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Gareth von Kallenbach (971 KP) rated Non-Stop (2014) in Movies
Jun 19, 2019
Bill Marks (Liam Neeson) is a man with demons. After his daughter fell seriously ill, the former New York police officer began a long descent into alcoholism and emotional distress. His fall was so great; Bill ended up losing his job and fortunately was able to find work as an Air Marshall providing in flight security for commercial routes.
In the new film Non-Stop, Bill is about to take a trans-Atlantic flight to London, and despite his dislike of flying and desire not to have a three day layover in London, reports for duty.
To say Bill is on edge would be an understatement as not only does he top off his coffee with a shot of spirits, he disables the airline smoke alarms so he can sneak a smoke to help calm himself and gather his thoughts.
Despite his issues, Bill is committed to his job and reports for duty and finds himself seated next to a charismatic lady named Jen (Julianne Moore), after she swaps seats with a passenger. Jen is a frequent traveler and noting that Bill seems on edge during takeoff, does her best to help calm him which Bill says will happen once they are airborne as he dislikes take offs.
True to his word, Bill is alert and ready to do his job once the plane is leveled off and en route to London. When a mysterious text arrives telling Bill that unless he deposits 150 million into an account, a passenger will be killed every twenty minutes, Bill swings into action and is determined to get to the bottom of the threat.
The flight crew is eager to put it off as a hoax as they state that a person cannot kill people on a crowded flight without being seen and it is likely just an elaborate hoax. Not convinced, Bill begins to investigate and asks for the passenger manifest to be rechecked and wants the account number he was given traced.
With the first deadline approaching Bill believes he has eliminated the threat when he uncovers a traitor in the midst in the guise of a fellow Air Marshall.
However text messages continue to arrive with instructions and Bill learns from his superiors that the account number given is in Bill’s name. Convinced that there is a viable threat Bill must fight to save the day when the crew, his bosses, and passengers believe he is deranged and actually hijacking the plane himself via an elaborate ruse.
While the film at times stretches credibility, it is for the most part a very tight and suspenseful and enjoyable film. My only issues were the final act at times seemed a bit to Hollywood and conventional for me but thanks to Neeson the film works.
The premise was engaging as was the cast and I was kept guessing as to the true nature of the threat as the film was good at casting suspicions then redirecting them throughout.
Like with the “Taken” films, Neeson is able to take a film that could be a mess in the hands of another actor but through his charisma and strong presence is able to give a character that although flawed is one that an audience can support.
French director Jaume Collet-Serra knows suspense from his part work with films such as “Orphan” and “Mindscape” and he wisely lets the film be a character driven story with action rather than an action film that happens to have characters.
As I said earlier, the final act was what kept the film from being a classic for me, but as it is, there is still plenty of good stuff to make this a film worth catching.
http://sknr.net/2014/02/28/non-stop/
In the new film Non-Stop, Bill is about to take a trans-Atlantic flight to London, and despite his dislike of flying and desire not to have a three day layover in London, reports for duty.
To say Bill is on edge would be an understatement as not only does he top off his coffee with a shot of spirits, he disables the airline smoke alarms so he can sneak a smoke to help calm himself and gather his thoughts.
Despite his issues, Bill is committed to his job and reports for duty and finds himself seated next to a charismatic lady named Jen (Julianne Moore), after she swaps seats with a passenger. Jen is a frequent traveler and noting that Bill seems on edge during takeoff, does her best to help calm him which Bill says will happen once they are airborne as he dislikes take offs.
True to his word, Bill is alert and ready to do his job once the plane is leveled off and en route to London. When a mysterious text arrives telling Bill that unless he deposits 150 million into an account, a passenger will be killed every twenty minutes, Bill swings into action and is determined to get to the bottom of the threat.
The flight crew is eager to put it off as a hoax as they state that a person cannot kill people on a crowded flight without being seen and it is likely just an elaborate hoax. Not convinced, Bill begins to investigate and asks for the passenger manifest to be rechecked and wants the account number he was given traced.
With the first deadline approaching Bill believes he has eliminated the threat when he uncovers a traitor in the midst in the guise of a fellow Air Marshall.
However text messages continue to arrive with instructions and Bill learns from his superiors that the account number given is in Bill’s name. Convinced that there is a viable threat Bill must fight to save the day when the crew, his bosses, and passengers believe he is deranged and actually hijacking the plane himself via an elaborate ruse.
While the film at times stretches credibility, it is for the most part a very tight and suspenseful and enjoyable film. My only issues were the final act at times seemed a bit to Hollywood and conventional for me but thanks to Neeson the film works.
The premise was engaging as was the cast and I was kept guessing as to the true nature of the threat as the film was good at casting suspicions then redirecting them throughout.
