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Sophia (Bookwyrming Thoughts) (530 KP) rated Stone of Destiny in Books
Jan 23, 2020
A few confessions regarding Stone of Destiny:
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png" /></a>
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png" /></a>
JT (287 KP) rated Dead Man Down (2013) in Movies
Mar 10, 2020
If you’re looking for a film that is as dark and disturbing as The Girl with the Dragon Tattoo, you might be a little disappointed here.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Gareth von Kallenbach (980 KP) rated Foxcatcher (2014) in Movies
Aug 6, 2019
‘Foxcatcher’ stars Channing Tatum, Mark Ruffalo, Steve Carell, Sienna Miller, and Vanessa Redgrave with an appearance by Anthony Michael Hall and tells an account of Olympic Gold Medal Wrestling Champions, brothers Mark and Dave Schultz and their dealings with their millionaire coach, paranoid-schizophrenic John du Pont who eventually murdered Dave Schultz in 1996.
The film has already been received extremely well by critics and has been praised for the performances of Ruffalo, Tatum, and Carell as the three underwent complete character transformations. The film premiered in May at the Cannes Film Festival and director Bennett Miller took home the award for best director. As someone who has seen the film I can tell you that at first I didn’t recognize any of the three lead actors when their characters first appeared on screen in the movie. I would bet money on this film being nominated for Oscars, Emmys, and any other movie awards that I cannot imagine right now based on their performances alone. Channing Tatum has even been quoted as say that this was the hardest acting challenge he has had to date in his career.
In the course of the film, we see a unique look inside the mind of an Olympic athlete via Canning Tatum’s performance as Mark Schultz and how they start out as ‘pure’ and patriotic and how those athletes can be corrupted with the promise of big money for sponsorship or with the purpose of restoring and repeating the ‘glory and standing’ they experienced previously and how it reaches into their lives and the lives of the athlete’s families. Example, in the film when at coach John du Pont’s (Carell) insistence, Mark tries to convince his brother Dave (Ruffalo) to join him in putting together team ‘Foxcatcher’ to train wrestlers for the 1988 Seoul Olympics. At first, Dave declines for the reason of not wanting to uproot his family from their home. Later on though, when its of du Pont’s opinion that Mark’s efforts are unsatisfactory du Pont takes matters into his own hands and convinces Dave himself of signing on thereby alienating Mark from and then from his brother. Eventually, the brothers reconcile but this appears to enrage du Pont who’se already starting to display the symptoms associated with paranoid-schizophrenia. Which some say is the true culprit behind du Pont’s mixer of Dave Schultz.
I would personally give this film 4 out of 5 stars. Bennett Miller couldn’t have done a better job directing this film and once again, the performances by Tatum, Ruffalo, and Carell were amazing and I have no doubt that they will become major millstones in their careers. However, there is the obvious downside of knowing the outcome in this particular instance. Although I did indeed enjoy the film it was also for all intents and purposes, the film was basically a two hour march to death for the character of Dave Schultz which was a major bummer. But hey, that’s not the fault of anyone involved in the film. That’s just what happens when you watch a true crime story. That’s my only gripe in regards to the film though. I say go see it. It is a two hour film though so be sure you grab a meal and a few beverages before you hit the theater.
This is your friendly neighborhood freelance photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ , thanks for reading … and we’ll see you at the movies!
The film has already been received extremely well by critics and has been praised for the performances of Ruffalo, Tatum, and Carell as the three underwent complete character transformations. The film premiered in May at the Cannes Film Festival and director Bennett Miller took home the award for best director. As someone who has seen the film I can tell you that at first I didn’t recognize any of the three lead actors when their characters first appeared on screen in the movie. I would bet money on this film being nominated for Oscars, Emmys, and any other movie awards that I cannot imagine right now based on their performances alone. Channing Tatum has even been quoted as say that this was the hardest acting challenge he has had to date in his career.
In the course of the film, we see a unique look inside the mind of an Olympic athlete via Canning Tatum’s performance as Mark Schultz and how they start out as ‘pure’ and patriotic and how those athletes can be corrupted with the promise of big money for sponsorship or with the purpose of restoring and repeating the ‘glory and standing’ they experienced previously and how it reaches into their lives and the lives of the athlete’s families. Example, in the film when at coach John du Pont’s (Carell) insistence, Mark tries to convince his brother Dave (Ruffalo) to join him in putting together team ‘Foxcatcher’ to train wrestlers for the 1988 Seoul Olympics. At first, Dave declines for the reason of not wanting to uproot his family from their home. Later on though, when its of du Pont’s opinion that Mark’s efforts are unsatisfactory du Pont takes matters into his own hands and convinces Dave himself of signing on thereby alienating Mark from and then from his brother. Eventually, the brothers reconcile but this appears to enrage du Pont who’se already starting to display the symptoms associated with paranoid-schizophrenia. Which some say is the true culprit behind du Pont’s mixer of Dave Schultz.
I would personally give this film 4 out of 5 stars. Bennett Miller couldn’t have done a better job directing this film and once again, the performances by Tatum, Ruffalo, and Carell were amazing and I have no doubt that they will become major millstones in their careers. However, there is the obvious downside of knowing the outcome in this particular instance. Although I did indeed enjoy the film it was also for all intents and purposes, the film was basically a two hour march to death for the character of Dave Schultz which was a major bummer. But hey, that’s not the fault of anyone involved in the film. That’s just what happens when you watch a true crime story. That’s my only gripe in regards to the film though. I say go see it. It is a two hour film though so be sure you grab a meal and a few beverages before you hit the theater.
This is your friendly neighborhood freelance photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ , thanks for reading … and we’ll see you at the movies!
