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Heather Cranmer (2721 KP) rated Pretty Girl-13 in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> in September).
Pretty Girl-13 by Liz Coley was a book that I was dying to read. It was at the top of my TBR pile, so I was thrilled when I discovered that my local library had it. This turned out to be a fascinating read.
I'm not really a fan of the title. Yes, the main character is called Pretty Girl by her captor and at least one of her alters, but that's it. I, personally, think Gone Girl or some other title would've been better.
I do like the cover. I love how it shows Angie walking out of a cabin in the woods which ties in with the story. That cabin, as well as being real, is also symbolic.
I thought the author did an excellent job with making Angie's world come alive. Liz Coley wrote each alter well enough that they actually came across as being a different person with their own personality. The setting was fantastic too.
The pacing was fantastic! I pretty much breezed through this book in one day. It was held my attention the whole time, and I found it super interesting!
\I thought the plot of this book would mostly focus on Angie's kidnapping, but it focuses mainly on her Dissociative Identity Disorder. While we do learn about Angie's kidnapping and everything that happened, we learn it through each of her alters. The plot focuses on how Angie deals which each alter more than anything.
The characters are written very richly. Angie is a broken girl, and I ended up feeling like I wanted to protect her. There were some times when I felt really annoyed with her like when she wouldn't tell people certain key elements of what had happened to her. On one hand, I realize that she was kind of scared, but in one scene, she doesn't tell her mom something simply because she's angry at her. Now, all of this could probably be explained since she's been abused since she was 13, but it still just annoyed me. Overall, Angie is a great character. As I've said before, even her alters have personalities of her own, and the author does a great job at conveying that these alters are supposed to be their own person so to speak. Even the minor characters are done well such as Abraim. Abraim seemed like such a sweet guy and very accepting.
The dialogue was easy to understand although at some points, I felt as if Angie was older then 16. There is some swearing in this book if that's not your thing.
Overall, Pretty Girl-13 by Liz Coley is an enjoyable book. I found it fascinating to read about Dissociative Identity Disorder as well as trying to solve Angie's kidnapping.
I'd recommend this book to those aged 16+ (due to language and themes) who are interested in mental health as well as mysteries.
I'd give Pretty Girl-13 by Liz Coley a 4.5 out of 5.
Pretty Girl-13 by Liz Coley was a book that I was dying to read. It was at the top of my TBR pile, so I was thrilled when I discovered that my local library had it. This turned out to be a fascinating read.
I'm not really a fan of the title. Yes, the main character is called Pretty Girl by her captor and at least one of her alters, but that's it. I, personally, think Gone Girl or some other title would've been better.
I do like the cover. I love how it shows Angie walking out of a cabin in the woods which ties in with the story. That cabin, as well as being real, is also symbolic.
I thought the author did an excellent job with making Angie's world come alive. Liz Coley wrote each alter well enough that they actually came across as being a different person with their own personality. The setting was fantastic too.
The pacing was fantastic! I pretty much breezed through this book in one day. It was held my attention the whole time, and I found it super interesting!
\I thought the plot of this book would mostly focus on Angie's kidnapping, but it focuses mainly on her Dissociative Identity Disorder. While we do learn about Angie's kidnapping and everything that happened, we learn it through each of her alters. The plot focuses on how Angie deals which each alter more than anything.
The characters are written very richly. Angie is a broken girl, and I ended up feeling like I wanted to protect her. There were some times when I felt really annoyed with her like when she wouldn't tell people certain key elements of what had happened to her. On one hand, I realize that she was kind of scared, but in one scene, she doesn't tell her mom something simply because she's angry at her. Now, all of this could probably be explained since she's been abused since she was 13, but it still just annoyed me. Overall, Angie is a great character. As I've said before, even her alters have personalities of her own, and the author does a great job at conveying that these alters are supposed to be their own person so to speak. Even the minor characters are done well such as Abraim. Abraim seemed like such a sweet guy and very accepting.
The dialogue was easy to understand although at some points, I felt as if Angie was older then 16. There is some swearing in this book if that's not your thing.
Overall, Pretty Girl-13 by Liz Coley is an enjoyable book. I found it fascinating to read about Dissociative Identity Disorder as well as trying to solve Angie's kidnapping.
I'd recommend this book to those aged 16+ (due to language and themes) who are interested in mental health as well as mysteries.
I'd give Pretty Girl-13 by Liz Coley a 4.5 out of 5.
Be Awesome: Modern Life for Modern Ladies
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Hadley Freeman, Guardian features writer and author of the popular 'Ask Hadley...' column, reminds...
Forever Mine
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Taken from Goodreads: Seventeen-year-old Sarah’s life is turned upside down when her single mom is...
Veronica Pena (690 KP) rated Men in Black II (2002) in Movies
Feb 17, 2020
I really didn't think it could get worse and then I watched the second film. I think the only thing I liked about this movie was Frank, the pug.