Like with the “Taken” films, Neeson is able to take a film that could be a mess in the hands of another actor but through his charisma and strong presence is able to give a character that although flawed is one that an audience can support.
French director Jaume Collet-Serra knows suspense from his part work with films such as “Orphan” and “Mindscape” and he wisely lets the film be a character driven story with action rather than an action film that happens to have characters.
As I said earlier, the final act was what kept the film from being a classic for me, but as it is, there is still plenty of good stuff to make this a film worth catching.
http://sknr.net/2014/02/28/non-stop/
Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
If sin were visible, what would the world be like? That is the premise of this brand new, original historical novel by Dan Vyletta. Bordering on steam-punk, <i>Smoke</i> is set in a Victorian England unlike any version ever documented before. Instead of an era of peace and posterity, it is full of wickedness and chaos. For an unexplained reason whenever a human acts with malicious intention or has a sinful thought their body emits a plume of smoke, staining their clothes and surrounding area with a coating of soot.
The story begins in an Oxford boarding school where two friends, Thomas and Charlie, are being taught that Smoke is bad and that they must learn to control it. However during the Christmas holidays, which both boys spend at a prodigious manor, they discover alternative views regarding Smoke, and are spooked by the Lady Naylor’s fascination. With their lives in sudden danger, Thomas and Charlie, along with Livia – Lady Naylor’s daughter – flee with the knowledge of a sinister, scientific intent that they do not understand.
From this point onwards the tale becomes darker and much more violent as the three friends try to work out Livia’s mother’s plans and endeavor to prevent her from carrying them out. All the while they are trying to deal with the effects of Smoke, which they have long given up trying to suppress.
Written from a large variety of viewpoints, <i>Smoke</i> is full of mystery and suspense, making it difficult to work out whom to trust. The reader has the same amount of knowledge as the protagonists and thus comes to the same conclusions at the same time, making reader and character feel like they are working together to identify the unknown.
It is unclear whether this is a young adult novel or intended for older readers. The key characters are only sixteen and are a trio of friends – two boys and a girl – which is something that since the dawn of <i>Harry Potter</i> has become fairly common place in YA literature. Also, Lady Naylor is reminiscent of the antagonist in Philip Pullman’s <i>His Dark Materials</i>. On the other hand, the language, whilst fitting for the time period, is far too formal to flow in a way that a book for teenagers would expect. There is also no attempt to sugarcoat or conceal the violence that takes place throughout a large section of the novel.
<i>Smoke</i> gets off to a shaky start leaving the reader feeling bewildered. The idea of Smoke and soot is not introduced in a clear manner, instead being thrown out there where everyone has to try and find the author’s wavelength and pick up the pieces as they go. Once the action begins – the escape from the manor – the story picks up the pace and becomes far more exciting before, sadly, diminishing into a confusing, violent jumble of a narrative that is tedious to try and follow. The conclusion, unfortunately, is also unclear, providing more questions that it actually solves.
I have very mixed feelings about this book. At times I enjoyed it, yet it also felt a chore to read. I found the concept rather confusing, unresolved and, on the whole, disappointing. <i>Smoke </i>is not a book I would easily recommend to anyone; even those who I know enjoy this particular genre. To be perfectly honest, I am glad I have finished it and do not need to read it anymore.
If sin were visible, what would the world be like? That is the premise of this brand new, original historical novel by Dan Vyletta. Bordering on steam-punk, <i>Smoke</i> is set in a Victorian England unlike any version ever documented before. Instead of an era of peace and posterity, it is full of wickedness and chaos. For an unexplained reason whenever a human acts with malicious intention or has a sinful thought their body emits a plume of smoke, staining their clothes and surrounding area with a coating of soot.
The story begins in an Oxford boarding school where two friends, Thomas and Charlie, are being taught that Smoke is bad and that they must learn to control it. However during the Christmas holidays, which both boys spend at a prodigious manor, they discover alternative views regarding Smoke, and are spooked by the Lady Naylor’s fascination. With their lives in sudden danger, Thomas and Charlie, along with Livia – Lady Naylor’s daughter – flee with the knowledge of a sinister, scientific intent that they do not understand.
From this point onwards the tale becomes darker and much more violent as the three friends try to work out Livia’s mother’s plans and endeavor to prevent her from carrying them out. All the while they are trying to deal with the effects of Smoke, which they have long given up trying to suppress.
Written from a large variety of viewpoints, <i>Smoke</i> is full of mystery and suspense, making it difficult to work out whom to trust. The reader has the same amount of knowledge as the protagonists and thus comes to the same conclusions at the same time, making reader and character feel like they are working together to identify the unknown.
