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Ali A (82 KP) rated When the World Tips Over in Books
Oct 8, 2024
The Fall siblings live in Northern California wine country where years ago, their father mysteriously disappeared. Now Dizzy, twelve, bakes cakes, sees kissing, floating spirits, and wishes she was a part of a romance novel. Miles, seventeen, is a brainiac, athlete, and telepathic dog-whisperer, but he’s desperate to step out of being perfect. Wynton, nineteen, is an amazing violinist, but is set on a path of self-destruction he can’t seem to get off of. They all seem to be spiraling.
But then a rainbow-haired girl shows up. She may be an angel. Or a saint. But her showing up tips the Falls’ world over. Before anyone can figure out who she is, catastrophe strikes, leaving the family more broken than ever.
With a story filled with road trips, rivalries, family curses, love stories (with many layers), unsent letters, and generational trauma, this young adult novel peels back the layers of a family’s complicated past and present.
This will definitely stick with me for years to come. And, I honestly don’t know how to put into words what I thought of this, because I’m in love with the entire Fall family (okay, there are a few I don’t like…) and their many, many layers of their lives. I just tried to explain this all to my coworker and the amount of time I said, “well but you find out this…” was endless.
It absolutely gave me East of Eden by Steinbeck vibes - the length alone, but also how good and overcome evil in the end is also a running theme in this novel too. Again, this is a long read, and it’s not one you can skim over either, because you want to take your time with it and immerse yourself in with these characters and this family. As much as I love to devour book after book, this one reminded me to slow down and to enjoy it.
Overall, this book is long and is a multi-sit read, but I can guarantee you will fall in love with at least one member of the Fall family after reading this!
But then a rainbow-haired girl shows up. She may be an angel. Or a saint. But her showing up tips the Falls’ world over. Before anyone can figure out who she is, catastrophe strikes, leaving the family more broken than ever.
With a story filled with road trips, rivalries, family curses, love stories (with many layers), unsent letters, and generational trauma, this young adult novel peels back the layers of a family’s complicated past and present.
This will definitely stick with me for years to come. And, I honestly don’t know how to put into words what I thought of this, because I’m in love with the entire Fall family (okay, there are a few I don’t like…) and their many, many layers of their lives. I just tried to explain this all to my coworker and the amount of time I said, “well but you find out this…” was endless.
It absolutely gave me East of Eden by Steinbeck vibes - the length alone, but also how good and overcome evil in the end is also a running theme in this novel too. Again, this is a long read, and it’s not one you can skim over either, because you want to take your time with it and immerse yourself in with these characters and this family. As much as I love to devour book after book, this one reminded me to slow down and to enjoy it.
Overall, this book is long and is a multi-sit read, but I can guarantee you will fall in love with at least one member of the Fall family after reading this!
BankofMarquis (1832 KP) rated The Cloverfield Paradox (2018) in Movies
Feb 22, 2018
A fun "who-will-survive" flick
During the Super Bowl, a "surprise" trailer dropped for a new entry in the Cloverfield family of films. The good news is that the film was dropping on Netflix the next day, so fanboys immediately jumped on-line and then started hating on it (again, on-line) because it wasn't exactly what they thought it would be.
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Neon's Nerd Nexus (360 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 13, 2019
Out of this world
#spidermanintothespiderverse isn't just an incredible film its also hands down THE best #Spiderman film period & a film fans of the #webhead simply must see. Wow what an intense, #nostalgic & visually breath taking movie, its downright #gorgeous with a dazzling & explosive colour pallet, great dimensional pop, slick smooth unique #animation & some of the most absolutely insane/creative camera angles ive seen all year. This film had my eyes constantly opening wider, searching around the screen trying to take in the immense/painstaking detail literally crammed into every scene. So much attention to detail & #love for years of spiderman material has gone into the making of this film that its honestly just a complete joy to behold. Story wise its a complete breath of fresh air too with constantly shocking plot twists a new spin on origins & extremely informative catch up scenes. Characters are all extremely likable & really well fleshed out & human that have to deal with some really tuff adult problems that i was not expecting to delve into in an #animated #film. Themes are vast here & my favourite explored how none of our #hero's really want the burden or responsibility of doing this as a job but understanding its their purpose/#destiny keeps them dedicated to it. There's also alot on commitment, loss, #courage, inner #demons, fate & #fear which again was awesome to see. Score & soundtrack wise it also shines with all the music intensifying & complimenting not only the tension but the obscure telltale visual style too. Speaking of tension its top notch too, there were scenes that had me sweating & sat on the edge of my seat in suspense & action so energetic, fluid & busy i felt goosebumps on my arms. While also absolutely #laugh out loud #hillarious the film can also be emotionally heavy at times too & i was surprised at just how often the film quickly got dark with either a surprising character death or deep philosophical dialog. Do yourself a favour see this in cinemas & in 3d we need #sony to realise this is the high quality spiderman we want more of. Simply stunning. #marvel #spidergwen #stanlee #mcu #comic #spiderpig #milesmorales #odeon #filmbuff #superhero
Lumos (380 KP) rated Book Catalogue in Apps
Jan 29, 2018
So easy!
