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Neon's Nerd Nexus (360 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
I'm A Believer
Midsommar is a modern day folklore fairytale masterpiece that's traumatizing, intoxicating, stomach churning & deeply hypnotic. If you've seen Raw or the Witch & enjoyed them Midsommar is easily on par standard wise & comparability wise to them. A tale of love, passion, grievance, trauma, connection, communion, religion, celebration, purity & punishment. Filled with folklore, depth, symbolisum, metaphores & small visual clues Midsommar is one giant puzzle box & for everyone paying close attention there are entire multiple layers hidden in everything. Be it the pictures hung on the walls in the background, dialog, music cues, camera angles, subbtle special effects, screen transitions, facial expressions & props. Most people watching this film will leave wondering what strange horror movie they just saw & while technically it is a horror as the film played out I began to realise its intentions thus seeing its beauty & messages clearly. For instance like how if we all united as one unity & learnt to love rather than hate we could live in perfect harmony with nature. Acting is jaw dropping especially from the lead actress & sound design realises that creating tension doesn't necessarily need any sound at all. Visually its vibrant & striking with subtle effects like things pulsing & warping as if reality its self is an illusion. Midsommar made me feel quezy, disturbed, intreagued & so happy with chills going up & down my spine frequently as I also couldn't shake this feeling of dread the entire time. When violence hits it hits hard & sickeningly rough but as the last scene played out & the perfect ending hit I was smiling the most I have during a film in a long time. What an intelligent, thought provoking look at how a trauma in life can make us more susceptible & easily lead, how guilt/trauma manifests in us, how innocence & purity thrives above deceit & selfishness, but most importantly how we could all live way happier & more for filling lives as if we all respected each other & the world around us experiencing both pain & pleasure as one. Go see it sit in the front row & let Midsommar embrace & absorb you in the best experience of the year so far by far.
Her Darkest Hour
Book
England, 1939. A young witch. A nation at war. A spy hiding in plain sight. As war looms over...
Historical Fantasy
Lottie disney bookworm (1056 KP) rated Thread Needle in Books
Jun 17, 2021
“Magic is the first sin. It must be bound.”
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Hazel (1853 KP) rated Valley of the Moon in Books
Sep 5, 2017
New Time Traveler's Wife
received this book for free through Goodreads First Reads.
For fans of The Time Traveler’s Wife (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality, Valley of the Moon will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, Valley of the Moon has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of The Lion, the Witch and the Wardrobe (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film Brigadoon (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, Valley of the Moon is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
For fans of The Time Traveler’s Wife (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality, Valley of the Moon will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, Valley of the Moon has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of The Lion, the Witch and the Wardrobe (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film Brigadoon (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, Valley of the Moon is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
Merissa (12698 KP) rated Alliance (Torsere #3) in Books
Aug 16, 2023
Alliance is the third and final book in the Torsere series, and you get a fitting finale with a tense and twisted plot.
Ryneq and Nykin have made it back home to Torsere but their troubles are far from over. The witch they are dealing with now seems even worse than the one they just killed. No matter what they plan, she is three steps ahead. Of course, the reason why comes out and wasn't really a surprise but, still, who it was just added an extra layer of heartache to the story.
I will admit, this one had me in tears. It's darker than the others, with almost no hope of a happy ending, which, when it does happen, is full of non-stop action that will take your breath away. This book is not without loss, and it was so well-written! How the characters reacted was just superb! Yes, I know that sounds strange but read it for yourself and you'll see.
With excellent world-building, characters to love and hate, plus some steamy scenes, this trilogy has been outstanding. I have loved every moment and am sad to see it come to an end. This is one of those books you wish you could un-read, just so you have the opportunity to read it again with fresh eyes! Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 18, 2020
Ryneq and Nykin have made it back home to Torsere but their troubles are far from over. The witch they are dealing with now seems even worse than the one they just killed. No matter what they plan, she is three steps ahead. Of course, the reason why comes out and wasn't really a surprise but, still, who it was just added an extra layer of heartache to the story.
