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honingwords (32 KP) rated Alias in Books
Jul 5, 2018
I’ve never read a book by Cari Hunter that I haven't loved and Alias lived up to my high expectations.
I’ve never read a book by Cari Hunter that I haven't loved and Alias lived up to my high expectations. It became available to me soon after I finished the third of her Dark Peaks trilogy so I was able to fangirl-mode right into it.
It is an absolute joy to read Cari Hunter’s books. I’m so thankful I have stumbled across her at the point where there have been a few books to binge on. It is no secret that I think she is one of the finest authors currently, and she has re-awakened my interest in crime thrillers after many years of reading solely romances. It’s a bonus that she is writing novels about regional parts of the UK.
Alias is written in the first person through-out, which is different to her other books and I found this quite refreshing.
The plot starts off with a car crash on a Welsh country road. The woman driver finds herself alive, confused as to who the dead woman beside her is, and then frustrated she doesn’t remember anything about herself, including her name, or why she was driving through Wales.
The opening scene brought tears to my eyes when I realised a great writer was going to be looking after the next few hours of my reading pleasure.
The local Police spend their time trying to work out if she should be prosecuted and she decides to keep tight-lipped about the small pieces of information that start to come back to her through her fugue while she is hospitalised, and then for the short while after she is released.
The rest of the book is about her finding out whether she is a goody or a baddy; whether she should trust Detective Bronwen Pryce, or, in fact, any of the other characters who tell her they are friends and colleagues. Cari makes us wonder about everyone until the very end of the novel.
The details! The details! Cari just loads her pages with perfect details about what is happening to the characters. There is never anything to stutter over. I never have to read a sentence twice because I didn’t understand it, or lose track of the easy-going flow.
I had to note the parts which made me beam during this book so I could re-read them at leisure. That’s it! Cari Hunter makes me beam while reading her books.
Her character’s legs are ‘wobblier than watered-down jelly’, they find ‘novelty of two cooperating lungs’, their ‘fingers poke out’ (from her splint) ‘as fat as unpopped sausages.’
Cari doesn’t simply give her characters goose pimples - they ‘tickle as they rise along her arm.’ They use ‘the painted numbers on the wheelie bins to gauge’ their progress down the street. When they eat they try ‘at first to isolate flavours and then giving up and simply enjoy the mix.’ Their stomach doesn’t just rumble; eating silences their ‘gastric percussion and leaves them with a stitch to walk off.’ The weather isn't cold, it is ‘brittle cold.’
The amnesia aspect had me in tears at points. There are people who possibly may no longer be alive and when she meets her friend for the ‘first time’ I became quite emotional.
As per her other books Cari has humorous moments throughout Alias.
The character is ‘sure that my choice of forget-me-nots wasn’t intended to be ironic.’ And there is a car-buying scene which make me laugh out loud.
There is no CSI Effect in this book. Some blood testing will be ‘four to five weeks at best’ rather than the four to five hours it can sometimes be in fiction.
I’m really sorry to learn there are no plans to take these characters further. Cari writes well-rounded characters with believable back stories and I would have loved to have seen a couple of the ones in this book teased out a little more in at least one sequel.
Don’t be picking this book up if you are looking for bodice-ripping sex. It just isn't there. Part of me cries out for more than Cari usually offers us, the part of me which craves romances. Holy Crap! She can sure write sex when she wants to but, people, this. is. a. crime. novel.
She could have put more sex in, but then it wouldn’t be true to itself, she wouldn’t be true to herself, and the novel would suffer for reader-driven gratuitous sex scenes which aren’t necessary to the plot.
If you would like recommendations for that kind of book let me know and I’ll introduce you to different genres and different authors.
For now, sit back and enjoy good down-to-earth well-written crime fiction.
It is an absolute joy to read Cari Hunter’s books. I’m so thankful I have stumbled across her at the point where there have been a few books to binge on. It is no secret that I think she is one of the finest authors currently, and she has re-awakened my interest in crime thrillers after many years of reading solely romances. It’s a bonus that she is writing novels about regional parts of the UK.
