Search
Search results
Phil Leader (619 KP) rated The Wrath of Siren (The Truth Teller #2) in Books
Nov 29, 2019
Following her adventures in The Truth Teller where Charlotte discovered she could travel to another realm inhabited by elves and dwarves, she has settled back into her normal life and dismissed it all as a bad dream. That is until the elf Elderfield travels to our world to find her to warn her that it is too dangerous to return.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
Young Jean Lee recommended Bicycle Thieves (1948) in Movies (curated)
Kristina (502 KP) rated Sanctum (Asylum, #2) in Books
Dec 7, 2020
3.5 stars
Once again, Madeleine has kept me up way past my bedtime, scared to go to sleep with the lights off. It worries me that I felt so compelled to read Sanctum, the second book in the Asylum series, considering how much I hate being scared. But I did feel compelled and I did read the book - with the lights on, I might add. Of course, to help relieve some of my fear, I did my best to read the whole book in one sitting instead of trying to sleep with unanswered questions scrambling around inside my head. The pictures provided in Sanctum, thankfully, were a lot less creepy than those in Aslyum, though the plot left the same fearful chill. It was pretty amazing to watch everything come together and grow into something so much bigger than I could have ever imagined. Even if I hadn't been aware beforehand that there is a third book, I would immediately know that Dan's story is not over - not when he still possesses that red stone. I don't claim to be a fortune teller, but I foresee more trouble heading Dan's way and I have a feeling that stone is at the center of it. It'll be interesting to see how Madeleine intertwines more into this already complex story. I look forward to unraveling more of Daniel Crawford's mysteries.
Once again, Madeleine has kept me up way past my bedtime, scared to go to sleep with the lights off. It worries me that I felt so compelled to read Sanctum, the second book in the Asylum series, considering how much I hate being scared. But I did feel compelled and I did read the book - with the lights on, I might add. Of course, to help relieve some of my fear, I did my best to read the whole book in one sitting instead of trying to sleep with unanswered questions scrambling around inside my head. The pictures provided in Sanctum, thankfully, were a lot less creepy than those in Aslyum, though the plot left the same fearful chill. It was pretty amazing to watch everything come together and grow into something so much bigger than I could have ever imagined. Even if I hadn't been aware beforehand that there is a third book, I would immediately know that Dan's story is not over - not when he still possesses that red stone. I don't claim to be a fortune teller, but I foresee more trouble heading Dan's way and I have a feeling that stone is at the center of it. It'll be interesting to see how Madeleine intertwines more into this already complex story. I look forward to unraveling more of Daniel Crawford's mysteries.
ClareR (5577 KP) rated She Who Became The Sun in Books
Jun 13, 2023
She Who Became the Sun is a book that I could really immerse myself in. It took its time over laying the foundations of what will continue to be, I’m sure, an epic story. This is a re-imagining of the life and rise of Zhu Yuanzhang - the peasant rebel who expelled the Mongols, unified China and became the founding Emperor of the Ming dynasty. So, no small story then!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Heather Cranmer (2721 KP) created a post
Nov 14, 2020
5 Minute Movie Guy (379 KP) rated Whiplash (2014) in Movies
Jul 1, 2019
Whiplash makes for a painfully tense and terrifying learning experience that is nothing short of cinematic brilliance. It'll have you on the edge of your seat, with your heart still pounding even after it's over.
I believe that there’s a desire in all of us to achieve greatness. A deep, internal yearning for importance, respect, and acceptance. We want to be remembered and we want to fulfill a sense of purpose in our lives. For Andrew Nieman (Miles Teller), the central character in the 2014 Best Picture nominated film Whiplash, that desire is to be one of the all-time great jazz drummers. Of course, he knows that accomplishing such a goal will require a firmly fixed focus, an uncompromising dedication, and endless hours of practice. What he surely wasn’t expecting was to run into a teacher like Terence Fletcher (J.K. Simmons), who will stop at nothing in order to push his students to strive to be their very best. Whiplash makes for a painfully tense and terrifying learning experience that is nothing short of cinematic brilliance.
Andrew is a first-year student at the prestigious Shaffer Conservatory of Music in New York where the presence of their great head music conductor, Terence Fletcher, looms over everyone. Fletcher is well-known, respected, and feared. More importantly, he is their ticket to success as musicians. Landing a spot in his band is a coveted high honor. Earning his respect is even greater. Though under Fletcher’s guidance, success doesn’t come easy. He rules over the school like a maniacal dictator and he demands absolute perfection from his students. After all, he has a highly revered reputation to preserve, and he’s not about to let anyone jeopardize it. Andrew finds himself lucky enough to be chosen to rehearse with Fletcher’s band, but he’s soon tested, humiliated, abused, and pushed to the limit by his short-tempered instructor.
