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Sophia (Bookwyrming Thoughts) (530 KP) rated Inherit the Stars (Inherit the Stars #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Elwoods debut novel focuses on three royal kingdoms (known as Houses) set in space: Fane, Galton, and Westlet. As the youngest daughter of Fane, Asa hopes to solve her familys (and the Houses) problems and save her oldest sister from death by posing as her sister in a marriage to the heir of Westlet.
Much as the romance is completely unrealistic, at least I have a fondness for <i>Inherit the Stars</i>. The heir of Westlet has scars. Legit scars. Half of his face scarred. And that resonates with me because of all the love interests Ive read (and thats a lot)?
None of them had scars. <em>None</em>, much less half their face. (Okay, occasionally theres a scar or two, but none of them are major enough to send most girls running away to side two of a love triangle, if any exists.) I think my only major problem with this ship is dear Eagle and Asa avoid each other like they have the plague. Being sociably close means theyll make their plagues worse than it is. One minute theyre avoiding each other, the next they accidentally get close, and the next? I love you is thrown.
Not to be overly blunt and crude, but tell me they wont get <em>extremely</em> close (like really, really close) in the next minute. Now if the ILYs mean, I think I love you, but I have to know you better before I finalize that, then maybe Im okay. <em>Maybe</em>.
But Eagle has SCARS. I'm okay with this. VERY okay.
<em>Anyways</em>, awkwardness aside, <i>Inherit the Stars</i> reminds me of Victoria Aveyards <i>Red Queen</i>, especially when it comes to Lady Westlet. Shes a little cold, indifferent, and cares about power, but shes a warm character who cares just a little about Asa as well as the good of her House. Lady Westlet isnt black and white she has a gray area about her that I really like.
For the most part, Elwood focuses a good part of the book on the political intrigue between the three Houses and the romance between Asa and Eagle. But while Im not a fan of politics or books with heavy romance, I may stick around for the sequel.
<a href="https://bookwyrmingthoughts.com/arc-review-inherit-the-stars-by-tessa-elwood/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Elwoods debut novel focuses on three royal kingdoms (known as Houses) set in space: Fane, Galton, and Westlet. As the youngest daughter of Fane, Asa hopes to solve her familys (and the Houses) problems and save her oldest sister from death by posing as her sister in a marriage to the heir of Westlet.
Much as the romance is completely unrealistic, at least I have a fondness for <i>Inherit the Stars</i>. The heir of Westlet has scars. Legit scars. Half of his face scarred. And that resonates with me because of all the love interests Ive read (and thats a lot)?
None of them had scars. <em>None</em>, much less half their face. (Okay, occasionally theres a scar or two, but none of them are major enough to send most girls running away to side two of a love triangle, if any exists.) I think my only major problem with this ship is dear Eagle and Asa avoid each other like they have the plague. Being sociably close means theyll make their plagues worse than it is. One minute theyre avoiding each other, the next they accidentally get close, and the next? I love you is thrown.
Not to be overly blunt and crude, but tell me they wont get <em>extremely</em> close (like really, really close) in the next minute. Now if the ILYs mean, I think I love you, but I have to know you better before I finalize that, then maybe Im okay. <em>Maybe</em>.
But Eagle has SCARS. I'm okay with this. VERY okay.
<em>Anyways</em>, awkwardness aside, <i>Inherit the Stars</i> reminds me of Victoria Aveyards <i>Red Queen</i>, especially when it comes to Lady Westlet. Shes a little cold, indifferent, and cares about power, but shes a warm character who cares just a little about Asa as well as the good of her House. Lady Westlet isnt black and white she has a gray area about her that I really like.
For the most part, Elwood focuses a good part of the book on the political intrigue between the three Houses and the romance between Asa and Eagle. But while Im not a fan of politics or books with heavy romance, I may stick around for the sequel.
