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Sheridan (209 KP) rated Mindhunter - Season 1 in TV
Apr 28, 2019
The Content (1 more)
The Concept
Slow Yet Twisted
I had a friend recommend this show to me and I thought, alright I'm constantly attempting to figure out why people's minds work the way they do, this could be interesting. Let me tell you right off the bat, push through that first episode, I promise you it gets more interesting. The first episode is a disaster, there's too much shoved in there (one second Ford is an active agent, then suddenly he's teaching, straight after he's at college, then he's working in the BSU) it was dull at best and dead confusing at worst. While the content is interesting, the characters and the relationships are odd and strained. Ford comes across like an actual serial killer (especially when he does that creepy wide-eyed stare *shivers*), he's socially awkward, his mannerisms feel stunted and strange and overall he is not a likeable character. I like to feel connected in some way to the characters I'm watching and at this stage Ed is more relatable than Ford (which is terrifying because - actual murderer there ?). The girlfriend is even worse, they both feel just - forced (and what's with the weirdly placed sex scenes?! They don't add anything to the story at all!) There's oddly placed scenes which are weird and don't make sense (Carr and the tuna/invisible cat - why - just why was that in there? It wasn't necessary and what was the point of that? Was it supposed to be creepy? Unsettling? Because for me it was just random and pointless). Tench is the only consistant, interesting character (who, bless him, smokes waaaay too much). Overall the show is slow, which admittedly can be a good thing, especially because at first they see so much resistance to the idea that people aren't always just 'born bad', but it never really picks up speed (like you're kind of expecting it to). The last episode is very odd, Ford becomes confusing and erratic, which is a complete 360 from his dead-eyed emotionally inept character in the first episodes. Is he having a breakdown? Is he realising he shares traits with the violent killers he's interviewing? The ending didn't make sense to me at all. I give the show an 8 for content because it is super fascinating, and appropriately disturbing but character wise it's definitely a 5, you just never really 'connect' with anyone. That being said, I will watch the next season, because it's still an interesting show, though it will be at the bottom of my 'to watch' list.
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Quinn Blackburn (3 KP) rated Unwind (Unwind, #1) in Books
May 14, 2018
Render Unto Cesar
Shusterman takes dystopian futures a step above the ordinary in this dark coming of age tale. In the not too distant future a war was fought in the U.S. over abortion, the 2nd Civil War. To appease all sides an unthinkable accord was reached. Instead of abortion, between the ages of 13 and 18 you can choose to send your child to a Harvest camp to be unwound, taken apart and all their body parts donated to others. We are given three characters with differing perspectives through which we see the workings of this world.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
Kristy H (1252 KP) rated Dear Mr. M in Books
Feb 13, 2018
"M" is a famous writer whose best days are probably, if truth be told, behind him. He's best known for his novel, Payback, which tells the story of a high school history teacher, Mr. Landzaat, who went missing one winter after having an affair with one of his female students. That student, Laura, had moved on to a relationship with a boy her own age, Herman. The two were staying at a vacation cottage and were the last ones to see their teacher. Did they have something to do with his disappearance? Now, M lives with his beautiful (much younger) wife and little daughter in an apartment. They have a neighbor who seems to have a odd fascination with the couple, but why? The novel weaves together the tales of these disparate characters.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
Hazel (1853 KP) rated The Diamond Courier in Books
Dec 10, 2020
Twenty years have passed since the end of Hannah Byron's World War One novel In Picardy's Fields. It is now 1939 and the Second World War is just beginning, but all seems peaceful in Kent, England where the narrator, Lili Hamilton, lives with her parents. War is the last thing on Lili's mind as she contemplates how to get out of an arranged marriage and pursue a career in journalism.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
Hazel (1853 KP) rated Dogfight (Special Operations, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Quite often novels concerning the Second World War are assumed to be about Great Britain, Germany or life in concentration camps. However, first in series <i>Special Operations: Dogfight</i> by Craig Simpson is set in Norway in 1940 where Nazi’s have invaded.
The story is about fifteen-year-old Finn Gunnersen and his best friend Loki whose families are deeply involved with the resistance. Although they are still young boys, Finn and Loki end up playing an enormous role. Finn survives imprisonment and goes on to help a British Agent who has parachuted into Norway. As well as being a brilliant piece of historical fiction, this novel turns out to be an exciting thriller for teenagers.
Although suitable for both male and female readers, boys of ages ten and up would particularly like this book especially if they have a fascination for aircraft. There is a lot of detail about different types of planes and the author has even included a few diagrams and details at the beginning of the book.
Finn is a great hero with admirable strength and bravery. Simpson does not undermine women however and includes a couple of amazing female characters with just as much courage as the men.
<i>Special Operations: Dogfight</i> is a work of fiction but it was inspired by real events. It’s Norwegian setting makes it educational in that it teaches the reader about the effect of the war on innocent people in countries less spoken about in history textbooks. Despite some of the areas being made up to suit the story, Simpson has done a magnificent job at keeping it historically accurate and must have spent a great deal of time on research.
<i>Special Operations: Dogfight</i> is a brilliant book for young readers. For some the historical setting may be off putting but the characters feel as modern as teenagers today. The story is exciting and has a fantastic ending, including a few plot twists you do not see coming!
Quite often novels concerning the Second World War are assumed to be about Great Britain, Germany or life in concentration camps. However, first in series <i>Special Operations: Dogfight</i> by Craig Simpson is set in Norway in 1940 where Nazi’s have invaded.
The story is about fifteen-year-old Finn Gunnersen and his best friend Loki whose families are deeply involved with the resistance. Although they are still young boys, Finn and Loki end up playing an enormous role. Finn survives imprisonment and goes on to help a British Agent who has parachuted into Norway. As well as being a brilliant piece of historical fiction, this novel turns out to be an exciting thriller for teenagers.
Although suitable for both male and female readers, boys of ages ten and up would particularly like this book especially if they have a fascination for aircraft. There is a lot of detail about different types of planes and the author has even included a few diagrams and details at the beginning of the book.
Finn is a great hero with admirable strength and bravery. Simpson does not undermine women however and includes a couple of amazing female characters with just as much courage as the men.
<i>Special Operations: Dogfight</i> is a work of fiction but it was inspired by real events. It’s Norwegian setting makes it educational in that it teaches the reader about the effect of the war on innocent people in countries less spoken about in history textbooks. Despite some of the areas being made up to suit the story, Simpson has done a magnificent job at keeping it historically accurate and must have spent a great deal of time on research.
<i>Special Operations: Dogfight</i> is a brilliant book for young readers. For some the historical setting may be off putting but the characters feel as modern as teenagers today. The story is exciting and has a fantastic ending, including a few plot twists you do not see coming!
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Jamie (131 KP) rated The Handmaid's Tale - Season 1 in TV
Jul 15, 2017
Phenomenal casting (4 more)
Changes to the plot add more to the characters and world of Gilead
Gorgeous technicolor visuals
Retains the dark tone of it's source material
Wonderful original soundtrack
June's character is changed in a way that goes against one of the original messages of the book (1 more)
Soundtrack sometimes included pop songs that were jarring and obnoxiously loud
Adds new depth to an already incredible story
I LOVE The Handmaid's Tale. Both the book and now the television show. The show is stunningly beautiful in terms of it's visuals and soundtrack. The casting was outstanding, it is everything I ever wanted from an adaptation of this marvelous book.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)