Already something of a loner, Andrew delves even deeper within due to pressure from his teacher, turning his passion for music into an unhealthy obsession. He cuts off contact with others and devotes himself entirely to practicing. With fingers bloodied from extensive drumming, he simply bandages them up and keeps at it. Not only is his music playing taking control of his life, but it’s also clearly taking a toll on his mental health. Even more troubling for Andrew is that no matter how hard he tries, Fletcher is never satisfied, and he torments his students until they get things right, even if it means practicing all night. Resentment and tension rapidly rise for Andrew as he approaches his breaking point, resulting in the film’s unforgettably tense conclusion.
Whiplash is no walk in the park. It will have you sitting on the edge of your seat in suspense and terror, with your heart still pounding even after it’s over. It’s an emotional horror for young Andrew who is put through Hell by his mad musical conductor. I was legitimately in fear for his life and sanity. While the movie has given me a greater respect for musicians, and jazz bands in particular, it sure makes me feel glad that I was never in band!
Whiplash is remarkable in its design and execution. The film’s cinematography shows a wonderfully adept eye for camera angles, and gives this low-budget film a distinguished look. The director revels in the closeness of the scene, putting us right alongside Andrew as he comes face-to-face with the ever-menacing Fletcher. It’s unbelievably tense and uncomfortable to watch while he’s being verbally and physically assaulted right before your eyes. The film’s Oscar-winning editing finds the right tempo with knowing when to cut and when to linger. It also expertly accompanies the music with its barrage of clear, fast-paced shots. Of course, Whiplash is also very respectful to its music sources, and it does an amazing job in showcasing the outrageous musical talent on display.
The performances from Miles Teller and J.K. Simmons are sensational. It is estimated that roughly forty percent of the drumming you see by Andrew in Whiplash was actually performed by Teller. Considering the ridiculous amount of skill involved in these jazz band classics, that statistic should not be understated in the least. Teller puts on an incredible display and pours his heart into this movie. He carries the film, appearing in every single scene, and makes for a believable transition of character under the strict discipline of Fletcher. Even more extraordinary is J.K. Simmons, who won the Oscar for Best Supporting Actor with this performance. Simmons injects his character with an intense ferocity that demands your attention. He terrorizes his musicians while conducting with an iron fist. Yet there’s far more to his character than just being a bully. While I disagreed with his abusive methods, I couldn’t argue against his intended result. His character’s extreme conduct will no doubt take things too far for some viewers, but despite all of his anger, I still found Fletcher to be remarkably fascinating. In the end, as deserving of hatred as he may be, I couldn’t help but feel some level of respect for him, and I think that really speaks to the quality of the film.
Whiplash is an emotionally stirring masterpiece that questions how much is too much when it comes to pushing someone to be their best. It also explores the emotional and psychological harm that can result from that level of pressure and abuse. The movie is bolstered by two tense and energetic performances from Miles and Simmons, who are deserving of all of their praise and accolades. You don’t have to be a fan of jazz music to enjoy this phenomenal film. I found the music to be intoxicating, but the real strength of the movie is the teacher and student dynamic between Andrew and Fletcher. With a diabolically delightful and brilliant ending, these two characters have achieved an esteemed level of movie greatness that make Whiplash a must-see!
Andrew is a first-year student at the prestigious Shaffer Conservatory of Music in New York where the presence of their great head music conductor, Terence Fletcher, looms over everyone. Fletcher is well-known, respected, and feared. More importantly, he is their ticket to success as musicians. Landing a spot in his band is a coveted high honor. Earning his respect is even greater. Though under Fletcher’s guidance, success doesn’t come easy. He rules over the school like a maniacal dictator and he demands absolute perfection from his students. After all, he has a highly revered reputation to preserve, and he’s not about to let anyone jeopardize it. Andrew finds himself lucky enough to be chosen to rehearse with Fletcher’s band, but he’s soon tested, humiliated, abused, and pushed to the limit by his short-tempered instructor.
