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Finding Steve McQueen (2019)
Finding Steve McQueen (2019)
2019 | Crime, Romance
Not much of a heist
Finding Steve McQueen is a heist drama centring around a young man who idolises Steve McQueen, and follows him as he joins a gang of thieves as they plot to steal millions from President Nixon’s secret funds. This is loosely based around a true story and is told from the point of view of the gang’s getaway driver Harry Barber, with his McQueen inspired locks and mannerisms.

The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.

The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.

The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.

There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
  
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#1 <a href="https://www.goodreads.com/review/show/3099410597">The Princess Plan</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3361072334">A Royal Kiss and Tell</a> - TBR

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I received The Princess Plan by Julia London from the amazing team at Mills & Boon. This is the first book in the series A Royal Wedding.

Historical romances are a hit or miss for me, and this one didn’t really hit the mark like I wanted it to. Prince Sebastian of Alucia is on his visit in London, when his personal secretary is murdered.

And a murder such as this one creates a very big buzz in London’s high society. When a scandal like this occurs, it’s all anyone talks about, including Eliza Trickelbank, who happens to own a gossip gazette.

When her gazette receives an anonymous tip off about this crime, Prince Sebastian has no choice, but to work with her in order to solve the mystery of his friend’s murder.

With a trade deal on the line and a pressure to find a noble bride, there is nothing more dangerous than a prince socialising with a commoner. They can’t seem to agree on anything, and find each other frustrating, but the temptation between them becomes harder and harder to be ignored.

<b><i>My Thoughts:</i></b>

I loved the Cinderella vibe around this book, and the trope of prince meets commoner. I also enjoyed the trope of enemies becoming lovers. Even though, in this case, it was more of a forbidden temptation meets annoyance that turns into affection.

I liked Sebastian as much as I disliked Eliza. Everything that annoyed me about her, he somehow managed to compensate for. She was trying very hard to be independent, but instead, she gave up a vibe that was almost unbearable and very insecure. With Sebastian I loved the dilemma between country vs heart, which I assume many nobles, especially during that time in England felt. I am sure that many of them sacrificed their love just to do right by their country.

I found the gazette excerpts quite funny at times, and very enlightening. They take you into a whole new world, where you feel as if you’re there, getting ready for a ball, or reading about the latest gossip of the nobles. The writing style matches the time setting perfectly. I think Julia London did an amazing job when it comes to that. Here is an excerpt that really made me giggle:

<b><i>“New information suggests that if a lady wishes to enjoy a romp without consequence, trotting a horse briskly the day after the romp should remove said consequence.”</i></b>

To conclude, I enjoyed The Princess Plan, but it wasn’t a favorite. The writing was beautiful and I am sure this will be a favorite for people that love historical romances. The only reason I didn’t love it is because of Eliza’s character and the tropes that I have already seen before.
  
True Calling
True Calling
4
4.0 (1 Ratings)
Book Rating
This was free in the Amazon Kindle store and I thought it looked pretty cool, so I downloaded it a few months ago. Despite being just 369 pages long, it took me a shockingly long time to read...

Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.

A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.

Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.

A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.

Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.

It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.

Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.

It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.

So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
  
Existenz (1999)
Existenz (1999)
1999 | Action, Sci-Fi
The 1999 body horror version of Ready Player One
Famed, innovative but reclusive software developer Allegra Geller is ready to unveil her latest virtual augmented reality game, eXistenZ, and has invited her biggest fans and followers to the first best test launch party ever. The game features bio-mechanical controller ports which actually get plugged into the gamer's spine for the fully immersive experience.

Unfortunately, her party was rudely interrupted by a would-be assassin who wants to put an end to Geller before the game is released. Wounded but not executed, her fate is given to be marketing assistant who has never played a game in his life. The two escape and begin a road trip like no other trying to navigate their situation and figure out who they can trust.

The game novice, Ted Pikul, soon gets himself a "port" so he can join Gellar in the game and to also ascertain whether her main controller hub was severely damaged in the attempt on her lie. Once jacked in, he begins to slowly morph into a more submersive version of the same gradually losing control of himself an becoming his in game character.

The other "participants" they meet serve to enhance the game experience either with conflict or assistance, but it is hard to tell which side everyone plays for. The two become passionate for each other, but still are unable to comprehend whether their feelings are real or just part of the game.

They need to figure out how to finish the game so they can return back to reality.



The last of David Cronenberg's "Body Horror" films before he took his career in a different direction in the 2000s with films like "Eastern Promises" and "A History of Violence", eXistenZ is one truly wild and unique ride. If you have seen some of his other film in the genre like "The Fly" or "The Brood" you would be used to the over-the-top gore, brutality and strange way of storytelling he has made his career.

His characters are flawed, but motivated and that is why you are interested in their situation and go along with them. This film has some remarkable visceral, macabre elements that make it extremely unique, which is why you watch a movie like this. The internet was only a few years old in 1999 and games like World of Warcraft were still years away; however, this film underscores the dangers of becoming too close to the online world and the dangers it could cause.

At many points during the film, you wonder whether you are still within the game itself similar to watching a "Nightmare on Elm Street" film and wondering if you are still dreaming.

Jennifer Jason Leigh has never really gotten the respect she deserves. Whether in the recent "The Hateful Eight" or in films like "Dolores Claiborne" or "Single White Female" she has shown longevity and the ability to play complex, sometimes unlikable characters with the charisma and charm. I liked the fact she was a female game designer, leading in her field, in 1999 when there were probably not many like her at the time.

This film will keep you guessing all the way to the end and even leave you to interpret what you have just seen as the credits roll.

Easily recommended for gruesome horror fans.

  
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