Search
Search results
Kaz (232 KP) rated The Knife of Never Letting Go (Chaos Walking #1) in Books
May 15, 2019
An intersting, gripping read
What the 'Blurb' says:
'Prentisstown isn’t like other towns. Everyone can hear everyone else’s thoughts in a constant, overwhelming Noise. There is no privacy. There are no secrets. Then Todd Hewitt unexpectedly stumbles on a spot of complete silence. Which is impossible. And now he’s going to have to run…'
My Thoughts:
I saw this being talked about on YouTube a few months ago and it seemed really interesting.
This is about a place called Prentisstown, where there are no women and all of the men living there, can hear each other's thoughts.
The story is told by Todd Hewitt, the main central character and, because we are hearing his thoughts and he is illiterate, a lot of the words in this book are incorrectly spelled. This actually annoyed me to begin with but as the book went on, I actually think that this was a good idea, because I really believed in Todd's character and I got into the story quicker. I loved the experimental style of the writing and different fonts, to describe different people's thoughts. You could tell a lot about each speaker, by the font of their thoughts. I really liked this technique and thought it was very effective. As the book went on, I thought some of the writing was very poetic and approached the target audience in a non patronizing way.
One thing I might add, would be that throughout the book, Todd kept asking people what was going on. He was repeatedly told 'I'll explain later'. Now I know this was to keep you reading on, but I felt like some of the important information that was given, could have been more frequently placed through out the novel, instead of having quite a lengthy explanation near the end of the book.
The majority of the characters were realistic and I liked the relationship between Todd and the other main central characters. However, I thought the character Aaron, was a little cartoonish.
This is a very fast paced story and I found it difficult to put this down.The plot itself wasn't predictable and I was eager to know what was going to happen.
The ending of this book for some reason, left me a little underwhelmed. I was expecting more of an impact. However, I'm still really eager to know what is going to happen in the next book.
My Rating ****
'Prentisstown isn’t like other towns. Everyone can hear everyone else’s thoughts in a constant, overwhelming Noise. There is no privacy. There are no secrets. Then Todd Hewitt unexpectedly stumbles on a spot of complete silence. Which is impossible. And now he’s going to have to run…'
My Thoughts:
I saw this being talked about on YouTube a few months ago and it seemed really interesting.
This is about a place called Prentisstown, where there are no women and all of the men living there, can hear each other's thoughts.
The story is told by Todd Hewitt, the main central character and, because we are hearing his thoughts and he is illiterate, a lot of the words in this book are incorrectly spelled. This actually annoyed me to begin with but as the book went on, I actually think that this was a good idea, because I really believed in Todd's character and I got into the story quicker. I loved the experimental style of the writing and different fonts, to describe different people's thoughts. You could tell a lot about each speaker, by the font of their thoughts. I really liked this technique and thought it was very effective. As the book went on, I thought some of the writing was very poetic and approached the target audience in a non patronizing way.
One thing I might add, would be that throughout the book, Todd kept asking people what was going on. He was repeatedly told 'I'll explain later'. Now I know this was to keep you reading on, but I felt like some of the important information that was given, could have been more frequently placed through out the novel, instead of having quite a lengthy explanation near the end of the book.
The majority of the characters were realistic and I liked the relationship between Todd and the other main central characters. However, I thought the character Aaron, was a little cartoonish.
This is a very fast paced story and I found it difficult to put this down.The plot itself wasn't predictable and I was eager to know what was going to happen.
The ending of this book for some reason, left me a little underwhelmed. I was expecting more of an impact. However, I'm still really eager to know what is going to happen in the next book.
My Rating ****
Kristy H (1252 KP) rated The Mother-in-Law in Books
May 21, 2019
Lucy was so excited to meet Diana, the mother of her boyfriend, Ollie. Lucy's mother died when she was a teen and she hoped for a good relationship with her hopeful mother-in-law. But Lucy and Diana don't get off to an easy start--Diana has a rigid set of views formed by her own life experiences. From simply co-existing to arguing about parenting to eventual fisticuffs, their relationship is volatile. Then, one night, Lucy and Ollie hear a knock on their door. The police arrive and tell them that Diana is dead in an apparent suicide. But as the investigation progresses, it looks as if there is more to the story. Everyone in the family has history with Diana; but did someone actually kill her?
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
Brumpolarbears (22 KP) rated The Old Hellfire Club in Tabletop Games
Jun 18, 2019
UK Games Expo 2018 was every boardgame fan’s dream. From party games and family favourites to elaborate miniatures and fantasy RPGs. The credit card certainly took a bashing that weekend, but there was one game which we weren’t able to purchase (due to it not actually being out), yet it left a rather lasting impression.
