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A House in the Sky: A Memoir of a Kidnapping That Changed Everything
Amanda Lindhout and Sara Corbett
Book
A House in the Sky is the dramatic and redemptive memoir of Amanda Lindhout, a woman whose curiosity...
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Wolfenstein: The Old Blood in Video Games
Jun 19, 2019
Wolfenstein: The Old Blood is the latest entry into the long running series which saw its origins back in the days of the Commodore and Apple computers.
Following up last year’s Wolfenstein: The New Order, Old Blood serves as a prequel to the last game but players do not need to own the previous game in order to play.
The game follows series hero William BJ Blazkowicz as he must escape from the deadly Castle Wolfenstein and then recover some secret documents while thwarting the latest Nazi campaign of evil.
Old Blood brings more of the run and gun mayhem that the series has become famous for and does not deviate much from the successful formula of previous games in the series. Players still grab health, ammunition; armor, health, and overcharge all around them and off fallen enemies and the enemies are as nasty and endless as ever.
The game has some serious challenge even on the easier settings at times and players will find themselves with plenty of solid graphics and interesting locales in which to battle. I loved one battle from cable cars and another in a small village was quite thrilling. Enemies are varied from Commanders who can call in support to the standard soldiers and super soldiers who require some up close combat to bring down faster.
The game has a sense of humor as there are rest areas where players can take a break and play levels form the old Wolfenstein 3D with all of its pixelated graphics form the days before 3D cards which shows just how far games have progressed.
The game uses the same weapons from The New Order with the addition of a pipe which is a real universal go to in the game. The pipe can be used as a single piece to club enemies and be used as a pry bar for vents and grates as well as to slide across wires.
When it is used in two parts, the pipe is a great weapon to impale and beat down enemies and is also a valuable climbing tool which will come in handy throughout the game.
Like The New Order, Old Blood does not offer a multiplay feature but it does offer great graphics, a challenge, and plenty of action.
The game has a short run time as I was able to finish it in five hours, but considering the $19.99 price and the fact that the campaign portion of the last few Call of Duty games is roughly the same length you more than get your money’s worth.
Playing on the PC version I did experience two technical issues where the game locked up, but they were minor and did not hinder my completion of the game.
As the game built to a satisfying finale, I was reminded of just how much fun the series is and how we will hopefully see more games in the series in the near future.
For now, Wolfenstein: The Old Blood is a fun game that will keep fans of the series and action games in general happy.
http://sknr.net/2015/05/12/wolfenstein-the-old-blood/
Following up last year’s Wolfenstein: The New Order, Old Blood serves as a prequel to the last game but players do not need to own the previous game in order to play.
The game follows series hero William BJ Blazkowicz as he must escape from the deadly Castle Wolfenstein and then recover some secret documents while thwarting the latest Nazi campaign of evil.
Old Blood brings more of the run and gun mayhem that the series has become famous for and does not deviate much from the successful formula of previous games in the series. Players still grab health, ammunition; armor, health, and overcharge all around them and off fallen enemies and the enemies are as nasty and endless as ever.
The game has some serious challenge even on the easier settings at times and players will find themselves with plenty of solid graphics and interesting locales in which to battle. I loved one battle from cable cars and another in a small village was quite thrilling. Enemies are varied from Commanders who can call in support to the standard soldiers and super soldiers who require some up close combat to bring down faster.
The game has a sense of humor as there are rest areas where players can take a break and play levels form the old Wolfenstein 3D with all of its pixelated graphics form the days before 3D cards which shows just how far games have progressed.
The game uses the same weapons from The New Order with the addition of a pipe which is a real universal go to in the game. The pipe can be used as a single piece to club enemies and be used as a pry bar for vents and grates as well as to slide across wires.
When it is used in two parts, the pipe is a great weapon to impale and beat down enemies and is also a valuable climbing tool which will come in handy throughout the game.
Like The New Order, Old Blood does not offer a multiplay feature but it does offer great graphics, a challenge, and plenty of action.
The game has a short run time as I was able to finish it in five hours, but considering the $19.99 price and the fact that the campaign portion of the last few Call of Duty games is roughly the same length you more than get your money’s worth.
Playing on the PC version I did experience two technical issues where the game locked up, but they were minor and did not hinder my completion of the game.
As the game built to a satisfying finale, I was reminded of just how much fun the series is and how we will hopefully see more games in the series in the near future.
For now, Wolfenstein: The Old Blood is a fun game that will keep fans of the series and action games in general happy.
http://sknr.net/2015/05/12/wolfenstein-the-old-blood/
Gareth von Kallenbach (980 KP) rated The Bourne Legacy (2012) in Movies
Aug 7, 2019
With the franchise torch passing from Matt Damon to Jeremy Renner, “The Bourne Legacy” shows that there is still plenty of life in the franchise.