I think the plot was just bad, so many of the characters just felt useless. Kay and Jay spent the majority of the film running around trying to solve this puzzle that Kay had left himself and somehow made Jay look seriously dumb? But somehow we're still talking about the same agent who hesitated and shot the little girl in the first film because he evaluated the whole situation before taking a shot. But he couldn't figure out the picture frame, was basically talked down to the whole film, and barely beat the guy with the multiple flying versions of himself? It's like he somehow lost 100+ IQ points between the first and second films.
The saddest thing of them all? I'm still going to watch the third one with a small chance that it gets better. My expectations are already extremely low.
I think the plot was just bad, so many of the characters just felt useless. Kay and Jay spent the majority of the film running around trying to solve this puzzle that Kay had left himself and somehow made Jay look seriously dumb? But somehow we're still talking about the same agent who hesitated and shot the little girl in the first film because he evaluated the whole situation before taking a shot. But he couldn't figure out the picture frame, was basically talked down to the whole film, and barely beat the guy with the multiple flying versions of himself? It's like he somehow lost 100+ IQ points between the first and second films.
The saddest thing of them all? I'm still going to watch the third one with a small chance that it gets better. My expectations are already extremely low.
Ivana A. | Diary of Difference (1171 KP) rated Geekerella (Once Upon a Con #1) in Books
Nov 1, 2018
My review can also be found on my blog: www.diaryofdifference.com
When the typical Cinderella story meets a geeky girl, a comic con and an actor instead of a prince, you get Geekerella. A story unlike any other Cinderella like stories, full with wittiness, geekiness and style.
We have Elle, who is our Cinderella. Her father passed away and left her with her stepmom and her two stepsisters. Elle is also a vivid lover of Starfield, sci-fi series similar to Star Trek and Star Wars. She is also a blogger, where she writes all things Starfield.
On the other side, we have Darien, who is an actor and just got the main character role for the new remake of Starfield. While he deeply loves Starfield, he is not allowed to show those emotions and let everyone knows he is a fan, because it will ruin his reputation. And that is the sole reason why fans don’t like him – he is just another guy that goes for the money and ruins their favourite fan fiction (we have all been there though, haven’t we?).
When fate somehow connects Elle and Darien together, under unknown circumstances they start texting to each other, without revealing who they really are. And that is when everything changes.
A story about love and friendship, but most importantly – a story that teaches you to “Look to the stars. Aim. Ignite.” A story that reminds you to keep believing in who you are and why you are doing what you love. This is an amazing reminder to all of you – to be the people you want to be, because once you are comfortable with who you are and what you love to do – nothing can stop you in being great! And most importantly – HAPPY!
While there were bits and pieces that I couldn’t resist but to cringe on, such as the falling in love through texting, or not being able to say no to your step sisters, or being afraid to tell your fans that you are a fan, while they keep accusing you that you don’t care. (How could this ruin a reputation? It could only make it better)…
While there were things that bothered me, this story was still a great revolution to the Cinderella retelling. No other story has shown a girl to fight for what she loves as strongly as this, without the help of magic or a pumpkin – even though her best friend Sage was really the fairy in this situation.
Thank you to NetGalley and Quirk Books, for providing me with an ARC copy of the book.
If you haven’t read it already, please do! It is worth reading it, as it has a powerful message inside of it. I recommend it to all of you out there!
When the typical Cinderella story meets a geeky girl, a comic con and an actor instead of a prince, you get Geekerella. A story unlike any other Cinderella like stories, full with wittiness, geekiness and style.
We have Elle, who is our Cinderella. Her father passed away and left her with her stepmom and her two stepsisters. Elle is also a vivid lover of Starfield, sci-fi series similar to Star Trek and Star Wars. She is also a blogger, where she writes all things Starfield.
On the other side, we have Darien, who is an actor and just got the main character role for the new remake of Starfield. While he deeply loves Starfield, he is not allowed to show those emotions and let everyone knows he is a fan, because it will ruin his reputation. And that is the sole reason why fans don’t like him – he is just another guy that goes for the money and ruins their favourite fan fiction (we have all been there though, haven’t we?).
When fate somehow connects Elle and Darien together, under unknown circumstances they start texting to each other, without revealing who they really are. And that is when everything changes.
A story about love and friendship, but most importantly – a story that teaches you to “Look to the stars. Aim. Ignite.” A story that reminds you to keep believing in who you are and why you are doing what you love. This is an amazing reminder to all of you – to be the people you want to be, because once you are comfortable with who you are and what you love to do – nothing can stop you in being great! And most importantly – HAPPY!
While there were bits and pieces that I couldn’t resist but to cringe on, such as the falling in love through texting, or not being able to say no to your step sisters, or being afraid to tell your fans that you are a fan, while they keep accusing you that you don’t care. (How could this ruin a reputation? It could only make it better)…
While there were things that bothered me, this story was still a great revolution to the Cinderella retelling. No other story has shown a girl to fight for what she loves as strongly as this, without the help of magic or a pumpkin – even though her best friend Sage was really the fairy in this situation.
Thank you to NetGalley and Quirk Books, for providing me with an ARC copy of the book.
If you haven’t read it already, please do! It is worth reading it, as it has a powerful message inside of it. I recommend it to all of you out there!