It is unclear whether this is a young adult novel or intended for older readers. The key characters are only sixteen and are a trio of friends – two boys and a girl – which is something that since the dawn of <i>Harry Potter</i> has become fairly common place in YA literature. Also, Lady Naylor is reminiscent of the antagonist in Philip Pullman’s <i>His Dark Materials</i>. On the other hand, the language, whilst fitting for the time period, is far too formal to flow in a way that a book for teenagers would expect. There is also no attempt to sugarcoat or conceal the violence that takes place throughout a large section of the novel.
<i>Smoke</i> gets off to a shaky start leaving the reader feeling bewildered. The idea of Smoke and soot is not introduced in a clear manner, instead being thrown out there where everyone has to try and find the author’s wavelength and pick up the pieces as they go. Once the action begins – the escape from the manor – the story picks up the pace and becomes far more exciting before, sadly, diminishing into a confusing, violent jumble of a narrative that is tedious to try and follow. The conclusion, unfortunately, is also unclear, providing more questions that it actually solves.
I have very mixed feelings about this book. At times I enjoyed it, yet it also felt a chore to read. I found the concept rather confusing, unresolved and, on the whole, disappointing. <i>Smoke </i>is not a book I would easily recommend to anyone; even those who I know enjoy this particular genre. To be perfectly honest, I am glad I have finished it and do not need to read it anymore.
Gareth von Kallenbach (971 KP) rated I Am Legend (2007) in Movies
Aug 14, 2019
Dr. Robert Neville (Will Smith) is a man with a very unique and very dangerous situation. Once hailed as a savior to the human race, Dr. Neville now finds himself wandering the streets of New York, alone, save for the company of his trusted dog Sam.
In the new film “I Am Legend”, Will Smith finds himself in a world gone mad when a cure for cancer has mutated horribly and reducing infected populations to dangerous mutants who roam dark places destroying all they encounter.
With the back-story of the film told largely through flashbacks, it is learned that Dr. Neville was close to finding the cure for the outbreak, but when the virus became airborne, New York City was to be quarantined via Presidential order.
Unwilling to leave the city, as he is convinced a cure is to be found there, Dr. Neville, stays behind, and three years later is the sole survivor in a city that has become an overgrown and desolate wasteland.
Robert has become a creature of habit, as he hunts for food and useful items during the day, and in keeping with a broadcasted message, he appears at the docks every day in hopes that someone has heard his message and will be waiting for him.
Robert also amuses himself by renting movies at a nearby store and has positioned and named mannequins throughout the city in order to have some since of companionship and conversation, but it is clear that the years of isolation are starting to take their toll.
When night falls, Robert and Sam take refuge behind the reinforced shutters of their home, as dangerous bands of light sensitive mutants wander the streets at night, forcing him to stay inside until the safety of the morning sun arrives.
Robert gets a sense of hope, when he sees some potential from a new vaccine he has developed. While testing it on a captured mutant does not deliver the desired results, it does show promise that at last progress is being made in finding a way to eliminate the threat of the plague once and for all.
When a series of unexpected and surprising situations arise, Robert is forced to examine his priorities, and prepare for the ultimate confrontation if there is to be a future for humanity.
The film is the third film version of the book of the same name as Vincent Price started in “The Last Man on Earth”, and Charlton Heston gave a memorable turn in the classic “Omega Man”. Smith is solid in the role of a man driven by his desire to complete what he has started no matter the cost, even though he believes that humanity has already perished. He mixes pathos with humor, to create a sympathetic though flawed character that is unlike many of his likeable everyman roles.
At one time years ago, this film was considered as a vehicle for a pre-Governor Arnold Schwarzenegger, and it deftly mixes drama, suspense, and action to create a very memorable experience.
My biggest issue with the film was the finale, as up until that point, the film had been pacing itself to be a 2hr plus film, and it seems as if the filmmakers decided to wrap things up quickly, as the pacing of the film rapidly changed gears for what in many ways was a standard pat ending, that does not equal the quality of the first ¾ of the film.
That being said, if you can overlook the very disappointing finale to the film and focus on the solid premise and work of Smith, then you might find this one of the years more enjoyable films.
In the new film “I Am Legend”, Will Smith finds himself in a world gone mad when a cure for cancer has mutated horribly and reducing infected populations to dangerous mutants who roam dark places destroying all they encounter.
With the back-story of the film told largely through flashbacks, it is learned that Dr. Neville was close to finding the cure for the outbreak, but when the virus became airborne, New York City was to be quarantined via Presidential order.
Unwilling to leave the city, as he is convinced a cure is to be found there, Dr. Neville, stays behind, and three years later is the sole survivor in a city that has become an overgrown and desolate wasteland.
Robert has become a creature of habit, as he hunts for food and useful items during the day, and in keeping with a broadcasted message, he appears at the docks every day in hopes that someone has heard his message and will be waiting for him.
