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Phillip McSween (751 KP) rated Fantastic Four (2005) in Movies
Mar 10, 2020
About As Memorable As My Last Poop
Based on the long-running comic book, four people are given superpowers when they come in contact with cosmic energy out in space.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.
Phillip McSween (751 KP) rated Farming (2018) in Movies
Mar 18, 2020
No Thank You
A young black teenager struggling with his identity joins up with a gang of skinheads. Despite what seems like an intriguing premise, Farming has to be one of the all-time worst movies I’ve ever seen. Since I’m on a streak of reviewing bad movies, might as well keep the train rolling.
Acting: 5
I couldn’t tell up from down, good from bad from these characters and, while that is attributed partly to writing, I think it falls on the poor acting performances as well. With the exception of a couple people here and there, almost everyone dropped the ball in this movie. It was almost as if they were making something they wanted no part of and, as a result, never really gave themselves over to it.
Beginning: 6
The beginning was good enough to get my attention. However, definitely didn’t love it. Like the majority of the movie, it was missing something for me. Little did I know, I was in for even more disappointment…
Characters: 1
Cinematography/Visuals: 0
Conflict: 3
Entertainment Value: 4
After twenty-five minutes of watching, I knew the movie was pretty much headed nowhere. It’s hard to enjoy a movie when you spend the majority of it breaking down and destroying the main character until it’s no longer interesting. It was like watching someone pick at a dead ant. The more I watched, the more I lacked interest.
Memorability: 0
Never have a single solitary desire to see this movie again. The message sucks. The movie sucks. “Forgettable” doesn’t begin to describe it.
Pace: 6
The pace is solid in spots but the story is so painful it negates that things are moving quickly. I wanted this to end so many times and it wouldn’t. It frustrated me to no end.
Plot: 1
An interesting premise spoiled by terrible execution. The movie should have centered on empowerment, yet it lingered too long on the tearing down portion. Eventually that becomes a bane to your audience and hard to stomach.
Resolution: 10
Overall: 36
I did sympathize with the main character’s culture shock in Farming having to go from African culture to British culture. I can imagine it would almost be enough to drive someone crazy and it definitely did a number on him. I would have liked to see his story told in a better fashion with a stronger glimmer of hope. That’s what we watch movies for, right? To hope for something better than the same old mundane shit we deal with on a regular. Farming dropped the ball and I’m damn sad about it.
Acting: 5
I couldn’t tell up from down, good from bad from these characters and, while that is attributed partly to writing, I think it falls on the poor acting performances as well. With the exception of a couple people here and there, almost everyone dropped the ball in this movie. It was almost as if they were making something they wanted no part of and, as a result, never really gave themselves over to it.
Beginning: 6
The beginning was good enough to get my attention. However, definitely didn’t love it. Like the majority of the movie, it was missing something for me. Little did I know, I was in for even more disappointment…
Characters: 1
Cinematography/Visuals: 0
Conflict: 3
Entertainment Value: 4
After twenty-five minutes of watching, I knew the movie was pretty much headed nowhere. It’s hard to enjoy a movie when you spend the majority of it breaking down and destroying the main character until it’s no longer interesting. It was like watching someone pick at a dead ant. The more I watched, the more I lacked interest.
Memorability: 0
Never have a single solitary desire to see this movie again. The message sucks. The movie sucks. “Forgettable” doesn’t begin to describe it.
Pace: 6
The pace is solid in spots but the story is so painful it negates that things are moving quickly. I wanted this to end so many times and it wouldn’t. It frustrated me to no end.
Plot: 1
An interesting premise spoiled by terrible execution. The movie should have centered on empowerment, yet it lingered too long on the tearing down portion. Eventually that becomes a bane to your audience and hard to stomach.
Resolution: 10
Overall: 36
I did sympathize with the main character’s culture shock in Farming having to go from African culture to British culture. I can imagine it would almost be enough to drive someone crazy and it definitely did a number on him. I would have liked to see his story told in a better fashion with a stronger glimmer of hope. That’s what we watch movies for, right? To hope for something better than the same old mundane shit we deal with on a regular. Farming dropped the ball and I’m damn sad about it.
Whatchareadin (174 KP) rated Lock Every Door in Books
Aug 5, 2019
Jules has just lost her job, her boyfriend and her home all in the same day. She is currently living with her best friend, Chloe. When the opportunity presents itself for her to live in one of the most exclusive apartment buildings in New York City, The Bartholomew, she can't pass up on the chance. Not only does she get to live there, she's getting paid to do so as an apartment sitter. This is an opportunity Jules can not pass up despite the protestations of Chloe, she has to get back on her feet. So she takes the job even though the rules are a little strict. Shortly after moving in, Jules meets another apartment sitter, Ingrid, who is unsure about continuing to live at The Bartholomew. When Jules is ready to ask her about it, Ingrid disappears without a trace. What happened to Ingrid and other apartment sitters that have gone missing? What dark secrets lie within The Bartholomew?
Thank you to NetGalley & Dutton books for the opportunity to read and review this book.
I was so excited to get this book from NetGalley. Last year I read both of Riley Sager's books and I was looking forward to this one. It did not disappoint. I was on the edge of my seat the entire time and I definitely didn't see the ending coming.
If I was a single young woman and was given the opportunity to live in an exclusive apartment and get paid for it, I would jump on that in a heartbeat. I don't think I would care about rules or anything, just tell me where to sign and let me sit back and collect the cash.
Another reason Jules is so quick to accept this opportunity is because her favorite book is set in the building. I think many readers would love to live in the place where their favorite book is set if they don't already. And Jules needs a little fantasy in her life since she has lost both parents and her sister. At first The Bartholomew seems like a dream place to live. With a courteous doorman, friendly neighbors and a doctor as one of the residents, it's idyllic. But when Ingrid goes missing, Jules starts to question everything. The explanation she receives for the sudden departure doesn't sound right and the police aren't willing to help because she doesn't know enough about Ingrid to form a case.
What is she going to do? Will she discover the secrets of the building before it's too late?
Thank you to NetGalley & Dutton books for the opportunity to read and review this book.
I was so excited to get this book from NetGalley. Last year I read both of Riley Sager's books and I was looking forward to this one. It did not disappoint. I was on the edge of my seat the entire time and I definitely didn't see the ending coming.
If I was a single young woman and was given the opportunity to live in an exclusive apartment and get paid for it, I would jump on that in a heartbeat. I don't think I would care about rules or anything, just tell me where to sign and let me sit back and collect the cash.
Another reason Jules is so quick to accept this opportunity is because her favorite book is set in the building. I think many readers would love to live in the place where their favorite book is set if they don't already. And Jules needs a little fantasy in her life since she has lost both parents and her sister. At first The Bartholomew seems like a dream place to live. With a courteous doorman, friendly neighbors and a doctor as one of the residents, it's idyllic. But when Ingrid goes missing, Jules starts to question everything. The explanation she receives for the sudden departure doesn't sound right and the police aren't willing to help because she doesn't know enough about Ingrid to form a case.
What is she going to do? Will she discover the secrets of the building before it's too late?
Gareth von Kallenbach (980 KP) rated Dark Places (2015) in Movies
Aug 6, 2019
Although it was exciting to hear “Dark Places” is based on a novel written by the same author who wrote “Gone Girl,” unfortunately it just doesn’t measure up.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
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