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Lonely Planet Korea
Lonely Planet, Simon Richmond, Trent Holden and Megan Eaves
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Korea is your passport to...
Lonely Planet Seoul
Lonely Planet, Simon Richmond and Trent Holden
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Seoul is your passport to...
Effective JavaScript: 68 Specific Ways to Harness the Power of JavaScript
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"It's uncommon to have a programming language wonk who can speak in such comfortable and friendly...
Sundrademe (1 KP) rated Ready Player One (2018) in Movies
Apr 1, 2018 (Updated Apr 1, 2018)
A blast from the past every nerd can appreciate. (1 more)
Good pacing.
Who are these people? Little character development. (1 more)
Only surface deep. Don't look for a message here.
Not surprised by Spielberg
I'll have to admit, when I first saw the trailer for this movie I turned to my fiancé and said "that looks so stupid!" After seeing a few more trailers I started to notice things. Is that the Iron Giant? Did I just see Harley Quinn? Who has enough pull to get rights to all these characters? Of course! this is a piece from the master of adventure, Steven Spielberg. Okay, now I've got to see this.
For anyone who's seen a Spielberg movie will recognize the common themes; a young hero with empty pockets but a brave heart who's destined for adventure, a rag-tag group of friends, and a dying dream that they must save at all costs. Sorry that's The Goonies, well same difference.
This is the story of Wade Watts, a teenager in 2045, who's dirt poor but like most people, escapes his reality by going into the virtual world called The Oasis. In the Oasis you can be anyone (or anything), go anywhere, and do just about anything. The late creator of the Oasis has hidden an Easter Egg (for non geeks, this is a fun piece of side content a director hides within a game or movie), and the person who finds the egg will win all of the creators shares in the company.
Wade belongs to a clever group of friends on the fringes of society who like most people are searching for this egg. What makes them so special outside of everyone else in the world? Eh, heart? Anyway, follow along the mystery and adventure, where you will see how they find the egg-because we all know they will.
Look, this movie is awesome. Spielberg is the king of pop culture and he really shines here. everyone will love the use of old and new characters from comics, games and all corners of media; the odd mix of music as far back as the 70s till now; and the obvious-not-so-obvious references to cult classics. It's cute, it's easy to swallow and it's a lot of fun.
Don't expect this to be your new favorite movie or to have long talks about it later on with friends. Nor will you walk away enamored with any of the characters because they aren't that interesting. Sure, you'll probably want to see it again but probably once it hits DVD.
For anyone who's seen a Spielberg movie will recognize the common themes; a young hero with empty pockets but a brave heart who's destined for adventure, a rag-tag group of friends, and a dying dream that they must save at all costs. Sorry that's The Goonies, well same difference.
This is the story of Wade Watts, a teenager in 2045, who's dirt poor but like most people, escapes his reality by going into the virtual world called The Oasis. In the Oasis you can be anyone (or anything), go anywhere, and do just about anything. The late creator of the Oasis has hidden an Easter Egg (for non geeks, this is a fun piece of side content a director hides within a game or movie), and the person who finds the egg will win all of the creators shares in the company.
Wade belongs to a clever group of friends on the fringes of society who like most people are searching for this egg. What makes them so special outside of everyone else in the world? Eh, heart? Anyway, follow along the mystery and adventure, where you will see how they find the egg-because we all know they will.
Look, this movie is awesome. Spielberg is the king of pop culture and he really shines here. everyone will love the use of old and new characters from comics, games and all corners of media; the odd mix of music as far back as the 70s till now; and the obvious-not-so-obvious references to cult classics. It's cute, it's easy to swallow and it's a lot of fun.
Don't expect this to be your new favorite movie or to have long talks about it later on with friends. Nor will you walk away enamored with any of the characters because they aren't that interesting. Sure, you'll probably want to see it again but probably once it hits DVD.
