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Emma @ The Movies (1786 KP) rated Freaky (2021) in Movies
Apr 24, 2021
More body-switching horror mixed with a bit of comedy. Vince Vaughn was definitely the pull on this for me.
Millie's high school life is derailed when she switches places with a serial killer called The Butcher. She has 24 hours to work out how to switch back or she'll be trapped as a wanted criminal for the rest of her life.
This one... surprised me. I was hoping for an average slasher sort of film, all killer bit of filler, but I actually quite enjoyed the ride on Freaky.
Body swapping isn't a new idea, Big did it, 13 Going On 30, Chucky... sort of. It's a comforting sort of base that gives you room for fun, and in this instance, serial killer and teenage girl was a pretty good combo.
One thing to beware of is that this film is very gory. The beginning starts off as your typical teen horror and moves into the slasher part quite quickly. It's over the top in that ridiculous way that takes away some of the horror factor, and that's how I like these sorts of movies.
When it comes to the acting we get a collection of typical teens, there was nothing that seemed out of place. Solid acting to the expected stereotypes and it absolutely didn't rock the boat.
Vince Vaughn as our menacing murderer was quite terrifying for the moments we saw him in that role. But of course he spent most of the film as Millie. On this point my brain automatically went to the Jack Black comparison in the Jumanji films. His rendition of a teenage girl was great, and Vaughn's was just okay. While both of these roles were over the top, Vaughn's performance was "almost but not quite" and didn't sit right in Freaky.
The flip side of this was Kathryn Newton as Millie. As actual Millie I can't really remember anything about the performance, but as The Butcher there was a definite nutter vibe terminating from her. I'm not sure how they worked on the characters, for Newton the only real guidance was "psycho killer", and I think that left room for a little leeway on this side of the swap.
I was pleased that they took things into consideration during the swap. The struggle of adapting to the bodies was clear and continually there, it wasn't forgotten for the sake of getting on with the story. Millie possessed by The Butcher has a great interaction with another character, and this point is a big focus and heavy on the anxiety to watch because you're caught between a rock and a hard place about what you want the outcome to be.
There is one part of the movie that really weirded me out, I'm sure you'll be able to identify it too so I won't spoil it here. But it didn't feel necessary, it achieved nothing, and felt like it was inserted to get a reaction out of the viewer... exactly as it has here.
Freaky has a good balance between thriller, horror and comedy, and despite the imbalance in the acting/characters I found it to be a great watch. The foreknowledge of the general outcome of a body swap film (because let's face it, we all know how they end) leaves you the time to enjoy the nuttiness of everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/freaky-movie-review.html
Millie's high school life is derailed when she switches places with a serial killer called The Butcher. She has 24 hours to work out how to switch back or she'll be trapped as a wanted criminal for the rest of her life.
This one... surprised me. I was hoping for an average slasher sort of film, all killer bit of filler, but I actually quite enjoyed the ride on Freaky.
Body swapping isn't a new idea, Big did it, 13 Going On 30, Chucky... sort of. It's a comforting sort of base that gives you room for fun, and in this instance, serial killer and teenage girl was a pretty good combo.
One thing to beware of is that this film is very gory. The beginning starts off as your typical teen horror and moves into the slasher part quite quickly. It's over the top in that ridiculous way that takes away some of the horror factor, and that's how I like these sorts of movies.
When it comes to the acting we get a collection of typical teens, there was nothing that seemed out of place. Solid acting to the expected stereotypes and it absolutely didn't rock the boat.
Vince Vaughn as our menacing murderer was quite terrifying for the moments we saw him in that role. But of course he spent most of the film as Millie. On this point my brain automatically went to the Jack Black comparison in the Jumanji films. His rendition of a teenage girl was great, and Vaughn's was just okay. While both of these roles were over the top, Vaughn's performance was "almost but not quite" and didn't sit right in Freaky.
The flip side of this was Kathryn Newton as Millie. As actual Millie I can't really remember anything about the performance, but as The Butcher there was a definite nutter vibe terminating from her. I'm not sure how they worked on the characters, for Newton the only real guidance was "psycho killer", and I think that left room for a little leeway on this side of the swap.