Alias is written in the first person through-out, which is different to her other books and I found this quite refreshing.
The plot starts off with a car crash on a Welsh country road. The woman driver finds herself alive, confused as to who the dead woman beside her is, and then frustrated she doesn’t remember anything about herself, including her name, or why she was driving through Wales.
The opening scene brought tears to my eyes when I realised a great writer was going to be looking after the next few hours of my reading pleasure.
The local Police spend their time trying to work out if she should be prosecuted and she decides to keep tight-lipped about the small pieces of information that start to come back to her through her fugue while she is hospitalised, and then for the short while after she is released.
The rest of the book is about her finding out whether she is a goody or a baddy; whether she should trust Detective Bronwen Pryce, or, in fact, any of the other characters who tell her they are friends and colleagues. Cari makes us wonder about everyone until the very end of the novel.
The details! The details! Cari just loads her pages with perfect details about what is happening to the characters. There is never anything to stutter over. I never have to read a sentence twice because I didn’t understand it, or lose track of the easy-going flow.
I had to note the parts which made me beam during this book so I could re-read them at leisure. That’s it! Cari Hunter makes me beam while reading her books.
Her character’s legs are ‘wobblier than watered-down jelly’, they find ‘novelty of two cooperating lungs’, their ‘fingers poke out’ (from her splint) ‘as fat as unpopped sausages.’
Cari doesn’t simply give her characters goose pimples - they ‘tickle as they rise along her arm.’ They use ‘the painted numbers on the wheelie bins to gauge’ their progress down the street. When they eat they try ‘at first to isolate flavours and then giving up and simply enjoy the mix.’ Their stomach doesn’t just rumble; eating silences their ‘gastric percussion and leaves them with a stitch to walk off.’ The weather isn't cold, it is ‘brittle cold.’
The amnesia aspect had me in tears at points. There are people who possibly may no longer be alive and when she meets her friend for the ‘first time’ I became quite emotional.
As per her other books Cari has humorous moments throughout Alias.
The character is ‘sure that my choice of forget-me-nots wasn’t intended to be ironic.’ And there is a car-buying scene which make me laugh out loud.
There is no CSI Effect in this book. Some blood testing will be ‘four to five weeks at best’ rather than the four to five hours it can sometimes be in fiction.
I’m really sorry to learn there are no plans to take these characters further. Cari writes well-rounded characters with believable back stories and I would have loved to have seen a couple of the ones in this book teased out a little more in at least one sequel.
Don’t be picking this book up if you are looking for bodice-ripping sex. It just isn't there. Part of me cries out for more than Cari usually offers us, the part of me which craves romances. Holy Crap! She can sure write sex when she wants to but, people, this. is. a. crime. novel.
She could have put more sex in, but then it wouldn’t be true to itself, she wouldn’t be true to herself, and the novel would suffer for reader-driven gratuitous sex scenes which aren’t necessary to the plot.
If you would like recommendations for that kind of book let me know and I’ll introduce you to different genres and different authors.
For now, sit back and enjoy good down-to-earth well-written crime fiction.
Emma @ The Movies (1786 KP) rated Knives Out (2019) in Movies
Nov 4, 2019
Knives Out was probably my most anticipated film of the festival, so much so that I brought a ticket to see it rather than deal with the hassle of the press screening.
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
Kristy H (1252 KP) rated The Widow's House in Books
Dec 24, 2017
crazy (1 more)
fascinating
Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next?
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
Heather Cranmer (2721 KP) rated The Repossession (Repossession, #1) in Books
Jun 7, 2018
This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
Jessica - Where the Book Ends (15 KP) rated Love, Hate, and Other Filters in Books
Jan 30, 2019
Love Hate & Other Filters is a book that I was really looking forward to read, it got great hype and the fact that Ahmed is a debut author was just the icing on the cake for me. I loved the premise of the story and learning more about Indian culture through the characters in this book. Ahmed definitely delivered in that area. Her writing was descriptive and her exploration of feelings was on point. It was a quick moving story that left me turning the pages well into the night. I fell in love with Maya and Phil. I especially loved Violet, she has some real MC potential but Ahmed did a great job of not letting her take over the story. I’d love to see a companion book with Violet as the MC, I digress.