Holy pickles! I can not say enough about this app! I have been looking for a way to better categorize my books for years. I recently rearranged my loving room (where all my books live) and I needed to take all my books from the shelves to move the book cases I have. It was quite a process but I figured, since all the books needed to come off the shelves anyway, I might as well put them away in a much more organized fashion.
Luckily, I was able to find this wonderful app. It was SO easy to use! All I needed to do was scan the ISBN on my books and it loaded them onto my virtual bookshelves. It must pull the information from the internet somewhere because when you add a new book, it provides so much information for you (if it is part of a series, who published it, a description, a picture of the cover, how many pages). It also allows you to edit the books on your shelves. You can give a rating, note if you read the book, indicate when you started and finished the book, and you can note if you loaned the book to a friend! The best part is that you can organize your books in SO many different ways (author’s last name, unread books first, title, series, genre, publication date, date added, etc).
This app is such a life saver! It took me just over an hour to scan all 488 books I own and mark them read. It made the process of putting them all back on the shelves so much faster because it was all listed in the order that I wanted. Also, it provided a picture of the cover of the book so I knew what I was looking for when trying to find them to put back on the shelf. I love that it tells you if you have already entered the book when you scan one in… that way you don’t make the mistake of buying extra copies of books, unless you intend to.
Luckily, I was able to find this wonderful app. It was SO easy to use! All I needed to do was scan the ISBN on my books and it loaded them onto my virtual bookshelves. It must pull the information from the internet somewhere because when you add a new book, it provides so much information for you (if it is part of a series, who published it, a description, a picture of the cover, how many pages). It also allows you to edit the books on your shelves. You can give a rating, note if you read the book, indicate when you started and finished the book, and you can note if you loaned the book to a friend! The best part is that you can organize your books in SO many different ways (author’s last name, unread books first, title, series, genre, publication date, date added, etc).
This app is such a life saver! It took me just over an hour to scan all 488 books I own and mark them read. It made the process of putting them all back on the shelves so much faster because it was all listed in the order that I wanted. Also, it provided a picture of the cover of the book so I knew what I was looking for when trying to find them to put back on the shelf. I love that it tells you if you have already entered the book when you scan one in… that way you don’t make the mistake of buying extra copies of books, unless you intend to.
Joelene Marie (28 KP) rated The Black Witch in Books
Oct 1, 2018
Wow! This story, these characters... just wow. Seriously got me right in the feels. There's quite a bit of controversy surrounding this book and i think it's for the wrong reasons. This book isn't racist or any of the other things it's been called, not in and of itself. Does it contain racism, misogyny, homophobia, xenophobia? in spades! Religious zealots, oppression, and just plain ignorant prejudice and discrimination? Oh, absolutely! At times heartbreaking and difficult to read? Definitely! But at its core this is a book about hope. It's about moving past preconceived notions of others based on any of the labels used to divide and coming together. It's about looking beyond outward appearance and seeing the person inside. There are obvious parallels between the book and reality because the author was trying to make a point, not that she or her story are racist or condone these behaviors but the exact opposite, that it is wrong and that we could do amazing things if we quit using labels that divide us, whether it's race, religion, gender, sexuality, occupation, ability, class, country of origin, political affiliation, etc. Those are only labels, they don't define any of us nor should they.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
Transformers Rescue Bots: Sky Forest Rescue
Book and Education
App
The TRANSFORMERS RESCUE BOTS have finally landed…in their first-ever interactive storybook app! ...
Thumbelina ~ 3D Interactive Pop-up Book
Games and Book
App
Meet Thumbelina, a girl no bigger than your thumb! Join Thumbelina in this magical 3D interactive...
ClareR (5950 KP) rated The Other Side of Mrs Wood in Books
Aug 15, 2023
I’ve read a couple of books recently with mediums front and centre, and I really enjoyed The Other Side of Mrs Wood.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.