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Merissa (11805 KP) rated The Nexus Games (Nexus Games #1) in Books
May 10, 2022 (Updated Jun 20, 2023)
THE NEXUS GAMES is the first book in a new series of the same name that takes you into a game world where kindness is seen as a disadvantage.
Kellen is taken to this world, along with the woman he met that night, Mavis. He is told they have to play the game to get back home. Think of it as a cross between The Hunger Games and Wizard of Oz! It turns out, there is more to the world than Kellen or Mavis ever thought, with other dimensions and different versions of themselves in every dimension.
The team Kellen is playing with is full of secrets -- and you don't get the answers, not in this book! So prepare yourself because you will finish the book with questions unanswered. Also, it ends on a HUGE cliffhanger, so consider yourself warned.
As with all books by this author, the world-building is second to none. You find out what you need to know, when you need to know it. You learn about the magic of this world as Kellen does.
This is a long story so plenty to get your teeth into. It is definitely recommended by me and I can't wait to see where it goes next.
Just one question though, where can I get an albino wyvern?
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2022
Kellen is taken to this world, along with the woman he met that night, Mavis. He is told they have to play the game to get back home. Think of it as a cross between The Hunger Games and Wizard of Oz! It turns out, there is more to the world than Kellen or Mavis ever thought, with other dimensions and different versions of themselves in every dimension.
The team Kellen is playing with is full of secrets -- and you don't get the answers, not in this book! So prepare yourself because you will finish the book with questions unanswered. Also, it ends on a HUGE cliffhanger, so consider yourself warned.
As with all books by this author, the world-building is second to none. You find out what you need to know, when you need to know it. You learn about the magic of this world as Kellen does.
This is a long story so plenty to get your teeth into. It is definitely recommended by me and I can't wait to see where it goes next.
Just one question though, where can I get an albino wyvern?
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2022
Some Hell: A Novel
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A wrenching and layered debut novel about a gay teen's coming-of-age in the aftermath of his...
Dirty Heart (Cole McGinnis #6)
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Final book in the Dirty Series arc. Former LAPD detective Cole McGinnis’s life nearly ended the...
Contemporary MM Romance Crime Mystery Suspense
Kristy H (1252 KP) rated All the Best Lies in Books
Mar 19, 2020
The third book in the Ellery Hathaway series finds FBI Agent Reed Markham taking on a particularly personal case--his birth mother's murder. His mother, Camilla, was stabbed to death over forty years ago while baby Reed was nearby in his crib. Her killer was never found. It's a cold case now for the Las Vegas Police Department. Reed asks for Ellery's help and the two travel together to Las Vegas to search for answers. But Reed soon learns something shocking about his past, leading him to add someone incredibly close to him to his list of suspects. In Vegas, that list soon grows, and they realize that the killer--even after all these years--isn't happy with Reed and Ellery stirring things up.
This was another stellar entry in this series. I absolutely love Ellery and Reed, and it was great seeing Reed work on a case that meant so much to him. It reminded me of an early Harry Bosch in Michael Connelly's books, when he tries to track down his own mother's killer. Both Reed and Ellery deal with family issues in the book. As always, there is sizzling chemistry between the two. Their relationship just gets better and better, as each struggles with their own problems, and they grow closer and closer.
There's a lot of focus on Reed here, of course, as we learn more about both his mother and his adopted family, the Markhams (Reed was adopted by Senator Angus Markham from Virginia). His mother's case is mesmerizing, and there is no shortage of suspects, including lowlife drug dealer Billy Thorndike; her cop boyfriend, David; and more. Schaffhausen does an excellent job portraying Camilla's life forty years ago, and she comes to life easily.
As always, there are some wonderful twists and turns, and the book is easy-to-read. The pages turn quickly, between Reed and Ellery's excellent magnetism and the well-paced, absorbing mystery. This may be my favorite one so far, and that's saying a lot! 4.5 stars.
This was another stellar entry in this series. I absolutely love Ellery and Reed, and it was great seeing Reed work on a case that meant so much to him. It reminded me of an early Harry Bosch in Michael Connelly's books, when he tries to track down his own mother's killer. Both Reed and Ellery deal with family issues in the book. As always, there is sizzling chemistry between the two. Their relationship just gets better and better, as each struggles with their own problems, and they grow closer and closer.
There's a lot of focus on Reed here, of course, as we learn more about both his mother and his adopted family, the Markhams (Reed was adopted by Senator Angus Markham from Virginia). His mother's case is mesmerizing, and there is no shortage of suspects, including lowlife drug dealer Billy Thorndike; her cop boyfriend, David; and more. Schaffhausen does an excellent job portraying Camilla's life forty years ago, and she comes to life easily.
As always, there are some wonderful twists and turns, and the book is easy-to-read. The pages turn quickly, between Reed and Ellery's excellent magnetism and the well-paced, absorbing mystery. This may be my favorite one so far, and that's saying a lot! 4.5 stars.
Movie Metropolis (309 KP) rated Alien: Covenant (2017) in Movies
Jun 11, 2019
Bigger isn't always better
Ridley Scott’s Alien prequel Prometheus wasn’t as warmly received as the veteran director had hoped for upon its release in 2012. In pitching the film for the coveted 12A market, Scott lost the majority of what made his 1979 masterpiece, rated 18, such an epic adventure.
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
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Merissa (11805 KP) rated Elemental Claim (War of the Myth #1) in Books
Feb 27, 2018 (Updated Jul 3, 2023)
Elemental Claim (War of the Myth #1) by Miranda Grant
ELEMENTAL CLAIM is the first book in the War of the Myth series. It starts off action-packed and remains the same throughout. Told from multiple points of view, we gain insights into the human world, the gods, the WALL, elementarists, descendants, angels, hellhounds, you name it and it is probably in here. It starts with a case of mistaken identity, a 'Mission Gemini' if you will. Emma soon realises that she doesn't really know her sister that well after all. Still, her protective instincts as an older sibling remain in full force, so she will do all she can to save her - even if that means allowing Rogan and his friends to kidnap her.
As I said, this book is full of action and doesn't stop. Emma slowly grows into her powers, but there is definitely still room for more. There are other characters in here that I would love to know about. Xeno, for example. She is the angel only a few years from falling. Her health is failing, and her powers waning. And then suddenly, towards the end of the book, she starts healing. What?! I need to know more. What caused her health to degenerate in the first place, and why is she now healing? And will she and Hunter ever get together? Seriously, I need answers!
This was a well-written book, although there were a few spelling errors that jolted me when I read it. Nothing major, just examples like wanning instead of waning, or severe instead of sever. Certainly not enough to spoil the flow of the story, but enough for me to notice. On the whole, this was a brilliant book, with great world-building, and lots of characters to like, love, or loathe. Absolutely recommended by me, and I can't wait to continue with the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 27, 2018
As I said, this book is full of action and doesn't stop. Emma slowly grows into her powers, but there is definitely still room for more. There are other characters in here that I would love to know about. Xeno, for example. She is the angel only a few years from falling. Her health is failing, and her powers waning. And then suddenly, towards the end of the book, she starts healing. What?! I need to know more. What caused her health to degenerate in the first place, and why is she now healing? And will she and Hunter ever get together? Seriously, I need answers!
This was a well-written book, although there were a few spelling errors that jolted me when I read it. Nothing major, just examples like wanning instead of waning, or severe instead of sever. Certainly not enough to spoil the flow of the story, but enough for me to notice. On the whole, this was a brilliant book, with great world-building, and lots of characters to like, love, or loathe. Absolutely recommended by me, and I can't wait to continue with the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 27, 2018