The story of Maya and Phil was a cute love story centered in the midst of something so much greater. Their story is derailed by a terrorist attack that hits close to home for Maya and as a result everything she wanted for herself, for her life is flipped upside down. See, the supposed terrorist shares her last name, and as a result Maya and her family have to deal with the insecurities and the intolerance of the people in their community. Islamophobia is a growing problem in our world, and this book is just the tip of the iceberg. The story was haunting and emotional. I personally can’t believe that people treat other people the way they do in this book. It makes me weep for humanity.
I had two problems with this book, which is why I only gave it a 4 star rating… I know Maya is 17 and she would have been just a baby when September 11th happened; however, I would have thought that Islamophobia would have been part of her life from the word go. I’m not saying that it should be that way or that I wish that on anyone because I would never do that. But, I think it’s something that has been so prevalent in our society since September 11th that I find it hard to swallow that she doesn’t mention encountering Islamophobia prior to the terrorist attack when she’s 17. Not only that but her parents don’t mention it either, which I find hard to believe.
The other problem I have with this book is the ending… To be honest it felt rushed to me. I would have loved to see the way it played out in more detail. I would also have preferred the epilogue to flash a little farther into the future. But, that’s just my opinion.
Overall, Ahmed has a great ability to manipulate the written word and weave together a story that will embed itself in your heart. I highly recommend this book, it’s a quick read that is both eye opening and a reminder of what people in this country and world are dealing with. I will gladly pick up any book that Ahmed writes in the future, and I encourage you to pick up this one.
The story of Maya and Phil was a cute love story centered in the midst of something so much greater. Their story is derailed by a terrorist attack that hits close to home for Maya and as a result everything she wanted for herself, for her life is flipped upside down. See, the supposed terrorist shares her last name, and as a result Maya and her family have to deal with the insecurities and the intolerance of the people in their community. Islamophobia is a growing problem in our world, and this book is just the tip of the iceberg. The story was haunting and emotional. I personally can’t believe that people treat other people the way they do in this book. It makes me weep for humanity.
I had two problems with this book, which is why I only gave it a 4 star rating… I know Maya is 17 and she would have been just a baby when September 11th happened; however, I would have thought that Islamophobia would have been part of her life from the word go. I’m not saying that it should be that way or that I wish that on anyone because I would never do that. But, I think it’s something that has been so prevalent in our society since September 11th that I find it hard to swallow that she doesn’t mention encountering Islamophobia prior to the terrorist attack when she’s 17. Not only that but her parents don’t mention it either, which I find hard to believe.
The other problem I have with this book is the ending… To be honest it felt rushed to me. I would have loved to see the way it played out in more detail. I would also have preferred the epilogue to flash a little farther into the future. But, that’s just my opinion.
Overall, Ahmed has a great ability to manipulate the written word and weave together a story that will embed itself in your heart. I highly recommend this book, it’s a quick read that is both eye opening and a reminder of what people in this country and world are dealing with. I will gladly pick up any book that Ahmed writes in the future, and I encourage you to pick up this one.
Rachel King (13 KP) rated On Writing in Books
Feb 11, 2019
I have not now nor ever been a fan of Stephen King's fiction, nor do I intend to change that pattern. His personal brand of fiction is simply not for me. But since this book is non-fiction, curiosity got the better of me. I am glad that I read this book very much, for both the memoir of his writing life, as well as the writing skills he attempts to impart.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.
