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Sutton and Ethan Montclair had the ideal life--a beautiful marriage, a gorgeous house, successful writing careers, and a beautiful baby son. But with the death of their baby, Dashiell, things started to crumble. Peering into the cracks, it was clear that Ethan's career isn't going well and Sutton was depressed and broken after Dashiell's death. So when Ethan wakes up and finds a note from Sutton telling him that she's left and not to look for her, he doesn't know what to think. Did she really run off, leaving her phone, laptop, credit cards, and ID behind? Or did something more sinister happen? As for Ethan and Sutton's friends--and the police--they quickly start to wonder if the something sinister is Ethan.
So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Molly J (Cover To Cover Cafe) (106 KP) rated The Second Wife in Books
Mar 25, 2019
Suspense (2 more)
Characters
Plot Line
This Book Is A Cosmic Roller Coaster Of Thrills and Chills!
Do you ever come across a book that is absolutely mind boggling, leaving you scraping what’s left of your jaw, up off the floor because the entire time you read it, you were in awe, and on the edge of your seat? Yea, well I was just like that with this book here. The Second Wive is a cosmic explosion of twists, turns, and unexpected elements as you fly through this book. I read it a month or so ago, via NetGalley, and oh my word. There are no words to describe how this book made me feel.
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
Kristy H (1252 KP) rated Black-Eyed Susans in Books
Feb 13, 2018
When she was sixteeen, young Tessa "Tessie" Cartwright was found, hanging on to life, in a field of Black-Eyed Susans. The other girls "dumped" with Tessa did not survive (in fact, some were just bones), and Tessa is doomed to live her life as the surviving "Black-Eyed Susan" in the press. Justifiably, the event haunts her life and her nightmares. Further, she is tormented by the fact that her testimony about what happened helped put the suspect, Terrell, on death row.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Gareth von Kallenbach (971 KP) rated WarGames The Dead Code (2008) in Movies
Aug 14, 2019
It is hard to believe that 25 years have passed since a computer took the world to the edge of nuclear annihilation in “War Games” The film starring Matthew Broderick and Ally Sheedy was a cautionary tale about the dangers of taking the human factor about military decisions, and like films such as “The Terminator” a cautionary warning about dependence on technology.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
BookInspector (124 KP) rated My Sister in Books
Sep 24, 2020
This book drew me in from the first chapter. It was extremely mysterious and I could feel the suspense building up already. It was very hard to put this novel down.
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
Kristy H (1252 KP) rated Let Me Lie in Books
Mar 14, 2018
Slow-building shocking thriller
Anna Johnson is still reeling from the suicide of her father, Tom, when her mother, Caroline, dies as well, in a suicide that copies that of Tom's. A year later, Anna is grief-stricken, parenting a young baby, and trying to put together the pieces of her life. She lives in her parents' old home, surrounded by memories of their life together. On the anniversary of her mother's death, Anna receives a suspicious note that prompts her to dig into her parents' past and their deaths. She quickly discovers that nothing is as it seems--not their suicides, nor the happy childhood memories she holds so dear.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
Kristy H (1252 KP) rated Never Look Back in Books
Sep 2, 2019
For Quentin Garrison, his podcast, entitled Closure, is truly about just that--closure. It centers on a series of murders in the 1970s committed by teens Gabriel LeRoy and April Cooper. The victims included Quentin's mother's little sister and his grandmother. As a result, Quentin has spent most of his life raised by a neglectful, drug addict mom. For Robin Diamond, a columnist, the podcast causes only confusion. When Quentin contacts her about it, asking specifically about April Cooper and tying her to Robin's own mother, Robin is bewildered. But the more she delves into the murders, the more she starts to wonder. Then there's a terrible home invasion at her parent's house, killing her father and leaving her mom unconscious. What exactly happened back in the '70s--and, now, in the home invasion?
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
Darren (1599 KP) rated A Tale of Two Sisters (2003) in Movies
Jun 20, 2019
Story: A Tale of Two Sisters starts with Soo-mi Bae in a hospital with a doctor trying to convince her to tell her story. We flashback to when sisters Soo-mi Bae (Lim) and Soo-yeon Bae (Moon) move to the country home owned by their father Moo-hyeon Bae (Kim) and their new stepmother Eun-joo Heo (Yum).
The two sisters don’t like their new stepmother and to make matters worse the two discover that they are being haunted by a spirit, but is the spirit guiding them to uncover a truth or does it have another motive?
