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WHEN golden banded honeybees, so often likened to summer and honey sweetness, become the metaphor of a dystopian version of British Government and the Monarchy, what is one left to think?
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Gareth von Kallenbach (980 KP) rated Hot Tub Time Machine (2010) in Movies
Aug 8, 2019
Adam (John Cusack) is a man going nowhere fast. Upon his return home one day, Adam finds his girlfriend gone, his nephew Jacob (Clark Duke) in his basement addicted to playing online games that simulate real life, and his friend Lou (Rob Corddry) in the hospital.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
Carlito's Way (1993)
7.6
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Academy Award® winner Al Pacino stars as an ex-druglord fighting to escape his violent, treacherous...
The Last Detail (1973)
8.5
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Jack Nicholson is at his very best in this highly-acclaimed dramatic comedy about three sailors on...
Hazel (1853 KP) rated The Switch in Books
Aug 16, 2017
What's going on?
I received this book for free through Goodreads First Reads.
“Harmony welcomes it model citizens.” The Switch by Justina Robson takes place on a … planet? … space station? … named Harmony. Only perfect people are allowed to be part of society, which is bad news for orphans Nico and Twostar. No defects are allowed, including homosexuality, which puts the main characters in a dangerous situation. So, when they are offered a chance to escape, they leap at the chance without stopping to think about the consequences.
In order to be truly free, Nico has to have some form of artificial intelligence inserted into him. What he does not realise is that this will make him more trapped than he was before. Someone wishes to control him in order to find out information. Only when that task is fulfilled will he and his friend Two be free. Until then, Nico has to survive being sentenced to death for a murder he has no recollection of committing.
The Switch is a very complicated and confusing story. To be completely honest, I have no idea what happened in it. I got the vague gist of the story, which I have just summarised, but the rest of it went straight over my head. It all seems to be about artificial intelligence versus some weird religion … I think. Genetic engineering appears to be some kind of theme, too, although I may be wrong. One thing that definitely features in the story is violence; too much violence.
Hand in hand with the violence is filthy language. There is far too much swearing that it becomes meaningless and comes across as a lack of vocabulary on the author’s part.
It is hard to review a book that you do not understand. Either it is written really badly or my brain is not wired in the right way to understand all the sci-fi language and ideas.
“Harmony welcomes it model citizens.” The Switch by Justina Robson takes place on a … planet? … space station? … named Harmony. Only perfect people are allowed to be part of society, which is bad news for orphans Nico and Twostar. No defects are allowed, including homosexuality, which puts the main characters in a dangerous situation. So, when they are offered a chance to escape, they leap at the chance without stopping to think about the consequences.
In order to be truly free, Nico has to have some form of artificial intelligence inserted into him. What he does not realise is that this will make him more trapped than he was before. Someone wishes to control him in order to find out information. Only when that task is fulfilled will he and his friend Two be free. Until then, Nico has to survive being sentenced to death for a murder he has no recollection of committing.
The Switch is a very complicated and confusing story. To be completely honest, I have no idea what happened in it. I got the vague gist of the story, which I have just summarised, but the rest of it went straight over my head. It all seems to be about artificial intelligence versus some weird religion … I think. Genetic engineering appears to be some kind of theme, too, although I may be wrong. One thing that definitely features in the story is violence; too much violence.
Hand in hand with the violence is filthy language. There is far too much swearing that it becomes meaningless and comes across as a lack of vocabulary on the author’s part.
It is hard to review a book that you do not understand. Either it is written really badly or my brain is not wired in the right way to understand all the sci-fi language and ideas.
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Alice (12 KP) rated Of Sand and Malice Made (The Song of the Shattered Sands, #0.5) in Books
Jul 3, 2018
Definitely wasn’t what I expected. After reading the blurb I was excited to read about the youngest pit fighter in Sharakhai only there wasn’t so much pit fighting as running all over the desert trying to escape from a demonic being who becomes fixated on Ceda.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
BookwormMama14 (18 KP) rated Luther and Katharina: A Novel of Love and Rebellion in Books
Jan 2, 2019
Amidst the flames of the Reformation, the bonds of love become an overpowering force.