Robert also amuses himself by renting movies at a nearby store and has positioned and named mannequins throughout the city in order to have some since of companionship and conversation, but it is clear that the years of isolation are starting to take their toll.
When night falls, Robert and Sam take refuge behind the reinforced shutters of their home, as dangerous bands of light sensitive mutants wander the streets at night, forcing him to stay inside until the safety of the morning sun arrives.
Robert gets a sense of hope, when he sees some potential from a new vaccine he has developed. While testing it on a captured mutant does not deliver the desired results, it does show promise that at last progress is being made in finding a way to eliminate the threat of the plague once and for all.
When a series of unexpected and surprising situations arise, Robert is forced to examine his priorities, and prepare for the ultimate confrontation if there is to be a future for humanity.
The film is the third film version of the book of the same name as Vincent Price started in “The Last Man on Earth”, and Charlton Heston gave a memorable turn in the classic “Omega Man”. Smith is solid in the role of a man driven by his desire to complete what he has started no matter the cost, even though he believes that humanity has already perished. He mixes pathos with humor, to create a sympathetic though flawed character that is unlike many of his likeable everyman roles.
At one time years ago, this film was considered as a vehicle for a pre-Governor Arnold Schwarzenegger, and it deftly mixes drama, suspense, and action to create a very memorable experience.
My biggest issue with the film was the finale, as up until that point, the film had been pacing itself to be a 2hr plus film, and it seems as if the filmmakers decided to wrap things up quickly, as the pacing of the film rapidly changed gears for what in many ways was a standard pat ending, that does not equal the quality of the first ¾ of the film.
That being said, if you can overlook the very disappointing finale to the film and focus on the solid premise and work of Smith, then you might find this one of the years more enjoyable films.
Gareth von Kallenbach (971 KP) rated The Cave (2005) in Movies
Aug 14, 2019
Ever since the classic days of horror, one constant in film has been the time honored formula of a group of people trapped, and being stalked by sinister forces bent on their destruction.
Through countless monster films of the 40’s, 50’s, and 70’s this pattern has been a constant, ranging from Dracula to It: the Terror from Beyond Space which served as the inspiration for the genre classic “Alien”.
The breakout success of “Alien” vaulted the so called creature features from the status of matinee standard to mainstream release, which has seen varied success over the years on the big screen, but has been a fixture of cable and the home video market.
It is said that to all things there is a season, and this summer was no exception as the latest film in the genre, The Cave has surfaced at theaters after much delay due to constantly changing release dates.
The film tells of a group of explores headed by Jack (Cole Hauser), who venture to Romania to explore what is believed to be the largest underwater cave ever discovered.
In no time the team has established a base camp and ventures into the depths and finds themselves in a massive underwater cavern approximately two miles in after they had begun to explore.
A freak incident occurs trapping the group inside the unexplored cavern, which forces them to seek a new way out, as their supplies will run out in twelve days. This matter combined with the depth of their location makes a rescue difficult process, so despite reservations the team ventures even deeper into the unexplored cave.
Along the way, signs of human remains are found, which sets the group further on edge. A chance encounter with a cave dwelling creature leaves Jack injured and causes the team to look at his brother Tyler (Eddie Cibrian), to take charge, as there are those that start to believe Jack is no longer fit to lead the team. As the film unfolds a series of accidents and encounters with the bizarre creatures leaves the team diminished and in disarray, and in a bizarre twist, Jack has begun to deteriorate leaving people to wonder just how extensive the damage from his attack is.
What surprised me is that with an interesting premise and good supporting actors such as Morris Chestnut, and Piper Perabo just how dull and unsympathetic the characters were. We are told very little about them leaving their characters so paper thin, even by action film standards that it is very hard to have any sympathy for them, and care about their outcome.
What is an even bigger surprise is that the film for the most part is utterly devoid of any thrills, chills, or tension as it plods along failing to gain any modicum of suspense.
The so called finale was so by the numbers that it was in no way worth having to sit through 90+ minutes of uninspired acting, average effects, and groan inducing dialogue (“They can fly to”) that generated laughs during what is supposed to be a moment of intensity.
The creatures have some potential but we see so precious little of them, and based on certain elements of the plot, there is a lot more that needed to be said that was not.
The ending does leave the door open for a sequel but as this film is likely to be on my “Worst of the Year” list, lets hope they decide to delay this a few years which is what they should have continued to do with this bomb.
Through countless monster films of the 40’s, 50’s, and 70’s this pattern has been a constant, ranging from Dracula to It: the Terror from Beyond Space which served as the inspiration for the genre classic “Alien”.
The breakout success of “Alien” vaulted the so called creature features from the status of matinee standard to mainstream release, which has seen varied success over the years on the big screen, but has been a fixture of cable and the home video market.
