anything to go above and beyond. Felt like your average zombie film.
Spoiler Section Review:
So this movie really freaked me out because of how everything plot wise was happening exactly like the movie #Alive. Like how first thing in the movie he starts seeing neighbors going berserk and attacking people, then how he hears the report on the news and how a neighbor barges into his apartment to escape the infected on his floor. It even unfolds the same way from there that the guy is bitten and infected already and how Aiden (Tyler Posey) goes to the kitchen for a knife and kicks the guy out of his apartment as he is transforming into a zombie. So many things happen the exact same from the movie #Alive like how he runs out of food and water, how he tries to kill himself and how he finds out that there is another survivor in the complex which is a girl (Summer Spiro) who he starts communicating with and helps him mentally from going stir crazy. The similarities made this movie way more predictable then normal but I was still going along for the ride because it was interesting enough for a first time watch but I don't feel there is really anything to watch this movie a second time for. Aiden's personality and character were pretty dull and didn't make you empathize with him much. Summer Spiro as Eva was more charming but also didn't have alot to get you invested in her character. The zombies or infected were pretty horrible too with most looking like they were just people who twitched and ran around and less like actual zombies. Also I have a hang up on zombies that don't eat people but look like they just want to spread a disease/virus and I felt like for some of them in this movie it looked liked they weren't really eating their victims. This movie wasn't as scary or cool as #Alive but like I said it's not terrible but suffers from a lot of things that could have been done different. I gave this movie a 5/10.
Bob Mann (459 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Nov 14, 2020
Crude: check. Offensive: check. It’s Borat… what do you expect?
Kazakh news-hound Borat Margaret Sagdiyev (Sacha Baron Cohen) is in trouble with his country's rulers after his first 'moviefilm' brought shame and disrepute to the country. Under threat of death he is sent on a mission to deliver Johnny - a monkey, but the most popular celebrity in Kazakhstan - as a gift to Donald Trump.
All of this gets screwed up when Johnny meets an untimely end during transportation. Fortunately all is not lost, since Borat's daughter Tutar (Maria Bakalova) has smuggled herself into the States. Borat determines to offer Tutar as a gift to US VP Mike Pence. But first, she must be made less feral and more acceptable to US society.
Baron Cohen has made his primary career out of spoofing both celebrities and common-or-garden bigots, giving them the rope with which to hang themselves with their outrageous views. This is what he did so successfully in the first Borat film in 2006. An issue now is that, since that first movie made Borat such a pop icon, his appearance on the street in his usual garb generates unwelcome attention. As such he adopts a variety of different disguises to get closer to his "victims".
Helpfully, his "daughter" (a brilliant Bulgarian actress Maria Bakalova) is an unknown face, and takes some of this strain on her own shoulders.
So, I'm in no way a prude. And the antics in here generated a half dozen chuckles and a few genuine belly laughs. But some of the gags went just too far for me, and strayed into "genuinely uncomfortable" territory. A "moonblood" dance is just plain gross. And, notwithstanding Baron Cohen's Jewish roots, a gag involving the holocaust treads into territory that I don't think should be remotely approached for the purposes of comedy.
Many of the (allegedly) unaware stars manage to crucify themselves - and presumably, in some cases, their careers - by coming out with the most appalling commentary that often beggars belief. A doctor - Charles Wallace - would surely be struck off if in the UK. Others just appear gullible and/or easily led. Rudy Giuliani's behaviour - although ambiguous - is at the very least lewdly suspicious. You just wish that the team would have let the action proceed a bit longer.
As a saving grace, amongst all the crass and bigoted behaviour, there are individuals that shine out as warm and generous individuals. One is holocaust survivor Dim Evans, who sadly died earlier this year, holding out a hand of friendship to Borat when he appears in a synagogue obscenely and ridiculously dressed as a jew.
But the real star of the show is unemployed 'babysitter' Jeanise Jones who is genuinely taken in by the plight of Tutar. The warmth, concern and compassion she shows is genuinely heart-warming. The best news to come out of the whole movie is that a GoFundMe page, astutely created by her pastor, has so far raised more than $180,000 to help her out of poverty. This is on top of the $100,000 that Sacha Baron Cohen has donated to her Oklahoma City community.
