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Merissa (11805 KP) rated I'm Not in Love (Don't Let Go #1) by Mia Kerick in Books
Jun 13, 2022 (Updated Jun 13, 2023)
I'M NOT IN LOVE is the first book in the Don't Let Go series and we start off with Remi and Tristan. Both of these guys have major baggage going on, but manage to find some solace with each other. Will it last, or will they push each other away?
Remi and Tristan are opposites in so many ways. Remi has money but no real family. Tristan has his family he adores, but they are struggling to make ends meet. They meet by chance and sort of fall into a friendship that becomes so much more, although neither will admit it.
I found the baggage for both of them to be realistic. The supporting characters were also fantastic additions, especially if Uncle Tris got hurt! The pacing was perfect for the story and I was definitely left wanting more, not ready to leave Remi and Tris behind.
I don't know if this series will focus on them or on other pairs, but I really hope we catch up with Remi and Tris, no matter what. A brilliant start to a new series and I can't wait to read more. Absolutely recommended.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2022
Remi and Tristan are opposites in so many ways. Remi has money but no real family. Tristan has his family he adores, but they are struggling to make ends meet. They meet by chance and sort of fall into a friendship that becomes so much more, although neither will admit it.
I found the baggage for both of them to be realistic. The supporting characters were also fantastic additions, especially if Uncle Tris got hurt! The pacing was perfect for the story and I was definitely left wanting more, not ready to leave Remi and Tris behind.
I don't know if this series will focus on them or on other pairs, but I really hope we catch up with Remi and Tris, no matter what. A brilliant start to a new series and I can't wait to read more. Absolutely recommended.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2022
Billie Wichkan (118 KP) rated The House in Books
May 22, 2019
Sadie, Fin, and their two children were a perfectly ordinary family. Even if Fin felt taken for granted sometimes. Even if their introverted son, Liam, had terrible nightmares and knew things he shouldn't.
But everything changes the night Sadie is viciously assaulted by former client Lance Sherry. Sherry knows where they live, and when the police fail to catch him, Sadie and Fin are forced to run. They think they've found the perfect place to start over. The house is everything Fin dreamed of, but as they settle in, Sadie discovers their home may not be what it seems, and daughter Lucy's imaginary friend might not be imaginary at all. Or even a friend. With Lance Sherry hunting them, the house could be the least of their problems. He's coming to finish what he started. And he won't stop until he finds Sadie.
This is the kind of book that is not easy to review because you dont want to give anything away.
There is a paranormal element to this, but its almost more evil than what you think about a normal haunting with ghosts. And there is also a real life evil person the characters have to deal with so its a lot on their plates.
The combination of the real and the paranormal was a nice touch.
For the most part, the story is told from both heroines point of view, but at times the reader is also privy to whats going on in little Liams head as well as the villains.
This was a great read to me and I really enjoyed it.
Recommend reading.
Copy provided by the publisher, Bold Strokes Books, via NetGalley.
But everything changes the night Sadie is viciously assaulted by former client Lance Sherry. Sherry knows where they live, and when the police fail to catch him, Sadie and Fin are forced to run. They think they've found the perfect place to start over. The house is everything Fin dreamed of, but as they settle in, Sadie discovers their home may not be what it seems, and daughter Lucy's imaginary friend might not be imaginary at all. Or even a friend. With Lance Sherry hunting them, the house could be the least of their problems. He's coming to finish what he started. And he won't stop until he finds Sadie.
This is the kind of book that is not easy to review because you dont want to give anything away.
There is a paranormal element to this, but its almost more evil than what you think about a normal haunting with ghosts. And there is also a real life evil person the characters have to deal with so its a lot on their plates.
The combination of the real and the paranormal was a nice touch.
For the most part, the story is told from both heroines point of view, but at times the reader is also privy to whats going on in little Liams head as well as the villains.
This was a great read to me and I really enjoyed it.
Recommend reading.
Copy provided by the publisher, Bold Strokes Books, via NetGalley.
