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Gareth von Kallenbach (977 KP) rated Bridget Jones's Baby (2016) in Movies
Jul 15, 2019
Fifteen years after she charmed the world with the Diary of Bridget Jones, Rene Zellweger is back and her love life is just as complicated as usual, making the audience to laugh nonstop.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.
Gareth von Kallenbach (977 KP) rated Ben-Hur (2016) in Movies
Jul 15, 2019
Published in 1880, Ben-Hur: A Tale of the Christ is considered one of the most influential Christian books of the nineteenth century. The success of the novel led to film adaptations, most notably the 1955 academy award winning version of the film string Charlton Heston. Fast forward to 2016 and MGM and Paramount Pictures hope to see continue the success of this proven story with their newest film adaptation Ben-Hur.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
Gareth von Kallenbach (977 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
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BankofMarquis (1832 KP) rated The Woman in the Window (2021) in Movies
May 24, 2021
It is NOT Rear Window
A piece of advice for you when you start to watch the “Alfred Hitchcock-esque” thriller, THE WOMAN IN THE WINDOW. If you are at all a Hitchcock fan, you will be spending the first part of this film comparing it to the 1954 classic REAR WINDOW and this would be a disservice to this film.
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated Honest Thief (2020) in Movies
Oct 13, 2020
Tom (Liam Neeson) is a long-time bank robber eager to put his past behind him in the new film “Honest Thief”. A circumstance forced Tom to decide to strike back at the establishment following a career in ordinance in the military and has found he has a real talent for blowing safes and making away with millions of dollars over several years.
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
Eleanor Luhar (47 KP) rated Ensnared (Splintered, #3) in Books
Jun 24, 2019
I read the first novel of the Splintered series and immediately fell in love with it - purchasing the entire series as paperbacks. This is book #3 in the series by A.G. Howard.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
Eleanor Luhar (47 KP) rated A Note of Madness (Flynn Laukonen, #1) in Books
Jun 24, 2019
Tabitha Suzuma is quickly becoming one of my favourite authors.
I didn't realise this was the first of two books, but it reads fine as a standalone novel anyway. I hadn't intended to read on, but I just love Suzuma's writing too much. I've reserved the next novel at the library.
I found this quite similar to Hurt in a couple of ways; firstly, the protagonist is a young male who is experiencing something very unpleasant but important to talk about. Instead of rape, as in Hurt, this time the topic is mental health. Flynn's got the whole world at his feet, but suddenly he's up all night composing or drowning himself in alcohol and aspirin. Everything feels wrong and he doesn't know why. His flatmate, Harry, calls Flynn's brother in to help. He's a doctor and soon realises Flynn needs proper help. After one incorrect diagnosis and several relapses, Flynn finally feels the world go back to normal.
Although the ending is typically "hopeful" (which you can only expect, really - it's not gonna be very helpful for kids to read stories where you never recover from your mental illness) it still manages to be realistic rather than overly positive and optimistic. For example, Flynn is offered a couple of amazing experiences in this book, the first of which he is determined to take. But he doesn't, because his health declines so much. I can tell you how horrible it is when you have your heart set on something but your mental health holds you back... Sometimes you just can't do it. Flynn's health gets so bad that his brother takes him away on the eve of his big concert (he's a music uni student).
There's also a romance line through this, which I gather will be furthered in the next book. Flynn doesn't pay much attention to it - doesn't even notice it - due to his condition, until it's too late and he's messed it up. Jennah is an old crush of his, recently parted from her boyfriend for a mysterious "other guy". Flynn just doesn't put 2 and 2 together, though, and assumes she could never love him because he's so hopeless and talentless and depressed. Things really get bad when they argue about it during one of Flynn's relapses, and she goes missing for the night. I must admit that I immediately feared the worst after what happened in Hurt, but it was eventually resolved. I am very interested in reading how Flynn's mental illness impacts his relationship in the future.
This is a great topic to address, especially in males. The episodes may be a little exaggerated but then I suppose that is how some people experience it. It's different for everyone. I really appreciate the age chosen, too, because people often forget that mental illnesses don't only develop when you're twelve or thirteen. 5 stars; a fantastic book and a fantastic author.
I didn't realise this was the first of two books, but it reads fine as a standalone novel anyway. I hadn't intended to read on, but I just love Suzuma's writing too much. I've reserved the next novel at the library.
I found this quite similar to Hurt in a couple of ways; firstly, the protagonist is a young male who is experiencing something very unpleasant but important to talk about. Instead of rape, as in Hurt, this time the topic is mental health. Flynn's got the whole world at his feet, but suddenly he's up all night composing or drowning himself in alcohol and aspirin. Everything feels wrong and he doesn't know why. His flatmate, Harry, calls Flynn's brother in to help. He's a doctor and soon realises Flynn needs proper help. After one incorrect diagnosis and several relapses, Flynn finally feels the world go back to normal.
Although the ending is typically "hopeful" (which you can only expect, really - it's not gonna be very helpful for kids to read stories where you never recover from your mental illness) it still manages to be realistic rather than overly positive and optimistic. For example, Flynn is offered a couple of amazing experiences in this book, the first of which he is determined to take. But he doesn't, because his health declines so much. I can tell you how horrible it is when you have your heart set on something but your mental health holds you back... Sometimes you just can't do it. Flynn's health gets so bad that his brother takes him away on the eve of his big concert (he's a music uni student).
There's also a romance line through this, which I gather will be furthered in the next book. Flynn doesn't pay much attention to it - doesn't even notice it - due to his condition, until it's too late and he's messed it up. Jennah is an old crush of his, recently parted from her boyfriend for a mysterious "other guy". Flynn just doesn't put 2 and 2 together, though, and assumes she could never love him because he's so hopeless and talentless and depressed. Things really get bad when they argue about it during one of Flynn's relapses, and she goes missing for the night. I must admit that I immediately feared the worst after what happened in Hurt, but it was eventually resolved. I am very interested in reading how Flynn's mental illness impacts his relationship in the future.
This is a great topic to address, especially in males. The episodes may be a little exaggerated but then I suppose that is how some people experience it. It's different for everyone. I really appreciate the age chosen, too, because people often forget that mental illnesses don't only develop when you're twelve or thirteen. 5 stars; a fantastic book and a fantastic author.