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Hazel (1853 KP) rated Our Summer Together in Books
Sep 11, 2017
Second Chance at Love and Life
Review I received this book for free through Goodreads First Reads.
This latest book by women’s fiction author Fanny Blake is an uplifting story about family and finding love later in life. Our Summer Together begins with Caro, a portrait painter, and part-time art teacher, running around after her two adult daughters, Lauren and Amy. With barely a moment to herself, Caro flits between looking after her three-year-old grandson and helping out at Amy’s florist shop. However, one day, a brief encounter on the train home sparks excitement back into her life.
From the train to decorating her house and, finally, becoming her lodger, Caro gets to know the mysterious Damir as he gradually opens up about his past. Despite being fifteen years younger than her, Caro falls in love with the Bosnian and he with her, but can this elation last?
Despite her new chance at love, Caro has so many other things to worry about. Her ex-husband Chris is filing for divorce so that he can marry his new, much younger woman. However, this involves selling the house that Caro lives in and where her children grew up. On top of that, her eldest daughter, Lauren, is sceptical about Damir and is not afraid of saying so. With life as she knew it crashing down around her, Caro must decide whether Damir is worth it, but, most importantly, does he really want her in his life?
The title of the book, Our Summer Together, creates a sense of foreboding from the very beginning. Implying that Caro and Damir will only have one season together puts the reader on tenterhooks: what will go wrong? Desperate for a happy ending, we plough through the chapters wishing that their happiness could last forever.
It is refreshing to read about a romance developing between older characters rather than the typical twenty or thirty-something. A second chance at love feels much more satisfying than a will-they-won’t-they, playing hard-to-get attempt at a first serious relationship.
Alongside the love and joyfulness is a darker history that opens the readers’ eyes to events occurring during their lifetime that they may not have been very aware of. Growing up in Bosnia, Damir was subjected to war and violence, losing all his family and having a disastrous start at adulthood. For Damir, his relationship with Caro is not only a second-chance at love, but a second-chance at life, too.
Our Summer Together is a relaxing book to read that can either be devoured quickly or eked out over a period of time. With humour, reality and a range of emotions, it is impossible to find the story boring. Whatever your usual genre of choice, this book will be a refreshing change
This latest book by women’s fiction author Fanny Blake is an uplifting story about family and finding love later in life. Our Summer Together begins with Caro, a portrait painter, and part-time art teacher, running around after her two adult daughters, Lauren and Amy. With barely a moment to herself, Caro flits between looking after her three-year-old grandson and helping out at Amy’s florist shop. However, one day, a brief encounter on the train home sparks excitement back into her life.
From the train to decorating her house and, finally, becoming her lodger, Caro gets to know the mysterious Damir as he gradually opens up about his past. Despite being fifteen years younger than her, Caro falls in love with the Bosnian and he with her, but can this elation last?
Despite her new chance at love, Caro has so many other things to worry about. Her ex-husband Chris is filing for divorce so that he can marry his new, much younger woman. However, this involves selling the house that Caro lives in and where her children grew up. On top of that, her eldest daughter, Lauren, is sceptical about Damir and is not afraid of saying so. With life as she knew it crashing down around her, Caro must decide whether Damir is worth it, but, most importantly, does he really want her in his life?
The title of the book, Our Summer Together, creates a sense of foreboding from the very beginning. Implying that Caro and Damir will only have one season together puts the reader on tenterhooks: what will go wrong? Desperate for a happy ending, we plough through the chapters wishing that their happiness could last forever.
It is refreshing to read about a romance developing between older characters rather than the typical twenty or thirty-something. A second chance at love feels much more satisfying than a will-they-won’t-they, playing hard-to-get attempt at a first serious relationship.
Alongside the love and joyfulness is a darker history that opens the readers’ eyes to events occurring during their lifetime that they may not have been very aware of. Growing up in Bosnia, Damir was subjected to war and violence, losing all his family and having a disastrous start at adulthood. For Damir, his relationship with Caro is not only a second-chance at love, but a second-chance at life, too.
Our Summer Together is a relaxing book to read that can either be devoured quickly or eked out over a period of time. With humour, reality and a range of emotions, it is impossible to find the story boring. Whatever your usual genre of choice, this book will be a refreshing change
Midge (525 KP) rated The Nowhere Child in Books
Mar 11, 2019
Brilliant And Dark
“The Nowhere Child” is a debut psychological thriller by Christian White and it was so special! Several things cast their spell - my favourite genre; a very smart cover design; winner of the Victorian Premier Literary Award; and great ratings from the offset. It could only be a winner!