Merissa (11805 KP) rated Ambushed (Dark Reflections #3) in Books
Apr 7, 2023 (Updated Apr 10, 2023)
The third book in the Dark Reflections series continues with Adri and Alec's stories as they try to survive in their crazy world.
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Mark @ Carstairs Considers (2099 KP) rated A Distant Grave in Books
Jun 23, 2021 (Updated Jun 23, 2021)
Maggie Faces a Case that Crosses the Ocean
Maggie D’arcy’ latest case as a homicide detective on Long Island involves a man on one of the beaches. He’s been shot and robbed, making identifying him the first priority. It is looking like a random homicide, which are always difficult to solve, when Maggie gets an ID. The man is an Irish national. Maggie begins to wonder why the victim was on Long Island in the middle of February. With a trip to Ireland already planned to visit her boyfriend, Conor, Maggie decides to do a little digging. Will she uncover a motive for murder across the Atlantic?
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
BankofMarquis (1832 KP) rated Back to the Future (1985) in Movies
Mar 30, 2018
Almost a perfect film
I was flipping channels the other day and ran across BACK TO THE FUTURE, it was just about to start and since I hadn't seen it in quite awhile, I figured I'd catch the first part of it before venturing off to other surfing opportunities. As often happens in this sort of situation, I ended up transfixed by this film and watched the whole thing. After it was over, I asked myself why did I enjoy this film so much and my answer was fascinating (at least to me) -
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Mark @ Carstairs Considers (2099 KP) rated Dyeing Season in Books
Apr 12, 2019 (Updated Apr 12, 2019)
Spring Tornado Leaves Behind a Murder Victim
A sudden spring tornado finds Lucy scrambling to protect her property. When she goes to her elderly neighbor’s place, she finds Dottie alone with no idea where her home health aid is. This isn’t like Eva, so the women are worried. It’s only after the storm has passed that they get an answer when Lucy finds Eva’s body. Even with the tornado having just passed, it is very clear that Eva was murdered. The tornado left behind destruction to Lucy’s crops, so she needs to replant, but she can’t help begin to investigate what happened to Eva. Will she uncover the truth?
Being a wind hating California native, this book hooked me from the opening tornado. That didn’t diminish a bit when the storm ended and Lucy found the body. The plot is strong and, while not a typical cozy formula, held my attention the entire time as I waited to see how Lucy could prove what she was pretty sure was happening and who the killer would turn out to be. It’s wonderful to spend time with these characters again, and I enjoyed getting to know some new ones, too. I suspect we’ll see more of some of them in future books; at least I hope so. I did catch a few annoying editing issues, but they can be easily fixed and don’t impact the story at all; in fact, they vanish as we get further into the book. There are seven recipes at the end, including natural dyes for eggs, perfect for Easter. This is a fast, fun read that will leave cozy fans anxious for their next trip to visit Lucy.
Being a wind hating California native, this book hooked me from the opening tornado. That didn’t diminish a bit when the storm ended and Lucy found the body. The plot is strong and, while not a typical cozy formula, held my attention the entire time as I waited to see how Lucy could prove what she was pretty sure was happening and who the killer would turn out to be. It’s wonderful to spend time with these characters again, and I enjoyed getting to know some new ones, too. I suspect we’ll see more of some of them in future books; at least I hope so. I did catch a few annoying editing issues, but they can be easily fixed and don’t impact the story at all; in fact, they vanish as we get further into the book. There are seven recipes at the end, including natural dyes for eggs, perfect for Easter. This is a fast, fun read that will leave cozy fans anxious for their next trip to visit Lucy.
Merissa (11805 KP) rated Off Base (Out of Uniform #1) in Books
Jun 18, 2018
Off Base (Out of Uniform #1) by Annabeth Albert
Off Base is the first book in the Out of Uniform series. I double-checked the synopsis as it didn't feel like the first book, only to see it was a spin-off from the #Gaymers series! Now I have another series to catch up on ;)
Zack is an all-macho good guy, determined to make his deeply religious parents proud. His brother is basically a deadbeat, so he feels the pressure to be perfect. Pike is a friend of a friend, and someone who riles Zack up in all the ways he doesn't want to acknowledge. So be prepared for snarkiness and sparks between these two.