I was pleased that they took things into consideration during the swap. The struggle of adapting to the bodies was clear and continually there, it wasn't forgotten for the sake of getting on with the story. Millie possessed by The Butcher has a great interaction with another character, and this point is a big focus and heavy on the anxiety to watch because you're caught between a rock and a hard place about what you want the outcome to be.
There is one part of the movie that really weirded me out, I'm sure you'll be able to identify it too so I won't spoil it here. But it didn't feel necessary, it achieved nothing, and felt like it was inserted to get a reaction out of the viewer... exactly as it has here.
Freaky has a good balance between thriller, horror and comedy, and despite the imbalance in the acting/characters I found it to be a great watch. The foreknowledge of the general outcome of a body swap film (because let's face it, we all know how they end) leaves you the time to enjoy the nuttiness of everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/freaky-movie-review.html
BookInspector (124 KP) rated Gallowstree Lane (Collins and Griffiths #3) in Books
Sep 24, 2020
This novel is told from multiple perspectives, and it is very hard to identify the main lead in this book. It is a Sarah Collins and Lizzie Griffiths detective novel, both of them are very strong female detectives, but they don’t have much communication between each other throughout the book, so I don’t really see them as a duo. It is a third book in the Metropolitan series, and I haven’t read the previous books. I found It perfectly understandable as a stand-alone, and the author explains a lot of things from previous books, but I think, to understand Sarah and Lizzie properly, it is better to read the previous books before starting this one.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
Darren (1599 KP) rated Scar (2007) in Movies
Sep 26, 2019
Characters – Joan is a character we meet at two different ages and flashback between through the film, the teenage version of her gets tortured by the serial killer leaving her with the scar on her face. The adult one heads back to her hometown for the first time since to see her niece graduate. When the killings start again she becomes the prime suspect though she believes she killed the killer all those years ago. She must learn who the killer is before her niece goes through the same ordeal she does. Olympia is the niece that is living the normal teenage life graduating only to become the latest target by the killer who has already taken her friends. Bishop is the serial killer that targeted Joan and her friend all those years ago, forcing the through a torturous ordeal, has he return? He enjoys making the victims suffer as he cuts them. We do get to meet other characters who mostly become victims of the killer, each one interacts in their own way.
Performances – Angela Bettis is strong in the leading role of this film, she often took chances on horror and this is one where she can lead the film and deal with the horrors involved. Kirby Bliss Blanton is solid in her role though she doesn’t get as much to do other than be generic teenager. Ben Cotton does make for a good villain that showed just how twisted his character it. The supporting cast are all solid enough without being challenged to do anything to make them standout.
Story – The story follows a victim returning home for the first time only to face a serial killer she believed she had killed to protect her niece. The story does a good job balance the two timelines as we see how Joan is reacting to the ordeal from her first encounter to the new encounter, playing along the lines that she might not be as clean as she thought she was. We also get to deal with how people can become interested in killings over the stories about the killer over the victim. The strangest twist in the film is the fact that another bigger film seemed to use the exact same twist and motives behind the killings, I won’t mention the film because it will ruin the end of the film.
Crime/Horror – The crime side of the film follows the action of the serial killer which plays into the horror because of the torturous nature that they follow through the film, the wounds feel real, look real and brutal with just how they are made to look.
Settings – The film takes place in a small town, which has a reputation, we see the normal locations, but it is in the shadows where we see the killer conduct their actions.
Special Effects – The effects come from the graphic body horror we are put through by the killer, the wounds being enough to make the blood appear over causing fatal wounds.
Scene of the Movie – The killer’s identity.
That Moment That Annoyed Me – The killer’s motivation.
Final Thoughts – When it comes to late night horrors sometimes we can just enjoy the events for what they are, this is one of the perfect examples of this giving us horror when we need it and a simple horror to watch.
Overall: Midnight horror treat.
Performances – Angela Bettis is strong in the leading role of this film, she often took chances on horror and this is one where she can lead the film and deal with the horrors involved. Kirby Bliss Blanton is solid in her role though she doesn’t get as much to do other than be generic teenager. Ben Cotton does make for a good villain that showed just how twisted his character it. The supporting cast are all solid enough without being challenged to do anything to make them standout.