2020 has been a bizarre year in general, but no more so than with the election shenanigans in the US. When you have Rudy Giuliani hosting news conferences from The Four Seasons Total Landscaping car park, sandwiched between a crematorium and a sex shop, and Donald "CAPS LOCK" Trump defiantly Tweeting like a moron, it's really difficult for any comedy film to top that.
'Borat 2' gives it a go. And you can only be impressed by the cojones on Sacha Baron Cohen. But ultimately this outing ends up feeling overly-scripted and 'forced' compared to the original. Borat fans will no doubt love it. I tolerated it, and was intermittently entertained. But I would have preferred more of the clever hilarious bits and less of the cringingly crude and offensive stuff.
Oh... and if you're ever on "Pointless" and need a pointless Tom Hanks movie... don't forget this one!
(For the full graphical review, please check out the bob the movie man web site here - https://rb.gy/ef9wcf . Thanks.)
All of this gets screwed up when Johnny meets an untimely end during transportation. Fortunately all is not lost, since Borat's daughter Tutar (Maria Bakalova) has smuggled herself into the States. Borat determines to offer Tutar as a gift to US VP Mike Pence. But first, she must be made less feral and more acceptable to US society.
Baron Cohen has made his primary career out of spoofing both celebrities and common-or-garden bigots, giving them the rope with which to hang themselves with their outrageous views. This is what he did so successfully in the first Borat film in 2006. An issue now is that, since that first movie made Borat such a pop icon, his appearance on the street in his usual garb generates unwelcome attention. As such he adopts a variety of different disguises to get closer to his "victims".
Helpfully, his "daughter" (a brilliant Bulgarian actress Maria Bakalova) is an unknown face, and takes some of this strain on her own shoulders.
So, I'm in no way a prude. And the antics in here generated a half dozen chuckles and a few genuine belly laughs. But some of the gags went just too far for me, and strayed into "genuinely uncomfortable" territory. A "moonblood" dance is just plain gross. And, notwithstanding Baron Cohen's Jewish roots, a gag involving the holocaust treads into territory that I don't think should be remotely approached for the purposes of comedy.
Many of the (allegedly) unaware stars manage to crucify themselves - and presumably, in some cases, their careers - by coming out with the most appalling commentary that often beggars belief. A doctor - Charles Wallace - would surely be struck off if in the UK. Others just appear gullible and/or easily led. Rudy Giuliani's behaviour - although ambiguous - is at the very least lewdly suspicious. You just wish that the team would have let the action proceed a bit longer.
As a saving grace, amongst all the crass and bigoted behaviour, there are individuals that shine out as warm and generous individuals. One is holocaust survivor Dim Evans, who sadly died earlier this year, holding out a hand of friendship to Borat when he appears in a synagogue obscenely and ridiculously dressed as a jew.
But the real star of the show is unemployed 'babysitter' Jeanise Jones who is genuinely taken in by the plight of Tutar. The warmth, concern and compassion she shows is genuinely heart-warming. The best news to come out of the whole movie is that a GoFundMe page, astutely created by her pastor, has so far raised more than $180,000 to help her out of poverty. This is on top of the $100,000 that Sacha Baron Cohen has donated to her Oklahoma City community.
2020 has been a bizarre year in general, but no more so than with the election shenanigans in the US. When you have Rudy Giuliani hosting news conferences from The Four Seasons Total Landscaping car park, sandwiched between a crematorium and a sex shop, and Donald "CAPS LOCK" Trump defiantly Tweeting like a moron, it's really difficult for any comedy film to top that.
'Borat 2' gives it a go. And you can only be impressed by the cojones on Sacha Baron Cohen. But ultimately this outing ends up feeling overly-scripted and 'forced' compared to the original. Borat fans will no doubt love it. I tolerated it, and was intermittently entertained. But I would have preferred more of the clever hilarious bits and less of the cringingly crude and offensive stuff.
Oh... and if you're ever on "Pointless" and need a pointless Tom Hanks movie... don't forget this one!
(For the full graphical review, please check out the bob the movie man web site here - https://rb.gy/ef9wcf . Thanks.)