ArecRain (8 KP) rated Lust is the Thorn in Books
Jan 18, 2018
I received a complimentary copy in exchange for an honest review.
This is the second novel I have read from this author and I am not sure if I like her or not yet. Both stories feature tormented men with troubled past and the women who love them. I love a good romance about a man falling in love with his best friends sister, but there seemed to be a lot lacking from this novel. I felt that the only conflict was the characters own hang ups.
I did, however, enjoy the bad girl, good boy dynamic. I am so used to the man being the bad one that it was refreshing. Not to mention he was genuinely a good guy. I felt like they deserved each other and helped each other heal.
However, I didnt particularly care for the story line. There was nothing wrong with it or the authors writing. I just didnt care about the characters or their story.
This is the second novel I have read from this author and I am not sure if I like her or not yet. Both stories feature tormented men with troubled past and the women who love them. I love a good romance about a man falling in love with his best friends sister, but there seemed to be a lot lacking from this novel. I felt that the only conflict was the characters own hang ups.
I did, however, enjoy the bad girl, good boy dynamic. I am so used to the man being the bad one that it was refreshing. Not to mention he was genuinely a good guy. I felt like they deserved each other and helped each other heal.
However, I didnt particularly care for the story line. There was nothing wrong with it or the authors writing. I just didnt care about the characters or their story.
Ivana A. | Diary of Difference (1171 KP) rated Read and Gone (The Haunted Library Mysteries, #2) in Books
Oct 2, 2020
This is the second book of the series, and even though I haven’t read the first part, I was able to follow this book quite easily. There are a few references to the past and you can quickly realise what happened. Though, if you wish to read the series, don’t start with #2, because there are a few spoilers here that you wish you hadn’t read if you read book #1. I won’t be reading #1 because the spoilers in this book ruined it for me. But I am sure it’s an amazing story as well.
Carrie works in a library and has a cat that brings with her at work. Her father is a famous bad guy, that spent all her childhood in jails. One day, he returns to town, trying to get his share of a box of jewellery that he stole with another man. But a murder changes everyone’s plans, and Carrie has to make some dangerous decisions. It is a wonderful story about family, love, Christmas and tragedy that ends well.
This is a book full of mystery and crime, but it also is warm and family-oriented. I loved the mystery - crime part of it, I loved the scenes where everyone, mostly Carrie plays out to be a detective, but there were also scenes where things were so obvious, and she made terrible choices that made me cringe.
I struggled a lot to understand and like Carrie - I didn’t like the way how she gets quiet and doesn’t talk and just cries, and suddenly when she leaves the situation, she bitches about everything and how things should've been done differently. WELL WHY DIDN’T YOU SAY SOMETHING WHEN YOU HAD THE CHANCE, THEN? But then, there were also moments when she would come up with some interesting hypothesis and actually succeed into making a right choice, and I would think - YEAH, that’s my girl.
All in all, definitely a beautiful read, with a few tweaks here and there. I would love to read something similar to this, and for you that love chick-lit and detective stories, you would most probably enjoy this read :)
Carrie works in a library and has a cat that brings with her at work. Her father is a famous bad guy, that spent all her childhood in jails. One day, he returns to town, trying to get his share of a box of jewellery that he stole with another man. But a murder changes everyone’s plans, and Carrie has to make some dangerous decisions. It is a wonderful story about family, love, Christmas and tragedy that ends well.
This is a book full of mystery and crime, but it also is warm and family-oriented. I loved the mystery - crime part of it, I loved the scenes where everyone, mostly Carrie plays out to be a detective, but there were also scenes where things were so obvious, and she made terrible choices that made me cringe.
I struggled a lot to understand and like Carrie - I didn’t like the way how she gets quiet and doesn’t talk and just cries, and suddenly when she leaves the situation, she bitches about everything and how things should've been done differently. WELL WHY DIDN’T YOU SAY SOMETHING WHEN YOU HAD THE CHANCE, THEN? But then, there were also moments when she would come up with some interesting hypothesis and actually succeed into making a right choice, and I would think - YEAH, that’s my girl.
All in all, definitely a beautiful read, with a few tweaks here and there. I would love to read something similar to this, and for you that love chick-lit and detective stories, you would most probably enjoy this read :)
Joe Julians (221 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 17, 2018
Given that the premise to this movie focuses on the unsolved rape and murder of a teenage girl, you would be forgiven for thinking that Three Billboards Outside Ebbing, Missouri would be a bleak and depressing watch. And at times it is. This is by no means a happy movie and there is a lot of misery and upset that plagues the central characters. But, interwoven in all that is a dark comedic vibe that makes the script story and characters come to life in ways that I wasn’t expecting going in.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.
Gareth von Kallenbach (977 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
Haley Mathiot (9 KP) rated Symbiont (Parasitology, #2) in Books
Apr 27, 2018
Here’s the rundown: I am in love with this series. I am all over this series. I love Sal, I love the characters (I even kind of love Sherman, a little), the plot is brilliant, it’s exciting, brilliant, fast-paced, and original.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.