Already something of a loner, Andrew delves even deeper within due to pressure from his teacher, turning his passion for music into an unhealthy obsession. He cuts off contact with others and devotes himself entirely to practicing. With fingers bloodied from extensive drumming, he simply bandages them up and keeps at it. Not only is his music playing taking control of his life, but it’s also clearly taking a toll on his mental health. Even more troubling for Andrew is that no matter how hard he tries, Fletcher is never satisfied, and he torments his students until they get things right, even if it means practicing all night. Resentment and tension rapidly rise for Andrew as he approaches his breaking point, resulting in the film’s unforgettably tense conclusion.
Whiplash is no walk in the park. It will have you sitting on the edge of your seat in suspense and terror, with your heart still pounding even after it’s over. It’s an emotional horror for young Andrew who is put through Hell by his mad musical conductor. I was legitimately in fear for his life and sanity. While the movie has given me a greater respect for musicians, and jazz bands in particular, it sure makes me feel glad that I was never in band!
Whiplash is remarkable in its design and execution. The film’s cinematography shows a wonderfully adept eye for camera angles, and gives this low-budget film a distinguished look. The director revels in the closeness of the scene, putting us right alongside Andrew as he comes face-to-face with the ever-menacing Fletcher. It’s unbelievably tense and uncomfortable to watch while he’s being verbally and physically assaulted right before your eyes. The film’s Oscar-winning editing finds the right tempo with knowing when to cut and when to linger. It also expertly accompanies the music with its barrage of clear, fast-paced shots. Of course, Whiplash is also very respectful to its music sources, and it does an amazing job in showcasing the outrageous musical talent on display.
The performances from Miles Teller and J.K. Simmons are sensational. It is estimated that roughly forty percent of the drumming you see by Andrew in Whiplash was actually performed by Teller. Considering the ridiculous amount of skill involved in these jazz band classics, that statistic should not be understated in the least. Teller puts on an incredible display and pours his heart into this movie. He carries the film, appearing in every single scene, and makes for a believable transition of character under the strict discipline of Fletcher. Even more extraordinary is J.K. Simmons, who won the Oscar for Best Supporting Actor with this performance. Simmons injects his character with an intense ferocity that demands your attention. He terrorizes his musicians while conducting with an iron fist. Yet there’s far more to his character than just being a bully. While I disagreed with his abusive methods, I couldn’t argue against his intended result. His character’s extreme conduct will no doubt take things too far for some viewers, but despite all of his anger, I still found Fletcher to be remarkably fascinating. In the end, as deserving of hatred as he may be, I couldn’t help but feel some level of respect for him, and I think that really speaks to the quality of the film.
Whiplash is an emotionally stirring masterpiece that questions how much is too much when it comes to pushing someone to be their best. It also explores the emotional and psychological harm that can result from that level of pressure and abuse. The movie is bolstered by two tense and energetic performances from Miles and Simmons, who are deserving of all of their praise and accolades. You don’t have to be a fan of jazz music to enjoy this phenomenal film. I found the music to be intoxicating, but the real strength of the movie is the teacher and student dynamic between Andrew and Fletcher. With a diabolically delightful and brilliant ending, these two characters have achieved an esteemed level of movie greatness that make Whiplash a must-see!
Phil Leader (619 KP) rated Truth Teller (The Truth Teller Series #1) in Books
Nov 27, 2019
Remember when you were 6 or 7 and first read The Lion The Witch And The Wardrobe? Well I do and the whole 'you could go to another realm and be special' thing was such a key to drawing me into fantasy. And at that age the whole talking animals thing was entirely in keeping with my imagination.
But if you are a little older, nicely into double figures of age. Although the escape to another realm is still a terrific idea, the talking animals are just not going to fit anymore. What you need is a bit of action and likeable characters who are realistic while still being elves and dwarves. But if Narnia is no longer a viable destination at that age, where is?
Truth Teller fits the bill perfectly. Charlotte is a normal ten year old girl on holiday with her family. While wandering around the shops of the local town she finds a strange curio shop. She finds one of the objects in the shop interesting - a sort of snow globe without any snow. The odd little man who runs the shop gives it to her for free, but warns her that the price she pays might not be of the monetary kind.
That night while studying the globe she feels if she is falling into it and finds herself in a cold woodland, where she meets Elder. Very soon it is apparent to her that she is not anywhere near where she should be, if she is even on Earth at all anymore. Elder is an elf and he and his family try to help Charlotte find her way back home. Meanwhile dark forces are stirring and rumours of invasion are spreading.