Gareth von Kallenbach (980 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
Gareth von Kallenbach (980 KP) rated Chronicle (2012) in Movies
Aug 7, 2019
Walking into the theatre to see Chronicle I was pretty excited. I had not heard much about this movie, in fact I’ll be honest here… I heard a small amount of info about two months ago and then it dropped off my radar before a trailer appeared last Sunday.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
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Sarah (7798 KP) rated Finding Steve McQueen (2019) in Movies
Nov 3, 2020
Not much of a heist
Finding Steve McQueen is a heist drama centring around a young man who idolises Steve McQueen, and follows him as he joins a gang of thieves as they plot to steal millions from President Nixon’s secret funds. This is loosely based around a true story and is told from the point of view of the gang’s getaway driver Harry Barber, with his McQueen inspired locks and mannerisms.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
Ivana A. | Diary of Difference (1171 KP) rated The Princess Plan (A Royal Wedding, Book 1) in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/3099410597">The Princess Plan</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3361072334">A Royal Kiss and Tell</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-85.png?resize=768%2C432&ssl=1"/>
I received The Princess Plan by Julia London from the amazing team at Mills & Boon. This is the first book in the series A Royal Wedding.
Historical romances are a hit or miss for me, and this one didn’t really hit the mark like I wanted it to. Prince Sebastian of Alucia is on his visit in London, when his personal secretary is murdered.
And a murder such as this one creates a very big buzz in London’s high society. When a scandal like this occurs, it’s all anyone talks about, including Eliza Trickelbank, who happens to own a gossip gazette.
When her gazette receives an anonymous tip off about this crime, Prince Sebastian has no choice, but to work with her in order to solve the mystery of his friend’s murder.
With a trade deal on the line and a pressure to find a noble bride, there is nothing more dangerous than a prince socialising with a commoner. They can’t seem to agree on anything, and find each other frustrating, but the temptation between them becomes harder and harder to be ignored.
<b><i>My Thoughts:</i></b>
I loved the Cinderella vibe around this book, and the trope of prince meets commoner. I also enjoyed the trope of enemies becoming lovers. Even though, in this case, it was more of a forbidden temptation meets annoyance that turns into affection.
I liked Sebastian as much as I disliked Eliza. Everything that annoyed me about her, he somehow managed to compensate for. She was trying very hard to be independent, but instead, she gave up a vibe that was almost unbearable and very insecure. With Sebastian I loved the dilemma between country vs heart, which I assume many nobles, especially during that time in England felt. I am sure that many of them sacrificed their love just to do right by their country.
I found the gazette excerpts quite funny at times, and very enlightening. They take you into a whole new world, where you feel as if you’re there, getting ready for a ball, or reading about the latest gossip of the nobles. The writing style matches the time setting perfectly. I think Julia London did an amazing job when it comes to that. Here is an excerpt that really made me giggle:
<b><i>“New information suggests that if a lady wishes to enjoy a romp without consequence, trotting a horse briskly the day after the romp should remove said consequence.”</i></b>
To conclude, I enjoyed The Princess Plan, but it wasn’t a favorite. The writing was beautiful and I am sure this will be a favorite for people that love historical romances. The only reason I didn’t love it is because of Eliza’s character and the tropes that I have already seen before.
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#1 <a href="https://www.goodreads.com/review/show/3099410597">The Princess Plan</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3361072334">A Royal Kiss and Tell</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-85.png?resize=768%2C432&ssl=1"/>
I received The Princess Plan by Julia London from the amazing team at Mills & Boon. This is the first book in the series A Royal Wedding.
Historical romances are a hit or miss for me, and this one didn’t really hit the mark like I wanted it to. Prince Sebastian of Alucia is on his visit in London, when his personal secretary is murdered.
And a murder such as this one creates a very big buzz in London’s high society. When a scandal like this occurs, it’s all anyone talks about, including Eliza Trickelbank, who happens to own a gossip gazette.
When her gazette receives an anonymous tip off about this crime, Prince Sebastian has no choice, but to work with her in order to solve the mystery of his friend’s murder.
With a trade deal on the line and a pressure to find a noble bride, there is nothing more dangerous than a prince socialising with a commoner. They can’t seem to agree on anything, and find each other frustrating, but the temptation between them becomes harder and harder to be ignored.
<b><i>My Thoughts:</i></b>
I loved the Cinderella vibe around this book, and the trope of prince meets commoner. I also enjoyed the trope of enemies becoming lovers. Even though, in this case, it was more of a forbidden temptation meets annoyance that turns into affection.
I liked Sebastian as much as I disliked Eliza. Everything that annoyed me about her, he somehow managed to compensate for. She was trying very hard to be independent, but instead, she gave up a vibe that was almost unbearable and very insecure. With Sebastian I loved the dilemma between country vs heart, which I assume many nobles, especially during that time in England felt. I am sure that many of them sacrificed their love just to do right by their country.
I found the gazette excerpts quite funny at times, and very enlightening. They take you into a whole new world, where you feel as if you’re there, getting ready for a ball, or reading about the latest gossip of the nobles. The writing style matches the time setting perfectly. I think Julia London did an amazing job when it comes to that. Here is an excerpt that really made me giggle:
<b><i>“New information suggests that if a lady wishes to enjoy a romp without consequence, trotting a horse briskly the day after the romp should remove said consequence.”</i></b>
To conclude, I enjoyed The Princess Plan, but it wasn’t a favorite. The writing was beautiful and I am sure this will be a favorite for people that love historical romances. The only reason I didn’t love it is because of Eliza’s character and the tropes that I have already seen before.