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Debbiereadsbook (1441 KP) rated Hiding Place in Books
Apr 3, 2023
I wanted Robert and I don't get him.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Zach buys a Pele tower that needs fixing up, in an effort to hide from the loss of his bandmates. Said tower belonged to Robert's grandfather. Someone died in that tower, murdered, and it was never solved. Can Robert and Zach find some answers with what Zach uncovers? Or will Robert's past eat away at him too much.?
Now, if you follow my review, you'll know I'm ALL about sharing of the book feels, right? And I have one overwhelming feeling about this one:
I wanted Robert and I didn't get him.
This book is told entirely from Zach's point of view, in the first person. While I liked Zach well enough, it was ROBERT who held my attention for much of the book and I wanted to hear from him, badly. I needed to know what he felt about his grandfather doing what he did with the tower. What he felt about Zach, cos in the beginning, Robert sure did blow hot and cold! And just what was going on in his head when he finally gets it all out, and tells Zach about his birth. It wasn't pretty, reading Robert telling Zach, but I wanted in Robert's head then the most.
It's quite clear early on, to me anyway, whodunnit, but just not HOW. Zach's discovery in the loft explains that though.
I know I shouldn't have, but I had to chuckle at the bit when Zach was sick and Robert wanted to get some medicine down him. Benylin is cough syrup, and the only and correct way to take said syrup is to swig out the bottle, and Robert says that to Zach, have a swig of Benylin! Made me laugh that did!
So, while I really enjoyed this book, I still felt that Robert might have made it a 5 star read, but I didn't get him, so...
4 good solid stars
*same worded review will appear elsewhere
Zach buys a Pele tower that needs fixing up, in an effort to hide from the loss of his bandmates. Said tower belonged to Robert's grandfather. Someone died in that tower, murdered, and it was never solved. Can Robert and Zach find some answers with what Zach uncovers? Or will Robert's past eat away at him too much.?
Now, if you follow my review, you'll know I'm ALL about sharing of the book feels, right? And I have one overwhelming feeling about this one:
I wanted Robert and I didn't get him.
This book is told entirely from Zach's point of view, in the first person. While I liked Zach well enough, it was ROBERT who held my attention for much of the book and I wanted to hear from him, badly. I needed to know what he felt about his grandfather doing what he did with the tower. What he felt about Zach, cos in the beginning, Robert sure did blow hot and cold! And just what was going on in his head when he finally gets it all out, and tells Zach about his birth. It wasn't pretty, reading Robert telling Zach, but I wanted in Robert's head then the most.
It's quite clear early on, to me anyway, whodunnit, but just not HOW. Zach's discovery in the loft explains that though.
I know I shouldn't have, but I had to chuckle at the bit when Zach was sick and Robert wanted to get some medicine down him. Benylin is cough syrup, and the only and correct way to take said syrup is to swig out the bottle, and Robert says that to Zach, have a swig of Benylin! Made me laugh that did!
So, while I really enjoyed this book, I still felt that Robert might have made it a 5 star read, but I didn't get him, so...
4 good solid stars
*same worded review will appear elsewhere
Debbiereadsbook (1441 KP) rated Rock Crush and Roll in Books
Jun 2, 2024
not overly explicit but very steamy in places!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
Mothergamer (1568 KP) rated the PC version of Dragon Age II in Video Games
Apr 3, 2019
I finished Dragon Age 2 and let's just say I am feeling conflicted. I absolutely loved Origins and Awakening. The story was well thought out and throw in the factor of every choice you made had a consequence of being good, evil, or in a gray area, it really made you pay attention and think about what you wanted to do throughout the story line. There was also more to explore on the map, and there was some depth to the design, such as the forests of Ferelden, the Dalish elves camp, and Orzammar.
I was extremely excited about Dragon Age 2 and even got the signature edition. You get a lot of great items and cool downloadable content like The Black Emporium shop and The Exiled Prince quest. However, playing Dragon Age 2 I couldn't help but notice a lot of glaring flaws throughout it with the battle system and with some of the map designs. There are also for me, some issues with parts of the story and this does include some of Hawke's story.
First, let me start with why I had a problem with Hawke's story. There are parts of it that seem rather pointless, as if Hawke is going through the motions and not really driven the way the hero was in Origins and Awakening. There's a lack of intensity. There is also a glaring lack of tough choices. I love a great story and with Origins and Awakening, there were choices that could be made that would affect the story, take it down a different path, and everything you decided had consequences. With Dragon Age 2, it seems the story was only written one way and no matter what the player does or decides, they become the Champion the same way and go through the same events. It falls flat when you think about the intricacies and plot twists of the previous two games.
I did like the interactions with the members of your party and there were even characters I genuinely liked. I found that my top three were Varric, Fenris, and Isabela. Hawke has a voice, so some of these interactions had a little more emotion to them, but frankly it seemed like the companions were far more interesting and witty. Even their quests and stories were more interesting to me. There was one part of Hawke's story that really had me going and to the person who wrote that, I say great job. As for the rest, it just felt dull. Sure, the ending has a fantastic pivotal point to the story line, but it felt like a chore to get to it at certain points in the game.