BookInspector (124 KP) rated Wojtek: War Hero Bear in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
Well, I think this book is classified as a children’s read, but I noticed, that you should have pretty good knowledge in history, in order to understand what is going on in here. I picked up this book after reading a Holocaust memoir, so it was a very nice continuation to my reading theme. 😀
When Piotr, a polish soldier, discovers an abandoned bear cub, he decides to take him along on his journey to Palestine. But he discovers, that after losing his family to the Soviet regimen, Piotr feels very lonely, and Wojtek’s presence comforts not only him but other soldiers as well. I really liked the characters in this book, I found them charming, warm and pleasant personalities. I really enjoyed that author used multiple perspectives in this novel, I really loved reading Wojtek’s parts, I found them cute and funny. I loved the parts, were author shared Piotr’s story with the readers. It is a very sad story involving concentration camps and betrayal, but these parts made the whole book more complex and more interesting for me. (as an adult with some knowledge of history…)
The narrative follows the army squad accompanied by Wojtek, through their journeys in the middle east, and is very fun to read. I have to agree, Wojtek is a very funny and smart bear, and I loved all his mishaps. The author has done a great research for this novel, however, sometimes it felt like reading a history book, filled with war terminology and facts. Another aspect I really enjoyed was the pictures, Tim Archbold did a great job on them. I am glad that every chapter had a picture, and I was curious to find out, which scene from that chapter he decided to illustrate. 🙂
The writing style of this book was pretty straightforward, and it was quite easy and enjoyable for me. The chapters were a decent length and the pictures helped to make it more entertaining and playful. I did enjoy the setting of this book, it changes continuously, bringing in different scenery and atmosphere. I think that the ending was very realistic and believable for this novel, but some aspects left me a little bit upset with Piotr. So, to conclude, It is a great read for children as well as adults, especially if your child is learning about WWII, I think it would widen up their knowledge and you would have great fun reading it as well. Win-win situation. 😀 This novel has amusing characters as well as lots of serious and fun moments, and I do recommend to give this book a try. Enjoy 🙂
Well, I think this book is classified as a children’s read, but I noticed, that you should have pretty good knowledge in history, in order to understand what is going on in here. I picked up this book after reading a Holocaust memoir, so it was a very nice continuation to my reading theme. 😀
When Piotr, a polish soldier, discovers an abandoned bear cub, he decides to take him along on his journey to Palestine. But he discovers, that after losing his family to the Soviet regimen, Piotr feels very lonely, and Wojtek’s presence comforts not only him but other soldiers as well. I really liked the characters in this book, I found them charming, warm and pleasant personalities. I really enjoyed that author used multiple perspectives in this novel, I really loved reading Wojtek’s parts, I found them cute and funny. I loved the parts, were author shared Piotr’s story with the readers. It is a very sad story involving concentration camps and betrayal, but these parts made the whole book more complex and more interesting for me. (as an adult with some knowledge of history…)
The narrative follows the army squad accompanied by Wojtek, through their journeys in the middle east, and is very fun to read. I have to agree, Wojtek is a very funny and smart bear, and I loved all his mishaps. The author has done a great research for this novel, however, sometimes it felt like reading a history book, filled with war terminology and facts. Another aspect I really enjoyed was the pictures, Tim Archbold did a great job on them. I am glad that every chapter had a picture, and I was curious to find out, which scene from that chapter he decided to illustrate. 🙂
The writing style of this book was pretty straightforward, and it was quite easy and enjoyable for me. The chapters were a decent length and the pictures helped to make it more entertaining and playful. I did enjoy the setting of this book, it changes continuously, bringing in different scenery and atmosphere. I think that the ending was very realistic and believable for this novel, but some aspects left me a little bit upset with Piotr. So, to conclude, It is a great read for children as well as adults, especially if your child is learning about WWII, I think it would widen up their knowledge and you would have great fun reading it as well. Win-win situation. 😀 This novel has amusing characters as well as lots of serious and fun moments, and I do recommend to give this book a try. Enjoy 🙂
BankofMarquis (1832 KP) rated Stand by Me (1986) in Movies
Jun 15, 2018
A Modern Classic
Remember the days of your youth, when Summer was just one long vacation - where you and your buddies would take off and let the day unfold as it presents itself - no schedules, no meetings and the only clock was the rising and setting of the sun?
Such, nostalgic, feelings and remembrances is at the heart of the 1986 Rob Reiner film, STAND BY ME, a "coming of age" tale of boys on the cusp of leaving boyhood behind.
