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JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
Magic Tiles 3: Online Piano
Games and Music
6.0
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In 2017, we have added the new daily quest system in the game which helps you to get more diamonds...
Neon's Nerd Nexus (360 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 13, 2019
Catch it or run away?
#detectivepikachu is more Pokemeh than #Pokemon, sure the ideas are there but the execution isn't leaving us with a movie that's simply just ok. I was really #hyped for this movie, I loved the neon flair, underground, mature & almost seedy look it pitched us in the trailer & very much to its credit all that is still there VISUALLY but in almost every other aspect it sadly fails. Ok so this film is #gorgeous, pokemon feel like living breathing #creatures with tremendous cgi texture detail almost making some of the feel like practical effect rather than computer imagery. Pokemon also interact with not just the world/scenery but with the actors too flawlessly keeping the immersion grounded/realistic just like #bumblebee did. World wise it nails it the city #feels so alive & lived in by both humans & pokemon with the grimy smokey alleyways, radiant forest areas & the neon glows of street signs adding character & dimension as they glisten beautifully off the characters fur & concrete. Its all very #bladerunner/#ghostintheshell #inspired & overflows with human technological progression. Accompanying the visuals is a simply awesome soundtrack that invokes a sense of wonder & #fantasy esc dream states only adding to its world building. Here then lies my problem we have the perfect world & these incredible creatures that inhabit it so why dont we spend more time with them exploring not only the world but the #relationship/bond between us & pokemon & how we cope with sharing the world together. Instead we are forced to follow such a dull, bland, paint by numbers plot with a twist thats so frustratingly obvious within the first 15 minutes that I was annoyed it took so long to reveal it. Adding to its tedium & dullness are the human actors who (aside from #Kenwatanabe & #ryanreynolds who carry the film) are unlikable, soulless, emotionless drones that seem to only be there to explain/advance the mundane plot. Detective #pikachu is one extremely well marketed/over #hyped missed opportunity & I cant help but feel if they'd focused more on the things we were all there to see (the pokemon) it might of had a bit more #heart. #nintendo #pokeball #pokemongo #cute #anime #manga
Adore Me Designer Lingerie
Shopping and Lifestyle
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Free fall into what makes you lovely! Adore Me’s matching lingerie, sleepwear, loungewear, and bra...
Remember Me
7.5
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When twenty-eight-year-old Lexi Smart wakes up in a London hospital, she’s in for a big surprise....
Basic Business Statistics with MyStatLab
Mark L. Berenson, David Levine, Kathryn A. Szabat and Timothy C. Krehbiel
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This package includes MyMathLab(R). For freshman/sophomore, 2 semester/2-3 quarter courses covering...
Gareth von Kallenbach (980 KP) rated The Shallows (2016) in Movies
Aug 6, 2019
The Shallows is simple, suspenseful and satisfying. Everything you want it to be.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
Metro Newspaper Digital Edition
News and Magazines & Newspapers
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The Metro app gives you two issues every weekday, absolutely free. Get your fix of news, sport,...
Gareth von Kallenbach (980 KP) rated Bad Santa 2 (2016) in Movies
Jul 12, 2019
The last time we heard from Willie Soke (Billy Bob Thornton) he was recovering in jail after being shot eight times. We catch up with him today in maybe worse shape. He is out of jail but finds himself unable to hold a job and drinking to extreme excess. Th only visitor he has is a delusional, simple minded and well intentioned Thurman Merman (Brett Kelly). On the verge of ending it all he receives an invitation from his old partner, Marcus Skidmore (Tony Cox), to make a big score by robbing a Chicago charity on Christmas Eve. Wary, mostly because Marcus double crossed and shot him on their last job, Willie decides he needs the money and it’s a chance to double cross Marcus. So, he takes the job and heads to Chicago. When he arrives, he finds that Marcus has not told him everything. The job was put together by his arch nemesis. Someone who is more vile, crude and despicable than he is…his mother Sunny (Kathy Bates). Driven by greed and with the agreement that Marcus and him will cut his mother out at the end of the job Willie agrees to go forward with the robbery. The unlikely trio set out to infiltrate and rob the charity.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.