"I loved the lyric in 'Angel of Mine', and I loved how simple and poignant it was. Eternal was actually my first concert I went to – I just remember learning all these ballads of theirs. I was completely Eternal-obsessed from eight to 12! Maybe it was that they had elements of gospel in their music, and it was still in the pop scene. ""There weren’t many black women on the TV when I was growing up – there were maybe one or two, not people I could look up to and say, ‘Oh, that’s me, that’s who represents me. I have a chance of being on TV one day, and I could be a singer.’ ""When Eternal came along, my mind was blown on so many levels. I thought they were so beautiful, and they had so many hairstyles that I thought were amazing. Then, on top of that, they could truly sing ­ – they’d come from the church. Instead of always looking at American singers, they gave me a British option – something more relatable and close to home. ""Now, there’s so much [black British media] coming out – the actress Zawe Ashton has just released a book, and it was so amazing to see her take account of her [experiences]. There’ve never been any people on TV that show any products for her hair, just this dream that’s sold that you’re going to have this amazing glossy hair! I felt so touched by that chapter, ‘cause it just reminded me of myself as a kid. You forget once you’re an adult, and you get to move somewhere like London and have access to all of these things. As a kid it can feel very lonely and you feel very different. I feel very grateful for the progress we’ve made as a country, to prevent that feeling as much as possible."" ""I try my best to take on that responsibility, though thankfully I think there’s so many more people of colour on TV – including black women. The culture has so much more of a voice from when I was growing up, and I think that’s the beautiful thing about social media as well: you can see yourself in so many places, and you can choose where you look. When I’m on TV, though, I definitely think about that. I think about me as a kid, and what that would have meant to me. I’m proud of stepping out there and doing my best to represent in the best way possible. I feel very grateful to have had that opportunity. It’s so important for children’s self-esteem and sense of belonging."

"When I finally set off for Gombe many people felt it would be a wonderful opportunity for me to spend hours reading. A couple of people even suggested I take a good book to read while I was waiting for chimpanzees to arrive in a fruiting tree, or when I was sitting, hoping to see some, on the peak. I was shocked: how could I be immersed in the world of the wild chimpanzees if I was reading books about another place, another time. But I did have one book with me – I was reading it when I left London. It was Monica Dickens One Pair of Hands. I read it many times when I had malaria!"

"She's a later discovery. She's still alive – an amazing, iconic Italian pop singer from the late 1960s through the 70s and 80s, whom I discovered when I was dating a very handsome Italian man in Rome, driving around on the back of a scooter and listening to her recordings. I always identify her as the Bette Midler of Italy, she had a very similar fashion and look, this crazy curly red hair and amazing make-up. She also had this wild voice, and there's this glamorous European quality to her that she brings me right to when I need to get there, especially living in the United States. Mina, take me away!"

"It could be 8½. I mean, 8 ½ to me is such a great dissertation on the whole, you know, act if filmmaking and creativity. And you can probably link it with Stardust Memories, because I love the way that Woody [Allen] did a take on it as well. I mean, it’s a little bit of a self examination of the act of making a film. [Reels off another long list of films] Apu. That’d be my fifth, if I didn’t get a fifth one. Satyajit Ray’s Apu trilogy — I just love those films; the way he uses scenery to create close-ups and wides, and just the emotion of it."