I will admit, this one had me in tears. It's darker than the others, with almost no hope of a happy ending, which, when it does happen, is full of non-stop action that will take your breath away. This book is not without loss, and it was so well-written! How the characters reacted was just superb! Yes, I know that sounds strange but read it for yourself and you'll see.
With excellent world-building, characters to love and hate, plus some steamy scenes, this trilogy has been outstanding. I have loved every moment and am sad to see it come to an end. This is one of those books you wish you could un-read, just so you have the opportunity to read it again with fresh eyes! Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 18, 2020
Dana (24 KP) rated Wyrd Sisters (Discworld, #6; Witches #2) in Books
Mar 23, 2018
I am giving this book a 3.5 stars, so I will explain why later on in the review. Again, as always, there will most likely be spoilers, so read at your own peril.
This was my very first Terry Pratchett book! My friend Grace let me borrow her copy of the book and said I would probably like it because Macbeth is one of my all-time favorite Shakespearean plays!
I enjoyed this book. Don't let the 3.5 star review throw you.
I liked how the plot moved along fairly quickly and everything was interconnected. That was something I don't really see too often in novels, so it was great to experience that. I am wondering how all of the other twenty-seven or so books will connect together, but I can't say that I will be reading them too soon. I have far too many other books I need to read right now, but maybe next year!
The characters were pretty fun as well. I loved the three witches, they were so fun and snippy! All the sarcasm and arguments made them even more lovable, and we all know that I love me a good witch character. I think I loved Margat the most out of the three witches because she was so "modern"' as opposed to Nanny and Granny. Nanny, however, is such a spitfire and I love how violent she can get in her temper.
I do have to say, however, that the story line did get kinda convoluted at times which is one of the reasons I am giving it a lower rating. The timeline, while it was supposed to go a bit wonky, had me all turned around at times.
I also wasn't a big fan of there not being any chapter breaks. While there were some line breaks to show the shift in the narrator, it wasn't enough to really show breaks in what was happening in the story. I am not saying that this is always a bad thing, not having chapter breaks, but I, personally, appreciate them.
The world was very well built, though the rules of the world were not fully explained. I loved all of the little footnotes and interjections from the narrator. They made the time pass so much more quickly.
Overall, it was a pretty good book. It took some getting used to the writing style and the world itself, but I enjoyed it. I am excited to see what comes next in the series!
This was my very first Terry Pratchett book! My friend Grace let me borrow her copy of the book and said I would probably like it because Macbeth is one of my all-time favorite Shakespearean plays!
I enjoyed this book. Don't let the 3.5 star review throw you.
I liked how the plot moved along fairly quickly and everything was interconnected. That was something I don't really see too often in novels, so it was great to experience that. I am wondering how all of the other twenty-seven or so books will connect together, but I can't say that I will be reading them too soon. I have far too many other books I need to read right now, but maybe next year!
The characters were pretty fun as well. I loved the three witches, they were so fun and snippy! All the sarcasm and arguments made them even more lovable, and we all know that I love me a good witch character. I think I loved Margat the most out of the three witches because she was so "modern"' as opposed to Nanny and Granny. Nanny, however, is such a spitfire and I love how violent she can get in her temper.
I do have to say, however, that the story line did get kinda convoluted at times which is one of the reasons I am giving it a lower rating. The timeline, while it was supposed to go a bit wonky, had me all turned around at times.
I also wasn't a big fan of there not being any chapter breaks. While there were some line breaks to show the shift in the narrator, it wasn't enough to really show breaks in what was happening in the story. I am not saying that this is always a bad thing, not having chapter breaks, but I, personally, appreciate them.
The world was very well built, though the rules of the world were not fully explained. I loved all of the little footnotes and interjections from the narrator. They made the time pass so much more quickly.
Overall, it was a pretty good book. It took some getting used to the writing style and the world itself, but I enjoyed it. I am excited to see what comes next in the series!
