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40x40

Olivier Assayas recommended Fanny and Alexander (1982) in Movies (curated)

 
Fanny and Alexander (1982)
Fanny and Alexander (1982)
1982 | Drama, International
8.3 (3 Ratings)
Movie Favorite Watch

"The television cut of Fanny and Alexander, of course, which is the one and only version Bergman approved of. It is called the television version because that’s how it was financed, but this is meant to be seen on a big screen with one intermission. It is Bergman’s final masterpiece. Well, not exactly, as he kept on making great films for years afterward. But in the master plan, this is the last actual film, the closing of his main body of work—others are supposed to be footnotes (they’re not). Initially, this film was overlooked because, in the shortened so-called theatrical version, it lost some of the richness of its texture. It was only gradually, when it was revisited in its full version, that it imposed itself, at least on me, as the key to his whole body of work. I had to fit Topsy-Turvy into this list. It is also a period piece. This misunderstood, underrated biography of Gilbert and Sullivan must be one of the most touching, funniest—and cruelest—depictions of show business, split between art and commerce. We see both the torments of creation and the anxieties of the box office. To me, it compares only with Jean Renoir’s French Cancan."

Source
  
40x40

Olivier Assayas recommended Topsy-Turvy (1999) in Movies (curated)

 
Topsy-Turvy (1999)
Topsy-Turvy (1999)
1999 | International, Comedy, Drama
(0 Ratings)
Movie Favorite

"The television cut of Fanny and Alexander, of course, which is the one and only version Bergman approved of. It is called the television version because that’s how it was financed, but this is meant to be seen on a big screen with one intermission. It is Bergman’s final masterpiece. Well, not exactly, as he kept on making great films for years afterward. But in the master plan, this is the last actual film, the closing of his main body of work—others are supposed to be footnotes (they’re not). Initially, this film was overlooked because, in the shortened so-called theatrical version, it lost some of the richness of its texture. It was only gradually, when it was revisited in its full version, that it imposed itself, at least on me, as the key to his whole body of work. I had to fit Topsy-Turvy into this list. It is also a period piece. This misunderstood, underrated biography of Gilbert and Sullivan must be one of the most touching, funniest—and cruelest—depictions of show business, split between art and commerce. We see both the torments of creation and the anxieties of the box office. To me, it compares only with Jean Renoir’s French Cancan."

Source
  
40x40

Mark @ Carstairs Considers (2470 KP) rated A Grave Deception in Books

Dec 10, 2025  
A Grave Deception
A Grave Deception
Connie Berry | 2025 | Mystery
8
8.0 (1 Ratings)
Book Rating
Murder Past and Present
Kate Hamilton has found a murder from centuries ago. An archeological group from a college is working in an area nearby, and they’ve found a very well-preserved body. Kate and Ivor are brought in to investigate the items found with the body. The owner of the property where the find was made is very curious and asks Kate to try to find out who this woman was. But that is complicated when a modern-day murder also takes place. Kate is well positioned to figure out what is happening. Can she piece together clues to solve the modern mystery as well?

The characters are the draw for me with this series, and I enjoyed getting to see Kate and Tom’s relationship continue to evolve. Several of the other regulars were also present, which was nice. The plot did get derailed briefly a time or two for me, but those who enjoy British history and antiques will enjoy those detours more than I did. Overall, the plot kept me engaged and lead to a logical climax. And I learned something about history and antiques along the way. Fans of the series will be delighted with this new entry.