Story – The story follows a victim returning home for the first time only to face a serial killer she believed she had killed to protect her niece. The story does a good job balance the two timelines as we see how Joan is reacting to the ordeal from her first encounter to the new encounter, playing along the lines that she might not be as clean as she thought she was. We also get to deal with how people can become interested in killings over the stories about the killer over the victim. The strangest twist in the film is the fact that another bigger film seemed to use the exact same twist and motives behind the killings, I won’t mention the film because it will ruin the end of the film.
Crime/Horror – The crime side of the film follows the action of the serial killer which plays into the horror because of the torturous nature that they follow through the film, the wounds feel real, look real and brutal with just how they are made to look.
Settings – The film takes place in a small town, which has a reputation, we see the normal locations, but it is in the shadows where we see the killer conduct their actions.
Special Effects – The effects come from the graphic body horror we are put through by the killer, the wounds being enough to make the blood appear over causing fatal wounds.
Scene of the Movie – The killer’s identity.
That Moment That Annoyed Me – The killer’s motivation.
Final Thoughts – When it comes to late night horrors sometimes we can just enjoy the events for what they are, this is one of the perfect examples of this giving us horror when we need it and a simple horror to watch.
Overall: Midnight horror treat.
BankofMarquis (1832 KP) rated Beast (2022) in Movies
Sep 24, 2022
More Tension Than I Anticipate
We are witnessing the after-effects of the COVID PANDEMIC shutdown in 2020 as the films that are being released at the tail end of summer/early fall of 2022 are not the most scintillating of efforts and thus, one must lower their expectations to have a good time at the Cineplex.
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated The Diary of Pelly D in Books
Apr 27, 2018
I found this book while browsing at my local library. i tried reading it once, and it seemed so trivial and unimportant. i returned it and forgot about it.
a year later, i saw it again and thought "what every happened to Pelly D after she got kicked out of her holo-pool and lost her street-side friend?" so i borrowed it again and read it through in a few hours.
i got a lot more out of it the second time, i'll say that much right away.
this book has a lot of hidden messages in it, and it's not something you can really say in words, let alone out loud. so the author used this book to paint a picture of something. it's more than fiction, it's a statement. like Orwel's <i> 1984,</i> or Harper Lee's <i> To Kill a Mocking Bird </i>. it's main focus isn't Pelly D, it's actually judgment, prejudice, and politics.
but, it also has the lighthearted addition of a teenage girl who really couldn't give a rat's poo about anyone but herself.
i won't spoil it for anyone who hasn't read it, but i will recommend it. i'll also say this: the ending is good, but it doesn't wrap up the story like most books do. it's well written (aside from the missing letters, which is part of the futuristic style of speech and writing used in the book. example: "v" instead of "very" or "cd" instead of "could.") and the characters are very real.
take a step forward, go onward and upward, and plunge into a very deep book.
a year later, i saw it again and thought "what every happened to Pelly D after she got kicked out of her holo-pool and lost her street-side friend?" so i borrowed it again and read it through in a few hours.
i got a lot more out of it the second time, i'll say that much right away.
this book has a lot of hidden messages in it, and it's not something you can really say in words, let alone out loud. so the author used this book to paint a picture of something. it's more than fiction, it's a statement. like Orwel's <i> 1984,</i> or Harper Lee's <i> To Kill a Mocking Bird </i>. it's main focus isn't Pelly D, it's actually judgment, prejudice, and politics.
but, it also has the lighthearted addition of a teenage girl who really couldn't give a rat's poo about anyone but herself.
i won't spoil it for anyone who hasn't read it, but i will recommend it. i'll also say this: the ending is good, but it doesn't wrap up the story like most books do. it's well written (aside from the missing letters, which is part of the futuristic style of speech and writing used in the book. example: "v" instead of "very" or "cd" instead of "could.") and the characters are very real.
take a step forward, go onward and upward, and plunge into a very deep book.
Whatchareadin (174 KP) rated A Deep Dark Secret in Books
May 10, 2018
It's a terrible thing when children are abused. It's more terrible when they are abused by a family member. The worst is when that family member is a parent. The person you are supposed to trust the most with your life.
Jillian Mitchell was 7 years old when her step-father started to molest her. It was one of the happiest and saddest days of her life. The day her baby sister, Layla, was born.