The year is 1523, Martin Luther's teaching have slipped into the abbey were Sister Katharina von Bora resides. His words are powerful and awakens the desire for marriage and a family in Katharina. She leads a handful of nuns in an escape from the abbey, to forsake their vows and follow Doctor Luther. Danger follows the sisters and Abbott Baltazar will stop at nothing to see the nuns returned and punished for their sinful ways. Doctor Luther protects the sisters and finds them husbands and homes to begin a new life. All the while steadfast in his vow to remain single. Katharina and Martin are as opposite as can be, yet they are drawn together despite the never ending tension. Little does he know that the fiery sister who led these brave nuns to freedom would steal his heart. Katharina is of noble birth however, and longs to return to her social class and regal way of life. Will she be able to put aside her stubborn desires for true love? Will Doctor Luther be able to forsake his vow of isolation? When life is at its darkest, love triumphs through it all.
I will begin by saying that I can not believe the historical accuracy of this book. I was eager to read the author's note and was surprised to find that most of the events highlighted actually happened! I was shocked to learn about the workings of the church of the time. And understand a little better why Martin Luther was so passionate about the Reformation. Luther and Katharina is a story of true and passionate love (details are heated but remain tasteful as in all of Jody's books). My interest has been piqued to learn more about this time period. Doctor Luther and Katharina are two people to be admired and honored. In the face of adversity they lived by their convictions and I believe the world is a better place because of them. This is a work of fiction and creative liberties were taken, but the overall story remains true to history. Jody Hedlund earned my complete admiration a long time ago, and she continues to deliver incredible books! Order pizza for the family and take a break from the housework, this one will have you reading late into the night.
I received a free Advanced Reading Copy of Luther and Katharina from Blogging for Books in exchange form my honest review. Published by Waterbrook Press.
The year is 1523, Martin Luther's teaching have slipped into the abbey were Sister Katharina von Bora resides. His words are powerful and awakens the desire for marriage and a family in Katharina. She leads a handful of nuns in an escape from the abbey, to forsake their vows and follow Doctor Luther. Danger follows the sisters and Abbott Baltazar will stop at nothing to see the nuns returned and punished for their sinful ways. Doctor Luther protects the sisters and finds them husbands and homes to begin a new life. All the while steadfast in his vow to remain single. Katharina and Martin are as opposite as can be, yet they are drawn together despite the never ending tension. Little does he know that the fiery sister who led these brave nuns to freedom would steal his heart. Katharina is of noble birth however, and longs to return to her social class and regal way of life. Will she be able to put aside her stubborn desires for true love? Will Doctor Luther be able to forsake his vow of isolation? When life is at its darkest, love triumphs through it all.
I will begin by saying that I can not believe the historical accuracy of this book. I was eager to read the author's note and was surprised to find that most of the events highlighted actually happened! I was shocked to learn about the workings of the church of the time. And understand a little better why Martin Luther was so passionate about the Reformation. Luther and Katharina is a story of true and passionate love (details are heated but remain tasteful as in all of Jody's books). My interest has been piqued to learn more about this time period. Doctor Luther and Katharina are two people to be admired and honored. In the face of adversity they lived by their convictions and I believe the world is a better place because of them. This is a work of fiction and creative liberties were taken, but the overall story remains true to history. Jody Hedlund earned my complete admiration a long time ago, and she continues to deliver incredible books! Order pizza for the family and take a break from the housework, this one will have you reading late into the night.
I received a free Advanced Reading Copy of Luther and Katharina from Blogging for Books in exchange form my honest review. Published by Waterbrook Press.