BookwormMama14 (18 KP) rated The Governess of Highland Hall (Edwardian Brides, #1) in Books
Jan 2, 2019
I have finally made some time to read a few books on my TBR list that have been taunting me with their sweet descriptions. And oh gosh, I can NOT believe that it has taken me so long to read this book! The Governess of Highland Hall was perfect for satisfying the Downton Abbey fan in me. And Carrie Turansky's descriptions and attention to detail drew me into Edwardian England and I got lost wandering down the road alongside Julia...my husband didn't see me for days. Because it is the same era as Downton Abbey I was tempted to think of the characters in relation to the show, but boy are they different! Let's just say the housekeeper, is no Mrs. Hughes. However, she definitely adds a very interesting twist on the story. Throughout this book you will see the storyline unfold through multiple perspectives. It was easy to follow along and added a lot of depth and insight to our supporting characters. I LOVE Sir William's sister Sarah! And I just giggled with delight to find out that Sir William's cousin (and dependent) Katherine Ramsey is our leading lady in the next book. SO excited to read her story. One of the things mentioned in this book are Christmas crackers...And let me tell you, if you have never had these at Christmas you are missing out! We started our own tradition last year with these, and they were a HUGE hit! No one else in the family knew what they were, but the immediately put on their paper crown, and we all wore them throughout dinner. You can order them on Amazon. This isn't the first book I have read about a governess. Not a servant, not a part of the family...But they pour so much into the children. Love them, raise them, and they are so easily cast aside. It can be a sad lot from what I have seen. However, we are reminded throughout the story, that we must walk on God's path for our lives. We may not understand His purpose or His ways, but we must trust that He loves us, His children, and wants the best for us. I encourage you, as this book encouraged me, to keep your heart tender toward the Lord's voice and follow where He leads. Now, bring me book two!
But Bottom line, "You have bewitched me body and soul."
But Bottom line, "You have bewitched me body and soul."
Harnessed: How Language and Music Mimicked Nature and Transformed Ape to Man
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The scientific consensus is that our ability to understand human speech has evolved over hundreds of...
BankofMarquis (1832 KP) rated The Dark Knight (2008) in Movies
Apr 16, 2018
Not a Masterpiece, but has a Masterful performance
With the DARK KNIGHT, Christopher Nolan kicks his movie's up a notch. His previous films were critical - but not necessarily commercial - successes. With the 2nd of his Batman trilogy, Nolan swings for the seats and in more ways than one, hits a home run.
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Moon (2009) in Movies
Jun 22, 2019
Sam Bell is at the end of his rope. He's an astronaut that took a job on the moon whose contract lasted three long years. The job requires him to send storage containers of Helium-3 back to Earth, which would essentially help with the planet's power situation. Other than his computer assistant, GERTY, Sam is alone. He's started talking to himself and basically feels like he's losing his mind since he's been on the moon for so long in this lonely state. The only thing that's really keeping him straight is the fact that he's supposed to go home in two weeks. Sam just wants to get home and see his wife and daughter, who's already growing up without him in her life. As Sam ventures outside for some everyday maintenance, he discovers something disturbing. An accident occurred while somebody was behind the wheel of one of the lunar vehicles and the unconscious man Sam pulls out of the vehicle looks exactly like him. Sam is then given the unfortunate task of trying to figure out if he's lost his marbles or if some conspiracy scheme has been transpiring right under his nose this entire time.
Moon has been one of my most anticipated films of the year ever since I saw the trailer a few months ago. Everything about the trailer pulled me in. Sam Rockwell looked to put in an incredible performance, the score sounded incredibly solid and fit the film like a glove, and it just looked like a really amazing sci-fi film. Have you ever walked away from a film completely satisfied? That feeling you have when you see a film that just sticks with you as its most memorable moments play through your head and you smile a little as you walk to your car? That's the feeling that pulsed through me after seeing Moon. A feeling that I've only felt a handful of times (The Dark Knight, Benjamin Button, Up, and Moon come to mind).
