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Gareth von Kallenbach (980 KP) rated Conan the Barbarian (2011) in Movies
Aug 7, 2019
Conan.
The name either evokes pictures of half naked body builders, and topless wenches, or a very tall man with red, quaffed hair. Well, hopefully the former is what you are all thinking about, because that is what you are going to get. Nobody goes to a Conan movie for the tall, red haired guy. Right?
Jason Momoa, who is not awful to look at for a couple of hours, plays Conan. Physically, he is much truer to the character in the original source material, than the former governor of California. He also has this interesting gravity that makes you sit up and pay attention. Or maybe that was because he was shirtless for most of the movie.
Conan’s story begins as a baby, who is “battle born” and whose first taste, a familiar narrator states, “is not his mother’s milk, but her blood.” He is better then many of his village’s best warrior candidates and joins in a test that ends up being a battle against savages. While the other candidates run back to camp; Conan stay and fights. Not only does he return to the camp having passed the test, but he carries three of the savage’s heads with him. His father (Ron Pearlman) decides it is time to forge a sword and begin to train, with the father imparting sage words like, “You cannot yield the sword until you understand it.”
Conan’s training is interrupted by the arrival of Khalar Zym (Stephen Lang), a ruthless warlord who brings death and destruction to Conan’s village. Zym’s on a a quest to to claim the final piece of a mask that will give him control of the magic of Asheron. Conan is left the sole survivor of his Cimmarian people, growing up to become a fierce warrior intent on avenging his father’s death. All the while, Zym and his daughter Marique continue on Zym’s quest to become a powerful god, in search of a “pureblood” – the one person whose blood will make the mask work. Inevitably, Zym and Conan’s paths cross again and swordfights ensue.
The best thing about this movie, for me, were the female leads. Rose McGowan as Marique and Rachel Nichols as Tamara (the pureblood) are both warriors. It was also excellent to have Conan acknowledge this in Tamara; even saying, “Cimmarian women are warriors, give her the leather and armor.” We would have never heard 1982’s Conan say anything like this.
Listening to people while leaving the movie I heard grumblings about how the Conan character never really had an origin story. This movie provides that, and because of this it also provides something that the original movies lacked: plot. Not that the plot is very rich, but again, nobody goes to a Conan movie for the story or the plot. Right?
The name either evokes pictures of half naked body builders, and topless wenches, or a very tall man with red, quaffed hair. Well, hopefully the former is what you are all thinking about, because that is what you are going to get. Nobody goes to a Conan movie for the tall, red haired guy. Right?
Jason Momoa, who is not awful to look at for a couple of hours, plays Conan. Physically, he is much truer to the character in the original source material, than the former governor of California. He also has this interesting gravity that makes you sit up and pay attention. Or maybe that was because he was shirtless for most of the movie.
Conan’s story begins as a baby, who is “battle born” and whose first taste, a familiar narrator states, “is not his mother’s milk, but her blood.” He is better then many of his village’s best warrior candidates and joins in a test that ends up being a battle against savages. While the other candidates run back to camp; Conan stay and fights. Not only does he return to the camp having passed the test, but he carries three of the savage’s heads with him. His father (Ron Pearlman) decides it is time to forge a sword and begin to train, with the father imparting sage words like, “You cannot yield the sword until you understand it.”
Conan’s training is interrupted by the arrival of Khalar Zym (Stephen Lang), a ruthless warlord who brings death and destruction to Conan’s village. Zym’s on a a quest to to claim the final piece of a mask that will give him control of the magic of Asheron. Conan is left the sole survivor of his Cimmarian people, growing up to become a fierce warrior intent on avenging his father’s death. All the while, Zym and his daughter Marique continue on Zym’s quest to become a powerful god, in search of a “pureblood” – the one person whose blood will make the mask work. Inevitably, Zym and Conan’s paths cross again and swordfights ensue.
The best thing about this movie, for me, were the female leads. Rose McGowan as Marique and Rachel Nichols as Tamara (the pureblood) are both warriors. It was also excellent to have Conan acknowledge this in Tamara; even saying, “Cimmarian women are warriors, give her the leather and armor.” We would have never heard 1982’s Conan say anything like this.
Listening to people while leaving the movie I heard grumblings about how the Conan character never really had an origin story. This movie provides that, and because of this it also provides something that the original movies lacked: plot. Not that the plot is very rich, but again, nobody goes to a Conan movie for the story or the plot. Right?