Overall, I had no problem with the battle system. It was much easier to navigate, the action is fast and fluid, and the AI is pretty spot on when it comes to the other party members, making for a pretty exciting furious battle. Yet, there was a problem. Let me be clear with all my friends who told me I could change the difficulty setting to casual if a battle was too hard, I DID. I then tried various tactics and party set ups and got annihilated eight times or more. I'll give everyone a moment to let that sink in. Now, maybe it's a crazy concept, but the casual setting on a video game means you don't have lots of dead party members and game over screens. Yes, it's still a battle, but not quite so difficult. When a battle is hard on the EASY setting, that's a huge problem for me. Factor in the 30 second cool down timer for healing potions, and healing spells, it borders on ridiculous.
While I understand that the gist of this idea was it makes you plan out and think carefully about strategies for quests, boss battles, and random fights a 30 second heal timer does not work. I could understand having a timer, but 30 seconds can make or break a quest or story oriented battle in Dragon Age 2. I played as a rogue for the first play through, and I found myself kiting things a hell of a lot waiting for the timer to be up and hoping I wouldn't die before I could heal. Needless to say, it got incredibly frustrating quite a few times!
Finally, we have the sheer laziness of the map and dungeon designs. It was as if there was just one prototype for everything when it came to the buildings in Kirkwall. The "poor house" design, and the "rich mansion" design came across as bland and was a telling sign of how rushed this game was. There's also one map for the sewers, the Deep Roads, one mine, one mountain, and one cave. You basically go back and forth with five different locations on the world map. Compared to the other maps in the Dragon Age games, this is shameful. The map is ridiculously tiny, but it's as if they were lazy and couldn't be bothered with making the locations stand out and be unique from each other.
I liked Dragon Age 2, but I didn't love it the way I did Origins and Awakening. I can honestly say, it's a good game, but not a great one. There's too many predictable points in some of the story telling and it's quite obvious to see where certain things were rushed especially with certain cut scenes where the characters were blinking in and out of frame. I can not in good conscience give Dragon Age 2 a stellar review as an amazing game, because it isn't. Believe me, that kills me because I absolutely love the Dragon Age series, but with that many flaws, it's not worth full price.
I was extremely excited about Dragon Age 2 and even got the signature edition. You get a lot of great items and cool downloadable content like The Black Emporium shop and The Exiled Prince quest. However, playing Dragon Age 2 I couldn't help but notice a lot of glaring flaws throughout it with the battle system and with some of the map designs. There are also for me, some issues with parts of the story and this does include some of Hawke's story.
First, let me start with why I had a problem with Hawke's story. There are parts of it that seem rather pointless, as if Hawke is going through the motions and not really driven the way the hero was in Origins and Awakening. There's a lack of intensity. There is also a glaring lack of tough choices. I love a great story and with Origins and Awakening, there were choices that could be made that would affect the story, take it down a different path, and everything you decided had consequences. With Dragon Age 2, it seems the story was only written one way and no matter what the player does or decides, they become the Champion the same way and go through the same events. It falls flat when you think about the intricacies and plot twists of the previous two games.
I did like the interactions with the members of your party and there were even characters I genuinely liked. I found that my top three were Varric, Fenris, and Isabela. Hawke has a voice, so some of these interactions had a little more emotion to them, but frankly it seemed like the companions were far more interesting and witty. Even their quests and stories were more interesting to me. There was one part of Hawke's story that really had me going and to the person who wrote that, I say great job. As for the rest, it just felt dull. Sure, the ending has a fantastic pivotal point to the story line, but it felt like a chore to get to it at certain points in the game.
Overall, I had no problem with the battle system. It was much easier to navigate, the action is fast and fluid, and the AI is pretty spot on when it comes to the other party members, making for a pretty exciting furious battle. Yet, there was a problem. Let me be clear with all my friends who told me I could change the difficulty setting to casual if a battle was too hard, I DID. I then tried various tactics and party set ups and got annihilated eight times or more. I'll give everyone a moment to let that sink in. Now, maybe it's a crazy concept, but the casual setting on a video game means you don't have lots of dead party members and game over screens. Yes, it's still a battle, but not quite so difficult. When a battle is hard on the EASY setting, that's a huge problem for me. Factor in the 30 second cool down timer for healing potions, and healing spells, it borders on ridiculous.
While I understand that the gist of this idea was it makes you plan out and think carefully about strategies for quests, boss battles, and random fights a 30 second heal timer does not work. I could understand having a timer, but 30 seconds can make or break a quest or story oriented battle in Dragon Age 2. I played as a rogue for the first play through, and I found myself kiting things a hell of a lot waiting for the timer to be up and hoping I wouldn't die before I could heal. Needless to say, it got incredibly frustrating quite a few times!