It is said that to all things there is a season, and this summer was no exception as the latest film in the genre, The Cave has surfaced at theaters after much delay due to constantly changing release dates.
The film tells of a group of explores headed by Jack (Cole Hauser), who venture to Romania to explore what is believed to be the largest underwater cave ever discovered.
In no time the team has established a base camp and ventures into the depths and finds themselves in a massive underwater cavern approximately two miles in after they had begun to explore.
A freak incident occurs trapping the group inside the unexplored cavern, which forces them to seek a new way out, as their supplies will run out in twelve days. This matter combined with the depth of their location makes a rescue difficult process, so despite reservations the team ventures even deeper into the unexplored cave.
Along the way, signs of human remains are found, which sets the group further on edge. A chance encounter with a cave dwelling creature leaves Jack injured and causes the team to look at his brother Tyler (Eddie Cibrian), to take charge, as there are those that start to believe Jack is no longer fit to lead the team. As the film unfolds a series of accidents and encounters with the bizarre creatures leaves the team diminished and in disarray, and in a bizarre twist, Jack has begun to deteriorate leaving people to wonder just how extensive the damage from his attack is.
What surprised me is that with an interesting premise and good supporting actors such as Morris Chestnut, and Piper Perabo just how dull and unsympathetic the characters were. We are told very little about them leaving their characters so paper thin, even by action film standards that it is very hard to have any sympathy for them, and care about their outcome.
What is an even bigger surprise is that the film for the most part is utterly devoid of any thrills, chills, or tension as it plods along failing to gain any modicum of suspense.
The so called finale was so by the numbers that it was in no way worth having to sit through 90+ minutes of uninspired acting, average effects, and groan inducing dialogue (“They can fly to”) that generated laughs during what is supposed to be a moment of intensity.
The creatures have some potential but we see so precious little of them, and based on certain elements of the plot, there is a lot more that needed to be said that was not.
The ending does leave the door open for a sequel but as this film is likely to be on my “Worst of the Year” list, lets hope they decide to delay this a few years which is what they should have continued to do with this bomb.
Gareth von Kallenbach (971 KP) rated Aliens vs. Predator: Requiem (AVP 2) (2007) in Movies
Aug 14, 2019
Two of the biggest creature franchises in cinematic history clash again this Christmas in the new film Aliens VS Predator: Requiem.
Picking up where the last film ended, “AVP-R” follows the surprise attack inside a predator ship and its subsequent crash in the woods near the small town of Gunnison Colorado. The crash does not go unnoticed, and sadly for a father and son on a hunting trip, investigating the crash site turns out to be a fatal mistake when they are infected by a pair of Alien Face-huggers from the crash site.
As if the Aliens were not bad enough, the locales also have to content with a Predator elite warrior who has been dispatched to stop the spread of the Aliens as well as cover up any evidence of the creatures and Predator technology from the crash.
In short order, an Alien infestation of Gunnison is underway and the local townspeople an unprepared to deal with the series of events that are underway and they find that even the local National Guard units are not prepared to face the ever expanding Alien legions.
In a race against time, a few survivors attempt to flee the carnage and our racing against time before even stronger containment methods are put into place.
The film is packed with action and there are enough solid visuals to keep fans entertained. However the films biggest failing, is a complete and utter lack of character development. While I do not usually expect much in this department from a film in this genre, “AVP-R” barely plays this lip service. We know that Dallas (Steven Pasquale) is an ex-con who is returned home to see his brother who in turn is drawing heat from his interest in girl who is dating the locale goon. We also know that Kelly (Reiko Aylesworth) is a soldier who has returned home to her daughter and husband and whose daughter resents her mom being away. Beyond those factors, there is precious else we are given about the characters which in turn makes it very hard to bond with them and care if they survive as they are little more than fodder for the interstellar killing machines.
The plot of the film is also very linear as the script from Shane Salerno does a nice job of setting up the events, but does not hold any real twists or turns and plays out in a very standard manner. While there is an attempt at the end to offer a little bonus for fans, it is not really enough to push the film over the top.
Directors Greg and Colin Strause have done a great job of capturing the look and feel of the franchise and have given fans what they have long asked for, a chance to see the Aliens loose in a modern setting on Earth. While the battle scenes shine and the duo keep the film moving along at a steady pace, they are hampered by the script and character issues I mentioned earlier.
Thankfully the series has returned to its R-Rated roots and the gore is back which is essential to show just how dangerous and destructive the two species are. The introduction of a new Alien/Predator hybrid is a nice touch, and does add a new albeit it controversial new chapter in Alien reproduction that is sure to get the fans talking.
