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Merissa (13197 KP) rated Speechless in Books
Oct 11, 2023
SPEECHLESS - that's what I am after reading this story! For any Release, let alone a debut, this was absolutely fantastic. However, do take notice of the TW as there is a part that some readers may not be comfortable with.
Jade has lived through hell, and now her abusive father is dead, she thinks she's finally free. Having been kept on the farm with no one else, not even her mother, and no education to speak of, Jade is both innocent and wise to the world. When her home is found by two Alphas, she tries to hide, unsuccessfully. They take her back to their Pack and proceed to claim her - for her own safety, of course. But Jade doesn't want to be claimed and has no knowledge of what is expected from her in their eyes. She can't fight back physically so she shuts them out instead.
What follows is an intricate layering of expectations and reality. Told from multiple perspectives, you get to see the inner workings of all of them. I loved Jade's strength in adversity and the size of her heart when she forgives. I loved all the Alphas (although it was definitely in question for a time!) and Brody was just a cinnamon roll to give you cavities! This little family won me over with their recognition of doing wrong and their attempts to make amends.
One thing to mention - 'that' non-con scene. It's not gratuitous. It's there for a reason, and it's not shock value. It plays an integral part in the story, showing how the Alphas believe they are doing the right thing, but also showing how terrifying it is for Jade, who has absolutely no knowledge of the human body. No, it's not comfortable reading. There's no way in hell it should be. But it is so extremely well-written. If you can, read it, don't skip it.
The ending was simply superb. I adored the last sentence! I really hope we return to this world. I would love to know how they are all getting along, or maybe have cameos from them as we find a new family to tag along with.
Absolutely brilliant and HIGHLY RECOMMENDED by me. Just remember the TWs.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 3, 2023
Jade has lived through hell, and now her abusive father is dead, she thinks she's finally free. Having been kept on the farm with no one else, not even her mother, and no education to speak of, Jade is both innocent and wise to the world. When her home is found by two Alphas, she tries to hide, unsuccessfully. They take her back to their Pack and proceed to claim her - for her own safety, of course. But Jade doesn't want to be claimed and has no knowledge of what is expected from her in their eyes. She can't fight back physically so she shuts them out instead.
What follows is an intricate layering of expectations and reality. Told from multiple perspectives, you get to see the inner workings of all of them. I loved Jade's strength in adversity and the size of her heart when she forgives. I loved all the Alphas (although it was definitely in question for a time!) and Brody was just a cinnamon roll to give you cavities! This little family won me over with their recognition of doing wrong and their attempts to make amends.
One thing to mention - 'that' non-con scene. It's not gratuitous. It's there for a reason, and it's not shock value. It plays an integral part in the story, showing how the Alphas believe they are doing the right thing, but also showing how terrifying it is for Jade, who has absolutely no knowledge of the human body. No, it's not comfortable reading. There's no way in hell it should be. But it is so extremely well-written. If you can, read it, don't skip it.
The ending was simply superb. I adored the last sentence! I really hope we return to this world. I would love to know how they are all getting along, or maybe have cameos from them as we find a new family to tag along with.
Absolutely brilliant and HIGHLY RECOMMENDED by me. Just remember the TWs.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 3, 2023

Darren (1599 KP) rated Diamonds Are Forever (1971) in Movies
Nov 7, 2019
Characters – James Bond gets to finally take care of his arch nemesis Blofeld before going on his latest mission going undercover searching for diamonds, he shows us his usually swagger, getting the women along the way as he looks to solve this latest mystery. Tiffany Case is one of the connections in the chain of the diamond smuggling, the first one James makes contact with, she must learn the help along the way to get out alive. Blofeld is the old enemy that James gets to take care of early on, the man that has held James up from multiply other mission. We do get to meet plenty of people involved in the ring which only make James’s mission more difficult.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.