Finally, we have the sheer laziness of the map and dungeon designs. It was as if there was just one prototype for everything when it came to the buildings in Kirkwall. The "poor house" design, and the "rich mansion" design came across as bland and was a telling sign of how rushed this game was. There's also one map for the sewers, the Deep Roads, one mine, one mountain, and one cave. You basically go back and forth with five different locations on the world map. Compared to the other maps in the Dragon Age games, this is shameful. The map is ridiculously tiny, but it's as if they were lazy and couldn't be bothered with making the locations stand out and be unique from each other.
I liked Dragon Age 2, but I didn't love it the way I did Origins and Awakening. I can honestly say, it's a good game, but not a great one. There's too many predictable points in some of the story telling and it's quite obvious to see where certain things were rushed especially with certain cut scenes where the characters were blinking in and out of frame. I can not in good conscience give Dragon Age 2 a stellar review as an amazing game, because it isn't. Believe me, that kills me because I absolutely love the Dragon Age series, but with that many flaws, it's not worth full price.
Purple Phoenix Games (2266 KP) rated Mountain Goats in Tabletop Games
Mar 14, 2021
Fun fact about me: I thoroughly enjoy watching nature documentaries. I just think they’re so fascinating and I love getting to see all different kinds of animals from across the world. Some of my favorites have definitely been mountain goats. You know, those goats that somehow end up way up high on mountainsides that are basically sheer cliffs? How do they get up there? How do they not fall?? Maybe it’s just me, but those goats are extra intriguing to me. Along comes a game called Mountain Goats, so obviously, I had to try it.
Mountain Goats is a game in which players are racing to the top of 6 different mountains with their goats, in a bid to be the ‘king of the hill,’ if you will. To setup the game, lay out the Mountain cards into a grid, as described in the rules. Place the point tokens at the top of their corresponding Mountain cards, set the Bonus point tokens to the side, and all players place one Goat meeple at the bottom of each set of Mountain cards. The game is now ready to start.
On your turn, you will roll the 4 dice of the game. Using those results, you will create groups of dice, in which the dice total dictates which of your Goats is moved. Once you have created your groups, you will move your Goat up one space on the corresponding Mountain. (For example, if one of my dice groups is a 3 and a 2, then I will move my Goat on Mountain 5 up one space). After moving all of your affected Goats, pass the dice to the next player. Simple, right? Yep! Now here’s where it gets interesting. If you get a Goat to the top of a Mountain, you will collect a Point token from the corresponding pile. If an opponent is already at the top of a Mountain and you are able to move there, then you kick your opponent back to the bottom of that mountain, and claim the top spot for yourself, collecting a Point token as normal! AND if you create a dice set for a Mountain on which you are already at the top, you get to collect an additional Point token and keep your Goat at the top. How long can you hang onto that top spot? I guess you’ll find out. If/when you collect at least 1 Point token from each of the 6 Mountains, you get to claim the highest-value Bonus point token still available.
Play continues in this manner until either all of the Bonus point tokens have been claimed, or when 3 Mountains have no more Point tokens remaining. Players count up all of their collected points, and the player with the highest score is the winner.
The thing I like about Mountain Goats the most is that it is so fast and easy to play/teach. The concept is easy to grasp, the mechanics are simple, and the gameplay is engaging. So right off the bat, this is a solid game for me. The next thing I like is that even though it is such a small, light game, you’ve still got to have a strategy to succeed. With the Mountains numbered 5-10, you really have to think about how you want to group your dice. If your total falls below 5 or over 10, it won’t move any Goats! So if you’ve got a 6, 6, 5, and 2, how can you best maximize your movement? Are you willing to sacrifice a die because it doesn’t necessarily work with your strategy this turn? Or do you want to move as many Goats as possible every turn? It’s really up to you, and that strategic flexibility heightens the gameplay for me.
The other thing I really like about Mountain Goats is the amount of player interaction, in a sort of take-that way. When you reach the top of a Mountain, if an opponent is already there, they get kicked back to the bottom! So not only do they have to start the climb over again, but they can’t just sit pretty collecting Point tokens when possible. For me, the slight take-that element in this game is more friendly than cutthroat, and that really makes the overall gameplay experience more positive. Starting over from the bottom is, at most, only 4 cards from the top, so getting kicked down isn’t totally detrimental to the game atmosphere.
Components. They’re great! The cards are nice and sturdy, the artwork colorful and numbering clear. The Point tokens are nice thick cardboard, the dice are big and clear, and the Goat meeples are chunky and fun to manipulate. I have yet to see a game from BoardGameTables.com that has poor production quality, and Mountain Goats is no exception.
All in all, I think this is a great and fun little game. The concept is cute, the gameplay itself is fun and engaging, and the small footprint and short playtime make it an enjoyable little game. And since the gist of the game is just counting/numbers, it can be played with relatively young gamers, which makes it a good family-friendly filler game. Purple Phoenix Games gives Mountain Goats an ascending 9 / 12. Give it a shot and see if you’ve got what it takes to come out on top!