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
Dianne Robbins (1738 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Apr 24, 2019
Seeing Donna's backstories with her lovers. (1 more)
Nice to see most of the cast together again.
Literally everything else (8 more)
The same dramatic hairstyles on two principal female characters for over twenty years, really? Talk about suspension of belief.
Lifeless.
No real heart to it.
Meryl Streep is in it for mere seconds.
Relationships between the characters. Disjointed and disconnected.
Not the best ABBA songs.
The Kissed the Teacher sequence. I mean, wth was that about?
Not much singing or a reason to sing.
Joyless
Contains spoilers, click to show
I loved the first one and have been known to watch the DVD or listen to the CD on a continuous loop for upwards of 12 hours. I'm not kidding. I adore Meryl Streep and everything she touches is gold. Except for this movie. Omg, it is so bad. It lost all the joy the first film had. Why?! Why did they have to destroy this movie so badly?
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Louise (64 KP) rated The Weight of Water in Books
Jul 2, 2018
After reading One by Sarah Crossan I wanted delve into more of her works. This is Sarah's debut novel and I really enjoyed it. What makes her books unique is that they are written in verse, so you can either read it like poetry or just as a normal book.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
Debbiereadsbook (1069 KP) rated Guarding His Melody (Enhacned World #1) in Books
Sep 25, 2018
loved this addition to this world!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is billed as book 1 in the Enhanced World Standalones series, but you don't need to have red the 3 books in the main series, before this one. I have listened to book one, Five More Minutes, and am currently part way through book two, Who We Truly are and will get to Beneath This Mask after that. Mild spoilers, is all. and a hint at what I have to come.
After getting meningitis as a child, Seb is left deaf. Throw in mark of the Enhanced that appeared when he was 12, and life has thrown him a double whammy. When there are death threats, Seb hires Gray as a bodyguard. But the Threat is getting worse, after the death of his previous bodyguard and that of his music teacher. If Seb could shake these crippling headaches, and just play his piano, he'll be happy.
I'm really enjoying these books! They are different and different is always good in my book!
Seb is pretty much housebound, but the first thing Gray does, is drag him out of bed at stoopid o'clock to do Tia-Chi in the garden. Helped him, so gotta be worth a try, right?? And that there, is what I particularly LOVED about this book.
The HINTS at what Gray suffered. You don't get the FULL story, not at all, just hints and clues along the way that make you put together a picture, a bigger picture at what Gray suffered, HOW much he suffered and how he got through it. But you just know, that someone else will put together a different picture, with the same clues. And I LOVED that!
Seb's threat isn't who I thought it was, but it was just as bad. I do love being proven wrong!
The chemistry between Gray and Seb bubbles along for much of the book, and I did, at one point, think we wouldn't get to the main event, but we do, and it is glorious!
Talon and Finn (Five Minutes Longer) pop up at the end, and the others are mentioned at various places in the book, so ties the books together.
The Enhanced status of Seb plays very much second fiddle to his deafness.
But I'm not left wanting to LISTEN to this book. Nick J Russo narrates the other books, and I hope he does this one too. I'm eager to see how Seb's voice comes across.
I originally wrote 4 stars at the top of the page (and yes, i do WRITE them up by hand before I post them!) but, actually, I can't find anything to knock that star off, so...
5 full stars!
**same worded review will appear elsewhere**
This is billed as book 1 in the Enhanced World Standalones series, but you don't need to have red the 3 books in the main series, before this one. I have listened to book one, Five More Minutes, and am currently part way through book two, Who We Truly are and will get to Beneath This Mask after that. Mild spoilers, is all. and a hint at what I have to come.
After getting meningitis as a child, Seb is left deaf. Throw in mark of the Enhanced that appeared when he was 12, and life has thrown him a double whammy. When there are death threats, Seb hires Gray as a bodyguard. But the Threat is getting worse, after the death of his previous bodyguard and that of his music teacher. If Seb could shake these crippling headaches, and just play his piano, he'll be happy.
I'm really enjoying these books! They are different and different is always good in my book!
Seb is pretty much housebound, but the first thing Gray does, is drag him out of bed at stoopid o'clock to do Tia-Chi in the garden. Helped him, so gotta be worth a try, right?? And that there, is what I particularly LOVED about this book.
The HINTS at what Gray suffered. You don't get the FULL story, not at all, just hints and clues along the way that make you put together a picture, a bigger picture at what Gray suffered, HOW much he suffered and how he got through it. But you just know, that someone else will put together a different picture, with the same clues. And I LOVED that!
Seb's threat isn't who I thought it was, but it was just as bad. I do love being proven wrong!