In the end, fans are left with a mixed bag as the film is better than the previous film in the series but pales when compared with “Alien”, “Aliens”, and “Predator” where interesting characters combined with suspense and action to create true genre classics. As it stands,” AVP-R” is a worthy effort that comes up short of its aspirations.
Picking up where the last film ended, “AVP-R” follows the surprise attack inside a predator ship and its subsequent crash in the woods near the small town of Gunnison Colorado. The crash does not go unnoticed, and sadly for a father and son on a hunting trip, investigating the crash site turns out to be a fatal mistake when they are infected by a pair of Alien Face-huggers from the crash site.
As if the Aliens were not bad enough, the locales also have to content with a Predator elite warrior who has been dispatched to stop the spread of the Aliens as well as cover up any evidence of the creatures and Predator technology from the crash.
In short order, an Alien infestation of Gunnison is underway and the local townspeople an unprepared to deal with the series of events that are underway and they find that even the local National Guard units are not prepared to face the ever expanding Alien legions.
In a race against time, a few survivors attempt to flee the carnage and our racing against time before even stronger containment methods are put into place.
The film is packed with action and there are enough solid visuals to keep fans entertained. However the films biggest failing, is a complete and utter lack of character development. While I do not usually expect much in this department from a film in this genre, “AVP-R” barely plays this lip service. We know that Dallas (Steven Pasquale) is an ex-con who is returned home to see his brother who in turn is drawing heat from his interest in girl who is dating the locale goon. We also know that Kelly (Reiko Aylesworth) is a soldier who has returned home to her daughter and husband and whose daughter resents her mom being away. Beyond those factors, there is precious else we are given about the characters which in turn makes it very hard to bond with them and care if they survive as they are little more than fodder for the interstellar killing machines.
The plot of the film is also very linear as the script from Shane Salerno does a nice job of setting up the events, but does not hold any real twists or turns and plays out in a very standard manner. While there is an attempt at the end to offer a little bonus for fans, it is not really enough to push the film over the top.
Directors Greg and Colin Strause have done a great job of capturing the look and feel of the franchise and have given fans what they have long asked for, a chance to see the Aliens loose in a modern setting on Earth. While the battle scenes shine and the duo keep the film moving along at a steady pace, they are hampered by the script and character issues I mentioned earlier.
Thankfully the series has returned to its R-Rated roots and the gore is back which is essential to show just how dangerous and destructive the two species are. The introduction of a new Alien/Predator hybrid is a nice touch, and does add a new albeit it controversial new chapter in Alien reproduction that is sure to get the fans talking.
In the end, fans are left with a mixed bag as the film is better than the previous film in the series but pales when compared with “Alien”, “Aliens”, and “Predator” where interesting characters combined with suspense and action to create true genre classics. As it stands,” AVP-R” is a worthy effort that comes up short of its aspirations.
365Flicks (235 KP) rated Pandorica (2016) in Movies
Nov 20, 2019
Now that Chris and I have handed back the reigns of Another Damn Wrestling Show to its original hosts Matt, Joe and the other one. I no longer have to watch 12 hours of Wrestling each week so I decided to tackle my backlog of Movie reviews that some awesome very kind people have been sending. Today was the turn of Pandorica, a movie that to be fair had me at the trailer because its tells you everything without giving anything away. Best type of Trailer really (Yes that was a pop at Terminator Genisys).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).
Heather Cranmer (2721 KP) rated Whickering Place (Legacy of Darkness #2) in Books
Nov 22, 2019
I've been a fan of London Clarke since I read her debut novel Wildfell. I was thrilled when Whickering Place, the second novel in the Legacy of Darkness series, came out. I really enjoyed the first book in the series The Meadows. I must say that Whickering Place really blew me away!
If you're a fan of vampires, ghosts, and a touch of romance, you will love Whickering Place. I'm not going to rehash the synopsis since you will have probably read it yourself, and the synopsis does such a great job at describing this book. Even though I'm not a fan of the whole vampire movement in media, I really did enjoy Whickering Place. The plot was done brilliantly. I very much enjoyed the world building. In fact, I couldn't find one fault with the world building. Clarke does a fantastic job at making sure you're left feeling like you are a bystander amidst all the action. While there is a cliffhanger at the end of Whickering Place, this was done intentionally and will hopefully all will be revealed in the next book in the series.
The pacing was slow for about the first quarter or so of the book as the backstory and plot were being set up. I will admit that I did think about just giving up on Whickering Place, but I'm glad I kept reading because wow, the pacing definitely picked up after that! Once it picked up, there was no going back. I devoured each page. The suspense kept me on my toes! I was heavily invested in the story and all of the characters in Whickering Place.
