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Nellie (The Brides of San Francisco Book 1)
Nellie (The Brides of San Francisco Book 1)
Cynthia Woolf | 2018 | Mystery, Romance
8
8.0 (1 Ratings)
Book Rating
Nellie Wallace is a young widow with two children. In post civil-war New York, the men are scarce and none want the burden of a wife with children. Her dead husband's family is wealthy, and cruel. Desperate to escape their influence, and eager for a home, a husband, and a stable life for her children, Nellie decides to make a new life in San Francisco as a mail order bride.

Saloon owner Blake Malone is a bachelor and likes it that way. He worked hard for everything he has, but the San Francisco City Council won’t approve his plans to build a family emporium unless he is a family man himself. The solution? A mail order bride from New York who will bring him a ready-made family, stability, and the council's approval.

Blake expects his future wife to care for his home and, other than helping him impress the city council, to stay out of his business. He expects life as usual. What he gets is an unexpected desire to win Nellie's heart, a dangerous threat to his new bride, and a rich benefactor determined to steal his new family out from under him. Blake believed his battle for success a hard one. But he will discover that the battle to win Nellie's heart and keep his family safe is going to take everything he's got.
  
Everything Must Go (2011)
Everything Must Go (2011)
2011 | Comedy, Drama
Sterile and not funny, but more importantly yet another one of those mopey pity parties about a loathsome, middle/upper class, middle-aged white man who learns to love from those around him by first abusing them emotionally and wallowing in doldrums. The first stretch is pretty rough but that all being said, eventually turns into some serviceable sad porn. The Laura Dern scenes are pointless, and the direction barely rises above just adequate - but I feel the main problem is the very aspect that gets the most praise here; despite Ferrell's best efforts this character comes out as nothing much more than flat. It's clear they were going for like a Jim Carrey in 𝘌𝘡𝘦𝘳𝘯𝘒𝘭 𝘚𝘢𝘯𝘴𝘩π˜ͺ𝘯𝘦 𝘰𝘧 𝘡𝘩𝘦 𝘚𝘱𝘰𝘡𝘭𝘦𝘴𝘴 π˜”π˜ͺ𝘯π˜₯ or Adam Sandler in π˜™π˜¦π˜ͺ𝘨𝘯 π˜–π˜·π˜¦π˜³ π˜”π˜¦, but they fail to have those crucial catharsis scenes, those bursts of emotion which made Ferrell's turn in 𝘚𝘡𝘳𝘒𝘯𝘨𝘦𝘳 π˜›π˜©π˜’π˜― 𝘍π˜ͺ𝘀𝘡π˜ͺ𝘰𝘯 come out unscathed. So instead we have this guy who comes across as more deflated than successfully melancholy and just sort of sulks around while the story does everything you expect it to, then it's suddenly all solved but who really cares by then? Anywho, he and Hall have some serious chemistry and their scenes are enough to make this not so bad even if it can't escape convention.
  
    Slaughter

    Slaughter

    Games

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