Chambers has set out to provide an entry point into fantasy for younger (female) readers and has done a sterling job. My immediate reaction to this book was that it is flawless, in idea and execution. Although perhaps a little cliched for grizzle fantasy readers like myself it contains just enough strange creatures - elves, dwarves, giant wolves and druids - and a sprinkling of magic here and there to whisk the plot along. And it is whisked at some pace too, the narrative fluid and always in motion towards the books conclusion without much of a pause for breath.
Charlotte as the main character is well written and prone to modern turns of phrase that baffle her elven friends. Elder the elf boy she meets is charming and friendly even though he is as confused by Charlotte's plight as she is. The other characters are also very well drawn.
The story entwines the various threads into a whole that is easy to read and hard to forget. Reaching the last page was something I dreaded but like a lot of things the end of this book is just the start of the story of the Truth Teller.
If anyone is looking for a first book in fantasy, without the talking animals, this book fits the bill perfectly. Narnia for the iPhone generation? It's pretty close to that.
But if you are a little older, nicely into double figures of age. Although the escape to another realm is still a terrific idea, the talking animals are just not going to fit anymore. What you need is a bit of action and likeable characters who are realistic while still being elves and dwarves. But if Narnia is no longer a viable destination at that age, where is?
Truth Teller fits the bill perfectly. Charlotte is a normal ten year old girl on holiday with her family. While wandering around the shops of the local town she finds a strange curio shop. She finds one of the objects in the shop interesting - a sort of snow globe without any snow. The odd little man who runs the shop gives it to her for free, but warns her that the price she pays might not be of the monetary kind.
That night while studying the globe she feels if she is falling into it and finds herself in a cold woodland, where she meets Elder. Very soon it is apparent to her that she is not anywhere near where she should be, if she is even on Earth at all anymore. Elder is an elf and he and his family try to help Charlotte find her way back home. Meanwhile dark forces are stirring and rumours of invasion are spreading.
Chambers has set out to provide an entry point into fantasy for younger (female) readers and has done a sterling job. My immediate reaction to this book was that it is flawless, in idea and execution. Although perhaps a little cliched for grizzle fantasy readers like myself it contains just enough strange creatures - elves, dwarves, giant wolves and druids - and a sprinkling of magic here and there to whisk the plot along. And it is whisked at some pace too, the narrative fluid and always in motion towards the books conclusion without much of a pause for breath.
Charlotte as the main character is well written and prone to modern turns of phrase that baffle her elven friends. Elder the elf boy she meets is charming and friendly even though he is as confused by Charlotte's plight as she is. The other characters are also very well drawn.
The story entwines the various threads into a whole that is easy to read and hard to forget. Reaching the last page was something I dreaded but like a lot of things the end of this book is just the start of the story of the Truth Teller.
If anyone is looking for a first book in fantasy, without the talking animals, this book fits the bill perfectly. Narnia for the iPhone generation? It's pretty close to that.
SUPERB. EVER EVOLVING. EXCITING. THRILLING. EXCELLENT READ.
Brilliant, just like Amy.
Can you ever really know someone- completely?
WOW! I loved this book. I believe it is probably because the subject matter is so different from many of the titles I have read this year. I especially liked the way the author used the time frames as the chapters; “One week after…”
Halfway through the book I was very unsure how the story would end or turn out at all. I thought I knew what was going on until I reached the last few pages. I always think there are better ways to end certain stories but even though the ending didn’t turn out as I thought it would it was still an excellent story nonetheless. I wouldn’t change anything.
I hate raving about an author in a review to help others decide whether the read is worth their time or not. I have to say IT IS ABSOLUTELY worth the time. I typically don’t even read e-books unless its one of those books I simply cannot wait for, then I typically drag through the stories since I hate reading them on the computer and the tablet or Ipad is frustrating when all you want to do is turn a paper page. However, I would buy this author’s e-books and proudly on my desktop.
Gillian Flynn is a very good story teller. I am ecstatic that I discovered this author. I will definitely be following this read up with her other two novels: Sharp Objects and Dark Places.
Brilliant, just like Amy.
Can you ever really know someone- completely?
WOW! I loved this book. I believe it is probably because the subject matter is so different from many of the titles I have read this year. I especially liked the way the author used the time frames as the chapters; “One week after…”
Halfway through the book I was very unsure how the story would end or turn out at all. I thought I knew what was going on until I reached the last few pages. I always think there are better ways to end certain stories but even though the ending didn’t turn out as I thought it would it was still an excellent story nonetheless. I wouldn’t change anything.
