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David McK (3557 KP) rated Excalibur: The Legend of King Arthur in Books
Jan 30, 2019
If I'm honest, I'm not really that much of a graphic novel/comic book kinda guy: I usually prefer to let my imagination do the work rather than have it 'shown' to me (which is also why I don't always like TV/movie adaptations).
Having said that, I thought I would give this one a go anyway. A retelling of the Arthurian legend, this takes in pretty much all the main characters and events of that legend, but not necessarily all how I was familiar with them (it involves the seelie/unseelie (i.e. faeries) which I don't remember ever having been part of the legend before).
Starting with Arthur's conception and ending with his 'death' at Badon Hill, the novel also glosses over some of the less savory actions that Arthur is supposed to have carried out (ref Tristan and Isolde).
An OK read, and while yes, I may pick up some of the others in the series, this failed to really change my perception of graphic novels as a whole.
Having said that, I thought I would give this one a go anyway. A retelling of the Arthurian legend, this takes in pretty much all the main characters and events of that legend, but not necessarily all how I was familiar with them (it involves the seelie/unseelie (i.e. faeries) which I don't remember ever having been part of the legend before).
Starting with Arthur's conception and ending with his 'death' at Badon Hill, the novel also glosses over some of the less savory actions that Arthur is supposed to have carried out (ref Tristan and Isolde).
An OK read, and while yes, I may pick up some of the others in the series, this failed to really change my perception of graphic novels as a whole.
Awix (3310 KP) rated They Came from Beyond Space (1967) in Movies
Jan 8, 2020
No they didn't, and don't be silly. Hugely derivative British pulp SF movie is unsuccessful in hiding any of its influences and just ends up looking like a random slap-together of bits from Gerry Anderson, Quatermass, Dr Who, The Avengers (the TV show), and much more. Aliens stage a stealthy (and cheap) invasion of England via meteorite, possess the boffins sent to investigate, and cause all sorts of trouble. Imported American boffin Robert Hutton proves immune due to the metal plate in his head and fights back. Michael Gough turns up briefly to chew the scenery as the Master of the Moon.
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).
David McK (3557 KP) rated The Avengers (2012) in Movies
Mar 26, 2020
Known in the UK as 'Avenger's Assemble' (to avoid confusion with the other Avengers film!), this was the first of the MCUs big-screen cross-overs, bringing Captain America, Tony Stark/Iron Man, Bruce Banner/The Hulk (here played by Mark Ruffalo instead of Ed Norton), Thor, Black Widow and Hawkeye (and not forgetting Agent Coulson, pre TVs Agents of SHIELD!) all together for the very first time to face off against Thor's brother Loki, returned from the (supposed) dead and at the head of an army of Chitauri - with the post-credit sting revealing, for the very first time, just how is the 'big bad' behind the entire thing!
That 'Battle of New York' at the end of the film would have further ramifications down the line in both the movie and TV side of things for Marvel, with the (not shown here) clean up activities afterwards even providing the impetus for one of the newer (at the time of writing) releases, in Phase III's Spiderman: Homecoming
That 'Battle of New York' at the end of the film would have further ramifications down the line in both the movie and TV side of things for Marvel, with the (not shown here) clean up activities afterwards even providing the impetus for one of the newer (at the time of writing) releases, in Phase III's Spiderman: Homecoming
Film Freak
Book
It's the late 1970s and 20-something. Christopher Fowler is a film freak, obsessively watching lousy...
Guinness World Records Blockbusters: 2017
Book
Roll out the red carpet for Guinness World Records 2017: BLOCKBUSTERS! It's virtually exploding with...
Sleepers (1996)
7.7
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Movie Watch
The judicial system is supposed to protect them. But when a youthful prank in New York's Hell's...
Georgia Hubley recommended The Discreet Charm of the Bourgeoisie (1972) in Movies (curated)
Tarsem Singh recommended The Decalogue (1989) in Movies (curated)
David McK (3557 KP) rated The Lone Ranger (2013) in Movies
Sep 15, 2019 (Updated Feb 14, 2021)
"Hi Ho Silver away!"
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