A Tale of Two Sisters really makes you wonder what is going on because once the big reveal happens you are left wondering what just happened. Everything is very well created with the suspense building up through the early part of the film and returning to the high level by the end of the film. This story does need a re-watch because you will want to check out everything that is finally reveal.
Actor Review
Kap-su Kim: Moo-hyeon Bae is the father of the family who does seem to end up becoming pretty much a background character to the three female characters. I feel this character falls to the background too much to get a high enough rating.
Jung-ah Yum: Eun-joo Heo is the stepmother of the family who doesn’t seem to like the two girls, she has a past that is hidden but once it gets discovered we see hat she is capable off. I think she makes for a very good menacing performance throughout while looking very normal to her husband.
Su-Jeong Lim: Soo-mi Bae is the eldest of the sisters who always protects her younger sister from the new stepmother, she learns more about the stepmother’s past but has past that ends up helping with the final reveal. This is a good performance showing the fear and the caring side being used throughout.
Geun-young Moon: Soo-Yeon Bae is the younger sister who always looks at her big sister for protection, constantly following her around the house, we learn about why she is being haunted and needing help as the film unfolds. This is good performance that ends up have a big secret.
Support Cast: A Tale of Two Sisters really doesn’t have much of a supporting cast but the very few we have all do what they need to do.
Director Review: Jee-woon Kim – Jee-woon gives us a very good horror that will keep you guessing until the very end where you will be left wonder what did happen.
Horror: A Tale of Two Sisters has real horror moments when they happen that will shock you.
Mystery: A Tale of Two Sisters creates a mystery about what is happening and what is the secret behind the stepmother.
Thriller: A Tale of Two Sisters keeps you guessing to what will happen by the end of the film.
Settings: A Tale of Two Sisters keeps all the action of the film in an isolated country house which adds to the horror because the girls have no where to go or no one to see.
Special Effects: A Tale of Two Sisters uses the effects for the haunting which are the only need for them.
Suggestion: A Tale of Two Sisters is one for the horror fans to try which is don’t go and watch remake first. (Horror Fans Try)
Best Part: Girl at the end of the bed nightmare.
Worst Part: You will need to double check the twist.
Scariest Scene: Girl at the end of the bed.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 55 Minutes
Tagline: Every family has its dark secrets.
Overall: Horror film that is filled with suspense filled scares but a final twist that makes you wonder what really happened.
https://moviesreview101.com/2015/12/25/movie-reviews-101-midnight-horror-a-tale-of-two-sisters-2003/
The two sisters don’t like their new stepmother and to make matters worse the two discover that they are being haunted by a spirit, but is the spirit guiding them to uncover a truth or does it have another motive?
A Tale of Two Sisters really makes you wonder what is going on because once the big reveal happens you are left wondering what just happened. Everything is very well created with the suspense building up through the early part of the film and returning to the high level by the end of the film. This story does need a re-watch because you will want to check out everything that is finally reveal.
Actor Review
Kap-su Kim: Moo-hyeon Bae is the father of the family who does seem to end up becoming pretty much a background character to the three female characters. I feel this character falls to the background too much to get a high enough rating.
Jung-ah Yum: Eun-joo Heo is the stepmother of the family who doesn’t seem to like the two girls, she has a past that is hidden but once it gets discovered we see hat she is capable off. I think she makes for a very good menacing performance throughout while looking very normal to her husband.
Su-Jeong Lim: Soo-mi Bae is the eldest of the sisters who always protects her younger sister from the new stepmother, she learns more about the stepmother’s past but has past that ends up helping with the final reveal. This is a good performance showing the fear and the caring side being used throughout.
Geun-young Moon: Soo-Yeon Bae is the younger sister who always looks at her big sister for protection, constantly following her around the house, we learn about why she is being haunted and needing help as the film unfolds. This is good performance that ends up have a big secret.
Support Cast: A Tale of Two Sisters really doesn’t have much of a supporting cast but the very few we have all do what they need to do.
Director Review: Jee-woon Kim – Jee-woon gives us a very good horror that will keep you guessing until the very end where you will be left wonder what did happen.
Horror: A Tale of Two Sisters has real horror moments when they happen that will shock you.
Mystery: A Tale of Two Sisters creates a mystery about what is happening and what is the secret behind the stepmother.
Thriller: A Tale of Two Sisters keeps you guessing to what will happen by the end of the film.