<a href="https://bookwyrmingthoughts.com/arc-review-inherit-the-stars-by-tessa-elwood/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
Gareth von Kallenbach (977 KP) rated No Escape (2015) in Movies
Aug 6, 2019
Full disclosure…I am not a fan of Owen Wilson. In fact, I have down right loathed him since I first saw him in Armageddon. In my opinion, he always plays an annoying, somewhat exaggerated and not very funny character. To make things worse, No Escape is a non-comedy, non-quirky, straight man Owen Wilson film. Seems like a terrible idea. Still, the trailer intrigued me because I wanted to see if Wilson had any range to be a “normal action” character for once or would he continue to live up to my low expectations of him.
Surprisingly, I enjoyed him in this performance greatly. Wilson plays a father who uproots his wife Annie (Lake Bell) and their two little girls and moves them to Southeast Asia to work on a project to bring clean drinking water to the country and provide a better life for his family. However shortly after arrival, the family finds themselves in the middle of a violent political uprising they do not understand nor have any idea why it is happening and must somehow find sanctuary and escape this foreign city where Americans are being executed on sight. The film is intense. As soon as the coup begins, we are taken on a ride of constant tension and emotion, broken up with quiet moments where Wilson uses “dad humor” to comfort his family. Wilson shines in these moments because his “lame Dad humor” is not only believable, but his demeanor throughout the film is realistic and loving. His chemistry with his cast mates is stellar as the family all deliver solid performances and you can believe they are an actual family.
As they are moving through the city they come across a familiar face in Pierce Brosnan who plays some kind of mercenary ex-agent type. Brosnan’s screen time is short but he steals every scene he is in. He also gives an explanation, though simple, of what is going on and how the family can find safety. Critics of this film may fault it for glossing over a real world issue of western colonialism and no attempt to humanize the plight of the locals, however for me at least, this film isn’t trying to tell a giant story, but rather a far simpler one which is about family. Additionally, the trailers for this film present it as more of an action film, which it is not.
In the end we are left with a frightening atmosphere where we constantly might ask ourselves what we would do in that situation. The strength of this film is the family dynamic and the strong performances that give them life. Though the film mostly ignores a real world issue, it delivers a thrilling fast paced ride from almost start to finish.
Surprisingly, I enjoyed him in this performance greatly. Wilson plays a father who uproots his wife Annie (Lake Bell) and their two little girls and moves them to Southeast Asia to work on a project to bring clean drinking water to the country and provide a better life for his family. However shortly after arrival, the family finds themselves in the middle of a violent political uprising they do not understand nor have any idea why it is happening and must somehow find sanctuary and escape this foreign city where Americans are being executed on sight. The film is intense. As soon as the coup begins, we are taken on a ride of constant tension and emotion, broken up with quiet moments where Wilson uses “dad humor” to comfort his family. Wilson shines in these moments because his “lame Dad humor” is not only believable, but his demeanor throughout the film is realistic and loving. His chemistry with his cast mates is stellar as the family all deliver solid performances and you can believe they are an actual family.
As they are moving through the city they come across a familiar face in Pierce Brosnan who plays some kind of mercenary ex-agent type. Brosnan’s screen time is short but he steals every scene he is in. He also gives an explanation, though simple, of what is going on and how the family can find safety. Critics of this film may fault it for glossing over a real world issue of western colonialism and no attempt to humanize the plight of the locals, however for me at least, this film isn’t trying to tell a giant story, but rather a far simpler one which is about family. Additionally, the trailers for this film present it as more of an action film, which it is not.
In the end we are left with a frightening atmosphere where we constantly might ask ourselves what we would do in that situation. The strength of this film is the family dynamic and the strong performances that give them life. Though the film mostly ignores a real world issue, it delivers a thrilling fast paced ride from almost start to finish.
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Lyndsey Gollogly (2893 KP) rated Killing for Company: Case of Dennis Nilsen in Books
May 19, 2021
64 of 250
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Jesters_folly (230 KP) rated Color Out of Space (2019) in Movies
Nov 10, 2020
Contains spoilers, click to show
Color out of Space Is a film based on a H.P. Lovecraft staring Nicholas Cage so you know it's going to be weird.
