Christine A. (965 KP) rated The Forever Home in Books
Jun 9, 2021
Sue Watson, the author of "First Date" and "Our Little Lies," which I have previously reviewed, induces a "happily" married couple in her latest novel, The Forever Home.
Carly and Mark have the perfect family. The perfect marriage. The perfect house. She is a stay-at-home mom who helped her husband become the television DYI celebrity that he is today. After 25 years of marriage, everything is perfect, or so Carly thought. Mark fell in love with someone. Someone that is not Carly. After this revelation, the cracks in their marriage and house begin to show. Carly is determined to stay in the house she grew up in. Someone is determined that she does not. Or is someone? Is Carly imagining it? Is someone trying to force her out of her forever home?
Sue Watson offers a quick page-turner that shows everything is not always as it seems. She builds Carly's world well and invokes a range of emotions - happiness, sadness, anger, etc. She delves into marriage, family, and friendship and how people interact during family events. Watson is clever at character development and forcing her characters out of the cozy comfort zones.
Wason's books just keep getting better and better.
This 200-word review was published on Philomathinphila
LoganCrews (2861 KP) rated Sharp Objects in TV
Nov 26, 2020
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallรฉe is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
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