Each and every character no matter how minor or major was written fantastically! Each character had their own personality, and it felt as if I was reading about a real flesh and blood person instead of just a character in a book. Avery was a great character. I could sort of relate to her agoraphobia. I used to be almost as bad as her. I felt bad for her, and I was always hoping she would get better so she could have more of a life. I kept thinking that Avery and myself could become great friends if she was real. It was almost as if every decision she made was one that I would have made. Pearse was definitely an interesting character. I did feel bad for him when it came to The Colony. I was always hoping he'd be able to get away from them. He seemed like he had a good heart. I also felt bad for Colin when it came to Avery. It was very obvious that he cared deeply for her. Colin definitely came across as a stand up sort of guy! I didn't really care for Maris, not because she was written poorly. She was actually written quite well! She just reminded me of those pretty mean girls I knew back when I was in school. I didn't know what to think of Cassie. I liked Cassie, and I loved her personality and how willing she was to help out, but I was never sure if I could trust her 100 percent.
Trigger warnings for Whickering Place include profanity (there's not a lot though), sexual situations (although these aren't graphic, and there aren't many sexual scenes), murder, attempted murder, alcohol, dealings with the occult, demons, and violence.
Overall, Whickering Place is a thrilling read which such a fantastic set of characters and an intense plot! This is one of those books that even though it starts out slow, it does a fantastic job at pulling you right into its pages and doesn't let you go! I would definitely recommend Whickering Place by London Clarke to everyone aged 17+ who loves getting lost in a good thriller.
If you're a fan of vampires, ghosts, and a touch of romance, you will love Whickering Place. I'm not going to rehash the synopsis since you will have probably read it yourself, and the synopsis does such a great job at describing this book. Even though I'm not a fan of the whole vampire movement in media, I really did enjoy Whickering Place. The plot was done brilliantly. I very much enjoyed the world building. In fact, I couldn't find one fault with the world building. Clarke does a fantastic job at making sure you're left feeling like you are a bystander amidst all the action. While there is a cliffhanger at the end of Whickering Place, this was done intentionally and will hopefully all will be revealed in the next book in the series.
The pacing was slow for about the first quarter or so of the book as the backstory and plot were being set up. I will admit that I did think about just giving up on Whickering Place, but I'm glad I kept reading because wow, the pacing definitely picked up after that! Once it picked up, there was no going back. I devoured each page. The suspense kept me on my toes! I was heavily invested in the story and all of the characters in Whickering Place.
Each and every character no matter how minor or major was written fantastically! Each character had their own personality, and it felt as if I was reading about a real flesh and blood person instead of just a character in a book. Avery was a great character. I could sort of relate to her agoraphobia. I used to be almost as bad as her. I felt bad for her, and I was always hoping she would get better so she could have more of a life. I kept thinking that Avery and myself could become great friends if she was real. It was almost as if every decision she made was one that I would have made. Pearse was definitely an interesting character. I did feel bad for him when it came to The Colony. I was always hoping he'd be able to get away from them. He seemed like he had a good heart. I also felt bad for Colin when it came to Avery. It was very obvious that he cared deeply for her. Colin definitely came across as a stand up sort of guy! I didn't really care for Maris, not because she was written poorly. She was actually written quite well! She just reminded me of those pretty mean girls I knew back when I was in school. I didn't know what to think of Cassie. I liked Cassie, and I loved her personality and how willing she was to help out, but I was never sure if I could trust her 100 percent.
Trigger warnings for Whickering Place include profanity (there's not a lot though), sexual situations (although these aren't graphic, and there aren't many sexual scenes), murder, attempted murder, alcohol, dealings with the occult, demons, and violence.
Overall, Whickering Place is a thrilling read which such a fantastic set of characters and an intense plot! This is one of those books that even though it starts out slow, it does a fantastic job at pulling you right into its pages and doesn't let you go! I would definitely recommend Whickering Place by London Clarke to everyone aged 17+ who loves getting lost in a good thriller.
Lee (2222 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Back in 1974, a low-budget Canadian horror movie by the name of Black Christmas was released and was one of the first to define the slasher movie template that we've now become so heavily accustomed to. Black Christmas already got a remake back in 2006 and now we have another, coming this time from powerhouse movie studio Blumhouse and directed/co-written by Sophia Takal.
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Ivana A. | Diary of Difference (1171 KP) rated A Darker State (Karin Müller #3) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/book/show/25708878-stasi-child">Stasi Child</a> - Not Read
#2 <a href="https://www.goodreads.com/book/show/32194597-stasi-wolf">Stasi Wolf</a> - Not Read
#3 <a href="https://www.goodreads.com/review/show/2384443604">A Darker State</a> - ★★
#4 <a href="https://www.goodreads.com/book/show/42408350-stasi-77">Stasi 77</a> - Not Read
#5 <a href="https://www.goodreads.com/book/show/47872602-stasi-winter">Stasi Winter</a> - Not Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-19-1024x576.png"/>;
<i>For the Stasi, it’s not just the truth that gets buried . . .
