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ArecRain (8 KP) rated The Heir Apparent (Sanyare Chronicles #2) in Books
Jan 18, 2018
I received a free copy of this book in exchange for an honest review.
I didnt think it was capable for the series to get better. Haskell is such a talented writer and story teller that the second installment not only expands on the first, it enriches it. In this novel, we are treated to more in-depth look at the world and mythology, which are both intricate and original.
Plus I absolutely love Rio. She is a solid character, its hard to not like her. She has such a strong, dynamic personality, and yet we are allowed to see the inner workings of her mind where her insecurities are evident.
A steady paced novel with an interesting world and entertaining characters, Sanyare is an immediate favorite that I tend to follow to its end.
I didnt think it was capable for the series to get better. Haskell is such a talented writer and story teller that the second installment not only expands on the first, it enriches it. In this novel, we are treated to more in-depth look at the world and mythology, which are both intricate and original.
Plus I absolutely love Rio. She is a solid character, its hard to not like her. She has such a strong, dynamic personality, and yet we are allowed to see the inner workings of her mind where her insecurities are evident.
A steady paced novel with an interesting world and entertaining characters, Sanyare is an immediate favorite that I tend to follow to its end.
Merissa (11731 KP) rated Dirty Laundry (Cole McGinnis #3) in Books
May 30, 2023
We are back in the thick of Cole McGinnis being a very dangerous person to be around. Everyone who gets close to him gets shot, and he usually ends up with pieces of their blood, bone and brain in his mouth. This time, there is a mystery surrounding a Korean fortune-teller and her clients, who are being killed off. I'll be honest, this confused me and I'm still not sure about the WHY of what happened.
Very well-written, and fast-paced with enough action to please everyone. This continues the series and the relationship between Cole and Jae-Min. Definitely to be read as part of the series and not standalone! Recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 20, 2016
Very well-written, and fast-paced with enough action to please everyone. This continues the series and the relationship between Cole and Jae-Min. Definitely to be read as part of the series and not standalone! Recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 20, 2016
BankofMarquis (1832 KP) rated Spiderhead (2022) in Movies
Jun 26, 2022
Weak Script Sinks This Flick
The history of cinema is littered with tales of the Mad Scientist who gets too caught up in their own experiments to the detriment of all. Once the human cost of the experiment is revealed to this seemingly sane inventor, he (it usually is a he) turns with a wild-eyed look and justifies the human expense in the name of science.
Such is the case with the Netflix Original movie SPIDERHEAD with Chris Hemsworth as the mad scientist in this scenario and Miles Teller and Jurnee Smollett as 2 of the prisoners who trade in their life sentences to be used as guinea pigs in his experiment.
It’s an interesting enough premise - one that is not new - so it is always the execution of this concept that makes (or breaks) this type of film.
Unfortunately for SPIDERHEAD, Writers Rhett Reese and Paul Wernick are unable to elevate the premise (based on a short story by George Saunders) into anything new, unique or interesting.
Director Joseph Kosinski (TOP GUN: MAVERICK) does a yeoman’s job trying to elevate this material to something better than it is. But…kind of like trying to get me to be a Prima Ballerina…Kosinski just cannot make something out of raw material that is fundamentally flawed. He uses a few interesting camera moves and draws out suspense in enough areas to catch the audience’s interests…but not much else.
He is helped by the casting of some top notch talent. Chris Hemsworth is engaging and charismatic (initially) as the Elon Musk/Steve Jobs-esque new age inventor who is trying out some new medical serums on prisoner/volunteers. The problem with Hemsworth - who I think is a pretty good actor - is that once you start seeing the cracks in his character’s façade (and those cracks appear early on), Hemsworth’s performance turns fairly one-dimensional and he becomes a caricature of the “crazed scientist”.
The surprises to me here are the performances of Miles Teller (TOP GUN: MAVERICK) and Jurnee Smollett (LOVECRAFT COUNTRY). These are 2 performers who I’ve always felt were good but not great, but they are intriguing to watch in this. They have strong chemistry with each other and they are 2 protagonists that are easy to root for against crazed antagonist Hemsworth.
