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Neon's Nerd Nexus (360 KP) rated Bohemian Rhapsody (2018) in Movies
May 13, 2019
Killer queen
#BohemianRhapsody while maybe not the moast truthful #queen film still manages to be an extremely well made/incredibly entertaining & at times quite an #emotionally powerful film. Just like #thegreatestshowman this film has been panned by critics & for the first 30 minutes I was worried. With a run time of over 2 hours I felt a little disoriented at the start by its seemingly abrupt pacing, wishing the #film would #chill out for a bit with its characters instead of skipping through time & the forming of the #band. Thankfully just after this the film flips when we hit the #heart of the story slowing down & we really get to see the real #Freddiemercury the things that drive him & the torments in his mind. #ramimalek is the clear star of the #show here, he doesn't just play freddie he actually has become him in a performance so mesmerising, fascinating & remarkable he really does deserve an award for what he has achived here. Every scene with him in is entrancing to watch & I found myself getting lost in the film by his performance alone. Make no mistake about it the film doesnt do much different to other films in this genre but having a film be about a mainstream #band that can unite the world with their #music there was that extra level of impact, connection & #heart to the story. Maybe I enjoyed it so much because its a story is so relatable too, playing out almost like a failed #relationship with someone you love starting in the #happy phase then moving gradually right through to the break up & then onto the struggle after it & I won't lie when I say it got to me a bit (I could also hear other people #crying too). Visualy there are some very #creative shots/great cinematography to & the #concert scenes felt so real & well constructed that I felt like I was there at one point clapping away. While it may bend the truth, sugar coat what actually happened & probably wouldnt be the same without such an incredible lead performance carrying it my god is it a good time & for me anyway quite though provoking & moving too. A must see on the big screen. #odeonlimitless #odeon #filmcritic #filmbuff #fridayfeeling #weekend #famous #rockandroll #disco #love #wewillrockyou
Heather Cranmer (2721 KP) rated Two Can Keep a Secret in Books
Jan 5, 2019
Great plot twists (1 more)
Great Characters
A Good Mystery!
When I read about Karen M. McManus' new book Two Can Keep a Secret, I added it to the top of my to read list. I loved her previous book One of Us is Lying, so I figured her new book would be just as good. Luckily, Ms. McManus did not let me down.
The synopsis of Two Can Keep a Secret really drew me in. I enjoyed they mystery behind who had killed the first homecoming queen, Lacey, and who was responsible for the current missing homecoming queen nominee as well as the mystery surrounding Ellery's and Ezra's aunt Sarah. Every time I thought I had figured out who the culprit was, another spanner was thrown into the works, and I would suspect someone else. This book definitely kept me guessing throughout, and I was wrong about who was responsible. The plot twist are great, and I can't say that I ever saw any of the plot twists coming.
The pacing starts out slow up until Chapter 14, and I found myself wondering if I had made a mistake with reading Two Can Keep a Secret. Once I got to Chapter 14, the pacing picked up, and I found myself fully immersed in what was happening. Not once did the pacing become too slow again. I couldn't wait to find out what would happen next.
The characters in Two Can Keep a Secret were all believable and fully fleshed out although I would have liked to know more about Sarah. There was some closure to Sarah's disappearance, but I felt like more information would have been nice. My favorite characters were Malcolm, Ellery, and Katrin. I loved watching Malcolm's and Ellery's relationship bloom. There was just something about Kartin that I really liked. I also liked the character of Brooke.
Trigger warnings for Two Can Keep a Secret include some underage drinking, profanities, some sexual innuendos, violence, attempted murder, and murder.
Overall, Two Can Keep a Secret isn't as good as One of Us Is Lying by Karen M. McManus. However, it's still a great read. It has some great plot twists and well written characters. I would definitely recommend Two Can Keep a Secret by Karen M. McManus to those aged 16+ who love a good mystery.
--
(A special thank you to Delacorte Press for providing me with a hardback of Two Can Keep a Secret by Karen M. McManus in exchange for an honest and unbiased review.)
The synopsis of Two Can Keep a Secret really drew me in. I enjoyed they mystery behind who had killed the first homecoming queen, Lacey, and who was responsible for the current missing homecoming queen nominee as well as the mystery surrounding Ellery's and Ezra's aunt Sarah. Every time I thought I had figured out who the culprit was, another spanner was thrown into the works, and I would suspect someone else. This book definitely kept me guessing throughout, and I was wrong about who was responsible. The plot twist are great, and I can't say that I ever saw any of the plot twists coming.
The pacing starts out slow up until Chapter 14, and I found myself wondering if I had made a mistake with reading Two Can Keep a Secret. Once I got to Chapter 14, the pacing picked up, and I found myself fully immersed in what was happening. Not once did the pacing become too slow again. I couldn't wait to find out what would happen next.
The characters in Two Can Keep a Secret were all believable and fully fleshed out although I would have liked to know more about Sarah. There was some closure to Sarah's disappearance, but I felt like more information would have been nice. My favorite characters were Malcolm, Ellery, and Katrin. I loved watching Malcolm's and Ellery's relationship bloom. There was just something about Kartin that I really liked. I also liked the character of Brooke.
