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The Invisible Man (2020)
The Invisible Man (2020)
2020 | Horror, Sci-Fi
Cecilia Kass (Elizabeth Moss) is a woman living in fear. Despite living a life of wealth and privilege in a seaside home; she is ready to take drastic steps in her life.

Cecilia is trying to escape from her controlling and abusive husband who despite being considered a wealthy genius in the field of Optics; has made her life a living hell and forces her to make a daring escape that has her barely getting away with the help of her sister Alice (Harriett Dyer).
The film picks up two weeks later where Cecilia is hiding with a friend of her sister Officer James Lanier (Aldis Hodge) and his daughter Sydney (Storm Reid). Cecilia is scared to even leave the house and do simple tasks such as checking the mailbox and is livid when her sister comes to visit as she is sure that her husband will find her by tracking her Sister.

Alice informs Cecilia that her husband has killed himself and she is now free to live without fear. Cecilia gets a letter informing her that she is to receive 100K a month to the sum of five million dollars as part of her husband’s will. The fact that nobody should have her mailing address does seem odd to her as does that fact that the estate is being handled by her ex’s brother Tom (Michael Dorman).

With her new wealth Cecilia gifts James and also sets up a school fund for Sydney and begins to emerge from her shell.

It is around this time that unusual things begin to happen to her. A lost item from the night of her escape shows up and a mysterious kitchen fire starts. Cecelia also wakes up to find the covers off the bed and what appears to be something unseen standing on the blankets when she attempts to pull them up.

When she expresses her concerns to James that her husband is alive and exacting revenge, both he and Tom ignore her and when things begin to escalate, Cecilia is the one who starts to look more and more unstable as the tormenting continues and her life spins out of control.

The film is Written and Directed by Leigh Whannell who rose to prominence as one of the co-creators of the “SAW” franchise. The film is the perfect example of how to do a film of this sort as it is very clever in how it is paced and allows for the suspense to build without relying on many of the standard Horror Film staples.
The film is also good about having things happen before it pulls back so it is not an extended series of intense moments but several incidents between the tension and setup.

The cast is very good and what is amazing is that the film was made for a $7 million dollar budget yet looks every bit of a major studio film.

There are some interesting twists along the way as while I was able to predict two of them; the others were a very nice surprise.
It is so refreshing to see a film like this come along as in many ways it can help redefine the Horror genre and proves that you can make a quality movie that is also scary and intense.

I for one hope we see more from this franchise in the near future.
4.5 stars out of 5.
  
The School For Good and Evil
The School For Good and Evil
Soman Chainani | 2014 | Children, Young Adult (YA)
6
7.2 (9 Ratings)
Book Rating
I started off really confused as to what the genre was supposed to be. The cover seemed YA, but the plot was more MG. It seemed to be trying to be both at the same time which was a bit confusing.

I liked that it was a new take on fairytales that I hadn’t read before and it definitely made it stand out to me – five years on and I still haven’t read anything quite like it, which is quite an achievement.

It’s full of action from the beginning, but I feel like it may have taken it too far and there was actually too much plot. Sophie and Agatha had to escape a few too many times and in places it just felt like the plot was going around in circles to bulk out what was already quite a heavy plot.

I’m not sure that I would read this one again, and I never actually read any of the other books in the series because I just didn’t get myself invested enough in the story.
  
Hellraiser (1987)
Hellraiser (1987)
1987 | Horror
Bringing the most iconic horror character in Pinhead to the attention of the masses. (0 more)
Some of the special effects look a little less special these days, but baring in mind its vintage these are forgivable flaws. (0 more)
Classic British Horror with a deviant slant
We'll tear your soul apart. With these words my mind was made up.

Move over Freddy, stand aside Jason because there is a new literal hellraiser and he cannot stand to see such a waste of good suffering.

Despite a very limited screentime, the Cenobites with their defacto leader Pinhead are at once both utterly terrifying and completely entrancing, they defy you to look away or even dislike them, they are beyond good and evil and are neither villain nor hero, what they are is absolutely right, you cannot cheat them or escape them.

I don't need to summarise the plot or detail anything about the other characters, they are really only there as window dressing for the real draw, the Cenobites, Chatterer, She, Butterball and Pinhead invite you to join them and you must not say no!
  
    Metroland

    Metroland

    Julian Barnes

    (0 Ratings) Rate It

    Book

    A special edition of Julian Barnes' first novel with an introduction from the author and previously...

    Pendulum

    Pendulum

    Adam Hamdy

    (0 Ratings) Rate It

    Book

    James Patterson has hailed Adam Hamdy's PENDULUM as 'one of the best thrillers of the year' saying...

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Darren Hayman recommended Strawberries by The Damned in Music (curated)

 
Strawberries by The Damned
Strawberries by The Damned
(0 Ratings)
Album Favorite

"The Damned were the first music that I felt I owned. The band you found on your own. The group that your friends don't know. ‘Hayman likes punk music! Ha-ha, what an idiot.’ But the Damned were a terrible punk band; they were too silly, too stupid. I don't like debut albums, all that mindless, directionless energy. I don't like bands at the end of their careers either; the Damned especially do not seem to be able to grow old gracefully. I like bands when they’re in transition. When they try and escape what made them and start to grow into what they always should have been. The Damned were a pop band, and this is their Revolver, not as obvious as their more significant record ‘Phantasmagoria’. They haven't quite ironed out the kinks, and they all hate Captain Sensible who is about to leave them to become a failed star. Strawberries has more tunes than an Elephant Six album. They never play any songs from it now."

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