The events of the film take place during and after the events in The Bourne Ultimatum”and portrays the effects and consequences of the actions taken by Jason Bourne in the first three movies. Now that Bourne has made Treadstone/Blackbriar public and began to seek some measure of justice for lives that were destroyed by the program, the government attempts to cover-up their operations and discredit Bourne and his associate CIA deputy director Pamela Landy who is facing a myriad of charges.
Enter Stacy Keach and Ed Norton who ooze a chilling creepiness as shadowy government figures who will stop at nothing to cover up the growing scandal, including wholesale murder.
Bourne and his program were, in the words of one character, “the tip of the iceberg” and as such, just another program the government ran, which had the same goals of Operation Treadstone but used different methods to create and train their agents, becomes the focus of the film.
Alex Cross (Renner), finds himself the lone survivor of a purge that has eliminated all the living members of his program, this includes the very scientists who helped created the enhanced agents. As a creation who needs special medications to function, Cross races to Washington in an attempt to reach Dr. Marta Shearing (Rachel Weisz), who has been a medical contact for Cross for years. Shearing herself is a survivor of numerous dangers and attempted assassinations, thanks to the timely arrival of Cross.
In an attempt to escape the government manhunt lead by Agent Eric Byer (Edward Norton), As these events are unfolding, the actions of Jason Bourne and Pam Landy in the final moments of ‘The Bourne Ultimatum’ are beginning to unravel which forces Cross and Marta to flee to Manila to get Cross a shot at being able to function at his elite level with the need for medications.
With locales that include the wilderness of Alaska, the alleys of Chicago, America’s east coast, and the streets of Manila, “The Bourne Legacy” breathes new life into the franchise. While the first hour of the film moved at a slow pace and lacked much action, the last thirty minutes kicked into high gear and included a fantastic chase and action sequence through Manila.
Renner does not try to be Bourne, and instead plays Cross as a kind but efficient warrior. We are given some insight into his backstory and motivations for entering the program, and Renner goes all out for a demanding and physical role while earning the audience’s sympathy for the plight of Cross.
Director Tony Gilroy (Who also had a hand in the script), knows the franchise well as he had a hand in writing the previous three films and directed one. It is clear that he is steering the franchise to a very likely fifth film, perhaps one where Renner and Damon will cross paths which would be to the fans’ delight. Should that not happen, the series is in great hands with Renner.
The events of the film take place during and after the events in The Bourne Ultimatum”and portrays the effects and consequences of the actions taken by Jason Bourne in the first three movies. Now that Bourne has made Treadstone/Blackbriar public and began to seek some measure of justice for lives that were destroyed by the program, the government attempts to cover-up their operations and discredit Bourne and his associate CIA deputy director Pamela Landy who is facing a myriad of charges.
Enter Stacy Keach and Ed Norton who ooze a chilling creepiness as shadowy government figures who will stop at nothing to cover up the growing scandal, including wholesale murder.
Bourne and his program were, in the words of one character, “the tip of the iceberg” and as such, just another program the government ran, which had the same goals of Operation Treadstone but used different methods to create and train their agents, becomes the focus of the film.
Alex Cross (Renner), finds himself the lone survivor of a purge that has eliminated all the living members of his program, this includes the very scientists who helped created the enhanced agents. As a creation who needs special medications to function, Cross races to Washington in an attempt to reach Dr. Marta Shearing (Rachel Weisz), who has been a medical contact for Cross for years. Shearing herself is a survivor of numerous dangers and attempted assassinations, thanks to the timely arrival of Cross.
In an attempt to escape the government manhunt lead by Agent Eric Byer (Edward Norton), As these events are unfolding, the actions of Jason Bourne and Pam Landy in the final moments of ‘The Bourne Ultimatum’ are beginning to unravel which forces Cross and Marta to flee to Manila to get Cross a shot at being able to function at his elite level with the need for medications.
With locales that include the wilderness of Alaska, the alleys of Chicago, America’s east coast, and the streets of Manila, “The Bourne Legacy” breathes new life into the franchise. While the first hour of the film moved at a slow pace and lacked much action, the last thirty minutes kicked into high gear and included a fantastic chase and action sequence through Manila.
Renner does not try to be Bourne, and instead plays Cross as a kind but efficient warrior. We are given some insight into his backstory and motivations for entering the program, and Renner goes all out for a demanding and physical role while earning the audience’s sympathy for the plight of Cross.
Director Tony Gilroy (Who also had a hand in the script), knows the franchise well as he had a hand in writing the previous three films and directed one. It is clear that he is steering the franchise to a very likely fifth film, perhaps one where Renner and Damon will cross paths which would be to the fans’ delight. Should that not happen, the series is in great hands with Renner.