Based on a Stephen King novella, STAND BY ME follows the adventures of Gordie LaChance and his pals Vern, Teddy and Chris as they set off to find the body of a young man who has been missing - and presumed dead.
But it is not the destination that is at the heart of this story, it is the journey - and what a journey, filled with heart, it is. We join in with these 4 boys as the walk towards the unknown - both physically and (more importantly) metaphorically, growing and developing in front of our eyes.
Credit for this film has to start with Director Rob Reiner - mainly known before this film as "Meathead" on the classic TV Series ALL IN THE FAMILY. This was Reiner's 5th film as a Director and, I believe, announced his "arrival" as a signature Director. Look at the run Reiner had. In order, he directed THIS IS SPINAL TAP, THE SURE THING, STAND BY ME, THE PRINCESS BRIDE, WHEN HARRY MET SALLY, MISERY and A FEW GOOD MEN. I would also include THE AMERICAN PRESIDENT and GHOSTS OF MISSISSIPPI in this list, but they come after the misfire NORTH. But, 9 out of 10 good films is quite the track record.
What struck me in this showing of the film (seen on the big screen for the first time by me since 1986) is the contrast between intimacy and enormity. When the boys are on their trek, Reiner shoots a good deal of these scenes from a distance - showing how small these boys are in comparison to the world around them. But, when the scene is an intimate, dialogue, character-driven scene, he tightens his shots right into the faces of the 4 leads, creating an intimacy that draws us into these characters.
The other credit has to go to whomever cast this film - for the 4 unknown boys that were cast in the leads were well cast, indeed.
Start with Wil Wheaton as Gordie. Gordie has spent his whole life in the shadow of his over-achieving "All American" brother, trying to be noticed for who - and what - he is, an author, not an athlete. Wheaton brings the right combination of determination, intelligence and vulnerability to Gordie, giving us a protagonist we can root for. Jerry O'Connell was funnier than I remembered as the "fat kid", Vern, who just wants to play by the rules, but always goes along with his friends, despite his better judgement. Corey Feldman has never been better than he is here as Teddy Duchamp - a young boy with a troubled home life - and a troubled life - that is trying to control, and understand, the rage inside of him.
But it is the work of the late River Phoenix as Chris Chambers, the "leader" of this group that really shines. He is the glue that keeps this foursome together, strong but showing a vulnerability and a "realistic" view of what it is to be a misunderstood youth - the hurt that comes with that and the walls that one puts up to combat that. Phoenix commands the screen in every scene that he is in and when the scene is just Phoenix and Wheaton, you are drawn into a real friendship.
I was surprised, at this viewing, at how serious this film is - and the topics that this film addresses - but those moments are wisely balanced by scenes of action/adventure (like the train tressel scene), comedy (like the the "lard-ass" pie eating scene) and "other" moments (the leaches!).
This is one of those films that is getting better with time - it is aging well - and, rightfully, fits in the category of "Modern Classic".
Letter Grade: A
Such, nostalgic, feelings and remembrances is at the heart of the 1986 Rob Reiner film, STAND BY ME, a "coming of age" tale of boys on the cusp of leaving boyhood behind.
Based on a Stephen King novella, STAND BY ME follows the adventures of Gordie LaChance and his pals Vern, Teddy and Chris as they set off to find the body of a young man who has been missing - and presumed dead.
But it is not the destination that is at the heart of this story, it is the journey - and what a journey, filled with heart, it is. We join in with these 4 boys as the walk towards the unknown - both physically and (more importantly) metaphorically, growing and developing in front of our eyes.
Credit for this film has to start with Director Rob Reiner - mainly known before this film as "Meathead" on the classic TV Series ALL IN THE FAMILY. This was Reiner's 5th film as a Director and, I believe, announced his "arrival" as a signature Director. Look at the run Reiner had. In order, he directed THIS IS SPINAL TAP, THE SURE THING, STAND BY ME, THE PRINCESS BRIDE, WHEN HARRY MET SALLY, MISERY and A FEW GOOD MEN. I would also include THE AMERICAN PRESIDENT and GHOSTS OF MISSISSIPPI in this list, but they come after the misfire NORTH. But, 9 out of 10 good films is quite the track record.