Trigger warnings for Two Can Keep a Secret include some underage drinking, profanities, some sexual innuendos, violence, attempted murder, and murder.
Overall, Two Can Keep a Secret isn't as good as One of Us Is Lying by Karen M. McManus. However, it's still a great read. It has some great plot twists and well written characters. I would definitely recommend Two Can Keep a Secret by Karen M. McManus to those aged 16+ who love a good mystery.
--
(A special thank you to Delacorte Press for providing me with a hardback of Two Can Keep a Secret by Karen M. McManus in exchange for an honest and unbiased review.)
Debbiereadsbook (1630 KP) rated Homecoming (Men of Devotion #1) in Books
Mar 29, 2019
great read, loved it!
Homecoming, arch, 4 stars, male/male, romance, friends to lovers, military dudes, first time author
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jack returns home, after a botched mission leaves him 5 days in hell. He is bruised and broken. But coming home be the hardest thing he has done, especially when it brings him face to face with the only man he ever loved. The man who hates him for breaking his sister’s heart. The man in question, Dillon, doesn’t hate Jack as much as Jack thinks. When Dillon helps Jack with his PTSD, when Dillon’s touch makes Jack feel like he really DID come home, both men need to own their feelings for each other. But it takes Dillon’s sister to make Jack see.
I love reading about broken soldiers coming home, and this was no exception!
Jack is broken, inside and out, bones and mind. Five days in hell and he has been given six weeks of mandatory leave and for the first time in ten years, he goes home. Home to his mum and dying father. Home to the memories that are burned on his mind from the last time he was here. Home to where Dillon might be. He doesn’t know which is worse: facing Dillon, or NOT. I loved that Jack didn’t know! Dillon, though. He knows. He knows he wants to see Jack. Seeing the man who has held his heart for long in so much pain calls to him. He wants Jack, but he wants Jack to come to him. And when they do? It was beautiful! But Jack spoils it by running! Stoopid man thinks now he’s “got Dillon out his system” he’ll be able to lay it to rest. But Dillon is far more than a “get out of my system” kinda man, and it takes Dillon’s sister, and Jack’s mum, to make Jack see, to really SEE how much he cannot let Dillon go!
It’s only short, some 90 pages, but packs quite a punch. Both Jack and Dillon have their say, and in the third person. Each voice is clear and defined.
I read some reviews AFTER I read this, I don’t do it before. I made that mistake once and never again. Most of the reviews I found were from 2014, and not very good. I wonder has this been revised since. I found none of the problems that are mentioned! Also, I can’t find anything else by this author. So, given this is a FIRST-time author, I’ll say this is a very VERY good start.
4 solid stars
**same worded review will appear elsewhere**
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jack returns home, after a botched mission leaves him 5 days in hell. He is bruised and broken. But coming home be the hardest thing he has done, especially when it brings him face to face with the only man he ever loved. The man who hates him for breaking his sister’s heart. The man in question, Dillon, doesn’t hate Jack as much as Jack thinks. When Dillon helps Jack with his PTSD, when Dillon’s touch makes Jack feel like he really DID come home, both men need to own their feelings for each other. But it takes Dillon’s sister to make Jack see.
I love reading about broken soldiers coming home, and this was no exception!
Jack is broken, inside and out, bones and mind. Five days in hell and he has been given six weeks of mandatory leave and for the first time in ten years, he goes home. Home to his mum and dying father. Home to the memories that are burned on his mind from the last time he was here. Home to where Dillon might be. He doesn’t know which is worse: facing Dillon, or NOT. I loved that Jack didn’t know! Dillon, though. He knows. He knows he wants to see Jack. Seeing the man who has held his heart for long in so much pain calls to him. He wants Jack, but he wants Jack to come to him. And when they do? It was beautiful! But Jack spoils it by running! Stoopid man thinks now he’s “got Dillon out his system” he’ll be able to lay it to rest. But Dillon is far more than a “get out of my system” kinda man, and it takes Dillon’s sister, and Jack’s mum, to make Jack see, to really SEE how much he cannot let Dillon go!
It’s only short, some 90 pages, but packs quite a punch. Both Jack and Dillon have their say, and in the third person. Each voice is clear and defined.
I read some reviews AFTER I read this, I don’t do it before. I made that mistake once and never again. Most of the reviews I found were from 2014, and not very good. I wonder has this been revised since. I found none of the problems that are mentioned! Also, I can’t find anything else by this author. So, given this is a FIRST-time author, I’ll say this is a very VERY good start.
4 solid stars
**same worded review will appear elsewhere**
Issac Holman recommended track I'm Hurting by Thee Headcoats in In Tweed We Trust by Thee Headcoats in Music (curated)
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BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated No Time To Die by Billie Eilish in Music
Mar 3, 2020 (Updated Aug 6, 2020)
Congratulations to The Wasteland’s favourite new artist for sweeping 5 awards at yesterday’s Grammy’s. I hate to say I told you so, but I kinda did, a long way out. It just makes sense to me, that if you have a musical ear, this is the best pop music that has been made for 20 years.
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!
Gareth von Kallenbach (980 KP) rated The Huntsman: Winter's War (2016) in Movies
Aug 6, 2019
Mirror, mirror on the wall who is the fairest of them all?”
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.
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