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Matthew Krueger (10051 KP) rated The Tingler (1959) in Movies
Dec 5, 2020
Vincent Price (1 more)
William Castle
When You Scream
The Tingler- is a excellent movie and if you havent watched it than go watch it.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.
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The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
Characters you care about (1 more)
An interesting, well thought out plot
A creepy thriller, well worth the watch!
23 years ago Carys Howell goes missing from a small Welsh village. The case is never solved. After the sudden and horrific death of her mother, Matilda Gray, celebrity cello player, finds herself drawn to the village and the case. Followed by close friend Hal, who has clear but unreciprocated feelings towards Matilda, she slowly begins to unravel the events around the case. What Matilda finds leads her into the world of the dark supernatural.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
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