I hate raving about an author in a review to help others decide whether the read is worth their time or not. I have to say IT IS ABSOLUTELY worth the time. I typically don’t even read e-books unless its one of those books I simply cannot wait for, then I typically drag through the stories since I hate reading them on the computer and the tablet or Ipad is frustrating when all you want to do is turn a paper page. However, I would buy this author’s e-books and proudly on my desktop.
Gillian Flynn is a very good story teller. I am ecstatic that I discovered this author. I will definitely be following this read up with her other two novels: Sharp Objects and Dark Places.
Phil Leader (619 KP) rated Favian's Law (The Truth Teller Series #3) in Books
Nov 13, 2019
This is the third of the fantasy series for young adults involving Charlotte who, with the help of a magic pendant, is able to travel to another realm populated by elves and dwarves. In this land she is known as the Truth Teller, an almost mythical being.
But Charlotte is not the only one who travels to the other world; Favian, a theatre performer, also makes the trip and Charlotte soon discovers that things are very different as a result. With big changes both in the fantasy world and when she returns to ours Charlotte must face her fears to put everything right.
The first two books were fairly straighforward fantasy; this takes on a darker tone as Favian's meddling has caused a lot of changes none of which are for the better. Here we see a very different world from the first two books. Despite being reunited with Elderfield there seems to be nothing they can do to avoid a terrible fate.
This change in tone works well with our heroes in real peril. But where the book really shines is when Charlotte returns to our world. Things have changed here too and everything really does seem hopeless.
Chambers handles the narrative with verve, putting Charlotte through the wringer but always with an eye on the sympathies of the reader. As before the reader is encouraged to care about all of the characters. Unusually there is no ultimate villain here and that makes for a interesting read as the various plot threads work their way to their conclusion.
But Charlotte is not the only one who travels to the other world; Favian, a theatre performer, also makes the trip and Charlotte soon discovers that things are very different as a result. With big changes both in the fantasy world and when she returns to ours Charlotte must face her fears to put everything right.
The first two books were fairly straighforward fantasy; this takes on a darker tone as Favian's meddling has caused a lot of changes none of which are for the better. Here we see a very different world from the first two books. Despite being reunited with Elderfield there seems to be nothing they can do to avoid a terrible fate.
This change in tone works well with our heroes in real peril. But where the book really shines is when Charlotte returns to our world. Things have changed here too and everything really does seem hopeless.
Chambers handles the narrative with verve, putting Charlotte through the wringer but always with an eye on the sympathies of the reader. As before the reader is encouraged to care about all of the characters. Unusually there is no ultimate villain here and that makes for a interesting read as the various plot threads work their way to their conclusion.
Phil Leader (619 KP) rated Unknown Reality in Books
Nov 28, 2019
Chloe lives with her family in what seems to be a fairly normal life. But after meeting a stranger during a trip to the theatre, she starts to realise that all might not be as it seems and her world - and her entire life- might be nothing more than a simulation. Abruptly thrown out of the only existance she has known she has to face up to a different reality. She must adapt to her new circumstances and new reality when all she wants is to return 'home'.
Following on from the young adult fantasy stories of Truth Teller and The Wrath of Siren, Chambers once again sets out to encourage an interest in fiction in young adults, in this case science fiction. Once again he produces an interesting and engaging work, choc full of characters and ideas. Just the first few chapters contain enough material for the average science fiction work but Chambers goes further, layering further nuanced plots and subplots together and managing to spin them together into a terrific ending.
Chloe is a strong protagonist, intelligent and thoughtful while always remaining an 11 year old in outlook and the reader will really root for her and want her to succeed. The world Chambers creates is very well described and imagined, relying on science fiction standards for some parts but carefully avoiding cliche and doing what science fiction does best - highlight some of the folly of the real world.
Yet another terrific book from Chambers, one of those authors who is a 'must read' for my teenage sons.
Following on from the young adult fantasy stories of Truth Teller and The Wrath of Siren, Chambers once again sets out to encourage an interest in fiction in young adults, in this case science fiction. Once again he produces an interesting and engaging work, choc full of characters and ideas. Just the first few chapters contain enough material for the average science fiction work but Chambers goes further, layering further nuanced plots and subplots together and managing to spin them together into a terrific ending.
Chloe is a strong protagonist, intelligent and thoughtful while always remaining an 11 year old in outlook and the reader will really root for her and want her to succeed. The world Chambers creates is very well described and imagined, relying on science fiction standards for some parts but carefully avoiding cliche and doing what science fiction does best - highlight some of the folly of the real world.
Yet another terrific book from Chambers, one of those authors who is a 'must read' for my teenage sons.