The chemistry between Gray and Seb bubbles along for much of the book, and I did, at one point, think we wouldn't get to the main event, but we do, and it is glorious!
Talon and Finn (Five Minutes Longer) pop up at the end, and the others are mentioned at various places in the book, so ties the books together.
The Enhanced status of Seb plays very much second fiddle to his deafness.
But I'm not left wanting to LISTEN to this book. Nick J Russo narrates the other books, and I hope he does this one too. I'm eager to see how Seb's voice comes across.
I originally wrote 4 stars at the top of the page (and yes, i do WRITE them up by hand before I post them!) but, actually, I can't find anything to knock that star off, so...
5 full stars!
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Rope (1948) in Movies
Nov 15, 2018
Master Director working some Masterful Camerawork
For my next deep dive into a film of the "Master of Suspense", Alfred Hitchock, I thought I'd pull out a "one-trick pony" film of his, 1948's ROPE. Based on a stage play, HItchock decided to film this movie as it were a play - keeping the entire film in one location (an apartment) and to film it in (what appears to be) one long take.
And, darn it all, if he doesn't pull it off.
The film starts off with a murder, we see two young men (John Dall and Farley Granger) strangling their "inferior" friend. They then decide to hold a dinner party to see if anyone can tell that they have committed murder. Included in this party is the dead friend's girlfriend (Joan Chandler), his father (Sir Cedrick Hardwicke) and their old school teacher (James Stewart).
The fun of this film isn't "will they get caught", it's "how will they get caught - and by who". The cast is wonderful (especially Hardwicke) but they all take a back seat to the absolute stellar performance of Stewart who begins to piece together that something is amiss and turns the tide on the two murderers.
The real star of this film is Director HItchock and his camera. Since he decided to make this in one long take, it took a master of organization and logistics to pull this off, having stagehands move furniture and walls out of the way (and back in again) as the camera moved around. In 1948, a camera could only hold 10 minutes worth of film, so the "one long take" aspect of this is a trick, as it is really 8 takes with strategic timing of camera movements behind walls and backs to give the illusion of seamlessness.
The interesting thing of this "trick" is that you are totally at the control of what Hitchock wants you to see (and not see). There is a scene about 1/2 way through the film that completely ignores the action and the people in the scene and focuses on the trunk the body is in. It is a masterwork, and the tension of keeping your focus there throughout the course of this part of the film is scary, tense and mesmerizing.
One last thing, Hitchock makes a cameo in every one of his films. Try to tell where Hitch is in this film (and, no, it is not as someone walking by the apartment at the beginning of the movie).
Not one of Hitchock's best, plotwise, but one of his best, camera-wise. Well worth checking out.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And, darn it all, if he doesn't pull it off.
The film starts off with a murder, we see two young men (John Dall and Farley Granger) strangling their "inferior" friend. They then decide to hold a dinner party to see if anyone can tell that they have committed murder. Included in this party is the dead friend's girlfriend (Joan Chandler), his father (Sir Cedrick Hardwicke) and their old school teacher (James Stewart).
The fun of this film isn't "will they get caught", it's "how will they get caught - and by who". The cast is wonderful (especially Hardwicke) but they all take a back seat to the absolute stellar performance of Stewart who begins to piece together that something is amiss and turns the tide on the two murderers.
The real star of this film is Director HItchock and his camera. Since he decided to make this in one long take, it took a master of organization and logistics to pull this off, having stagehands move furniture and walls out of the way (and back in again) as the camera moved around. In 1948, a camera could only hold 10 minutes worth of film, so the "one long take" aspect of this is a trick, as it is really 8 takes with strategic timing of camera movements behind walls and backs to give the illusion of seamlessness.
The interesting thing of this "trick" is that you are totally at the control of what Hitchock wants you to see (and not see). There is a scene about 1/2 way through the film that completely ignores the action and the people in the scene and focuses on the trunk the body is in. It is a masterwork, and the tension of keeping your focus there throughout the course of this part of the film is scary, tense and mesmerizing.
One last thing, Hitchock makes a cameo in every one of his films. Try to tell where Hitch is in this film (and, no, it is not as someone walking by the apartment at the beginning of the movie).
Not one of Hitchock's best, plotwise, but one of his best, camera-wise. Well worth checking out.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Emma @ The Movies (1786 KP) rated The Hustle (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I love Anne Hathaway. I love Rebel Wilson. I love Dirty Rotten Scoundrels. I did not love this.