This was a wonderful introduction to this series, showing out Zack thinks he has to fight every battle alone. Seriously, you think he'd know better, but his fears have their place, and are very real to him. Pike helps him where he can, but isn't prepared to hide who he is. I absolutely love these two, so young, so unsure, and yep, so HOT!
There is romance, angst, pain, steam, and a multitude of other emotions between these pages. With no editing or grammatical errors to disrupt my reading flow, I absolutely recommend this book. An absolute blast of a start to the series, and I can't wait to read more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Zack is an all-macho good guy, determined to make his deeply religious parents proud. His brother is basically a deadbeat, so he feels the pressure to be perfect. Pike is a friend of a friend, and someone who riles Zack up in all the ways he doesn't want to acknowledge. So be prepared for snarkiness and sparks between these two.
This was a wonderful introduction to this series, showing out Zack thinks he has to fight every battle alone. Seriously, you think he'd know better, but his fears have their place, and are very real to him. Pike helps him where he can, but isn't prepared to hide who he is. I absolutely love these two, so young, so unsure, and yep, so HOT!
There is romance, angst, pain, steam, and a multitude of other emotions between these pages. With no editing or grammatical errors to disrupt my reading flow, I absolutely recommend this book. An absolute blast of a start to the series, and I can't wait to read more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lee (2222 KP) rated Black Summer - Season 1 in TV
May 1, 2019
A refreshing new take on the familiar zombie format
I gave up on The Walking Dead a few seasons ago. Continually disappointing story-lines and characters, along with frustrating pacing issues had made this show hard work to watch, and a far cry from it's early days of action packed originality. Black Summer recently arrived on Netflix, described as a companion piece to the show Z Nation, and consisting of just 8 episodes ranging in length from 20 to 40 minutes. After seeing some online recommendations, I gave it a shot, and it's safe to say that it has reignited my passion for zombie shows.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
Neon's Nerd Nexus (360 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 13, 2019
Catch it or run away?
#detectivepikachu is more Pokemeh than #Pokemon, sure the ideas are there but the execution isn't leaving us with a movie that's simply just ok. I was really #hyped for this movie, I loved the neon flair, underground, mature & almost seedy look it pitched us in the trailer & very much to its credit all that is still there VISUALLY but in almost every other aspect it sadly fails. Ok so this film is #gorgeous, pokemon feel like living breathing #creatures with tremendous cgi texture detail almost making some of the feel like practical effect rather than computer imagery. Pokemon also interact with not just the world/scenery but with the actors too flawlessly keeping the immersion grounded/realistic just like #bumblebee did. World wise it nails it the city #feels so alive & lived in by both humans & pokemon with the grimy smokey alleyways, radiant forest areas & the neon glows of street signs adding character & dimension as they glisten beautifully off the characters fur & concrete. Its all very #bladerunner/#ghostintheshell #inspired & overflows with human technological progression. Accompanying the visuals is a simply awesome soundtrack that invokes a sense of wonder & #fantasy esc dream states only adding to its world building. Here then lies my problem we have the perfect world & these incredible creatures that inhabit it so why dont we spend more time with them exploring not only the world but the #relationship/bond between us & pokemon & how we cope with sharing the world together. Instead we are forced to follow such a dull, bland, paint by numbers plot with a twist thats so frustratingly obvious within the first 15 minutes that I was annoyed it took so long to reveal it. Adding to its tedium & dullness are the human actors who (aside from #Kenwatanabe & #ryanreynolds who carry the film) are unlikable, soulless, emotionless drones that seem to only be there to explain/advance the mundane plot. Detective #pikachu is one extremely well marketed/over #hyped missed opportunity & I cant help but feel if they'd focused more on the things we were all there to see (the pokemon) it might of had a bit more #heart. #nintendo #pokeball #pokemongo #cute #anime #manga