In look and feel and tone, this film reminded my of the 2014 Alex Garland marvel EX MACHINA, but where that film easily was lifted by a tremendously strong script and ideas by Garland (check it out if you haven’t seen it - it is well worth your time), SPIDERHEAD, ultimately, sinks into the chasm of a weak script with no real strong ideas/themes behind it.
Letter Grade B+ (for the Direction of Kosinksi and the performances of Teller and Smollett)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the Netflix Original movie SPIDERHEAD with Chris Hemsworth as the mad scientist in this scenario and Miles Teller and Jurnee Smollett as 2 of the prisoners who trade in their life sentences to be used as guinea pigs in his experiment.
It’s an interesting enough premise - one that is not new - so it is always the execution of this concept that makes (or breaks) this type of film.
Unfortunately for SPIDERHEAD, Writers Rhett Reese and Paul Wernick are unable to elevate the premise (based on a short story by George Saunders) into anything new, unique or interesting.
Director Joseph Kosinski (TOP GUN: MAVERICK) does a yeoman’s job trying to elevate this material to something better than it is. But…kind of like trying to get me to be a Prima Ballerina…Kosinski just cannot make something out of raw material that is fundamentally flawed. He uses a few interesting camera moves and draws out suspense in enough areas to catch the audience’s interests…but not much else.
He is helped by the casting of some top notch talent. Chris Hemsworth is engaging and charismatic (initially) as the Elon Musk/Steve Jobs-esque new age inventor who is trying out some new medical serums on prisoner/volunteers. The problem with Hemsworth - who I think is a pretty good actor - is that once you start seeing the cracks in his character’s façade (and those cracks appear early on), Hemsworth’s performance turns fairly one-dimensional and he becomes a caricature of the “crazed scientist”.
The surprises to me here are the performances of Miles Teller (TOP GUN: MAVERICK) and Jurnee Smollett (LOVECRAFT COUNTRY). These are 2 performers who I’ve always felt were good but not great, but they are intriguing to watch in this. They have strong chemistry with each other and they are 2 protagonists that are easy to root for against crazed antagonist Hemsworth.
In look and feel and tone, this film reminded my of the 2014 Alex Garland marvel EX MACHINA, but where that film easily was lifted by a tremendously strong script and ideas by Garland (check it out if you haven’t seen it - it is well worth your time), SPIDERHEAD, ultimately, sinks into the chasm of a weak script with no real strong ideas/themes behind it.
Letter Grade B+ (for the Direction of Kosinksi and the performances of Teller and Smollett)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Night Reader Reviews (683 KP) rated Joyland in Books
Mar 20, 2020
Enjoyable coming of age book by Stephen King
A mid-range Stephen King book. Not exactly a horror if that is what you are looking for but a good read none the less.
Devin Jones takes a summer job at Joyland but it turns out to be so much more than what he was expecting. He discovers that he enjoys "Wearing The Fur" or in other words the big dog mascot costume that all employees rotate through, and that he is good at it. Like many amusement parks, Joyland has its own resident fortune teller and ghost, both of which Devin is skeptical about, to begin with, but takes an interest in any way.
I highly recommend this to all Stephen King fans, especially those who like his earlier work.
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Devin Jones takes a summer job at Joyland but it turns out to be so much more than what he was expecting. He discovers that he enjoys "Wearing The Fur" or in other words the big dog mascot costume that all employees rotate through, and that he is good at it. Like many amusement parks, Joyland has its own resident fortune teller and ghost, both of which Devin is skeptical about, to begin with, but takes an interest in any way.
I highly recommend this to all Stephen King fans, especially those who like his earlier work.
https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
https://facebook.com/nightreaderreviews
Merissa (11731 KP) created a post
Mar 3, 2021
ClareR (5589 KP) rated The Immortalists in Books
May 6, 2018
Do we have a choice or is it all dates?