Penny is a small-time con artist who decides to head to Europe to change things up a bit. Josephine is at the top of the con artist charts and is living very comfortably in Europe making a mint off the wealthy gentlemen who cross her path. When Penny stumbles onto her train she realises that the crass American could bring too much attention so she sets about sabotaging her plans. Penny is more resourceful than she seems though and soon makes her way back into Josephine's life.
I did laugh at a couple of points, but it really wasn't the bright and bubbly comedy I'd been hoping for. There are some definite hangovers that they've kept in that stick out in a modern film. The opening titles and some of the music are very reminiscent of older comedic movies and honestly seemed like a bad choice. You're remaking something, go the whole hog or don't bother.
Hathaway & Wilson do work well together as a comedy duo. The training montage was quite possibly the best bit and I enjoyed the teacher/student dynamic that they had. Beyond this though the film seemed to lack genuine comedy and instead relied on pratfalls. I don't know if it's just that it doesn't feel right that these two were doing this humour or that this humour doesn't have the same standing in films as it used to, but it left me disappointed.
Anne Hathaway is a stunning trickster with the accent of a stereotypical aristocrat. Listening to that in the trailers annoyed me, the film was no better. Admittedly it does change throughout to accommodate the con but it rears it's ugly head enough times to make you remember it.
Rebel Wilson was... Rebel Wilson, I'm not sure she had any other setting, and I don't think that matters for this. It's the perfect part for her and she actually does get some moments of seriousness to deal with. I think this was the perfect bit of casting.
I wish I could remember Dirty Rotten Scoundrels to see how much they kept but it has been a very long time since I watched it. Even without that memory I can tell you it isn't a fitting tribute to it, or to the genre sadly.
What you should do
At some point it'll stream and if there's nothing else to do it might be worth watching. I'm not sure you need to go out of your way to find it.
Movie thing you wish you could take home
I'll take some of the poise and agility that Josephine has, please and thank you.
Penny is a small-time con artist who decides to head to Europe to change things up a bit. Josephine is at the top of the con artist charts and is living very comfortably in Europe making a mint off the wealthy gentlemen who cross her path. When Penny stumbles onto her train she realises that the crass American could bring too much attention so she sets about sabotaging her plans. Penny is more resourceful than she seems though and soon makes her way back into Josephine's life.
I did laugh at a couple of points, but it really wasn't the bright and bubbly comedy I'd been hoping for. There are some definite hangovers that they've kept in that stick out in a modern film. The opening titles and some of the music are very reminiscent of older comedic movies and honestly seemed like a bad choice. You're remaking something, go the whole hog or don't bother.
Hathaway & Wilson do work well together as a comedy duo. The training montage was quite possibly the best bit and I enjoyed the teacher/student dynamic that they had. Beyond this though the film seemed to lack genuine comedy and instead relied on pratfalls. I don't know if it's just that it doesn't feel right that these two were doing this humour or that this humour doesn't have the same standing in films as it used to, but it left me disappointed.
Anne Hathaway is a stunning trickster with the accent of a stereotypical aristocrat. Listening to that in the trailers annoyed me, the film was no better. Admittedly it does change throughout to accommodate the con but it rears it's ugly head enough times to make you remember it.
Rebel Wilson was... Rebel Wilson, I'm not sure she had any other setting, and I don't think that matters for this. It's the perfect part for her and she actually does get some moments of seriousness to deal with. I think this was the perfect bit of casting.
I wish I could remember Dirty Rotten Scoundrels to see how much they kept but it has been a very long time since I watched it. Even without that memory I can tell you it isn't a fitting tribute to it, or to the genre sadly.
What you should do
At some point it'll stream and if there's nothing else to do it might be worth watching. I'm not sure you need to go out of your way to find it.
Movie thing you wish you could take home
I'll take some of the poise and agility that Josephine has, please and thank you.
Lee (2222 KP) rated Luce (2019) in Movies
Oct 30, 2019
Luce (Kelvin Harrison Jr) is the perfect student. Captain of the high school track team, a passionate member of the school debating society, a great writer and a polite, grown-up young man that just seems too good to be true. Luce was adopted at the age of 9 from war-torn Eritrea by white couple Amy (Naomi Watts) and Peter (Tim Roth, sporting a pretty dodgy American accent). Following years of therapy and the devoted efforts of Amy and Peter, he seems to have successfully put his horrific and traumatic childhood behind him, embracing his future in America.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
JT (287 KP) rated Easy A (2010) in Movies
Mar 10, 2020
Flat, dull and lacking in any laughs. Harsh this verdict might be, but I’m afraid it is about the long and the short of it. As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles. The lovely Emma Stone whose turn in Superbad put her on the road to stardom is short of her best, and at times is cringe worthily bad.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
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