The body of a teenage boy is found weighted down in a lake. Karin Müller, newly appointed Major of the People’s Police, is called to investigate. But her power will only stretch so far, when every move she makes is under the watchful eye of the Stasi.
Then, when the son of Müller’s team member goes missing, it quickly becomes clear that there is a terrifying conspiracy at the heart of this case, one that could fast lead Müller and her young family into real danger.
Can she navigate this complex political web and find the missing boy, before it’s too late?</i>
<i><b>I have mixed feelings about A Darker State (Karin Müller #3).</b></i> It has been sitting on my shelf for a very long time, and when I finally managed to read it, I thought I would be in for a treat, for something special. But it wasn’t special. I did enjoy a bit of the mystery, but it is most certainly not a favourite of mine.
Apparently, this is the third book of a series, and the books can be read as standalone. The only thing they have in common is the character and how it develops throughout the books.
From the very beginning, the book came across as unrealistic. Karin has recently become a mother, and she is just getting back to her job, when suddenly, she is being promoted as the Major of the People’s Police and is put on a very dangerous case. Now I don’t know about your police forces, but ours would certainly not promote a person just like that.
<b><i>Karin’s character was too forced upon me.</i></b>
At least that is how I felt. Like I needed to like her, and I needed to respect her. And I just wasn’t having it. She was not really that good of a character. Maybe it’s because I missed on reading the previous two books and don’t know her well enough. And maybe she was just a poor creation.
I didn’t enjoy the political webs and plotting. I think I prefer a much more realistic, straight up mystery novel. There was a huge lack of mystery drama, suspense, excitement or fear, which I think was crucial for me rate this book low. There were only a few actual scenes where the scene was discussed and the causes of death, etc. I wish there were more scenes like this, rather than mysterious conversation with politicians and secretive tycoons.
I loved the author’s writing and description, but I don’t think his style fits my preference, so I don’t think I will be reading any more books from this series.
Let me know if you have read it. I would love to know what you think.
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#1 <a href="https://www.goodreads.com/book/show/25708878-stasi-child">Stasi Child</a> - Not Read
#2 <a href="https://www.goodreads.com/book/show/32194597-stasi-wolf">Stasi Wolf</a> - Not Read
#3 <a href="https://www.goodreads.com/review/show/2384443604">A Darker State</a> - ★★
#4 <a href="https://www.goodreads.com/book/show/42408350-stasi-77">Stasi 77</a> - Not Read
#5 <a href="https://www.goodreads.com/book/show/47872602-stasi-winter">Stasi Winter</a> - Not Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-19-1024x576.png"/>;
<i>For the Stasi, it’s not just the truth that gets buried . . .
The body of a teenage boy is found weighted down in a lake. Karin Müller, newly appointed Major of the People’s Police, is called to investigate. But her power will only stretch so far, when every move she makes is under the watchful eye of the Stasi.
Then, when the son of Müller’s team member goes missing, it quickly becomes clear that there is a terrifying conspiracy at the heart of this case, one that could fast lead Müller and her young family into real danger.
Can she navigate this complex political web and find the missing boy, before it’s too late?</i>
<i><b>I have mixed feelings about A Darker State (Karin Müller #3).</b></i> It has been sitting on my shelf for a very long time, and when I finally managed to read it, I thought I would be in for a treat, for something special. But it wasn’t special. I did enjoy a bit of the mystery, but it is most certainly not a favourite of mine.
Apparently, this is the third book of a series, and the books can be read as standalone. The only thing they have in common is the character and how it develops throughout the books.
From the very beginning, the book came across as unrealistic. Karin has recently become a mother, and she is just getting back to her job, when suddenly, she is being promoted as the Major of the People’s Police and is put on a very dangerous case. Now I don’t know about your police forces, but ours would certainly not promote a person just like that.
<b><i>Karin’s character was too forced upon me.</i></b>
At least that is how I felt. Like I needed to like her, and I needed to respect her. And I just wasn’t having it. She was not really that good of a character. Maybe it’s because I missed on reading the previous two books and don’t know her well enough. And maybe she was just a poor creation.
I didn’t enjoy the political webs and plotting. I think I prefer a much more realistic, straight up mystery novel. There was a huge lack of mystery drama, suspense, excitement or fear, which I think was crucial for me rate this book low. There were only a few actual scenes where the scene was discussed and the causes of death, etc. I wish there were more scenes like this, rather than mysterious conversation with politicians and secretive tycoons.
I loved the author’s writing and description, but I don’t think his style fits my preference, so I don’t think I will be reading any more books from this series.
Let me know if you have read it. I would love to know what you think.
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<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;