"I think they’re all fairly artful pieces of work, but I think my all-time favorite is Charlie Chaplin’s City Lights, which was one of the… well, it’s like now, somebody still making a film in 2D, three years later: he still made it as a silent film [after the advent of sound], with inter-titling, and it had a recorded score. It’s one of those films that I’ve shown to many, various groups of people socially. I remember going to a DVD night in Silverlake, with a lot of very groovy LA people, and we all had to bring a film. And they were bringing along, you know, Sin City and stuff, and I did a pitch on that film, without saying it was a Charlie Chaplin film — saying it’s about an alcoholic and this young, impoverished guy, and they’re best friends when the guy is drunk and then when he sobers up he doesn’t know who he is; and the young guy is wanting to help this girl who sells flowers on the street, and she’s blind. And they were all going, “Oh my God, this sounds amazing,” and then I said it’s in black and white and it’s silent and it’s a Charlie Chaplin film — and they all watched it and were just entranced; and this is sort of like the Tarantino crowd. I’ve always loved that film."

"I read this every winter. It has one of the best female protagonists I've ever read in a book. There are very few books I can think of that start out so small and unassuming and end so big and heroic. The lead character goes from being an inquisitive, quiet girl to a violent, powerful force by the end of the book, all while solving a murder that keeps unfolding new twists and turns. This book makes me feel strong. Like I could fight a bad guy on a burning barge then jump into to arctic freezing water to swim to my safety as it explodes. Which she does, in the book."

"Forrest Gump. What I appreciated about that — I believe it ended up winning the best picture and an Academy Award for Tom Hanks, both of which were well deserved — but I just loved the interplay of putting him back into actual historical footage of meeting the presidents, and at the time it was so much fun to see that play out on screen. It captured entire eras and major issues, everything from racism in the south to the horror of the Vietnam War — the protests of the Vietnam War — to AIDS toward the end. And, of course, the theme, which is right up my alley, which is, “Hey, it’s about a guy who loves a girl forever.” [laughs] That’s a little bit like The Notebook in this regard. And yet, it was done in a way that I never would have considered doing. I believe it was Robert Zemeckis who directed that. It’s phenomenal."