Sam Rockwell is really in top form here. I've always wanted to like him, but had always seen him in films where it felt like he was holding back and not showing his full potential. Moon definitely corrected that as Rockwell is really able to portray his acting range and how wonderful he really is. When I saw 1408, the first thing that crossed my mind after it ended was that John Cusack really carried that film. It was just him alone in a hotel room the majority of the film and he was able to make that worth watching. What John Cusack is to 1408, Sam Rockwell is to Moon as it's just Sam reacting to himself during the film's duration.
It's not often that I get to say a film met my expectations or satisfied me in every way, but Moon did just that. This is Sam Rockwell at his best. The film pulls you in as soon as the opening scene hits with Sam running on a treadmill and that familiar music from the trailer kicks in. My craving for an incredible and original sci-fi film for quite some time was met with this and it delivered in every aspect. It's definitely in the running for my favorite film of 2009.
Moon has been one of my most anticipated films of the year ever since I saw the trailer a few months ago. Everything about the trailer pulled me in. Sam Rockwell looked to put in an incredible performance, the score sounded incredibly solid and fit the film like a glove, and it just looked like a really amazing sci-fi film. Have you ever walked away from a film completely satisfied? That feeling you have when you see a film that just sticks with you as its most memorable moments play through your head and you smile a little as you walk to your car? That's the feeling that pulsed through me after seeing Moon. A feeling that I've only felt a handful of times (The Dark Knight, Benjamin Button, Up, and Moon come to mind).
Sam Rockwell is really in top form here. I've always wanted to like him, but had always seen him in films where it felt like he was holding back and not showing his full potential. Moon definitely corrected that as Rockwell is really able to portray his acting range and how wonderful he really is. When I saw 1408, the first thing that crossed my mind after it ended was that John Cusack really carried that film. It was just him alone in a hotel room the majority of the film and he was able to make that worth watching. What John Cusack is to 1408, Sam Rockwell is to Moon as it's just Sam reacting to himself during the film's duration.
It's not often that I get to say a film met my expectations or satisfied me in every way, but Moon did just that. This is Sam Rockwell at his best. The film pulls you in as soon as the opening scene hits with Sam running on a treadmill and that familiar music from the trailer kicks in. My craving for an incredible and original sci-fi film for quite some time was met with this and it delivered in every aspect. It's definitely in the running for my favorite film of 2009.
Scarp
Book
es it's difficult to define exactly what this book is: it mixes autobiography, local history,...
5 Minute Movie Guy (379 KP) rated A Million Ways to Die in the West (2014) in Movies
Jun 26, 2019
Neil Patrick Harris is delightfully devious. (1 more)
MacFarlane shows he has potential in his on-screen acting debut.
The humor is at times very vulgar and immature. (2 more)
The film is slow-paced and overly long.
"A Dozen Ways to Die in the West" would have been a more appropriate title.
A Million Ways to Die in the West is good for a few laughs but it feels like it goes on unreasonably long. Still, if you're a fan of MacFarlane's other works, you'll most likely enjoy his parody of the Old West.
Following the success of his directorial debut, Ted, Seth MacFarlane steps in front of the movie camera for the first time in his new film, A Million Ways to Die in the West. MacFarlane is best known as the creator of the popular animated television series, Family Guy, and he was also the host of the Oscars just two years ago. Now he’s taking the starring role in a film he wrote and directed himself. Here MacFarlane plays a cowardly sheep farmer named Albert who is miserably living in the dangerous Old West. Or rather, the not-so-dangerous Old West. Despite what the title suggests, there’s not a whole lot of dying going on in A Million Ways to Die in the West. You won’t find a whole lot of substance either, but there are a fair amount of laughs if you’re able to tolerate the crude toilet humor and dirty jokes. All in all, MacFarlane does a decent job in this comedy, but his jokes stick too close to his own conventions, and much like life on the frontier, the film can be kind of a drag.
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)