Sophia (Bookwyrming Thoughts) (530 KP) rated Kingdom of the Blazing Phoenix (Rise of the Empress #2) in Books
Jan 23, 2020
If there's anything I like from Forest of a Thousand Lanterns other than the writing and world, it's how delightfully evil Xifeng is.
When I picked up the sequel, Kingdom of the Blazing Phoenix, I just wanted to know how this story will end rather than "I WANT MORE." After all, villains meet one end only in fiction.
I love my characters dark and ruthless sometimes, but Forest of a Thousand Lanterns just didn't hit the mark. The first novel focuses a lot on the journey Xifeng takes to the palace and I found myself frequently drawn away from the slow pacing of the story. That certainly didn't stop me from diving headfirst into Kingdom of the Blazing Phoenix though.
Kingdom of the Blazing Phoenix is much better than the first novel.
The sequel to Dao's debut novel is set 18 years later, told in Princess Jade's perspective. Xifeng is ruling as the evil empress of Feng Lu and Jade has been sent away to grow up in a monastery until she receives a note summoning her back to the palace.
She's not interested in going back to the palace, though, and would much rather stay at the monastery she's called home. But do we really want an evil queen when you have the power and right to overthrow her? Probably not. Like Forest of a Thousand Lanterns, Dao takes readers on a journey as Jade sets off to prove her worth as the heir and take on Xifeng.
Kingdom of the Blazing Phoenix is action-packed and Dao's writing really grows.
The sequel is filled with so many stories, which I think adds to the world and captures the attention of readers. Dao's writing really grows through the stories she tells, and I love seeing how the different versions all tie together in some way in Jade's journey.
Likewise, I can see how some may find the sequel a major disappointment - the quest felt a little too easy for how long Xifeng has her hold as the Empress, and we take some time at the palace before the journey sets off. But it's not as long as nearly half the book in Forest of a Thousand Lanterns. However, I still enjoyed Kingdom of the Blazing Phoenix more, and I'm delighted to see what stories Dao come up with next.
<a href="https://bookwyrmingthoughts.com/kingdom-of-the-blazing-phoenix-by-julie-c-dao/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
When I picked up the sequel, Kingdom of the Blazing Phoenix, I just wanted to know how this story will end rather than "I WANT MORE." After all, villains meet one end only in fiction.
I love my characters dark and ruthless sometimes, but Forest of a Thousand Lanterns just didn't hit the mark. The first novel focuses a lot on the journey Xifeng takes to the palace and I found myself frequently drawn away from the slow pacing of the story. That certainly didn't stop me from diving headfirst into Kingdom of the Blazing Phoenix though.
Kingdom of the Blazing Phoenix is much better than the first novel.
The sequel to Dao's debut novel is set 18 years later, told in Princess Jade's perspective. Xifeng is ruling as the evil empress of Feng Lu and Jade has been sent away to grow up in a monastery until she receives a note summoning her back to the palace.
She's not interested in going back to the palace, though, and would much rather stay at the monastery she's called home. But do we really want an evil queen when you have the power and right to overthrow her? Probably not. Like Forest of a Thousand Lanterns, Dao takes readers on a journey as Jade sets off to prove her worth as the heir and take on Xifeng.
Kingdom of the Blazing Phoenix is action-packed and Dao's writing really grows.
The sequel is filled with so many stories, which I think adds to the world and captures the attention of readers. Dao's writing really grows through the stories she tells, and I love seeing how the different versions all tie together in some way in Jade's journey.
Likewise, I can see how some may find the sequel a major disappointment - the quest felt a little too easy for how long Xifeng has her hold as the Empress, and we take some time at the palace before the journey sets off. But it's not as long as nearly half the book in Forest of a Thousand Lanterns. However, I still enjoyed Kingdom of the Blazing Phoenix more, and I'm delighted to see what stories Dao come up with next.
<a href="https://bookwyrmingthoughts.com/kingdom-of-the-blazing-phoenix-by-julie-c-dao/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>

LeftSideCut (3776 KP) rated The Batman (2022) in Movies
Mar 7, 2022
Like many others, I've been pretty much sold on The Batman since the first trailer dropped, to the point where I was worried that my own hype would leave me disappointed. Luckily that's not the case. Matt Reeves has crafted the definitive live action Batman experience.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.

BankofMarquis (1832 KP) rated Bombshell (2019) in Movies
Jan 31, 2020
Well acted - and important - film
The new Jay Roach film, BOMBSHELL - the Fox News sex scandal film - focuses on the struggles of 3 female protagonists - Gretchen Carlson (Nicole Kidman), Megyn Kelly (Charlize Theron) and Kayla Pospisil (Margot Robbie) - as they attempt to climb (or stay at the top of) the Corporate Ladder while battling sexism and a toxic work culture at Fox News. It is a powerful story that is a necessary tale in the "#MeToo" era that demands viewers to stand up and take notice.
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)

James Bagshaw recommended track Femme d'argent, La (with Air France) by Air in Moon Safari by Air in Music (curated)

Amy Christmas (171 KP) rated Half a King (Shattered Sea #1) in Books
Nov 27, 2017
The writing style is fluent and easy to follow (2 more)
Introduction to the world is smooth and not overwhelming
Never slow
Blew me away
Contains spoilers, click to show
I picked this book as well as the two sequels up from a charity shop for £2 on a bit of a whim, despite knowing I'd be lucky to get around to reading them in the next 3 years. A year on and boy am I glad I got to reading the first one sooner than anticipated.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.

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Alexis Taylor recommended Il Vangelo Secondo Matteo (The Gospel According To St. Matthew) by Luis Enrique Bacalov in Music (curated)

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