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Hazel (1853 KP) rated The Treatment in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Dean (6927 KP) rated the Xbox One version of Friday the 13th : The Game in Video Games
Feb 16, 2019 (Updated Feb 16, 2019)
Good graphics (2 more)
Shows the love for the films
Easy to play
So young, so pretty.... Kill them all Jason!
A very good game based on the film franchise that came about via the kickstarter website. You can tell this was created by fans of the franchise, one of the biggest backers is a playable character in the game. The attention to detail is great. I've watched the first 4 films again recently and the layouts for the maps are the same as the films. Little details like the look of the cabins and interiors are true to the films as well.
I've read that Kane Hodder did some motion capture for the Jason character and SFX expert Tom Savini had an input on some of the kills.
The game is simple survive and try to escape as a counsellor or kill them all as Jason. The graphics are good with the moonlight and thunderstorms at night looking realistic. As with the film the music adds great tension, even better on surround sound during the storm!
There are a few offline challenges, closely taken from the film scenarios. Also a virtual cabin which acts as a museum of sorts with details about the films.
There are a couple of flaws, wait times for a lobby can be annoying, quitters, time it takes to level up and unlock some items. Also sometimes getting stuck on scenery when shifting. All these are quite minor though.
Overall you can sense the love and detail that has gone into this game, a great achievement for a crowd funded venture. Time to go camping... Think I'll take this old hockey mask with me.
I've read that Kane Hodder did some motion capture for the Jason character and SFX expert Tom Savini had an input on some of the kills.
The game is simple survive and try to escape as a counsellor or kill them all as Jason. The graphics are good with the moonlight and thunderstorms at night looking realistic. As with the film the music adds great tension, even better on surround sound during the storm!
There are a few offline challenges, closely taken from the film scenarios. Also a virtual cabin which acts as a museum of sorts with details about the films.
There are a couple of flaws, wait times for a lobby can be annoying, quitters, time it takes to level up and unlock some items. Also sometimes getting stuck on scenery when shifting. All these are quite minor though.
Overall you can sense the love and detail that has gone into this game, a great achievement for a crowd funded venture. Time to go camping... Think I'll take this old hockey mask with me.
Gareth von Kallenbach (980 KP) rated American Assassin (2017) in Movies
Jul 11, 2019
Traumatic events affect people differently. Some avoid anything that resembles that moment or triggers memories of it. Others are impacted so deeply that they must take action. American Assassin, based on the Vince Flynn books, features Dylan O’Brien (Maze Runner) as Mitch Rapp who wants to avenge the killing of his girlfriend in a terrorist attack. Upon his attempt to track down the men responsible, he is recruited by the CIA to help them track down the perpetrator of several attacks on civilian and military targets.
The film is ambitious in its approach to entering the realm of spy thrillers. There is no real depth to the film or moments that make the audience truly invested in the characters onscreen. At times, the story feels rushed, repetitive, and confusing. The actions scenes, however, are engrossing and give the audience the sense of chaos that would be felt if they were a part of it. The most interesting aspect of the film is not the story, but Michael Keaton’s portrayal of Stan Hurley, who leads Rapp on their international quest to find a rogue agent and prevent a nuclear detonation. Keaton’s character seems to be a combination of some of his more iconic roles allowing for much more depth, connection to be made between him and the other characters, despite the lack of chemistry between them collectively.
American Assassin is a good action film for those looking for an escape in the theaters, but for those looking for something that will rival any of the Bourne films, or the James Bond series, they are going to be sorely disappointed.
The film is ambitious in its approach to entering the realm of spy thrillers. There is no real depth to the film or moments that make the audience truly invested in the characters onscreen. At times, the story feels rushed, repetitive, and confusing. The actions scenes, however, are engrossing and give the audience the sense of chaos that would be felt if they were a part of it. The most interesting aspect of the film is not the story, but Michael Keaton’s portrayal of Stan Hurley, who leads Rapp on their international quest to find a rogue agent and prevent a nuclear detonation. Keaton’s character seems to be a combination of some of his more iconic roles allowing for much more depth, connection to be made between him and the other characters, despite the lack of chemistry between them collectively.
American Assassin is a good action film for those looking for an escape in the theaters, but for those looking for something that will rival any of the Bourne films, or the James Bond series, they are going to be sorely disappointed.
Erika Kehlet (21 KP) rated Eden at the Edge of Midnight (The Vara Volumes, #1) in Books
Feb 21, 2018
***NOTE: I received a free copy of this book from StoryCartel in exchange for an honest review***
This was a well-written fantasy with well defined and realistic characters. That always makes it so much easier to be concerned for their well-being, and I did care what happened to Sammy and her companions. Sammy is an average human teenage girl who finds herself alone on a strange world, trying to survive and find her way home. Along with her new-found companion Mehrak and his dinosaur/house Louis, Sammy has to escape crabmen, decide which of those trying to help her are really on her side, and find the book that will show her the way to get back to Earth.
I started to panic about 20 pages from the end because I knew there was not enough time for everything that I wanted to happen, to happen! Thankfully book 2 is on the way, but I will have to wait until October to read Back to the Vara.
