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Rarest Of Birds by Grizfolk
Rarest Of Birds by Grizfolk
7
7.0 (1 Ratings)
Album Rating
Grizfolk is an LA- & Nashville-based outfit with roots in Sweden. Not too long ago, they released a hearty indie-rock tune, entitled, “Hurricane”.

“Can we love like a hurricane? When the storm is here it’s hard to tame. Are we lost ‘cause we took it too far. If what it is isn’t all we are, shut the lights out, leave me in the dark. It wasn’t all supposed to fall apart.” – lyrics

‘Hurricane’ tells an interesting tale of a young guy who is head-over-heels in love with his significant other.

Apparently, he compares his stormy love for his partner to the nature of a hurricane, which means what he feels is very hard to tame.

‘Hurricane’ contains a relatable storyline and pleasing vocals. Also, the song possesses guitar-driven instrumentation flavored with a groovy indie-rock aroma.

“This song is about loving someone or something as hard and as fast as you can, like you’re eventually going to lose it” – Adam Roth

Grizfolk consists of Adam Roth, Sebastian Fritze, Fredrik Eriksson, and Bill Delia.

Their ‘Hurricane’ single will be featured on their upcoming sophomore album, entitled, “Rarest of Birds”, which will be released on July 19, 2019.
  
Fanny and Alexander (1982)
Fanny and Alexander (1982)
1982 | Drama, International

"Ingmar Bergman’s masterpiece was an international critical and financial success, winning four Oscars. And that was in its truncated, just-over-three-hour version. Included in this set is Bergman’s full version, made for Swedish television. Presented in four parts, it comes in at over five hours, nearly twice as long as the theatrical cut. It’s truly a marvel to behold, intricately detailing every aspect of the lives of the Ekdahl family in turn-of-the-twentieth-century Sweden. As it brilliantly charts a span of several years through the eyes of children, the film is equally detailed with its adult characters’ points of view. Equal parts joyous and tragic. A marvelous and loving tribute to Bergman’s life in the theater. Full of magical realism and stark, painful reality. A meditation on death and a celebration of life. Dickensian in nature (Dickens is said to have been a major influence on Bergman for this film). Truly unlike anything else he ever did. It recalls the great epics of David Lean, which were massive in scope while also being concerned with intimate details of the human condition and its fragility. A masterwork in either version. Watch them both and never be bored for a moment."

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