So, tell me if you've heard this one before. A meteor lands on an isolated farm and the farmer and his family have to fight off what it brought with it. If this sound familiar then that because it's been used so often it's become a common Sci-Fi trope but, all tropes have to come from somewhere and the works of Lovecraft have interwoven themselves into many modern works. I mention this because, as well as it's main premise, there are a lot of familiar scenes and concepts. You see creatures that remind you of the 'Thing' and transformations reminiscent of the original 'Quatermass Experiment' as well as creepy kids and a well but you have to remember that Color out of Space is most likely the source material and not the other way round (The Thing it's self is filled with Lovecraftian ideas even though it's based on a story by different author.)
As the films title hints, the actual creature is a color (or Colour if you're English) which is a strange concept in its self and the effects it has on the world around it only unfold slowly but, like in the other films I've mentioned, they end in horror (and body horror).
The theme of colour, even in it's strange use here, leads to the film being pretty in parts and as the film goes on the landscape takes on eerie life of it's own very much like the Martian weed taking over London in 'War of the Worlds'.
The film it's self is odd, you keep expecting the main family to be one of those stereotypical dysfunctional family's but, every time they seem to falling apart they pull together and, even their decent into madness doesn't pull them apart. The whole thing is made even strange by Nicholas Cage who is his usual, over the top self; Throwing tantrums and monologing to people who aren't really there, although, I'm happy to say his performance is not as OTT as it was in 'Mandy' where he went full Cage (which was great for that film but Color out of space is slightly more subdued, slightly but not much.)
There is blood but most of the horror either happens off screen or is just implied and even the monsters are just there just to be seen, although they do have a point to the story.
Color out of Space is a good but slightly strange cosmic horror with Nicholas Cage being as strange as usual aided in his strangeness by Madeleine Arthur, playing his daughter, Lavinia. with the exception of Tommy Chong's Ezra the rest of the cast play it mostly straight.
So, tell me if you've heard this one before. A meteor lands on an isolated farm and the farmer and his family have to fight off what it brought with it. If this sound familiar then that because it's been used so often it's become a common Sci-Fi trope but, all tropes have to come from somewhere and the works of Lovecraft have interwoven themselves into many modern works. I mention this because, as well as it's main premise, there are a lot of familiar scenes and concepts. You see creatures that remind you of the 'Thing' and transformations reminiscent of the original 'Quatermass Experiment' as well as creepy kids and a well but you have to remember that Color out of Space is most likely the source material and not the other way round (The Thing it's self is filled with Lovecraftian ideas even though it's based on a story by different author.)
As the films title hints, the actual creature is a color (or Colour if you're English) which is a strange concept in its self and the effects it has on the world around it only unfold slowly but, like in the other films I've mentioned, they end in horror (and body horror).
The theme of colour, even in it's strange use here, leads to the film being pretty in parts and as the film goes on the landscape takes on eerie life of it's own very much like the Martian weed taking over London in 'War of the Worlds'.
The film it's self is odd, you keep expecting the main family to be one of those stereotypical dysfunctional family's but, every time they seem to falling apart they pull together and, even their decent into madness doesn't pull them apart. The whole thing is made even strange by Nicholas Cage who is his usual, over the top self; Throwing tantrums and monologing to people who aren't really there, although, I'm happy to say his performance is not as OTT as it was in 'Mandy' where he went full Cage (which was great for that film but Color out of space is slightly more subdued, slightly but not much.)
There is blood but most of the horror either happens off screen or is just implied and even the monsters are just there just to be seen, although they do have a point to the story.
Color out of Space is a good but slightly strange cosmic horror with Nicholas Cage being as strange as usual aided in his strangeness by Madeleine Arthur, playing his daughter, Lavinia. with the exception of Tommy Chong's Ezra the rest of the cast play it mostly straight.