In The Old Hellfire Club two to six players take on the roles of the destitute final members of an ancient aristocratic secret society as they recount the tales of their greatest adventures to the patrons of the shadiest public houses of Old London Town. Drawing on the cards in their hands for inspiration, players weave an ever more elaborate (although far from honest) tale of daring and adventure in the hope that the drinking den’s patrons will offer them a penny for their woes. As competition for the pennies on offer increases, so too do the exaggerations and outright lies players tell about their role in the story in the hope of making themselves seem more deserving. At any time, a player can challenge anothers versions of the story by playing a less impressive card from their own hand, thereby revealing the exaggeration and taking the rewards for the story. When the tale reaches its climax, whoever has been given the most pennies wins the game.
You can win pennies by getting away with telling extravagant lies about the adventures you had (by playing
high value Boast Cards without being successfully challenged by other players), through the charity of
strangers (by meeting the conditions set out on certain Patron Cards), and by satisfying the predilections of
the mysterious benefactors lurking in the audience (by successfully playing the most cards from a particular
suit over the course of the game).
While there’s still some time until you can physically purchase The Old Hellfire Club, which launches on Kickstarter on 9 April 2019, the developers have launched a free….yes free….print and play version of the game, meaning you can print your own copies of the cards and play with friends.
You can download a copy of the file by visiting The Old Hellfire Club’s profile on Boardgame Geek. I cannot rate this game highly enough. While I was sceptical at first because, in all honesty, I’m not that great at creating stories on the spot, especially those set in Victorian England, The Old Hellfire Club was incredibly quick to pick up. During the preview at UK Games Expo there were quite a few laughs, particularly when I joined Karl Marx for a gin or two. Who knows where future tales may lead.
In The Old Hellfire Club two to six players take on the roles of the destitute final members of an ancient aristocratic secret society as they recount the tales of their greatest adventures to the patrons of the shadiest public houses of Old London Town. Drawing on the cards in their hands for inspiration, players weave an ever more elaborate (although far from honest) tale of daring and adventure in the hope that the drinking den’s patrons will offer them a penny for their woes. As competition for the pennies on offer increases, so too do the exaggerations and outright lies players tell about their role in the story in the hope of making themselves seem more deserving. At any time, a player can challenge anothers versions of the story by playing a less impressive card from their own hand, thereby revealing the exaggeration and taking the rewards for the story. When the tale reaches its climax, whoever has been given the most pennies wins the game.
You can win pennies by getting away with telling extravagant lies about the adventures you had (by playing
high value Boast Cards without being successfully challenged by other players), through the charity of
strangers (by meeting the conditions set out on certain Patron Cards), and by satisfying the predilections of
the mysterious benefactors lurking in the audience (by successfully playing the most cards from a particular
suit over the course of the game).
While there’s still some time until you can physically purchase The Old Hellfire Club, which launches on Kickstarter on 9 April 2019, the developers have launched a free….yes free….print and play version of the game, meaning you can print your own copies of the cards and play with friends.
You can download a copy of the file by visiting The Old Hellfire Club’s profile on Boardgame Geek. I cannot rate this game highly enough. While I was sceptical at first because, in all honesty, I’m not that great at creating stories on the spot, especially those set in Victorian England, The Old Hellfire Club was incredibly quick to pick up. During the preview at UK Games Expo there were quite a few laughs, particularly when I joined Karl Marx for a gin or two. Who knows where future tales may lead.
Gareth von Kallenbach (977 KP) rated Rising Storm 2: Vietnam Deluxe Edition in Video Games
Jun 19, 2019
The trend in war based shooters of late is to literally take a blast from the past. Battlefield 1 looked at WW1 and Call of Duty returned to its WWII roots for the most recent game in the series. As such when Rising Storm 2: Vietnam was announced, it seemed like a good progression and one that holds a lot of potential for gamers. The previous game in the series focused on the Pacific Rim conflicts and focused on the conflict with Japan.
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
Phil Leader (619 KP) rated The Grim Company in Books
Nov 14, 2019
The Grim Company aims to deliver a swords and sorcery tail in the epic mould while being gritty, grimy and dirty in detail. And to a very large extent it suceeds, managing to tell a tale of war between city states from the point of view of some of the characters cauught up in it.
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
Veronica Pena (690 KP) rated Always and Forever, Lara Jean in Books
Jan 21, 2020
I was really nervous to read this book after reading the second one. It almost felt like there wasn't much of the story left to go. The letters have found their way back to Lara Jean, she's made her decision and she's sticking to it. What I loved about this book is that it was more about growing up than anything else.
Lara Jean is plagued with this thought about college and her future and what it means for her relationship and what her mom always said, "Never go to college with a boyfriend." The story evolves from one about Lara Jean falling in love for the first time and turns into her growing and learning to choose that love and to fight for that love and to follow her heart, even when it's hard, even when people are telling you to do the opposite, even when it might not make the most sense, you have to be true to who you are and it's nice to watch her grow and learn all those things.
