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Bill Hader recommended Le Doulos (1962) in Movies (curated)

 
Le Doulos (1962)
Le Doulos (1962)
1962 | International, Drama
(0 Ratings)
Movie Favorite

"I’d read Scorsese, Tarantino, and Jarmusch raving about Jean-Pierre Melville for years. Then I read how Paul Thomas Anderson’s brilliant first movie, Hard Eight, was an homage to Melville’s Bob le flambeur. I had to see one of his movies but couldn’t track them down at my local Tulsa video store. My first night in L.A., I walked down to the newly opened Cinephile video store and rented all of them! Le doulos is my favorite. It’s one tough-guy movie. Great ending!"

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LeftSideCut (3778 KP) created a post

Aug 30, 2019 (Updated Aug 30, 2019)  
So after finally getting round to watching Once Upon a Time a couple of nights ago, I present my ranking of Quentin Tarantino movies from my favourite to least favourite.

Note that all of these movies are 8/10 or above for me (and I've counted Kill Bill as one film)

1. Inglorious Basterds
2. Pulp Fiction
3. The Hateful Eight
4. Django Unchained
5. Jackie Brown
6. Once Upon a Time in Hollywood
7. Reservoir Dogs
8. Kill Bill
9. Death Proof

How about everyone else??
     
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LeftSideCut (3778 KP) Aug 30, 2019

@Andy K how about you?

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Andy K (10821 KP) Aug 30, 2019

I would agree at least 8 out of 10 or above.

Mine would be similar although it has been a while since I have seen Jackie Brown or Reservoir Dogs. Also, need to watch Once Upon A Time again so I have more of the details. I felt like it ran past quickly at times.

1. Pulp Fiction
2. Inglorious Basterds
3. Django Unchained
4. Kill Bill
5. Once Upon a Time in Hollywood
6. Jackie Brown
7. Hateful Eight
8. Reservoir Dogs
9. Death Proof

Django Unchained (2012)
Django Unchained (2012)
2012 | Action, Drama, Western
A Tarantino classic in my book, well scripted and acted with so many great moments and even a Cameo role from the original Django, Franco Nero.
The revenge plot is so well put together and the storyline riveting, Tarrentino has this thing about casting actors we haven't seen in a while and then getting a near career best performance from them, Don Johnson being a highlight. It all moves at a great pace with the finale and shootout scenes and dialogue adding further polish to this stunning movie.
  
Pulp Fiction (1994)
Pulp Fiction (1994)
1994 | Crime
One of Tarantino's best
The lives of Two Thugs, A mobsters wife, A boxer, two thieves and a messed up cop into severe S&M are put on display is this multi out of sequence scene movie with an amazing soundtrack. We see death, love, desception, greed and plain old murder in this high speed movie. If you miss one part of any story than you will be truly lost like with almost many Tarantino movies plot ans story is everything.

This movie brought John Travolta back to life and rebooted his career.
  
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Elizabeth Banks recommended Pulp Fiction (1994) in Movies (curated)

 
Pulp Fiction (1994)
Pulp Fiction (1994)
1994 | Crime

"I think I was graduating from college, yeah. It was just so fresh and amazing, and the storytelling, you know, changed cinema forever. I just loved it. And it brought back John Travolta. Every character was incredible, and I loved its really dark sense of humor. Like, literally some of the hardest laughing I’ve ever done in my life was when John Travolta accidentally blows the head off that guy. [laughs] Making that funny is such a feat. The comic sensibility of Quentin Tarantino never ceases to amaze me."

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Sin City (2005)
Sin City (2005)
2005 | Action, Drama, Mystery
Amazing all star cast - Elijah Wood is surprisingly creepy (0 more)
Suspends belief (0 more)
Slick cinematography, dark tales
This film's graphic novel style cinematography is original, effective and beautiful to behold. The black and white effect with certain colours highlighted reminded me of looking at old style comics. The multiple stories that mesh together are all extremely dark, from serial murders to molestation and exploitation, it's Rated R for a very good reason. And while the Tarantino style gore can be surprisingly easy on the eye especially in black and white, it seemed extreme at times, filmed for the sake of being violent.
  
True Romance (1993)
True Romance (1993)
1993 | Action, Drama, Mystery
A messed up kind of love story but a love story none the less.
True Romance is one of those movies that was really sad that I didn't know about it sooner especially since I grew up on Tarantino movies. From start to finish it really is just a damn good movie with a surprisingly good love story mixed in with all the blood and drugs. There's a hell of a lot of action a really good story amazing characters and just the over-the-top violence that you come to expect from these type of movies.
  
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Ana Lily Amirpour recommended Repo Man (1984) in Movies (curated)

 
Repo Man (1984)
Repo Man (1984)
1984 | Comedy, Sci-Fi
7.0 (6 Ratings)
Movie Favorite

"The first time I saw this film I thought there’s no way Tarantino wasn’t influenced in some way by Repo Man when he was making Pulp Fiction. This type of genre mash-up, a film that has unapologetic fun and is blissfully self-aware, is the kind of vibe I am always pulled to as a filmmaker. It's also insane that he made the film—as a student, for no money. The Criterion packaging for this one, with the comic inside, is one of my favorites. I showed it to the distributors when I was packaging A Girl Walks Home Alone at Night."

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The Hateful Eight (2015)
The Hateful Eight (2015)
2015 | Action, Western
Tarantino has accomplished something I have always thought impossible, created a bad Samuel L. Jackson film. It’s unfortunate, but despite all of the hype and build up for the release of Tarantino’s latest film, I was unable to enjoy the experience no matter how hard I tried.

Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.

But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.

The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.

Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.

I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
  
Inglourious Basterds (2009)
Inglourious Basterds (2009)
2009 | War
At the risk of sounding cliché, this was rigorously badass. Has a couple holes but honestly this is still as tightly constructed as this story could possibly be. Just as personal preference I would have liked some more Basterd Nazi killing but there isn't a single wasted line of dialogue in all its still magnetically elongated digressions. Speaking of which, it's been nearly six years to the day that I first saw this film and I still remember so many little, seemingly insignificant lines of dialogue (for instance, how much Landa loves milk and pastries). Saying every performance is an idiosyncratic knockout would be redundant, it's Tarantino after all but it needs underlining here as well: Pitt's wondrously imitatable drawl, Waltz's schoolboy-esque glee in fucking with people, the way Laurent reacts as if she'd just imbibed a pound of broken glass after her nerve-wracking conversation with Landa, so on and so forth. The last half hour ranks among some of the finest Tarantino you'll ever see - the blistering retaliation(s) in the theater, the numerous sharp story surprises that hit like a pot of boiling water to the face, the unfiltered confrontational nature which some find to be a - er - controversial choice today? (Fuck you if you're one of them, by the way). Imagine seeing this and still thinking 𝘖𝘯𝘤𝘦 𝘜𝘱𝘰𝘯 𝘢 𝘛𝘪𝘮𝘦... 𝘪𝘯 𝘏𝘰𝘭𝘭𝘺𝘸𝘰𝘰𝘥 is better.