Kyera (8 KP) rated Ready Player One in Books
Jan 31, 2018
Despite the fact that I didn't experience the 80's, I was surprised by the number of references that I understood. Although this book is likely most enjoyable for people who grew up in that decade or teen boys who love video game/sci-fi/fantasy-elements, I believe that this story is accessible to everyone. It will appeal most to gamers and sci-fi fans. I wouldn't want anyone to decide they don't want to give it a chance because it was a really enjoyable book.
Beyond the incredible amount of 80's references dropping over the course of this novel is <i>the plot</i>. The year is 2044 and the world spends most of its time inside OASIS, a virtual reality world that allows the masses to escape from the horrors of the real world. Upon the death of its creator, a contest is launched that could change someone's life and the entire world becomes obsessed. Players are tasked with testing their knowledge and skills of the creator's favourite era, the 80's - upon completion of all tasks they win the creator's entire fortune.
We are introduced to Wade Watts, a teen boy with a poor home life and lack of interest in school, but an overwhelming obsession with all things 80's. He is our introduction to the world of OASIS and the wonders that it can hold. His life isn't great and he's not happy, but I never felt that he drew the book down with him. He recognized the way the world was and adapted to combat it. I felt that he was very easy to relate to and didn't suffer from being the "Chosen One".
I really enjoyed getting to know his friends in OASIS and felt that they were well developed. Each had their own struggles, flaws, and strengths. The way their relationships developed over the course of the novel felt authentic because they struggled and questioned. They were all competitors and didn't know who to trust, yet at the end of the day, they put the well-being of everyone over their own success.
While sometimes I felt that the worlds being described were using the method of telling, rather than showing - overall I thought that the millions of worlds inside OASIS were detailed. I felt that I received enough information to see a detailed, yet rough structure of the world and then fill in most of the details myself. There were some scenes however that were very vividly described.
Overall, I was completely drawn into this book within a few chapters and didn't want to put it down. I kept picking it up every opportunity that I had and just needed to know what happened next.
Beyond the incredible amount of 80's references dropping over the course of this novel is <i>the plot</i>. The year is 2044 and the world spends most of its time inside OASIS, a virtual reality world that allows the masses to escape from the horrors of the real world. Upon the death of its creator, a contest is launched that could change someone's life and the entire world becomes obsessed. Players are tasked with testing their knowledge and skills of the creator's favourite era, the 80's - upon completion of all tasks they win the creator's entire fortune.
We are introduced to Wade Watts, a teen boy with a poor home life and lack of interest in school, but an overwhelming obsession with all things 80's. He is our introduction to the world of OASIS and the wonders that it can hold. His life isn't great and he's not happy, but I never felt that he drew the book down with him. He recognized the way the world was and adapted to combat it. I felt that he was very easy to relate to and didn't suffer from being the "Chosen One".
I really enjoyed getting to know his friends in OASIS and felt that they were well developed. Each had their own struggles, flaws, and strengths. The way their relationships developed over the course of the novel felt authentic because they struggled and questioned. They were all competitors and didn't know who to trust, yet at the end of the day, they put the well-being of everyone over their own success.
While sometimes I felt that the worlds being described were using the method of telling, rather than showing - overall I thought that the millions of worlds inside OASIS were detailed. I felt that I received enough information to see a detailed, yet rough structure of the world and then fill in most of the details myself. There were some scenes however that were very vividly described.
Overall, I was completely drawn into this book within a few chapters and didn't want to put it down. I kept picking it up every opportunity that I had and just needed to know what happened next.
LeftSideCut (3776 KP) rated Don't Breathe (2016) in Movies
Feb 22, 2020 (Updated Feb 22, 2020)
For the most part, Don't Breathe is a really tight gem of a thriller with some decent horror elements throughout.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
JT (287 KP) rated The Boy (2016) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
Gripping in parts but not a standout
d put off watching this for some time, but when I caught the trailer for Brahms: The Boy II which on the face of it looked quite good, I had to give the original one a go.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Gareth von Kallenbach (980 KP) rated What's Your Number? (2011) in Movies
Aug 7, 2019
According to a study published in a ladies’ magazine, the average woman will have a maximum of 10 sexual partners, and apparently, the higher your number of sexual partners, the lower your chances of ever finding Mr. Right. Ally, played by Anna Faris, takes this study to heart and after conducting her own study, masked as a bachelorette party game, she realizes her number is dangerously above average.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
The Hookup: Moonlight and Motor Oil Series Book 1
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When the new girl in town, Eliza “Izzy” Forrester decides to hit the local drinking hole,...
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Play as the most advanced creature ever discovered on Earth. You are trapped in a high security...
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A beautiful, startling, and candid memoir about growing up without boundaries, in which Ariel Leve...