Mountain Goats is a game in which players are racing to the top of 6 different mountains with their goats, in a bid to be the ‘king of the hill,’ if you will. To setup the game, lay out the Mountain cards into a grid, as described in the rules. Place the point tokens at the top of their corresponding Mountain cards, set the Bonus point tokens to the side, and all players place one Goat meeple at the bottom of each set of Mountain cards. The game is now ready to start.
On your turn, you will roll the 4 dice of the game. Using those results, you will create groups of dice, in which the dice total dictates which of your Goats is moved. Once you have created your groups, you will move your Goat up one space on the corresponding Mountain. (For example, if one of my dice groups is a 3 and a 2, then I will move my Goat on Mountain 5 up one space). After moving all of your affected Goats, pass the dice to the next player. Simple, right? Yep! Now here’s where it gets interesting. If you get a Goat to the top of a Mountain, you will collect a Point token from the corresponding pile. If an opponent is already at the top of a Mountain and you are able to move there, then you kick your opponent back to the bottom of that mountain, and claim the top spot for yourself, collecting a Point token as normal! AND if you create a dice set for a Mountain on which you are already at the top, you get to collect an additional Point token and keep your Goat at the top. How long can you hang onto that top spot? I guess you’ll find out. If/when you collect at least 1 Point token from each of the 6 Mountains, you get to claim the highest-value Bonus point token still available.
Play continues in this manner until either all of the Bonus point tokens have been claimed, or when 3 Mountains have no more Point tokens remaining. Players count up all of their collected points, and the player with the highest score is the winner.
The thing I like about Mountain Goats the most is that it is so fast and easy to play/teach. The concept is easy to grasp, the mechanics are simple, and the gameplay is engaging. So right off the bat, this is a solid game for me. The next thing I like is that even though it is such a small, light game, you’ve still got to have a strategy to succeed. With the Mountains numbered 5-10, you really have to think about how you want to group your dice. If your total falls below 5 or over 10, it won’t move any Goats! So if you’ve got a 6, 6, 5, and 2, how can you best maximize your movement? Are you willing to sacrifice a die because it doesn’t necessarily work with your strategy this turn? Or do you want to move as many Goats as possible every turn? It’s really up to you, and that strategic flexibility heightens the gameplay for me.
The other thing I really like about Mountain Goats is the amount of player interaction, in a sort of take-that way. When you reach the top of a Mountain, if an opponent is already there, they get kicked back to the bottom! So not only do they have to start the climb over again, but they can’t just sit pretty collecting Point tokens when possible. For me, the slight take-that element in this game is more friendly than cutthroat, and that really makes the overall gameplay experience more positive. Starting over from the bottom is, at most, only 4 cards from the top, so getting kicked down isn’t totally detrimental to the game atmosphere.
Components. They’re great! The cards are nice and sturdy, the artwork colorful and numbering clear. The Point tokens are nice thick cardboard, the dice are big and clear, and the Goat meeples are chunky and fun to manipulate. I have yet to see a game from BoardGameTables.com that has poor production quality, and Mountain Goats is no exception.
All in all, I think this is a great and fun little game. The concept is cute, the gameplay itself is fun and engaging, and the small footprint and short playtime make it an enjoyable little game. And since the gist of the game is just counting/numbers, it can be played with relatively young gamers, which makes it a good family-friendly filler game. Purple Phoenix Games gives Mountain Goats an ascending 9 / 12. Give it a shot and see if you’ve got what it takes to come out on top!
Movie Metropolis (309 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 10, 2019
The Galaxy like you've never seen it before
Crafting sequels is never easy, but creating a fitting sequel to 2015’s biggest movie and one of the world’s biggest franchises is no easy feat. Not only do you have to make a film that moves the game on from The Force Awakens, but one that also meets the incredibly high expectations of fans across the globe.
Who took on this ridiculous job I hear you cry? Well Looper’s Rian Johnson takes over directorial duties from J.J. Abrams and the result is The Last Jedi. But is this a fitting sequel or a lacklustre affair?
Following on from the events of 2015’s The Force Awakens, Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance, led by General Leia Organa (Carrie Fisher) prepares to do battle with not only the First Order, but Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) too.
The Last Jedi opens with a beautifully choreographed battle between good and evil as Resistance pilot Poe Dameron (Oscar Issac), assisted by the adorable BB-8, tries to take on the evil First Order. This stunningly directed sequence sets up The Last Jedi perfectly – this is one hell of a good-looking film.
Practical effects are the order of the day here, something some other franchises seem to have forgotten about, and the movie is all the better for having them there. From large scale model ships to the more intricate fauna, The Last Jedi seeps with attention to detail – no stone has been left unturned in creating a living, breathing world. So, it’s all the more disappointing to be sucked out of the spectacle with some occasionally very shoddy CGI.