I'm happy with who she ended up with and surprised at how much I enjoyed the ending. I will say that I was disappointed that she didn't ever lose her virginity but I also don't feel like it was crucial to the story. I think it would've just been nice because she loves him so much and for her to have sex, it was like that was sealing it - not that it needed to be sealed, but I guess in some ways it did. I'm not sure how to describe it without giving too much away.
I think this is the perfect trilogy to read in high school and I wish I would've read it sooner. It's interesting to read stories about people in high school and have so much to relate to and then read about them stressing about college and think idly to yourself, "you have no idea, kid."
Overall, I think this series is really well written. I love the plot and the characters, I love the development, I love the progressive undertones and the way that you can just tell that it was so obviously written by a woman of color. I think those types of stories are always the best. I could live in Lara Jean's world for a long while so I'm bummed to say goodbye but I'm excited for the final two films to come out and I'm hoping that they're every bit as good as the books.
Lara Jean is plagued with this thought about college and her future and what it means for her relationship and what her mom always said, "Never go to college with a boyfriend." The story evolves from one about Lara Jean falling in love for the first time and turns into her growing and learning to choose that love and to fight for that love and to follow her heart, even when it's hard, even when people are telling you to do the opposite, even when it might not make the most sense, you have to be true to who you are and it's nice to watch her grow and learn all those things.
I'm happy with who she ended up with and surprised at how much I enjoyed the ending. I will say that I was disappointed that she didn't ever lose her virginity but I also don't feel like it was crucial to the story. I think it would've just been nice because she loves him so much and for her to have sex, it was like that was sealing it - not that it needed to be sealed, but I guess in some ways it did. I'm not sure how to describe it without giving too much away.
I think this is the perfect trilogy to read in high school and I wish I would've read it sooner. It's interesting to read stories about people in high school and have so much to relate to and then read about them stressing about college and think idly to yourself, "you have no idea, kid."
Overall, I think this series is really well written. I love the plot and the characters, I love the development, I love the progressive undertones and the way that you can just tell that it was so obviously written by a woman of color. I think those types of stories are always the best. I could live in Lara Jean's world for a long while so I'm bummed to say goodbye but I'm excited for the final two films to come out and I'm hoping that they're every bit as good as the books.
Ivana A. | Diary of Difference (1171 KP) rated The Battle of Trafalgar Square in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://gipostcards.files.wordpress.com/2019/03/new-blog-banner-8.png"/>;
I have this rule about books being sent to me - I try to read and review them all, because people spent time, effort and resources to write and share their works with readers. I received this book through a giveaway on LibraryThing almost a year ago, and decided it was time to give it a go.
This being said, my readers are the most important thing in the world, and my reviews simply cannot be compromised, no matter how I have gotten a certain book in my hands.
I think I should stop babbling now, and start talking about this book.
I dived into ‘’The Battle of Trafalgar Square’ not knowing what to expect. This is a book where two pigeons are the main characters and through dialogue and presentation they share this historic battle, but from their point of view.
It is lucky that this book is only 120 pages long, because otherwise I wouldn’t have finished it. It is a boring book, where one pigeon is desperately trying to tell this story of the battle, and the other pigeon is disturbingly annoying and keeps interrupting. The second pigeon also has terrible grammar knowledge, and even though I know this made purposely done, and I applaud the author for the wittiness, I couldn’t make myself enjoy it. Some people might find this funny though, and that’s also okay.
The idea of pigeons telling a story is quite interesting and unique to me, and this is something I admire about this book (therefore, the two stars I decided to give). However, the plot is unstable, and the story keeps being interrupted and delayed to a point where I started to get fed up. I also expected some more references of the actual historical moment. The only references in the book are the pigeons that were in the battle and had names of famous leaders, but their pigeon story was not similar to our history books. I really think that keeping the story as close as possible to the real event would have made a difference in this book.
<b>Not an enjoyable read for me, but if the plot sounds like something you might enjoy - I say go for it. Try it out. Your opinion is also valid!</b>
Until next time! x
<img src="https://gipostcards.files.wordpress.com/2019/03/new-blog-banner-8.png"/>;
I have this rule about books being sent to me - I try to read and review them all, because people spent time, effort and resources to write and share their works with readers. I received this book through a giveaway on LibraryThing almost a year ago, and decided it was time to give it a go.
This being said, my readers are the most important thing in the world, and my reviews simply cannot be compromised, no matter how I have gotten a certain book in my hands.
I think I should stop babbling now, and start talking about this book.
I dived into ‘’The Battle of Trafalgar Square’ not knowing what to expect. This is a book where two pigeons are the main characters and through dialogue and presentation they share this historic battle, but from their point of view.