This was a well-written fantasy with well defined and realistic characters. That always makes it so much easier to be concerned for their well-being, and I did care what happened to Sammy and her companions. Sammy is an average human teenage girl who finds herself alone on a strange world, trying to survive and find her way home. Along with her new-found companion Mehrak and his dinosaur/house Louis, Sammy has to escape crabmen, decide which of those trying to help her are really on her side, and find the book that will show her the way to get back to Earth.
I started to panic about 20 pages from the end because I knew there was not enough time for everything that I wanted to happen, to happen! Thankfully book 2 is on the way, but I will have to wait until October to read Back to the Vara.
HT
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Jackjack (877 KP) rated The Babysitter: Killer Queen (2020) in Movies
Sep 13, 2020
Brilliant film!
Where do I start, I personally don't have a problem with low budget films, especially qwerky comedy/horror's like this one. It all started when a young man stayed awake to see what his babysitter got upto whilst he sleeps, turns out the hot fun babysitter called Bee (better known as samara weaving who played a brilliant rill in the comedy horror ready or not!) is part of a blood cult, a deal with the devil and tries to perform a ritual but this scared kid reeks havoc as he tried to escape them because no one is to know what happened that night.
With this well made film, 2 years later it goes back to see how his life is now since then, no. 2 offers good twists and I was happy to see they used all the same actors! In this sequel there is plenty of blood gore and comedy to keep you entertained. Definitely one to watch if you enjoyed the first one this will not disappoint.
With this well made film, 2 years later it goes back to see how his life is now since then, no. 2 offers good twists and I was happy to see they used all the same actors! In this sequel there is plenty of blood gore and comedy to keep you entertained. Definitely one to watch if you enjoyed the first one this will not disappoint.
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Gareth von Kallenbach (980 KP) rated Miss Sloane (2016) in Movies
Jul 12, 2019
Elizabeth Sloane (Jessica Chastain) is one of the most sought-after lobbyists in Washington, D.C. In Miss Sloane, she represents clients on both domestic and international issues ranging from environment and ecological concerns like palm oil to more volatile topics as 2nd Amendment issues.
At a point, Elizabeth sees a crossroads on the horizon and leaves her prestigious firm to take up the fight for gun control with a much smaller firm with less resources, money, and personnel. She is not necessarily “fighting the good fight,” rather, she wants to prove that she can win.
Winning, to her, is all that matters. It matters more than the issues and clients she represents. It matters more than any relationships that she could foster throughout her career. Winning, and her legacy as a winner, is what matters.
The film is a simple approach to something that is sorely needed in the film world outside of the realm of sci-fi: a strong female lead character. Elizabeth is a cut throat lobbyist who is focused on her end goal. In pursuing her outcomes, she sees people as obstacles that she must either maneuver around or go through.
She presents an image that she is a cold, calculating megalomaniacal individual. When behind closed doors, the audience is able to see who she really is: human. Elizabeth finds herself stuck in a world of deception, power, and money. She doesn’t know how to escape in one piece. In fact, she doesn’t know how to escape. Her identity is wrapped up into her profession.
Her reputation is what draws people in and keeps others at bay. When she undergoes a congressional hearing about regulations violations, she finds out how easily this empire that she built could crumble down, or, at least, that is what she lets others think.
The film is strong in its approach to a world that much of the audience is only familiar with during election years as candidates rail against lobbying or are exposed for their close connections to these organizations.
It is not overly ambitious nor does it dumb down the material and dialogue to offer a sense of “universal appeal.” The intrigue will keep audiences fully focused on speculating as to what her next move will be in trying to outmaneuver everyone who seems to be opposed to her.
Her rivals, as well as the audience, will be captivated to the end. Miss Sloane is a political thriller that rivals films like All the President’s Men and The Candidate. It doesn’t disappoint.
At a point, Elizabeth sees a crossroads on the horizon and leaves her prestigious firm to take up the fight for gun control with a much smaller firm with less resources, money, and personnel. She is not necessarily “fighting the good fight,” rather, she wants to prove that she can win.
Winning, to her, is all that matters. It matters more than the issues and clients she represents. It matters more than any relationships that she could foster throughout her career. Winning, and her legacy as a winner, is what matters.
The film is a simple approach to something that is sorely needed in the film world outside of the realm of sci-fi: a strong female lead character. Elizabeth is a cut throat lobbyist who is focused on her end goal. In pursuing her outcomes, she sees people as obstacles that she must either maneuver around or go through.
She presents an image that she is a cold, calculating megalomaniacal individual. When behind closed doors, the audience is able to see who she really is: human. Elizabeth finds herself stuck in a world of deception, power, and money. She doesn’t know how to escape in one piece. In fact, she doesn’t know how to escape. Her identity is wrapped up into her profession.
Her reputation is what draws people in and keeps others at bay. When she undergoes a congressional hearing about regulations violations, she finds out how easily this empire that she built could crumble down, or, at least, that is what she lets others think.
The film is strong in its approach to a world that much of the audience is only familiar with during election years as candidates rail against lobbying or are exposed for their close connections to these organizations.
It is not overly ambitious nor does it dumb down the material and dialogue to offer a sense of “universal appeal.” The intrigue will keep audiences fully focused on speculating as to what her next move will be in trying to outmaneuver everyone who seems to be opposed to her.
Her rivals, as well as the audience, will be captivated to the end. Miss Sloane is a political thriller that rivals films like All the President’s Men and The Candidate. It doesn’t disappoint.