Apart from a couple of lapses that are geared more towards the film’s finale, The Last Jedi is probably the best-looking Star Wars film out there. From the blood-red lair of Supreme Leader Snoke to the salt-encrusted planet of the film’s gorgeous finale, every frame gives you something to look at. Rian Johnson carefully focusses the cameras on our main characters, using intense close-ups to bleed every single drop of emotion from them. Speaking of which, the entire cast is absolutely mesmerising.
Daisy Ridley deserves recognition for being utterly brilliant in this instalment. I had my reservations about her ability to cope with the toll this franchise would take on the actress but she has proved me wrong, and then some. John Boyega is excellent and Laura Dern’s addition to the galaxy is wonderful. The problem is the cast is just so huge, it’s impossible to mention everyone. Oh, Adam Driver’s performance really has to be seen to be believed and Kylo Ren is definitely moving up the ranks of the Star Wars villain hierarchy. His take on the character in The Last Jedi is exceptional.
If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song
Special mention must go however, to Carrie Fisher. Rian Johnson has stated that none of Fisher’s scenes were changed or moved after the actresses’ untimely death last year, but her time on screen really does take on new, and emotional, meaning here. Princess Leia is as much a Star Wars staple as Chewie, Luke or Han and the galaxy certainly won’t shine brighter without her presence. Nevertheless, this was a fitting tribute to the actress and a wonderful body of work to have her name attached to.
The script is like nothing Star Wars has ever seen before. Riddled with more twists and turns than spaghetti junction, it’s almost entirely unpredictable and that’s something you really don’t see come around very often. In any other franchise it would be exhausting, but here it’s exhilarating and incredibly well written.
At 152 minutes, The Last Jedi is a long film, the longest in the franchise in fact and there’s no getting away from that. The middle act in which some of our heroes traverse a vast casino planet are a little off pace and it does have a whiff of George Lucas’ less than stellar prequels about it, but the rest of the film moves at breakneck speed.
Overall, Rian Johnson has taken risks here and the majority of them pay off with fantastic results; Star Wars: The Last Jedi is a worthy sequel to an ever-growing brand and one that outdoes its predecessor by some margin. If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song because while still feeling like a Star Wars movie in many ways, it’s so different it’ll have you picking your jaw up off the floor more than once. My only question is: why isn’t Rian Johnson directing Episode IX?
https://moviemetropolis.net/2017/12/14/star-wars-the-last-jedi-review-the-galaxy-like-youve-never-seen-it-before/
Who took on this ridiculous job I hear you cry? Well Looper’s Rian Johnson takes over directorial duties from J.J. Abrams and the result is The Last Jedi. But is this a fitting sequel or a lacklustre affair?
Following on from the events of 2015’s The Force Awakens, Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance, led by General Leia Organa (Carrie Fisher) prepares to do battle with not only the First Order, but Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) too.
The Last Jedi opens with a beautifully choreographed battle between good and evil as Resistance pilot Poe Dameron (Oscar Issac), assisted by the adorable BB-8, tries to take on the evil First Order. This stunningly directed sequence sets up The Last Jedi perfectly – this is one hell of a good-looking film.
Practical effects are the order of the day here, something some other franchises seem to have forgotten about, and the movie is all the better for having them there. From large scale model ships to the more intricate fauna, The Last Jedi seeps with attention to detail – no stone has been left unturned in creating a living, breathing world. So, it’s all the more disappointing to be sucked out of the spectacle with some occasionally very shoddy CGI.
Apart from a couple of lapses that are geared more towards the film’s finale, The Last Jedi is probably the best-looking Star Wars film out there. From the blood-red lair of Supreme Leader Snoke to the salt-encrusted planet of the film’s gorgeous finale, every frame gives you something to look at. Rian Johnson carefully focusses the cameras on our main characters, using intense close-ups to bleed every single drop of emotion from them. Speaking of which, the entire cast is absolutely mesmerising.
Daisy Ridley deserves recognition for being utterly brilliant in this instalment. I had my reservations about her ability to cope with the toll this franchise would take on the actress but she has proved me wrong, and then some. John Boyega is excellent and Laura Dern’s addition to the galaxy is wonderful. The problem is the cast is just so huge, it’s impossible to mention everyone. Oh, Adam Driver’s performance really has to be seen to be believed and Kylo Ren is definitely moving up the ranks of the Star Wars villain hierarchy. His take on the character in The Last Jedi is exceptional.
If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song
Special mention must go however, to Carrie Fisher. Rian Johnson has stated that none of Fisher’s scenes were changed or moved after the actresses’ untimely death last year, but her time on screen really does take on new, and emotional, meaning here. Princess Leia is as much a Star Wars staple as Chewie, Luke or Han and the galaxy certainly won’t shine brighter without her presence. Nevertheless, this was a fitting tribute to the actress and a wonderful body of work to have her name attached to.
The script is like nothing Star Wars has ever seen before. Riddled with more twists and turns than spaghetti junction, it’s almost entirely unpredictable and that’s something you really don’t see come around very often. In any other franchise it would be exhausting, but here it’s exhilarating and incredibly well written.
