Search
BankofMarquis (1832 KP) rated Rambo: Last Blood (2019) in Movies
Sep 24, 2019
Not really a "Rambo" flick...but kind of is (if you squint)...
The "final" installment in the Sylvester Stallone as John Rambo series of films (the 5th!) RAMBO: LAST BLOOD is one of those hybrid type of films that is really two 45-50 minute films put together to give you one 1 hour, 45 minute adventure. These two film-ettes are clear throwbacks to 2 other films.
"Oh...you say...they are paying homage to previous RAMBO films, like the first one FIRST BLOOD and the best one RAMBO..." and...that would make sense and give a reason for this character to re-emerge, but this is NOT what is happening here.
The first half of this film has been done better as the Liam Neeson film TAKEN while the 2nd half of this film is a clear homage to HOME ALONE - or as I call it BLOODY HOME ALONE. So, instead of the crooks being comically hurt, they are dismembered, disemboweled, be-headed and run through the middle with pointy stuff.
All with lots and lots of blood spurting everywhere.
Inexplicably, Sylvester Stallone agreed to revise his John Rambo personae after 11 years away from it and he is showing every moment of his 73 years of age in this role. To say that Stallone is a little "long in the tooth" for this type of action/beat 'em up role would be doing a disservice to the term "long in the tooth".
As is fairly typical in these types of films, the plot is fairly straightforward - John Rambo is living a peaceful existence until someone close to him is kidnapped by bad guys south of the border, so Rambo goes in search of her (that's the first half of the film - the TAKEN portion). And...this part of the film is...okay (just...okay). The "good guys" around Rambo are nice (enough) and he is joined by a crusading journalist who also has had someone kidnapped so you think he might be joined by a ragtag group of "frenemies" to fight a common enemy...but...Rambo goes in "mano a mano" (this is a Stallone/Rambo film after all) and this part of the film, ultimately, fails to deliver the goods and falls flat.
Director Adrian Grunberg (the immortal GET THE GRINGO...yeah, I've never heard of it, either) sets up at the beginning of this movie some interesting side characters (the journalist, the one time bad guy who is now out of the bad guy business and might have a redemption-type arc, the plucky teenager) and some interesting character traits (PTSD, Concussion symptoms) that our hero is suffering from. All of these elements should have/could have been utilized to bring some interesting twists to the action scenes - but they are all quickly...and promptly...dropped to show Stallone being macho and killing bad guys on his way to fulfilling the goal of the first half of the film.
And then comes the 2nd half.
The bad guys come to Rambo's Ranch to exact some revenge (I can see a bobby-trapped Halloween-type walk through haunted house coming to a corn field near you this fall). Any pretense of plot, character development, etc. is gone in a hot minute as this part of the film is all about the bloody Home Alone-type booby-traps at the ranch. Wanna see someone get a pitchfork to the face? Check! Wanna see someone get their arm chopped off with a machete? Check! How about falling through a trap door onto some spikes? You got it! And it just gets bigger, bloodier and more comedicly-"awesome-gruesome" as we go. If you enjoy this type of thing (and...I gotta admit...I do) then this is pretty entertaining.
Ridiculous? Yes. Is Stallone too old for this type of film? Yes. Over-the-top? Of course. A good film with strong characters? Heck no.
But that's not what we came to see. If you can get through the fairly slow (and poorly written) first half of this film, the 2nd half is bloody good fun.
Letter Grade: B-
6 stars (out of 10 - just know what kind of film you are watching) and you can take that to the Bank(ofMarquis).
"Oh...you say...they are paying homage to previous RAMBO films, like the first one FIRST BLOOD and the best one RAMBO..." and...that would make sense and give a reason for this character to re-emerge, but this is NOT what is happening here.
The first half of this film has been done better as the Liam Neeson film TAKEN while the 2nd half of this film is a clear homage to HOME ALONE - or as I call it BLOODY HOME ALONE. So, instead of the crooks being comically hurt, they are dismembered, disemboweled, be-headed and run through the middle with pointy stuff.
All with lots and lots of blood spurting everywhere.
Inexplicably, Sylvester Stallone agreed to revise his John Rambo personae after 11 years away from it and he is showing every moment of his 73 years of age in this role. To say that Stallone is a little "long in the tooth" for this type of action/beat 'em up role would be doing a disservice to the term "long in the tooth".