It is lucky that this book is only 120 pages long, because otherwise I wouldn’t have finished it. It is a boring book, where one pigeon is desperately trying to tell this story of the battle, and the other pigeon is disturbingly annoying and keeps interrupting. The second pigeon also has terrible grammar knowledge, and even though I know this made purposely done, and I applaud the author for the wittiness, I couldn’t make myself enjoy it. Some people might find this funny though, and that’s also okay.
The idea of pigeons telling a story is quite interesting and unique to me, and this is something I admire about this book (therefore, the two stars I decided to give). However, the plot is unstable, and the story keeps being interrupted and delayed to a point where I started to get fed up. I also expected some more references of the actual historical moment. The only references in the book are the pigeons that were in the battle and had names of famous leaders, but their pigeon story was not similar to our history books. I really think that keeping the story as close as possible to the real event would have made a difference in this book.
<b>Not an enjoyable read for me, but if the plot sounds like something you might enjoy - I say go for it. Try it out. Your opinion is also valid!</b>
Until next time! x
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Ali A (78 KP) rated Such a Fun Age in Books
Mar 6, 2020
While most of her friends have started making big steps in their career paths, Emira works as a part time babysitter for a wealthy (and white) family. She knows she needs a better job, especially since she'll be 26 soon and kicked off her parents' health insurance, but she really enjoys taking care of the Chamberlain's daughter, Briar.
After leaving a night out with her friends to take Briar away from an incident that happened at the Chamberlain's house, Emira is stopped and questioned by security at the high-end grocery store she went to for possibly kidnapping Briar. While someone films, the incident escalates until Emira is able to get Mr. Chamberlain to come to the grocery store to validate who she is. The man who filmed the incident, Kelley, wants to share the video, but Emira doesn't want any part of it.
Preceding the incident, Alix Chamberlain becomes almost obsessed with making sure Emira feels comfortable and welcomed at her job. She wants to have a friendly relationship with her like the rest of the women in her friends group do with their nannies. Then, when a strange connection between Alix and Emira's new boyfriend is discovered, it starts a ball rolling in a chain of events that will change everyone's lives.
All right, I honestly don't know how I feel about this book. Did I like it? - yes... mostly... There is so much that goes on in the book and I read it in less than 24 hours that I'm sure I missed a few things, but the way Kiley Reid writes makes it an easily digestible read. With the simplicity of the writing though, it did take awhile to appreciate the depths Reid took you to. It has issues ranging from race, class, privilege, parenting (a lot of motherhood), and relationships.
The novel is written in third person but jumps between Emira's and Alix's inner voices, and each inner voice is worth really looking into. There were times in the novel that I wanted to reach into the pages and scorn Alix for what she was doing or shake Emira's shoulders and tell her to get it together. It goes back to the depths that Reid is able to write in that this book kind of opens your eyes to finger-pointing and the harm it ends up doing, even years down the line. The novel asks us to look at the actions of the characters, compare ourselves, and try to better our future.
After leaving a night out with her friends to take Briar away from an incident that happened at the Chamberlain's house, Emira is stopped and questioned by security at the high-end grocery store she went to for possibly kidnapping Briar. While someone films, the incident escalates until Emira is able to get Mr. Chamberlain to come to the grocery store to validate who she is. The man who filmed the incident, Kelley, wants to share the video, but Emira doesn't want any part of it.
Preceding the incident, Alix Chamberlain becomes almost obsessed with making sure Emira feels comfortable and welcomed at her job. She wants to have a friendly relationship with her like the rest of the women in her friends group do with their nannies. Then, when a strange connection between Alix and Emira's new boyfriend is discovered, it starts a ball rolling in a chain of events that will change everyone's lives.
All right, I honestly don't know how I feel about this book. Did I like it? - yes... mostly... There is so much that goes on in the book and I read it in less than 24 hours that I'm sure I missed a few things, but the way Kiley Reid writes makes it an easily digestible read. With the simplicity of the writing though, it did take awhile to appreciate the depths Reid took you to. It has issues ranging from race, class, privilege, parenting (a lot of motherhood), and relationships.
The novel is written in third person but jumps between Emira's and Alix's inner voices, and each inner voice is worth really looking into. There were times in the novel that I wanted to reach into the pages and scorn Alix for what she was doing or shake Emira's shoulders and tell her to get it together. It goes back to the depths that Reid is able to write in that this book kind of opens your eyes to finger-pointing and the harm it ends up doing, even years down the line. The novel asks us to look at the actions of the characters, compare ourselves, and try to better our future.
Phillip McSween (751 KP) rated Fantastic Four (2005) in Movies
Mar 10, 2020
About As Memorable As My Last Poop
Based on the long-running comic book, four people are given superpowers when they come in contact with cosmic energy out in space.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.