Rachel King (13 KP) rated Pumpkin Roll (A Culinary Mysteries, #6) in Books
Feb 11, 2019
This book is the most recent in a mystery series, but the first book I have read by Josi S. Kilpack. I do not read much in the mystery genre, but the cooking aspect of the book interested me enough to try this one. All of the page numbers to the recipes are listed nicely on the back of the first page, so I was able to check those out without having to search for them, and they do look like quite delicious recipes, perfect for this time of year.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
KittyMiku (138 KP) rated Shadow of Night in Books
May 23, 2019
Shadow of Night is the second book of Deborah Harkness’ All Souls Trilogy. As with the first one, Harkness takes you on adventure with her two protagonists, a witch named Diana and a vampire named Mathew. However, unlike the first one, this book is placed in Elizabethan England. Though the characters remain the same at heart, they change to better suit each other and the time period, as it is needed. With the imminent danger around every corner, the two are still not able to find piece, but Diana is able to learn more about her powers while she learns about her vampire lover in the process.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
Marylegs (44 KP) rated Heir of Fire in Books
Aug 14, 2019
So this is the third installment in the Throne of Glass series, following straight on from Crown of Midnight, we pick straight back up with Celeana and how she is still devastated from the loss of her close friend.
This review will have spoilers in, its impossible to talk about a 3rd series book without them!
<spoiler>
So I’ll start with what I thought I wouldn’t like. Rowan. And Celeana.
When I started this book I was completed all about Chaol and Celeana… I probably still am deep down. But I can see something beautiful and different blossoming with Rowan. I feel like Chaol saved Celena in ToG but in HoF it is Celeana/Aelin who saves Rowan. And I think after all that happens in HoF Celeana/Aelin needs to not feel like she has been saved. She needs to be the hero of her own story.
But yes for a good third of the book I could kind of see Chaol being pushed aside and I was not happy about it.
Dorian’s love life filled me with such hope…. Then utterly shattered me. I actually applaud the author for that. To often in these types of books you can see the love interests playing out in a very samey samey kind of way. Not with this one. I am still raw and broken from it. I had to put the book on my lap for a few mins to really absorb what was happening.
I loved the flash backs to Aelin’s past and hope we get to see more of these in future books. I feel the story is becoming very intricate now and has really found its way. I know a lot wont like it because of the changes in direction but realistically for Aelin to get done what is needed, big changes needed to happen and the changes in her in this book to me, seem realistic and purposeful.
I also really enjoyed the character shift to Manon, the Blackbeak Witch. Hers in a very interesting storyline and I look forward to seeing it develop and how it links to Aelin’s story overall. For me this was a good solid read which once I got over the whole Chaol issue,</spoiler> I found that I enjoyed it immensely and look forward the book number 4!
This review will have spoilers in, its impossible to talk about a 3rd series book without them!
<spoiler>
So I’ll start with what I thought I wouldn’t like. Rowan. And Celeana.
When I started this book I was completed all about Chaol and Celeana… I probably still am deep down. But I can see something beautiful and different blossoming with Rowan. I feel like Chaol saved Celena in ToG but in HoF it is Celeana/Aelin who saves Rowan. And I think after all that happens in HoF Celeana/Aelin needs to not feel like she has been saved. She needs to be the hero of her own story.
But yes for a good third of the book I could kind of see Chaol being pushed aside and I was not happy about it.
Dorian’s love life filled me with such hope…. Then utterly shattered me. I actually applaud the author for that. To often in these types of books you can see the love interests playing out in a very samey samey kind of way. Not with this one. I am still raw and broken from it. I had to put the book on my lap for a few mins to really absorb what was happening.
I loved the flash backs to Aelin’s past and hope we get to see more of these in future books. I feel the story is becoming very intricate now and has really found its way. I know a lot wont like it because of the changes in direction but realistically for Aelin to get done what is needed, big changes needed to happen and the changes in her in this book to me, seem realistic and purposeful.
I also really enjoyed the character shift to Manon, the Blackbeak Witch. Hers in a very interesting storyline and I look forward to seeing it develop and how it links to Aelin’s story overall. For me this was a good solid read which once I got over the whole Chaol issue,</spoiler> I found that I enjoyed it immensely and look forward the book number 4!
Andy K (10823 KP) Jul 5, 2019
Neon's Nerd Nexus (360 KP) Jul 5, 2019