As is fairly typical in these types of films, the plot is fairly straightforward - John Rambo is living a peaceful existence until someone close to him is kidnapped by bad guys south of the border, so Rambo goes in search of her (that's the first half of the film - the TAKEN portion). And...this part of the film is...okay (just...okay). The "good guys" around Rambo are nice (enough) and he is joined by a crusading journalist who also has had someone kidnapped so you think he might be joined by a ragtag group of "frenemies" to fight a common enemy...but...Rambo goes in "mano a mano" (this is a Stallone/Rambo film after all) and this part of the film, ultimately, fails to deliver the goods and falls flat.
Director Adrian Grunberg (the immortal GET THE GRINGO...yeah, I've never heard of it, either) sets up at the beginning of this movie some interesting side characters (the journalist, the one time bad guy who is now out of the bad guy business and might have a redemption-type arc, the plucky teenager) and some interesting character traits (PTSD, Concussion symptoms) that our hero is suffering from. All of these elements should have/could have been utilized to bring some interesting twists to the action scenes - but they are all quickly...and promptly...dropped to show Stallone being macho and killing bad guys on his way to fulfilling the goal of the first half of the film.
And then comes the 2nd half.
The bad guys come to Rambo's Ranch to exact some revenge (I can see a bobby-trapped Halloween-type walk through haunted house coming to a corn field near you this fall). Any pretense of plot, character development, etc. is gone in a hot minute as this part of the film is all about the bloody Home Alone-type booby-traps at the ranch. Wanna see someone get a pitchfork to the face? Check! Wanna see someone get their arm chopped off with a machete? Check! How about falling through a trap door onto some spikes? You got it! And it just gets bigger, bloodier and more comedicly-"awesome-gruesome" as we go. If you enjoy this type of thing (and...I gotta admit...I do) then this is pretty entertaining.
Ridiculous? Yes. Is Stallone too old for this type of film? Yes. Over-the-top? Of course. A good film with strong characters? Heck no.
But that's not what we came to see. If you can get through the fairly slow (and poorly written) first half of this film, the 2nd half is bloody good fun.
Letter Grade: B-
6 stars (out of 10 - just know what kind of film you are watching) and you can take that to the Bank(ofMarquis).
Awix (3310 KP) rated Ocean’s 8 (2018) in Movies
Jun 26, 2018 (Updated Jun 26, 2018)
We seem to be at the point where Hollywood is all for giving more and better roles for women in big (ish) genre movies, but no-one seems to have much idea about how to do this beyond clumsily retooling films that would usually star men for a female cast. Hence things like this, which is basically a minimal variation on the formula from the Clooney/Pitt Ocean movies - you know it's about women, though, because they're stealing jewellery and there's a scene where they all swish about glamorously in expensive dresses.
Uninspired and unsurprising plot, distinctly mixed bag of performances, and lack of a moral compass (rather than stealing from a proper bad guy, they're basically just nicking stuff from an innocent jewellery house) mean that this was a rather unengaging experience for me (though a friend who is actually in the target demographic said she quite enjoyed it). Seriously, though, if people keep going to see this sort of thing, it's all going to end up with Sylvester Stallone finally making The Expendabelles, and who really wants that to happen?
Uninspired and unsurprising plot, distinctly mixed bag of performances, and lack of a moral compass (rather than stealing from a proper bad guy, they're basically just nicking stuff from an innocent jewellery house) mean that this was a rather unengaging experience for me (though a friend who is actually in the target demographic said she quite enjoyed it). Seriously, though, if people keep going to see this sort of thing, it's all going to end up with Sylvester Stallone finally making The Expendabelles, and who really wants that to happen?
Matthew Krueger (10051 KP) rated The Expendables 2 (2012) in Movies
Nov 22, 2019
Mumble Mumble Mumble Part 2
This one, this one to me is the best one out of all three of them. It has more action, more comedy, more one-liners and more mumbling is that a good thing probley not because you cant understand one who that their saying.
The Plot: Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr. Church (Bruce Willis) hires them for a seemingly easy job. But things go terribly wrong, compelling the mercenaries to seek revenge for a comrade's murder. With the odds against them, Barney and his team are hell-bent on payback and cut a path of destruction through opposing forces, only to encounter an unexpected threat: six pounds of weapons-grade plutonium.
