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I Know What You Did Last Summer (1997)
I Know What You Did Last Summer (1997)
1997 | Horror
I Know What You Did Last Summer opens with the Type O Negative cover of Summer Breeze, which is always going to be a winner in my book.

This film is rightly considered a bit of a classic these days, and there's really not a whole bunch to complain about. It has well written characters, a decent cast, a visually creepy villain, an engaging whodunit plot, one of the best chase scenes in slasher movie history (that's right), and still manages to stand on its own two feet in a world where it's constantly compared to Scream.
I find this to be an unfair comparison. Beyond the 90s setting, teen characters, slasher tropes, and shared writer in Kevin Williamson, there's not much else that ties them together. Scream is of course a fantastic horror, but relishes in being satire, whereas IKWYDLS is a straight shooting horror. Its the exact kind of film that Scream takes aim at, but it still manages to be a decent slasher without feeling silly, and delivers some well earned jump scares for good measure. I also really enjoy it's fishing town setting and the hole movie is accompanied by a hilariously epic score courtesy of John Debney. It's great.

I will always have a lot of time for IKWYDLS, overshadowed by some of its contemporaries, but a hugely satisfying and entertaing horror in its own right.
  
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Richard Linklater recommended If... (1968) in Movies (curated)

 
If... (1968)
If... (1968)
1968 | Crime, Drama
7.5 (2 Ratings)
Movie Favorite

"The great British director Lindsay Anderson died 20 years ago and he only made five or six films, but they’re all very interesting, and I think his most famous is called If… It’s the film Malcolm McDowell did before A Clockwork Orange, and it’s kind of the ultimate teenage movie. It’s beautiful and very radical. It won Cannes that year, and it’s very much of its time, the ’60s, and Malcolm McDowell is brilliant in it. It’s the ultimate teen rebellion movie — and I like that genre — but it’s also very poetic, almost Brechtian, and there’s almost fantasy elements to it. Like, there’s this woman in the movie who might not even be real. It’s filmed in color and there are sections that are black-and-white and it’s kind of amazing. It’s the first film of a trilogy too. Malcolm McDowell’s character’s name is Mick Travis, and so a few years later, they did a film called O Lucky Man! and then ten years later they did Britannia Hospital together, Lindsay Anderson and Malcolm McDowell. So it’s one of the greater film trilogies in my opinion… It’s definitely worth watching. It used to be a bigger cult film in the ’70s and the ’80s, but I see it’s falling off. I don’t know if young people are watching it the way they used to."

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