What struck me in this showing of the film (seen on the big screen for the first time by me since 1986) is the contrast between intimacy and enormity. When the boys are on their trek, Reiner shoots a good deal of these scenes from a distance - showing how small these boys are in comparison to the world around them. But, when the scene is an intimate, dialogue, character-driven scene, he tightens his shots right into the faces of the 4 leads, creating an intimacy that draws us into these characters.
The other credit has to go to whomever cast this film - for the 4 unknown boys that were cast in the leads were well cast, indeed.
Start with Wil Wheaton as Gordie. Gordie has spent his whole life in the shadow of his over-achieving "All American" brother, trying to be noticed for who - and what - he is, an author, not an athlete. Wheaton brings the right combination of determination, intelligence and vulnerability to Gordie, giving us a protagonist we can root for. Jerry O'Connell was funnier than I remembered as the "fat kid", Vern, who just wants to play by the rules, but always goes along with his friends, despite his better judgement. Corey Feldman has never been better than he is here as Teddy Duchamp - a young boy with a troubled home life - and a troubled life - that is trying to control, and understand, the rage inside of him.
But it is the work of the late River Phoenix as Chris Chambers, the "leader" of this group that really shines. He is the glue that keeps this foursome together, strong but showing a vulnerability and a "realistic" view of what it is to be a misunderstood youth - the hurt that comes with that and the walls that one puts up to combat that. Phoenix commands the screen in every scene that he is in and when the scene is just Phoenix and Wheaton, you are drawn into a real friendship.
I was surprised, at this viewing, at how serious this film is - and the topics that this film addresses - but those moments are wisely balanced by scenes of action/adventure (like the train tressel scene), comedy (like the the "lard-ass" pie eating scene) and "other" moments (the leaches!).
This is one of those films that is getting better with time - it is aging well - and, rightfully, fits in the category of "Modern Classic".
Letter Grade: A
BankofMarquis (1832 KP) rated Drive My Car (2021) in Movies
Mar 19, 2022
Raw, Pure and Honest
If I’m being honest, I purposely pushed my Oscar “homework assignment” of viewing DRIVE MY CAR to the end of the list for I saw that it was a 3 Hour Japanese Film that is a meditation on loss, grief, anger and regret set against the backdrop of a production of Chekov’s Uncle Vanya. I was ready to buckle-in for an arty “Art House” film that is not as good as the “artists” recommending it would have you believe.
And I would be wrong with that assumption as DRIVE MY CAR is the BEST FILM of 2021 with raw, pure and honest performances that draws you in and touches your heart.
Directed by Ryusuke Hamaguchi (who was Oscar Nominated for his work), DRIVE MY CAR follows a renowned Actor/Director who heads to Hiroshima to Direct a production of Uncle Vanya while grappling with the consequences of the unexpected death of his wife - and the unresolved issues of their marriage. While in Hiroshima, he is forced to accept a chauffeur for his duration there and the relationship between the two begins to unlock long dormant emotions.
Sounds like it could end up being a modern version of DRIVING MISS DAISY, right? Wrong. In the hands of Hamaguchi, from an Oscar Nominated screenplay that Hamaguchi wrote with Takamasa Oe (based on the short story by Haruki Murakami), Drive My Car becomes a character-driven drama that peels the layers of the onion back at a deliberate pace (in this case, that’s a compliment) to reveal what is at the core of the main characters.
What drew me into this film (a movie who’s 3 hour run-time seemed short to me), was the performances that Hamaguchi was able to draw out of his talented cast, they are - top to bottom - raw, honest and real. Starting with Hidetoshi Nishijima as Actor/Director Yusuke Kafuku. He plays this character with a stoic pragmatism, but it is played in such a way that you understand that there are emotions broiling underneath this façade and they, eventually, will need to find their way out. But the brilliance of this film is that when this character finally opens up, it is not a showy, “yelly” performance, it is subtle, small - and effective.