Is Bruce and Arnold in this one more yes their are and their say each other's one-liner's to each other. Its really funny.
So which 80's star is in this one? Liam Hemsworth, who? Oh the brother of Chris Hensworth.
Anways its a great time and fun to watch.
The Plot: Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr. Church (Bruce Willis) hires them for a seemingly easy job. But things go terribly wrong, compelling the mercenaries to seek revenge for a comrade's murder. With the odds against them, Barney and his team are hell-bent on payback and cut a path of destruction through opposing forces, only to encounter an unexpected threat: six pounds of weapons-grade plutonium.
Is Bruce and Arnold in this one more yes their are and their say each other's one-liner's to each other. Its really funny.
So which 80's star is in this one? Liam Hemsworth, who? Oh the brother of Chris Hensworth.
Anways its a great time and fun to watch.
BankofMarquis (1832 KP) rated Creed II (2018) in Movies
Dec 7, 2018
Good Enough
By my count, this is the 8th time that Sylvester Stallone has put on the character of Rocky Balboa. This time it comes after the resurgence of this character (and franchise) with the introduction of Adonis Creed (Michael B. Jordan) and a script that allowed Stallone to explore the character in a way that he had not previously been able to - and garnered him a well-deserved Oscar nomination for his efforts.
In CREED II we are back to an above average by-the-numbers boxing picture with Jordan's Adonis Creed character starting the picture on top, losing it all when he loses himself (and stops listening to Rocky) in his success only to go on a journey of redemption (by following Rocky's advice) at the end. This is, in essence, a regurgitation of ROCKY III and I was somewhat bored by it.
That is, until the final bout, then (gosh darnnit) I was drawn right into the melodrama, pomp and pageantry of the fight and was cheering along with the rest of the audience at all the appropriate moments.
In Creed II, Apollo Creed's son battles Ivan Drago's son. For those of you not up on your Rocky history, Drago (Dolph Lundgren, reprising his role) was the boxer that killed Apollo Creed (Adonis' father) in the ring all those years ago.
Jordan is properly cocky, arrogant, stubborn, shell-shocked, morose, repentant and cocky (again) as the script would indicate. Tessa Thompson (as his wife) deserves better material than what she is given as does Stallone, who falls back to "being Rocky" without anything really new here. Surprisingly, Dolph Lundgren does a nice job as the washed-up boxer who's life was "ruined" when he lost to Rocky at the end of Rocky IV (not a spoiler). Finally, Russel Horsnby (as the "I just want to earn money" promoter of the fight) and Phylicia Rashad (as Adonis' mother/Apollo's wife) are both really good in roles that deserved to be much bigger - and more fleshed out - than they were.
My biggest disappointment from this film is the ommision of Director Ryan Coogler. He brought a visceral attitude to the series in the first CREED film and I felt that this spark of energy was just missing throughout this film with Steven Caple, Jr at the helm. It seemed, to me, that this series is quickly devolving into "paycheck" movies for Stallone and that really saddens me.
All-in-all a rather above average "by-the-numbers" boxing flick with a really good fight at the end of the film that is well worth sticking around for.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
In CREED II we are back to an above average by-the-numbers boxing picture with Jordan's Adonis Creed character starting the picture on top, losing it all when he loses himself (and stops listening to Rocky) in his success only to go on a journey of redemption (by following Rocky's advice) at the end. This is, in essence, a regurgitation of ROCKY III and I was somewhat bored by it.
That is, until the final bout, then (gosh darnnit) I was drawn right into the melodrama, pomp and pageantry of the fight and was cheering along with the rest of the audience at all the appropriate moments.
In Creed II, Apollo Creed's son battles Ivan Drago's son. For those of you not up on your Rocky history, Drago (Dolph Lundgren, reprising his role) was the boxer that killed Apollo Creed (Adonis' father) in the ring all those years ago.