Starting in 1969, four siblings visit a fortune teller who tells them the exact day that they will each die. This is about how they decide to live their lives knowing that date. Each pet of the book follows a separate sibling, starting with the one who dies the youngest. Each subsequent part takes up after the previous sibling dies.
I really liked this: I liked how the author describes their lives and decisions. I felt that it made them more human and not just another story. I like these family dramas though, and the chance to peek into someone else’s life.
This is definitely not a fantasy or science fiction book though. I did think there was a possibility that it might be when I first read the synopsis, but it’s definitely set in our world. AIDS, depression, obsession, OCD: these people have real life struggles.
It wasn’t always a comfortable read, but I thoroughly enjoyed it.
I really liked this: I liked how the author describes their lives and decisions. I felt that it made them more human and not just another story. I like these family dramas though, and the chance to peek into someone else’s life.
This is definitely not a fantasy or science fiction book though. I did think there was a possibility that it might be when I first read the synopsis, but it’s definitely set in our world. AIDS, depression, obsession, OCD: these people have real life struggles.
It wasn’t always a comfortable read, but I thoroughly enjoyed it.
Gareth von Kallenbach (971 KP) rated Whiplash (2014) in Movies
Aug 6, 2019
Well, I must’ve done something to incur this kind of karma recently … My editors have been assigning me some excellent films this past month and this one is another on that string …
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
Cori June (3033 KP) rated Black Unicorn in Books
Dec 3, 2018 (Updated Dec 4, 2018)
I read this book last, of the three unicorn books this one (for me) was the hardest to find. I actually started with the second book purchased at a school's book fair at about age 12 and found the third book somewhere in high school then after a decade found this one in a used books store. My first thought was this is a children’s book? This chaotic crazy story, that called the main character a slut when something goes bad that is put in situations that could go extremely wrong. An anger that has occasionally levity of the peeve (one of the best characters ever). This is a book for preteens? But it just shows that with age perspective changes. Because rereading it the story changed.
Tanith Lee is a great story teller and the ending of the book it worth the trouble of the beginning. How Tanaquil grows and how less self centered and selfish she becomes is subtle. I don’t know if I would recommend reading the second unicorn book first or this one. Either way, it is a journey of discovery.
Tanith Lee is a great story teller and the ending of the book it worth the trouble of the beginning. How Tanaquil grows and how less self centered and selfish she becomes is subtle. I don’t know if I would recommend reading the second unicorn book first or this one. Either way, it is a journey of discovery.
Merissa (11731 KP) rated A Hundred Lies in Books
Sep 2, 2020
A Hundred Lies is a historical romance with a supernatural twist. Rosalie has made a living from gathering information and reading body language to portray herself as a fortune-teller. Unfortunately for her, a Lady with no scruples has decided she knows too much and wants to silence her. This leads to Rosie and her family travelling to Scotland to try to escape.
The amount of detail and research in this book is amazing, leading to a rich comprehensive story. The characters are all well-described, even if you don't like them! This book is part of The Hundred Kisses series but it can be read as a standalone as I did. The only downside to that is that I now want to read the others too. 😁
I thoroughly enjoyed every word of this novel and thought the ending was superb, tying everything up nicely. If you like your romances to have a twist, then I can absolutely recommend this one!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The amount of detail and research in this book is amazing, leading to a rich comprehensive story. The characters are all well-described, even if you don't like them! This book is part of The Hundred Kisses series but it can be read as a standalone as I did. The only downside to that is that I now want to read the others too. 😁
I thoroughly enjoyed every word of this novel and thought the ending was superb, tying everything up nicely. If you like your romances to have a twist, then I can absolutely recommend this one!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (971 KP) rated Bleed For This (2016) in Movies
Jul 12, 2019
Bleed for This is the true story of boxer Vinny Pazienza (Miles Teller). Vinny is the type of person that in and out of the ring goes all out to the point he can go no further. This mindset puts him on the verge of being out of boxing after losing three straight fights, which he drastically cuts weight to fight. As he searches for one last chance, he is paired with a new trainer, Kevin Rooney (Aaron Eckhart), who is also seemingly given his last chance to revive his career. Rooney sets out to change the way Vinny trains and convinces him that fighting at a heavier weight will help his body, he previously was taking drastic measures to cut weight for fights. The pair are committed to success even with Vinny’s head strong father’s (Angelo Pazienza played by Ciarán Hinds) disapproving of the change, his mother (Louise Pazienza played by Katey Sagal) not wanting Vinny to get hurt, and his own Manager (Lou Duva played by Ted Levine) saying he should quit boxing all together. After some convincing and a lot of hard work Vinny gets his chance at one last fight. But he is moving up two weight classes and is put into a title fight against a seasoned opponent. Vinny shocks seemingly everyone by overcoming these obstacles and knocking out his favored opponent to become a World Champion.