The abuse continued for 5 years. Starting with touching and escalating to oral sex and naked pictures. Byron, her step-father told her that if she told anyone, they wouldn't believe her and that they would blame her. And that if she wasn't going to do it, then he would get her little sister(who is now 5) to do it.
Jillian lived with this secret and never told anyone, not even her closest friend. When an incident at school, leads Jillian to find out she is not the only one in this situation, she finds the courage to stand up to her step-father (who she thought of as her real father from the beginning) and get him out of her life for good!
This is a great book and helps us understand that effects that abuse can have on children and their life as adults. Everyone handles it differently and more need to know that it is alright to speak out about it. I believe that if more children were not afraid to tell the secret, then we would have a lot less abuse out there and the cycles of teenage pregnancy and suicide would decrease.
Jillian Mitchell was 7 years old when her step-father started to molest her. It was one of the happiest and saddest days of her life. The day her baby sister, Layla, was born.
The abuse continued for 5 years. Starting with touching and escalating to oral sex and naked pictures. Byron, her step-father told her that if she told anyone, they wouldn't believe her and that they would blame her. And that if she wasn't going to do it, then he would get her little sister(who is now 5) to do it.
Jillian lived with this secret and never told anyone, not even her closest friend. When an incident at school, leads Jillian to find out she is not the only one in this situation, she finds the courage to stand up to her step-father (who she thought of as her real father from the beginning) and get him out of her life for good!
This is a great book and helps us understand that effects that abuse can have on children and their life as adults. Everyone handles it differently and more need to know that it is alright to speak out about it. I believe that if more children were not afraid to tell the secret, then we would have a lot less abuse out there and the cycles of teenage pregnancy and suicide would decrease.
Molly J (Cover To Cover Cafe) (106 KP) rated Revolution in Books
Feb 27, 2019
As someone who has dealt with multiple tragic losses, depression and anxiety all at the same time, this book really hit me with the emotions. I was feeling them all with this amazingly written novel from a truly talented author. From the start, Ms. Donnelly had me hooked. I picked this book up at the local used bookstore just to have something to read, not knowing the emotional connections I would have with all the characters.
Andi and Alexandrine are beautifully chiseled with their flaws and their pain and sadness. Both characters, while one in the present and one in the past, really tore at my heart. Alexandrine's character wrote in her journal, but the tragic loss she endured, the heartache she was dealt became mine. Andi's teenage mind, her rebelliousness, was so much like my own and the way she dealt with her pain, her loss, was so familiar to me.
That takes an incredible author to get me to connect so fully with their characters. This story of an epic revolution of mind, soul, and events, will really cocoon the reader. I stayed up long into the night, turning page after page, reveling in one world and then the next in an instant. These characters, this story line, this author deserve 4 stars and high recommendations from me, so that is what they are getting. I absolutely can not wait until I get my hands on another amazing story from this very talented author.
*I Purchased a copy of this book for my collection and was under no obligation to post a review, positive or negative.*
Andi and Alexandrine are beautifully chiseled with their flaws and their pain and sadness. Both characters, while one in the present and one in the past, really tore at my heart. Alexandrine's character wrote in her journal, but the tragic loss she endured, the heartache she was dealt became mine. Andi's teenage mind, her rebelliousness, was so much like my own and the way she dealt with her pain, her loss, was so familiar to me.
That takes an incredible author to get me to connect so fully with their characters. This story of an epic revolution of mind, soul, and events, will really cocoon the reader. I stayed up long into the night, turning page after page, reveling in one world and then the next in an instant. These characters, this story line, this author deserve 4 stars and high recommendations from me, so that is what they are getting. I absolutely can not wait until I get my hands on another amazing story from this very talented author.
*I Purchased a copy of this book for my collection and was under no obligation to post a review, positive or negative.*
Midge (525 KP) rated The Buried Girl in Books
Mar 5, 2019
A Chilling Psychological Thriller with Gothic Elements
This book caught my eye as I loved the synopsis and I read a lot of books from this genre, although I haven’t read any of the author, Richard Montanari’s books before. “The Buried Girl” is a chilling psychological thriller with some added Gothic elements.