At 152 minutes, The Last Jedi is a long film, the longest in the franchise in fact and there’s no getting away from that. The middle act in which some of our heroes traverse a vast casino planet are a little off pace and it does have a whiff of George Lucas’ less than stellar prequels about it, but the rest of the film moves at breakneck speed.
Overall, Rian Johnson has taken risks here and the majority of them pay off with fantastic results; Star Wars: The Last Jedi is a worthy sequel to an ever-growing brand and one that outdoes its predecessor by some margin. If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song because while still feeling like a Star Wars movie in many ways, it’s so different it’ll have you picking your jaw up off the floor more than once. My only question is: why isn’t Rian Johnson directing Episode IX?
https://moviemetropolis.net/2017/12/14/star-wars-the-last-jedi-review-the-galaxy-like-youve-never-seen-it-before/
Phillip McSween (751 KP) rated Mary Poppins Returns (2018) in Movies
Jun 12, 2019
Why We Go to Movies
Let me just get this “blasphemous” statement out of the way now: I thought Mary Poppins Returns was a better movie overall than Mary Poppins. I didn’t stutter nor am I taking it back. Run away now or hear me out, the choice is yours. In this sequel, Mary Poppins (Emily Blunt) does indeed return to take care of a new group of kids.
Acting: 10
Beginning: 7
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Here is what made the difference for me between the first and second movies. Consider the first film. If we’re really being honest, it primarily revolves around beautiful singing numbers with sprawling setpieces that are brilliantly brought to life on screen. Not only do you get that in the sequel, but you also get an actual conflict as well. There is an actual situation afoot that requires you to get behind the main characters and I really appreciated that aspect. Conflict is not just important, but NECESSARY to drive a story and you definitely get that here as the main family face potentially losing their home. Their struggle gives me a reason to keep watching beyond the amazing visuals and songs.
Genre: 8
This kids story is wonderful in so many different aspects. There is a magic here that’s unavoidable. As I said, I think it just edges out the original, but falls just short of other classic musicals like Singin’ In the Rain.
Memorability: 7
Pace: 7
For the most part, I was happy about the movement of the story. However, about ninety minutes in, things found themselves slowing down a bit as I was wondering when the movie was going to get to the punchline. It is refreshing that there is a solid blending of musical numbers and plot advancement and you never really feel like you’re getting too much of one or the other.
Plot: 7
Resolution: 10
Overall: 86
The musical flow of Mary Poppins Returns kicks things off properly and brings the movie to a beautiful endgame. I appreciated the attention to detail both in the real world, but especially in the alternate worlds where your imagination is really stretched. This movie is a magical reminder of why we go to movies in the first place.
Acting: 10
Beginning: 7
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Here is what made the difference for me between the first and second movies. Consider the first film. If we’re really being honest, it primarily revolves around beautiful singing numbers with sprawling setpieces that are brilliantly brought to life on screen. Not only do you get that in the sequel, but you also get an actual conflict as well. There is an actual situation afoot that requires you to get behind the main characters and I really appreciated that aspect. Conflict is not just important, but NECESSARY to drive a story and you definitely get that here as the main family face potentially losing their home. Their struggle gives me a reason to keep watching beyond the amazing visuals and songs.
Genre: 8
This kids story is wonderful in so many different aspects. There is a magic here that’s unavoidable. As I said, I think it just edges out the original, but falls just short of other classic musicals like Singin’ In the Rain.
Memorability: 7
Pace: 7
For the most part, I was happy about the movement of the story. However, about ninety minutes in, things found themselves slowing down a bit as I was wondering when the movie was going to get to the punchline. It is refreshing that there is a solid blending of musical numbers and plot advancement and you never really feel like you’re getting too much of one or the other.
Plot: 7
Resolution: 10
Overall: 86
The musical flow of Mary Poppins Returns kicks things off properly and brings the movie to a beautiful endgame. I appreciated the attention to detail both in the real world, but especially in the alternate worlds where your imagination is really stretched. This movie is a magical reminder of why we go to movies in the first place.
BookwormMama14 (18 KP) rated A Daring Sacrifice (An Uncertain Choice, #2) in Books
Jan 2, 2019
On the run from her vicious Uncle, Lady Juliana must fight for survival among the peasants.
When Juliana's Uncle, sweeps in and takes over her father's land of Wessex, Juliana is forced to live as a fugitive. Living in disguise, she has become the defender and protector of her people. Stealing from the rich to give to the poor. But when a robbery goes, much different than expected, she is discovered by Sir Collin Goodrich, Lord of the neighboring land. Having renounced her own nobility status, Juliana loathes all nobility. For they display an excess of wealth with no thought to the poor. She is determined to dislike Sir Collin from the start. But will her prejudice blind her to his true heart? Will her methods of providing for the people lead her down the same path of malice her Uncle leads? Or will her eyes be opened to the truth of God's provision and righteousness?