Jordan is properly cocky, arrogant, stubborn, shell-shocked, morose, repentant and cocky (again) as the script would indicate. Tessa Thompson (as his wife) deserves better material than what she is given as does Stallone, who falls back to "being Rocky" without anything really new here. Surprisingly, Dolph Lundgren does a nice job as the washed-up boxer who's life was "ruined" when he lost to Rocky at the end of Rocky IV (not a spoiler). Finally, Russel Horsnby (as the "I just want to earn money" promoter of the fight) and Phylicia Rashad (as Adonis' mother/Apollo's wife) are both really good in roles that deserved to be much bigger - and more fleshed out - than they were.
My biggest disappointment from this film is the ommision of Director Ryan Coogler. He brought a visceral attitude to the series in the first CREED film and I felt that this spark of energy was just missing throughout this film with Steven Caple, Jr at the helm. It seemed, to me, that this series is quickly devolving into "paycheck" movies for Stallone and that really saddens me.
All-in-all a rather above average "by-the-numbers" boxing flick with a really good fight at the end of the film that is well worth sticking around for.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated The Expendables 3 (2014) in Movies
Jun 19, 2019
Many times when a film series reaches it”s third installment, it is out of ideas and running on fumes. The idea that if a film has spawned a successful sequel it must have a trilogy is nothing new in Hollywood, but far too many times the third films loses momentum and goes through the motions for one last payday for the cast and studio.
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
Andy K (10821 KP) rated First Blood (1982) in Movies
Jun 23, 2018 (Updated Jun 23, 2018)
They drew First Blood, not me!
Sylvester Stallone will probably always be best remembered for his portrayal of boxer Rocky Balboa, but a close second is his role and character of troubled Vietnam War veteran John Rambo.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.
Gareth von Kallenbach (971 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Gareth von Kallenbach (971 KP) rated Creed (2015) in Movies
Jun 19, 2019
Life for Adonis Johnson (Michael B Jordan) has always been a struggle. He has moved from one facility to another under the care the state constantly fighting for his place in society. When he is adopted by Mary Anne Creed (Phylicia Rashad), he learns that his father was actually legendary fighter Apollo Creed who had a dalliance with his mother and died before Adonis was born. Flash forward year’s later, despite a life of privilege and a good job, Adonis yearns to be a boxer and follow in his father’s footsteps. Unable to secure fights, he travels across the border to fight on the circuit in Mexico where he is undefeated. When able to quench his conflicting emotions, Adonis moves to Philadelphia to live a simpler life. He hopes to take pointers from his father’s chief rival and longtime friend Rocky Balboa (Sylvester Stallone), but is at first hesitant to reveal his true connection to Creed. This is the promise of the new film “Creed”, which is a very worthy and in joy of all entry into the popular “Rocky” series. In older, more cautious and world beaten Balboa is hesitant to go back into the world that made him a household name, but eventually is determined to train the young boxer and in doing so both of them learn what it is to be a champion in and out of the ring.
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
LoganCrews (2861 KP) rated Ratchet & Clank (2016) in Movies
Sep 21, 2020
The accompanying ps4 game sucked but this somehow sucks way more. Absolutely guts the video games of their charisma, nuance, wit, humor, lively visuals, world-building, sense of wonderment, good characters, memorability, fun, and solid writing until it eventually whittles away and lays waste to nearly everything which made them what they were in the first place - leaving behind a shallow, barren husk of another throwaway film for babies with no sense of object permanence yet. Can't say it's completely laugh free, and it is cool to see Jim Ward's lovable doofus Captain Qwark (albeit a watered-down version) sharing the screen with cinematic heavyweights like Sylvester Stallone and Paul Giamatti - but otherwise it's a profoundly nothing experience. Also pretty ironic that they attempted to reboot a story where capital ran rampant and turned everybody into selfish, greedy assholes into one of the most bastardized corporate attempts at appealing to a broader demographic by shucking away all its personality and slapping on the most overused trite template that all of these dumbass cash-grab children's dumps which do little more than insult kids' intelligence use. If I have to see one more movie about a bland wide-eyed dreamer who dreams of being something more and they get it for no reason I'm going to sue. For the record I also do not side with the people complimenting this cold, soulless, chintzy animation. The new characters reek and it's boring as fuck. Even the weaker games are miles better than this dirt.
LeftSideCut (3778 KP) rated Rambo: Last Blood (2019) in Movies
Mar 25, 2020
Honestly, I'm not a massive fan of the Rambo franchise. I don't hate them...the first movie is enjoyable enough, but anything else I can give or take.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.