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Alex Kapranos recommended 1962–1966 by The Beatles in Music (curated)
Melanie Caldicott (6 KP) rated 10 Minutes 38 Seconds in This Strange World in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
BookInspector (124 KP) rated The Girl Before in Books
Sep 24, 2020
I would like to begin by saying one simple word, WOW. This book left me absolutely speechless to be honest. This book is a masterpiece and I’m absolutely in love with this author. This book begins quite calm, by looking for some properties in London and introducing the characters: then - Simon and Emma and now - Jane. It tells two stories at the same time, the action which happened three years ago and the action which is happening currently. I really enjoyed that there is not story from one person’s perspective but two characters are telling their story at the same time. All the main characters are really disturbed in this book and have their own problems which influenced their personalities. There is this taste of “fifty shades of Gray” in this book; just it doesn’t flatter the book unfortunately. I really liked the way characters where untangled while you flip the pages, the way their personalities unfolded. They were not boring, one thing what I would’ve liked, is more insight into Simon's and Edward's personalities and how do they think, I would’ve liked their perspective in the book. Even though the men in this book seemed like strong and demanding ones, in the end of the day I think the women were the strong ones and the most determined ones in this book.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
Hazel (2934 KP) rated Child Behind The Wall in Books
Sep 19, 2020
Hard-hitting and gripping
Never having read anything by this author before let alone any of the others in this series, I took a punt based on the blurb and I certainly wasn't disappointed and I was absolutely hooked from page 1.
On his website, Mr Parker describes "My style of writing is hard-hitting, fast-paced, violent and carry moral messages that you might have to dig a bit deeper for. I try not to use more words than is necessary although more than a few of them are of the swearing variety. Hey! People swear. And they swear a ******* lot in my world. I will unashamedly tackle issues where some writers fear to tread." I would say this is a pretty accurate reflection - this book is not for the feint-hearted; it contains bad language and graphic scenes which leave nothing to the imagination so be warned!
This is a fast-paced, action packed read from the first to the last page with twists and turns and shocks along the way. The characters are an interesting and eclectic bunch with the 2 main protagonists of Paterson and Clocks being, what I would describe, an acquired taste - Mr Parker advises that they are based loosely on characters he has known throughout his 20 year career in the Police ... all I can say is that if I knew Clocks in particular, I would have probably disliked him intensely on first impression however, I can see a very loyal friend who would do anything for you plus there is definitely a troubled softie in there. Having said that, I still found him annoying!
The main plot is hard-hitting and totally gripping - there is some humour interspersed throughout which did provide some much needed lighter moments. The sub-plots are intriguing and an interesting insight into the politics within the various echelons within the Police; these, I assume, are linked to previous cases covered in earlier books in the series. Like I said, I haven't read any of the others but didn't find this too confusing but I do think I was missing the backstory somewhat which probably impacted on my overall enjoyment of the story as a whole but this is my fault rather than the fault of the author.
This is a no-holds-barred, gritty thriller that I would recommend to any who enjoy the harsher stories dealing with horrific crimes but, as I have said, it does contain gruesome details of crimes against children so if this isn't your preference, then I wouldn't go there but you will be missing out on a really excellent book.
Many thanks go to Joffe Books via NetGalley for my copy in return for an honest, unbiased and unedited review.
On his website, Mr Parker describes "My style of writing is hard-hitting, fast-paced, violent and carry moral messages that you might have to dig a bit deeper for. I try not to use more words than is necessary although more than a few of them are of the swearing variety. Hey! People swear. And they swear a ******* lot in my world. I will unashamedly tackle issues where some writers fear to tread." I would say this is a pretty accurate reflection - this book is not for the feint-hearted; it contains bad language and graphic scenes which leave nothing to the imagination so be warned!
This is a fast-paced, action packed read from the first to the last page with twists and turns and shocks along the way. The characters are an interesting and eclectic bunch with the 2 main protagonists of Paterson and Clocks being, what I would describe, an acquired taste - Mr Parker advises that they are based loosely on characters he has known throughout his 20 year career in the Police ... all I can say is that if I knew Clocks in particular, I would have probably disliked him intensely on first impression however, I can see a very loyal friend who would do anything for you plus there is definitely a troubled softie in there. Having said that, I still found him annoying!
The main plot is hard-hitting and totally gripping - there is some humour interspersed throughout which did provide some much needed lighter moments. The sub-plots are intriguing and an interesting insight into the politics within the various echelons within the Police; these, I assume, are linked to previous cases covered in earlier books in the series. Like I said, I haven't read any of the others but didn't find this too confusing but I do think I was missing the backstory somewhat which probably impacted on my overall enjoyment of the story as a whole but this is my fault rather than the fault of the author.
This is a no-holds-barred, gritty thriller that I would recommend to any who enjoy the harsher stories dealing with horrific crimes but, as I have said, it does contain gruesome details of crimes against children so if this isn't your preference, then I wouldn't go there but you will be missing out on a really excellent book.
Many thanks go to Joffe Books via NetGalley for my copy in return for an honest, unbiased and unedited review.
Bong Mines Entertainment (15 KP) rated Dawn by SG Lewis in Music
Jun 26, 2019
SG Lewis is a London-based songwriter, producer, and multi-instrumentalist. Not too long ago, he released his “Dawn” EP ahead of his two high profile festival appearances at North Coast Music Festival and Jay-Z’s Made In America, and a headlining tour in September.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.