"I'd been consumed with bitterness and had allowed it to lead me astray from what was righteous and pleasing to God."
- A Daring Sacrifice pg.166
I can not get enough of Jody Hedlund! Her books completely draw me and allow me to get utterly lost in another world, in a time long past. The trials that Lady Juliana endure are not easy to cope with. Throughout her journey, she realizes that she has been going about things in the wrong way. How many times do we take situations into our own hands when we don't see God's immediate answer? It is easy to do. A Daring Sacrifice has a Robin Hood feel about it. But there is never a dull moment. My husband would laugh at me while I was reading because I would become very animated. There are some very intense scenes, and I am pretty sure I have never held my breath for so long. I felt that the violence and viciousness of the age was portrayed well. It was not easy to read about, but I commend Jody for not taking it lightly. Overall this was another excellent book! I am so thrilled that she has branched into the Young Adult genre.
I received a free digital copy of A Daring Sacrifice from Zondervan through NetGalley in exchange for my honest review. All opinions expressed are my own.
When Juliana's Uncle, sweeps in and takes over her father's land of Wessex, Juliana is forced to live as a fugitive. Living in disguise, she has become the defender and protector of her people. Stealing from the rich to give to the poor. But when a robbery goes, much different than expected, she is discovered by Sir Collin Goodrich, Lord of the neighboring land. Having renounced her own nobility status, Juliana loathes all nobility. For they display an excess of wealth with no thought to the poor. She is determined to dislike Sir Collin from the start. But will her prejudice blind her to his true heart? Will her methods of providing for the people lead her down the same path of malice her Uncle leads? Or will her eyes be opened to the truth of God's provision and righteousness?
"I'd been consumed with bitterness and had allowed it to lead me astray from what was righteous and pleasing to God."
- A Daring Sacrifice pg.166
I can not get enough of Jody Hedlund! Her books completely draw me and allow me to get utterly lost in another world, in a time long past. The trials that Lady Juliana endure are not easy to cope with. Throughout her journey, she realizes that she has been going about things in the wrong way. How many times do we take situations into our own hands when we don't see God's immediate answer? It is easy to do. A Daring Sacrifice has a Robin Hood feel about it. But there is never a dull moment. My husband would laugh at me while I was reading because I would become very animated. There are some very intense scenes, and I am pretty sure I have never held my breath for so long. I felt that the violence and viciousness of the age was portrayed well. It was not easy to read about, but I commend Jody for not taking it lightly. Overall this was another excellent book! I am so thrilled that she has branched into the Young Adult genre.
I received a free digital copy of A Daring Sacrifice from Zondervan through NetGalley in exchange for my honest review. All opinions expressed are my own.
BookInspector (124 KP) rated A Pearl for My Mistress in Books
Sep 24, 2020
I would like to begin this review by saying that I really loved the cover of this book, it looks pleasant and very sophisticated, another thing which intrigued me, was the lesbian relationship in 1930th England.
The characters in this novel are very interesting, sophisticated and at the same time very believable and down to earth. The whole book was mainly told from Lady Lucy’s, Hester’s (the maid) and Sophie’s (Hester’s sister) perspectives. I really liked that author chose multiple perspectives, it allowed me to have a better insight into characters personalities and made the whole story more indulging. My favourite persona in this book was Hester. I liked her simplicity, pureness and adventurous heart.
The narrative of the book is filled with historical knowledge and politics. It was very clearly visible that author has a passion for history and she has done a great research for this novel. For me it wasn't a very easy read, there are a lot of things happening in this novel and a lot of politics involved, because of that I had to keep my concentration going to understand what was going on. However, I really enjoyed all the details which author shared about aristocratic life, their struggles and wish of Independence. I also loved the insight into maids world in that period, as most of the books I read was mostly set in the 19th century, and it was nice to compare how it changed during the time.
The writing style of this book is very rich and elegant, it reflected that particular era very nicely, and I felt the spirit of 1930th through the pages. The chapter length was quite long to my liking, even though it was divided into smaller parts. (Well, what can I say, I love short chapters…) The ending of the book concluded the book really nicely but still left me guessing where life will take Hester. So to conclude, it is a very interesting book about aristocrats and their lifestyle between the wars in England, filled with secrets, manipulations, and fear or support of new regiment. I would strongly recommend this book to all historical fiction readers and people who like politics. Enjoy :)
Was given this book by publisher and NetGalley for an honest review.
The characters in this novel are very interesting, sophisticated and at the same time very believable and down to earth. The whole book was mainly told from Lady Lucy’s, Hester’s (the maid) and Sophie’s (Hester’s sister) perspectives. I really liked that author chose multiple perspectives, it allowed me to have a better insight into characters personalities and made the whole story more indulging. My favourite persona in this book was Hester. I liked her simplicity, pureness and adventurous heart.