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Sassy Brit (97 KP) rated Art Something in Books
Jun 6, 2019
Art Something (Strange Art #1) by Devon Layne is the first instalment of the Strange Art series, in which the main protagonist, a teenager called Arthur Étrange, lives in his own world where he expresses himself through his art. This causes most of his school mates to think him a little odd, hence his need to escape from the social side of life and immerse himself in his art.
His older sister, Morgan, not only loves and truly understands Art, but guides and protects him through the teenage trial and tribulations of life. So when she is due to go back to college Morgan worries how he’ll cope without her. Her answer? She decides to introduce Art to her friend, Annette, in the hope they’ll hit it off together. They do!
Although it’s not high on action, there is conflict in the form of issues teenagers can relate to. For example, Art’s lack of self-confidence and insecurities are exposed to the reader via his innermost thoughts and feelings. The threesome also provides that key support system to help Art overcome these obstacles with the love and understanding of two girls who have his best interests at heart.
This coming of age story is also my first ‘taboo’ book which explores a very loving and highly erotic, consensual polyamory relationship between brother, sister and their friend. Admittedly, this is not something I’d usually read, having said that, Devon Layne is a talented writer and this is a beautiful and sensual story encompassing a controversial subject. I’m looking forward to seeing how this series develops.
His older sister, Morgan, not only loves and truly understands Art, but guides and protects him through the teenage trial and tribulations of life. So when she is due to go back to college Morgan worries how he’ll cope without her. Her answer? She decides to introduce Art to her friend, Annette, in the hope they’ll hit it off together. They do!
Although it’s not high on action, there is conflict in the form of issues teenagers can relate to. For example, Art’s lack of self-confidence and insecurities are exposed to the reader via his innermost thoughts and feelings. The threesome also provides that key support system to help Art overcome these obstacles with the love and understanding of two girls who have his best interests at heart.
This coming of age story is also my first ‘taboo’ book which explores a very loving and highly erotic, consensual polyamory relationship between brother, sister and their friend. Admittedly, this is not something I’d usually read, having said that, Devon Layne is a talented writer and this is a beautiful and sensual story encompassing a controversial subject. I’m looking forward to seeing how this series develops.
Kaz (232 KP) rated Captain Marvel (2019) in Movies
Jun 8, 2019
I'm a fan of the Marvel films (I've never read any of the comics), but I have felt that of late, they have been a bit formulaic. Although 'Captain Marvel' does deliver on some of those things that you expect from a Marvel film, it gives the viewer something different.
Captain Marvel portrayed a strong, but also likable woman and I really liked the empowering message this film sends across.
I really enjoyed the twists and unexpected turns this film has. Captain Marvel's origin story wasn't told in a linear way and I think that this made a refreshing change from how Marvel uses an entire film to explore this. We were drip fed some of the details within the action itself, which left you trying to work everything out for yourself.
There are some great action sequences in this and generally, this was very exciting. I loved the interactions between Captain Marvel, Nick Fury and particularly, the cat!
I also enjoyed the 90's references, it reminded me of my teenage years ( but it also made me feel a bit old too!).
My only negative observations would be that, although I liked that Captain Marvel's origin story was told in a different way, I found it to be a little confusing at times. I also thought that the first half an hour was a little bit slow.
However, this picked up and ended up being a really enjoyable film. I look forward to seeing 'Captain Marvel' in future Marvel films.
Captain Marvel portrayed a strong, but also likable woman and I really liked the empowering message this film sends across.
I really enjoyed the twists and unexpected turns this film has. Captain Marvel's origin story wasn't told in a linear way and I think that this made a refreshing change from how Marvel uses an entire film to explore this. We were drip fed some of the details within the action itself, which left you trying to work everything out for yourself.
There are some great action sequences in this and generally, this was very exciting. I loved the interactions between Captain Marvel, Nick Fury and particularly, the cat!
I also enjoyed the 90's references, it reminded me of my teenage years ( but it also made me feel a bit old too!).
My only negative observations would be that, although I liked that Captain Marvel's origin story was told in a different way, I found it to be a little confusing at times. I also thought that the first half an hour was a little bit slow.
However, this picked up and ended up being a really enjoyable film. I look forward to seeing 'Captain Marvel' in future Marvel films.