Matching Nishijima’s stoicism (at least early on) is Toko Miura as the chauffer. She is enigmatic in the early goings of the film, listening much more than talking but as Kafuku opens up, she does as well, and it is this part of the film that really drew me in.
Also, surprisingly to me, was the rehearsal/performance scenes of Uncle Vanya that are sprinkled throughout this film. I am NOT a scholar (or fan) of Chekov’s works (I find them to be too introspective) but the scenes that are shown are a mirror to what is happening to these characters outside of the theater and were affecting (particularly a scene that the company does in the park between two female characters). I’m sure a Chekov scholar could comment on the parallel themes at work here - but I am not that scholar and that did not diminish my love of this film. It does do one surprising thing - it makes me (almost) want to see a full production of Vanya…almost.
And therein lies another layer to this film - the eclectic group of performers that populate the company of actors that perform Vanya - they perform in Japanese, Mandarin, English and (in one case) sign language. I was reading the subtitles anyway (yes, please view this film in it’s original language with subtitles - you’ll feel the emotions of the actors’ performances) and this disparity between the performers enhanced what was already an intriguing film.
Not for everyone, the pace and themes of this film will turn many off early on, but if you click into the feel of this film, you will be rewarded with a very rich experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I would be wrong with that assumption as DRIVE MY CAR is the BEST FILM of 2021 with raw, pure and honest performances that draws you in and touches your heart.
Directed by Ryusuke Hamaguchi (who was Oscar Nominated for his work), DRIVE MY CAR follows a renowned Actor/Director who heads to Hiroshima to Direct a production of Uncle Vanya while grappling with the consequences of the unexpected death of his wife - and the unresolved issues of their marriage. While in Hiroshima, he is forced to accept a chauffeur for his duration there and the relationship between the two begins to unlock long dormant emotions.
Sounds like it could end up being a modern version of DRIVING MISS DAISY, right? Wrong. In the hands of Hamaguchi, from an Oscar Nominated screenplay that Hamaguchi wrote with Takamasa Oe (based on the short story by Haruki Murakami), Drive My Car becomes a character-driven drama that peels the layers of the onion back at a deliberate pace (in this case, that’s a compliment) to reveal what is at the core of the main characters.
What drew me into this film (a movie who’s 3 hour run-time seemed short to me), was the performances that Hamaguchi was able to draw out of his talented cast, they are - top to bottom - raw, honest and real. Starting with Hidetoshi Nishijima as Actor/Director Yusuke Kafuku. He plays this character with a stoic pragmatism, but it is played in such a way that you understand that there are emotions broiling underneath this façade and they, eventually, will need to find their way out. But the brilliance of this film is that when this character finally opens up, it is not a showy, “yelly” performance, it is subtle, small - and effective.
Matching Nishijima’s stoicism (at least early on) is Toko Miura as the chauffer. She is enigmatic in the early goings of the film, listening much more than talking but as Kafuku opens up, she does as well, and it is this part of the film that really drew me in.
Also, surprisingly to me, was the rehearsal/performance scenes of Uncle Vanya that are sprinkled throughout this film. I am NOT a scholar (or fan) of Chekov’s works (I find them to be too introspective) but the scenes that are shown are a mirror to what is happening to these characters outside of the theater and were affecting (particularly a scene that the company does in the park between two female characters). I’m sure a Chekov scholar could comment on the parallel themes at work here - but I am not that scholar and that did not diminish my love of this film. It does do one surprising thing - it makes me (almost) want to see a full production of Vanya…almost.
And therein lies another layer to this film - the eclectic group of performers that populate the company of actors that perform Vanya - they perform in Japanese, Mandarin, English and (in one case) sign language. I was reading the subtitles anyway (yes, please view this film in it’s original language with subtitles - you’ll feel the emotions of the actors’ performances) and this disparity between the performers enhanced what was already an intriguing film.
Not for everyone, the pace and themes of this film will turn many off early on, but if you click into the feel of this film, you will be rewarded with a very rich experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
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