Gareth von Kallenbach (980 KP) rated Smurfs: The Lost Village (2017) in Movies
Jul 12, 2019
Rewind back to the 80s, what was every kid doing Saturday mornings? Watching TV and catching up on their latest Smurfs’ adventure; running from the clutches of the evil wizard Gargamel. Who’s only purpose was to catch the Smurfs steal their powers and become the most powerful wizard in the world. I couldn’t help but feel a bit of nostalgia back to my childhood while watching this movie.
The film centered around Smurfette, the only female Smurf, and her struggle to find her place in Smurf Village. Smurfette was not born a Smurf. Gargamel used his magic to turn a piece of clay into Smurfette. His intent was to have his creation, Smurfette, lead him to Smurf village and capture all the Smurfs. Fortunately, Papa Smurf had his own magic and used it to turn Smurfette from evil to good.
Fast forward to present Smurf-day, Smurfette (Demi Lovato) tries her best to fit in, but ultimately has a serious identity crisis. So what does one do when they can’t figure out who they are? They go in search of their own identity. Along the way, Smurfette crosses paths with a strange creature. Eager to find out who this creature is, against Papa Smurf”s request, Smurfette decides to enter the Forbidden Forest. An area no Smurf has even been allowed to visit. She is joined by her brothers Brainy, Clumsy, and Hefty-who unfortunately end up in Gargamel’s clutches. Gargamel (Rainn Wilson) uses his magic and finds out the there is another Smurf village, one that lies beyond the Forbidden Forest. Knowing the damage they have caused, Smurfette and her brothers trek has now changed into a rescue mission. They must reach the lost village before Gargamel and his cat, Azrael and warn the villagers of his evil plan. Who are these villagers? Hmm….
You don’t have to watch the first 2 Smurf films to understand what this one is about. They are completely different storylines and this one is 100% animation. A full return to the tone and characteristics of the beloved 80s cartoon. From the comedic gestures to the close escape from Gagamel, the movie provides loads of entertainment. It tugs at the heartstrings because we’ve all experienced self doubt. It does brush on moments of girl power and of course there are musical dance numbers. Really all the Smurfy fans that enjoyed the Smurfiness of yester-year Smurfs, will definitely find this movie the Smurftastic.
The film centered around Smurfette, the only female Smurf, and her struggle to find her place in Smurf Village. Smurfette was not born a Smurf. Gargamel used his magic to turn a piece of clay into Smurfette. His intent was to have his creation, Smurfette, lead him to Smurf village and capture all the Smurfs. Fortunately, Papa Smurf had his own magic and used it to turn Smurfette from evil to good.
Fast forward to present Smurf-day, Smurfette (Demi Lovato) tries her best to fit in, but ultimately has a serious identity crisis. So what does one do when they can’t figure out who they are? They go in search of their own identity. Along the way, Smurfette crosses paths with a strange creature. Eager to find out who this creature is, against Papa Smurf”s request, Smurfette decides to enter the Forbidden Forest. An area no Smurf has even been allowed to visit. She is joined by her brothers Brainy, Clumsy, and Hefty-who unfortunately end up in Gargamel’s clutches. Gargamel (Rainn Wilson) uses his magic and finds out the there is another Smurf village, one that lies beyond the Forbidden Forest. Knowing the damage they have caused, Smurfette and her brothers trek has now changed into a rescue mission. They must reach the lost village before Gargamel and his cat, Azrael and warn the villagers of his evil plan. Who are these villagers? Hmm….
You don’t have to watch the first 2 Smurf films to understand what this one is about. They are completely different storylines and this one is 100% animation. A full return to the tone and characteristics of the beloved 80s cartoon. From the comedic gestures to the close escape from Gagamel, the movie provides loads of entertainment. It tugs at the heartstrings because we’ve all experienced self doubt. It does brush on moments of girl power and of course there are musical dance numbers. Really all the Smurfy fans that enjoyed the Smurfiness of yester-year Smurfs, will definitely find this movie the Smurftastic.