The narrative of the book is filled with historical knowledge and politics. It was very clearly visible that author has a passion for history and she has done a great research for this novel. For me it wasn't a very easy read, there are a lot of things happening in this novel and a lot of politics involved, because of that I had to keep my concentration going to understand what was going on. However, I really enjoyed all the details which author shared about aristocratic life, their struggles and wish of Independence. I also loved the insight into maids world in that period, as most of the books I read was mostly set in the 19th century, and it was nice to compare how it changed during the time.
The writing style of this book is very rich and elegant, it reflected that particular era very nicely, and I felt the spirit of 1930th through the pages. The chapter length was quite long to my liking, even though it was divided into smaller parts. (Well, what can I say, I love short chapters…) The ending of the book concluded the book really nicely but still left me guessing where life will take Hester. So to conclude, it is a very interesting book about aristocrats and their lifestyle between the wars in England, filled with secrets, manipulations, and fear or support of new regiment. I would strongly recommend this book to all historical fiction readers and people who like politics. Enjoy :)
Was given this book by publisher and NetGalley for an honest review.
Billie Wichkan (118 KP) rated The Sorrows in Books
Mar 15, 2019
The Sorrows, an island off the coast of northern California, and its castle have been uninhabited since a series of gruesome murders in 1925. But its owner needs money, so he allows film composers Ben and Eddie and a couple of their female friends to stay a month in Castle Blackwood. Eddie is certain a haunted castle is just the setting Ben needs to find inspiration for a horror film.
But what they find is more horrific than any movie. Something is waiting for them in the castle. A malevolent being has been trapped for nearly a century. And he's ready to feed.
*Disclosure - I received a free copy for purposes of an honest review*
This is definitely a more slow burn novel that creeps up on you, giving you that uneasy feeling and putting you on edge.
The characters are each realistically flawed and interesting; this book does have sexual scenes, some scenes of violence and gore. This did not bother me as it flows with books plot.
If you have read anything by Janz then you will probably be aware that he has a talent for the darkest depths of hell and horror. The Sorrows represents the beginning of his journey, and also shows much he has honed his craft since then.
There are a few story lines in this novel, all keep you the edge of your seat with bated breath waiting to see what would happen next! We have a diary from the past talking about a mysterious little boy called Gabriel and the wrongdoing and terror that occurred on the island in 1925.
While the foursome are the island, things start off being just a little bit spooky. Strange sightings take place, violent apparitions, voices are heard and take control of people, mirrored walls and secret passages, the brutality of some of the characters, and finally the goat hooves beast of the island.
Then tension builds in the books with little tidbits of supernatural. The tension, it was palpable as you delve further into the mystery of the island and the past. A couple of things I felt were a bit too unexplained but I think it that it added to the magic of the book, because let us be honest when you watch films the unexpected always happens!
But what they find is more horrific than any movie. Something is waiting for them in the castle. A malevolent being has been trapped for nearly a century. And he's ready to feed.
*Disclosure - I received a free copy for purposes of an honest review*
This is definitely a more slow burn novel that creeps up on you, giving you that uneasy feeling and putting you on edge.
The characters are each realistically flawed and interesting; this book does have sexual scenes, some scenes of violence and gore. This did not bother me as it flows with books plot.
If you have read anything by Janz then you will probably be aware that he has a talent for the darkest depths of hell and horror. The Sorrows represents the beginning of his journey, and also shows much he has honed his craft since then.
There are a few story lines in this novel, all keep you the edge of your seat with bated breath waiting to see what would happen next! We have a diary from the past talking about a mysterious little boy called Gabriel and the wrongdoing and terror that occurred on the island in 1925.
While the foursome are the island, things start off being just a little bit spooky. Strange sightings take place, violent apparitions, voices are heard and take control of people, mirrored walls and secret passages, the brutality of some of the characters, and finally the goat hooves beast of the island.
Then tension builds in the books with little tidbits of supernatural. The tension, it was palpable as you delve further into the mystery of the island and the past. A couple of things I felt were a bit too unexplained but I think it that it added to the magic of the book, because let us be honest when you watch films the unexpected always happens!
Gareth von Kallenbach (980 KP) rated Mowgli (2018) in Movies
Jul 2, 2019
When humans encroach on the jungle they get too close to the animals that call the jungle home. It’s inevitable that they clash. When Shere Khan (Benedict Cumberbatch), a tiger who has no regard for the rules of the jungle, slaughters a group of humans only a child survives. A black panther, Bagheera (Christian Bale), saves the boy, Mowgli (Rohan Chand), and takes him to live with a group of wolves. There he is raised by his mother, Nisha (Naomie Harris), and tried to become part of the pack by Baloo (Andy Serkis), a black bear. Mowgli must train with Baloo to become a member of the pack. As he trains he sees that man expand. With this expansion the man brings back Shere Khan. He kills many of the cows and leaves them for the humans to find. This makes the humans enlist a hunter, Lockwood (Matthew Rhys), to kill the tiger. Also Bagheera believes that sending Mowgli to the humans will keep him safe. Mowgli, just a young boy, must now try and bridge the animal world he knows in the jungle and the human world.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.