Settings: A Tale of Two Sisters keeps all the action of the film in an isolated country house which adds to the horror because the girls have no where to go or no one to see.
Special Effects: A Tale of Two Sisters uses the effects for the haunting which are the only need for them.
Suggestion: A Tale of Two Sisters is one for the horror fans to try which is don’t go and watch remake first. (Horror Fans Try)
Best Part: Girl at the end of the bed nightmare.
Worst Part: You will need to double check the twist.
Scariest Scene: Girl at the end of the bed.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 55 Minutes
Tagline: Every family has its dark secrets.
Overall: Horror film that is filled with suspense filled scares but a final twist that makes you wonder what really happened.
https://moviesreview101.com/2015/12/25/movie-reviews-101-midnight-horror-a-tale-of-two-sisters-2003/
Midge (525 KP) rated Schoolgirl Missing in Books
Feb 23, 2019
Having read some of Sue Fortin’s books before, I was very keen to get my hands on a copy of SCHOOLGIRL MISSING as it was a must-read for me. I liked this book very much, The level of suspense she manages to create in her writing is awesome and she is one of my favourite authors in this genre.
SCHOOLGIRL MISSING is an engrossing, psychological thriller set in Ambleton, a lovely quiet village with a river running through it.
What’s really likeable about it straight-away are the opening chapters that draw you into the main characters, Neve and Kit Masters and their daughter, Poppy. Neve is impulsive and unreliable. She was someone who I could empathise with, but she also had me losing patience with her. Kit had a deep-rooted fear of loss as a result of previous life experiences which I could fully understand.
Because Poppy is Kit's daughter and not Neve's, she cannot hide her all-consuming need to have a child of her own. Kit, however, doesn't share her desires which have put a strain on their relationship, and when Poppy vanishes, the cracks begin to deepen. Would either Neve or Kit harm Poppy to achieve their own aims? Are those around them completely as they seem?
One of the highlights of the book was following the many twists and turns of the plot and I absolutely loved the way in which this story developed. Both the plot and character development are excellent, and the story is captivating and engaging. I found that I was regularly pondering where the story was going to next.
This was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones- a handsome suitor, a supportive best friend, an unpleasant ex-husband, and a dodgy past acquaintance, to name but a few. I thought that all of the characters were very cleverly written - resulting in my constant changes of opinion about whether or not I trusted them.
I loved Sue Fortin’s writing style which I found to be so vivid and very easy to read. She portrayed the characters’ feelings incredibly well as the story unfolded and Neve's past was particularly well told.
SCHOOLGIRL MISSING is a story full of secrets, suspicion and lies that held my interest from start to finish and the way in which Sue Fortin brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
{Thank you to NetGalley, HarperCollins and Sue Fortin for a free ARC of this book in exchange for a voluntary, honest review.}
SCHOOLGIRL MISSING is an engrossing, psychological thriller set in Ambleton, a lovely quiet village with a river running through it.
What’s really likeable about it straight-away are the opening chapters that draw you into the main characters, Neve and Kit Masters and their daughter, Poppy. Neve is impulsive and unreliable. She was someone who I could empathise with, but she also had me losing patience with her. Kit had a deep-rooted fear of loss as a result of previous life experiences which I could fully understand.
Because Poppy is Kit's daughter and not Neve's, she cannot hide her all-consuming need to have a child of her own. Kit, however, doesn't share her desires which have put a strain on their relationship, and when Poppy vanishes, the cracks begin to deepen. Would either Neve or Kit harm Poppy to achieve their own aims? Are those around them completely as they seem?
One of the highlights of the book was following the many twists and turns of the plot and I absolutely loved the way in which this story developed. Both the plot and character development are excellent, and the story is captivating and engaging. I found that I was regularly pondering where the story was going to next.
This was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones- a handsome suitor, a supportive best friend, an unpleasant ex-husband, and a dodgy past acquaintance, to name but a few. I thought that all of the characters were very cleverly written - resulting in my constant changes of opinion about whether or not I trusted them.
I loved Sue Fortin’s writing style which I found to be so vivid and very easy to read. She portrayed the characters’ feelings incredibly well as the story unfolded and Neve's past was particularly well told.
SCHOOLGIRL MISSING is a story full of secrets, suspicion and lies that held my interest from start to finish and the way in which Sue Fortin brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
{Thank you to NetGalley, HarperCollins and Sue Fortin for a free ARC of this book in exchange for a voluntary, honest review.}