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Miles Teller recommended Love Liza (2003) in Movies (curated)

Miles Teller recommended The Wizard of Oz (1939) in Movies (curated)

David McK (3600 KP) rated Clue (1985) in Movies
Jun 29, 2025
Clue.
Or, as it's known here in the UK, Cluedo.
The murder mystery board-game.
That's the starting point for this movie, which - basically - is a live action version of said game, leaving the audience guessing along trying to discover who committed the murder at a dinner party being hosted at a mansion, where - it tranpsires - all the guests (all going by aliases ie Mrs Peacocke, Miss Scarlette, Professor Plum etc) were being blackmailed.
Apparently released with 3 endings at the time, with each cinema only showing a single ending but now (on TV/home release) with all 3 endings shown one after the other.
Or, as it's known here in the UK, Cluedo.
The murder mystery board-game.
That's the starting point for this movie, which - basically - is a live action version of said game, leaving the audience guessing along trying to discover who committed the murder at a dinner party being hosted at a mansion, where - it tranpsires - all the guests (all going by aliases ie Mrs Peacocke, Miss Scarlette, Professor Plum etc) were being blackmailed.
Apparently released with 3 endings at the time, with each cinema only showing a single ending but now (on TV/home release) with all 3 endings shown one after the other.

Awix (3310 KP) rated Star Trek II: The Wrath of Khan (1982) in Movies
Feb 13, 2018 (Updated Feb 13, 2018)
A Mid-life Crisis, but Not as We Know It
Easily the best of the Trek movies. Made with half-an-eye to concluding the franchise, it ended up revitalising the series for another quarter century.
Old enemy from the TV show is rediscovered, vows revenge on Kirk; many rousing space battles and well-handled character moments ensue. Ricardo Montalban really goes for it as Khan; William Shatner gives a proper movie leading man performance. Relatively low budget is artfully concealed.
Benefits considerably from being willing to acknowledge that everyone has aged since the original TV show; Kirk has to confront the consequences of choices he made as a young man (later movies disregarded the fact the crew were becoming increasingly geriatric). The essential Trek philosophy of optimistic liberal humanism somehow gets a bit lost along the way, but you really don't care as the rest of it is so much fun. Almost unreasonably well-written when you consider the script was done in less than a fortnight.
Old enemy from the TV show is rediscovered, vows revenge on Kirk; many rousing space battles and well-handled character moments ensue. Ricardo Montalban really goes for it as Khan; William Shatner gives a proper movie leading man performance. Relatively low budget is artfully concealed.
Benefits considerably from being willing to acknowledge that everyone has aged since the original TV show; Kirk has to confront the consequences of choices he made as a young man (later movies disregarded the fact the crew were becoming increasingly geriatric). The essential Trek philosophy of optimistic liberal humanism somehow gets a bit lost along the way, but you really don't care as the rest of it is so much fun. Almost unreasonably well-written when you consider the script was done in less than a fortnight.

Awix (3310 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2019 (Updated Sep 28, 2019)
Big-screen version of the popular costume soap feels like a long episode of a TV costume soap that's ended up in a movie theatre by accident (there's a shock). Daily life at Downton is thrown into uproar by the royal visit; this is mainly just a pretext to hang various low-stakes storylines onto, none of which are especially gripping.
The heritage view of the country is pervasive and unquestioned; the plot mostly concerns a bunch of people utterly determined to be as servile and deferent as they can, no matter the obstacles in their way. You either accept this is normal behaviour and buy into the film's picture-book idea of English life, or you don't, in which case this is not the film for you. Fine performers get very little to do; not much happens overall, to be honest. But if you watched the TV show and have affection for these characters I expect there will be much here you will enjoy. To me it just seemed like a load of under-powered smug monarchist piffle.
The heritage view of the country is pervasive and unquestioned; the plot mostly concerns a bunch of people utterly determined to be as servile and deferent as they can, no matter the obstacles in their way. You either accept this is normal behaviour and buy into the film's picture-book idea of English life, or you don't, in which case this is not the film for you. Fine performers get very little to do; not much happens overall, to be honest. But if you watched the TV show and have affection for these characters I expect there will be much here you will enjoy. To me it just seemed like a load of under-powered smug monarchist piffle.

Awix (3310 KP) rated Edge of Darkness (2010) in Movies
May 5, 2020 (Updated May 6, 2020)
The legendary TV mini-series is retooled for the big screen as a bog-standard Mel Gibson revenge thriller. A detective's daughter is killed, and his investigations lead him to discover she was a target of forces within the military-industrial complex operating above the law.
As well as two-thirds of the running time and most of the plot, the movie version of Edge of Darkness also cheerfully dispenses with virtually everything that made the TV show so memorable: theoretically a fiendishly convoluted thriller, it also contained an environmentalist subtext, an incest subtext, a subtext about Anglo-US relations, even some borderline SF & fantasy elements. All of this is gone and just replaced with Mel Gibson looking intense and beating people up. As a result it is very hard to care about what's happening, although the illogicality of much of it does manage to cut through (someone poisoning someone else and then deciding to shoot them as well is practically a motif). Ray Winstone is not bad as Jedburgh, but given the source material the rest of it is unforgivably lousy.
As well as two-thirds of the running time and most of the plot, the movie version of Edge of Darkness also cheerfully dispenses with virtually everything that made the TV show so memorable: theoretically a fiendishly convoluted thriller, it also contained an environmentalist subtext, an incest subtext, a subtext about Anglo-US relations, even some borderline SF & fantasy elements. All of this is gone and just replaced with Mel Gibson looking intense and beating people up. As a result it is very hard to care about what's happening, although the illogicality of much of it does manage to cut through (someone poisoning someone else and then deciding to shoot them as well is practically a motif). Ray Winstone is not bad as Jedburgh, but given the source material the rest of it is unforgivably lousy.

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