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Phillip McSween (751 KP) rated Solo: A Star Wars Story (2018) in Movies
Oct 27, 2020
Fun Ride
Solo: A Star Wars Story is the origin story of Han Solo before his life with the Rebel Alliance. What I expected to be a cheesy and lame attempt to cash in on a successful series actually turned out to be a pretty fun romp.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Andy K (10823 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Sep 10, 2019
It started with a dog and a car...
If you are expecting to be wowed by unusual plot twists, stray from the formula or an exceptional screenplay then this isn't the film for you. If you are expecting all the elements that worked in the first two Wick tales, then this one will fill you up with a maelstrom of goodness!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
Darren (1599 KP) rated Zulu (2013) in Movies
Aug 5, 2019
Story: Zulu starts when a young woman is murdered, police officer Ali Sokhela (Forest) and his team that includes the washed up Brian Epkeen (Bloom) and rookie Dan Fletcher (Kemp) must start to investigate the case.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
Bob Mann (459 KP) rated The United States vs. Billie Holiday (2021) in Movies
Apr 16, 2021
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Lee (2222 KP) rated War for the Planet of the Apes (2017) in Movies
Jul 19, 2017
Strong ending to a fantastic trilogy
Finally, after a recent lengthy spell of average or just plain disappointing blockbusters, along comes War for the Planet of the Apes to show them how it's done. The first two movies in this new trilogy have been consistently strong and enjoyable and War continues to deliver on that high quality, proving itself to be the best of the trilogy.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Movie Metropolis (309 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jun 11, 2019
Potter goes International
It’s almost unbearable to think that Harry Potter & the Philosopher’s Stone was released…wait for it… 15 years ago this very week. I know, I can’t believe it too, and what’s even more depressing is that the eight film behemoth concluded over five years ago.
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Darren (1599 KP) rated A Cure For Wellness (2017) in Movies
Jun 20, 2019
Story: A Cure for Wellness starts young executive Lockhart (DeHaan) is sent to a remote wellness centre in Switzerland to bring the CEO Pembroke (Groener) back to help close a merge in New York. After being involved in a car accident Lockhart finds himself with a broken leg and now a patient of the Wellness Program.
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
BTPBookclub (18 KP) rated The Librarian of Auschwitz in Books
May 11, 2019
This book changed my look on life
Oh my heart. I teared up so many times througout reading this, I cannot even begin to imagine what it must have been like. Not an easy read, but one that has changed my life and will stick with me forever. It’s changed the way I look at life and realise how lucky we all are compared to how they were treated and had to survive in Auschwitz. Just terrible.
The Librarian of Aushwitz is beautifully translated and written by Lilit Zekulin Thwaites. It is based on a true story and it hurts how close to the truth it really is, makes it all the more real and heart-breaking.
Within the story you really get to know each character individually and when you lose one, IT HURTS! It’s upsetting. I felt that! The story highlights how important friends, family and books are… Even though there was only 8 books they meant the world to block 31 and the children. There are so many beautiful quotes about books in this story. It was their form of escape from reality during the worst of times.
Ditas character (based off a real woman). Wow. She was only fourteen and had so much responsibilty placed on her, she risked her life technically daily. She is one strong and determined woman. I really do look up to this woman and appreciate her and applaud her for what she did. What a wondeful woman! I love to meet her.
An absolute eye opener of a read! The truth is in this book about what really happened at Auschwitz camps. I’m tearing up writing this review. A must read. A well deserved five stars from me and it obviously has a space in my top twenty of the year and honestly this might be stuck with me for life. I learnt a lot from this book.
The Librarian of Aushwitz is beautifully translated and written by Lilit Zekulin Thwaites. It is based on a true story and it hurts how close to the truth it really is, makes it all the more real and heart-breaking.
Within the story you really get to know each character individually and when you lose one, IT HURTS! It’s upsetting. I felt that! The story highlights how important friends, family and books are… Even though there was only 8 books they meant the world to block 31 and the children. There are so many beautiful quotes about books in this story. It was their form of escape from reality during the worst of times.
Ditas character (based off a real woman). Wow. She was only fourteen and had so much responsibilty placed on her, she risked her life technically daily. She is one strong and determined woman. I really do look up to this woman and appreciate her and applaud her for what she did. What a wondeful woman! I love to meet her.
An absolute eye opener of a read! The truth is in this book about what really happened at Auschwitz camps. I’m tearing up writing this review. A must read. A well deserved five stars from me and it obviously has a space in my top twenty of the year and honestly this might be stuck with me for life. I learnt a lot from this book.
Mark @ Carstairs Considers (2346 KP) rated Becoming Superman in Books
Aug 10, 2019
Leaving Behind a Past of Kryptonite
In this book, author J. Michael Stracyznski (JMS to his fans) tells the story of his family and his life. Starting with his grandparents, he gives us some background before telling us about his childhood under an abusive father and a distant mother. In between moving every few months to stay ahead of creditors, JMS discovered ways to escape via TV shows, comic books, and science fiction. As he discovered the power of words, he vowed to become a writer. That desire eventually lead him to a career in comic books and in Hollywood on such things as He-Man; She-Ra; The Real Ghostbusters; Babylon 5; Murder, She Wrote; Sense8; and the movies Changeling, Thor, and World War Z.
I picked up this book because I am an obsessive Babylon 5 fan. Those picking it up for lots of Hollywood behind the scenes stories will be disappoint, although we do get some in the second half. Instead, it is more a story of his family, their secrets, and how they impacted his life. At times, it is a hard read. JMS’s life for his first 20 plus years was not easy or fun. But, ultimately, this is a story of triumph as he works to overcome his baggage. It is a powerful story that proves where you start doesn’t have to be where you finish if you are willing to take responsibility for yourself, your actions, and your choices, something we need more of in our society today. I think this book will change my view of Babylon 5 the next time I watch it, something I need to do soon as I think knowing the man behind the story will make some things mean more and be even more powerful. This is not light reading, but it is powerful reading and worth the time spent in the book.
I picked up this book because I am an obsessive Babylon 5 fan. Those picking it up for lots of Hollywood behind the scenes stories will be disappoint, although we do get some in the second half. Instead, it is more a story of his family, their secrets, and how they impacted his life. At times, it is a hard read. JMS’s life for his first 20 plus years was not easy or fun. But, ultimately, this is a story of triumph as he works to overcome his baggage. It is a powerful story that proves where you start doesn’t have to be where you finish if you are willing to take responsibility for yourself, your actions, and your choices, something we need more of in our society today. I think this book will change my view of Babylon 5 the next time I watch it, something I need to do soon as I think knowing the man behind the story will make some things mean more and be even more powerful. This is not light reading, but it is powerful reading and worth the time spent in the book.
Girl on a Wire: Walking the Line Between Faith and Freedom in the Westboro Baptist Church
Libby Phelps and Sarah Stewart
Book
It wasn't until Libby Phelps was an adult, a twenty-five year old, that she escaped the Westboro...