After the biggest win of his career when everything appears to be going Vinny, his families and Rooney’s way, there is a terrible car accident and Vinny suffers a broken neck. The doctor tells him that he may never walk again, let alone box. With everyone telling him that his boxing career is over, Vinny is single-mindedly determined to do everything he can to get back into the ring. He opts to not have surgery in hopes that his neck can heal on its own and he can return to champion ship form. He has to convince Rooney to train him, find someone willing to fight him, and has to overcome his once over bearing father being unwilling be in his corner for the first time in his life. Even with a mountain of obstacles in his way, he begins his quest to get back into the ring and show everyone that he can do the impossible and regain his past form.
Writer and Director Ben Younger (Prime and Boiler Room) does an excellent job with this inspirational true story. The supporting cast provide solid performances, especial Eckhart and Hinds, but Miles Teller’s performance is what really makes this a fun film to watch. He really seemed to fit into this role really well. His performance was both compelling and fun. There were several times that the film showed actual old footage and footage just made to look old and you really couldn’t tell if it was Teller or the real Vinny Pazienza on the screen. I liked how the boxing sequences were not over dramatized, no mouth pieces flying across the ring, it looked like there was an effort to just keep them as true to the actual fights as possible. I also enjoyed the moments of comedy. For a story full of drama there was a good amount of well-timed comedy, mostly provided by Teller. Visually they did a good job of making the film feel like you were in late 80s and early 90s. There were a couple of slow scenes but overall the film flowed really well.
Overall this was a well done boxing genre movie. Good story, great acting performances and solid directing.
After the biggest win of his career when everything appears to be going Vinny, his families and Rooney’s way, there is a terrible car accident and Vinny suffers a broken neck. The doctor tells him that he may never walk again, let alone box. With everyone telling him that his boxing career is over, Vinny is single-mindedly determined to do everything he can to get back into the ring. He opts to not have surgery in hopes that his neck can heal on its own and he can return to champion ship form. He has to convince Rooney to train him, find someone willing to fight him, and has to overcome his once over bearing father being unwilling be in his corner for the first time in his life. Even with a mountain of obstacles in his way, he begins his quest to get back into the ring and show everyone that he can do the impossible and regain his past form.
Writer and Director Ben Younger (Prime and Boiler Room) does an excellent job with this inspirational true story. The supporting cast provide solid performances, especial Eckhart and Hinds, but Miles Teller’s performance is what really makes this a fun film to watch. He really seemed to fit into this role really well. His performance was both compelling and fun. There were several times that the film showed actual old footage and footage just made to look old and you really couldn’t tell if it was Teller or the real Vinny Pazienza on the screen. I liked how the boxing sequences were not over dramatized, no mouth pieces flying across the ring, it looked like there was an effort to just keep them as true to the actual fights as possible. I also enjoyed the moments of comedy. For a story full of drama there was a good amount of well-timed comedy, mostly provided by Teller. Visually they did a good job of making the film feel like you were in late 80s and early 90s. There were a couple of slow scenes but overall the film flowed really well.
Overall this was a well done boxing genre movie. Good story, great acting performances and solid directing.