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Black City (Il re di Poggioreale) (1961)
Black City (Il re di Poggioreale) (1961)
1961 | International, Comedy, Drama
(0 Ratings)
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"There’s one called Il Re di Poggioreale, The King of Poggioreale. It was called [Black City] in this country. The King of Poggioreale was one of [producer] Dino De Laurentiis‘ first pictures, and it was directed by Duilio Coletti. It was the story about a boot-maker in Poggioreale, outside of Naples. This cobbler, who was a complete nothing, a nobody, went on to become the big black marketer in Italy in World War II. And this actually happened. When people in Naples were starving to death, he managed to find food — steal it from the Germans, steal it from the Americans, steal it from anybody — to feed the people of Naples. And then, because of his knowledge of things, they sent him to the Vatican to bring back the jewels of St. Gennaro, who is the patron saint of Naples. And he went through the German lines, and came back with the jewels. Nobody ever expected him to come back. They said, ‘This man, he’s taken everything and run away with it.’ But he came back. And [the movie] actually showed what the people of Naples actually do today. One of the things about St. Gennaro is that they have his blood in what almost looks like a rolling pin. They roll it back and forth, and they move it back and forth, and it’s all dried blood. If there’s a good time coming for Naples, that blood will actually turn and become blood. In this picture, we took pictures of it — unbeknownst to anyone else — and you can actually see the blood flowing. It was a wonderful picture, and I played the lead. And I tell ya, I never enjoyed doing anything so much since Marty."

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Heather Cranmer (2721 KP) created a post

Aug 15, 2020 (Updated Aug 15, 2020)  
Sneak a peek at THE BLACK MIDNIGHT, a historical mystery, by Kathleen Y'Barbo on my blog. Enter the giveaway to win a $20 Amazon gift card and/or a signed copy of the book!

https://alltheupsandowns.blogspot.com/2020/08/book-blog-tour-and-giveaway-black.html

**BOOK SYNOPSIS**
Two killers, two detectives, and a menace called The Black Midnight may be the death of both of them.

Three years before Jack the Ripper began his murderous spree on the streets of London, a killer struck fear into the hearts of the citizens of Austin, Texas. Some believe one man is responsible for both, while others lay the blame at the feet of someone close to the queen herself. With suspicion falling on Her Majesty’s family and Scotland Yard at a loss as to who the Ripper might be, Queen Victoria summons her great-granddaughter, Alice Anne von Wettin, a former Pinkerton agent who worked the unsolved Austin murders case, and orders her to discreetly form a team to look into the London matter. One man is essential to her team, and she doesn’t want to consider taking on this challenge without his expertise. Unfortunately, he’s back in Texas, with a bad attitude and a new profession.

The prospect of a second chance at catching the man who terrorized Austin three years ago just might entice Isaiah Joplin out of his comfortable life as an Austin lawyer, even if it does mean working with the Queen’s great-granddaughter again. If his theories are right, they’ll find the Midnight Assassin and, by default, the Ripper. If they’re wrong, he and Annie are in a bigger mess than the one the lady detective left behind when she departed Austin under cover of darkness three years ago.

Can the unlikely pair find the truth of who is behind the murders before they are drawn into the killer’s deadly game? From Texas to London, the story navigates the fine line between truth and fiction as Annie and Isaiah ultimately find the hunters have become the hunted.
     
Judas and the Black Messiah (2021)
Judas and the Black Messiah (2021)
2021 | Biography, Drama, History
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.

In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.

The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.

When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.

O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.

The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.

The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.

Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.

The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.

The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.

“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.

4.5 stars out of 5