Search
Merissa (13961 KP) created a post
Mar 16, 2021
Going to Blazes?: Further Tales of a Country Fireman
Book
It's 1987 and 26-year-old Malcolm Castle is going up in the world. He's made it through eight long...
Backgammon - Lord of the Board
Games
App
Play Backgammon - Lord of the Board, The #1 Free Backgammon App! Challenge yourself and others to...
JT (287 KP) rated The Raid (2011) in Movies
Mar 10, 2020
As a big fan of action I always look for a film that really holds your attention as well as capture the imagination.We all know that there is a sense of unbelievability that is needed for some action films, and The Raid will certainly check those two points off the list.
The film follows Rama (Uwais) a rookie cop who is part of a S.W.A.T team sent into a tower block to bring down drug lord Tama (Sahetapy), who is holed up surrounded by a army of psychopathic knife wielding maniacs. This is a man that is not to be messed with as we see him viciously execute five men at close range. When he runs out of bullets on the last man we think he’ll let him go. Not so, as he goes to the desk draw, in it are a couple of bullets and a hammer….he takes the hammer.
Meanwhile as the team arrive at the building it’s clear that they are not going to get it all their own way as the majority of them are picked off one by one leaving only a few survivors trapped on the seventh floor. With seemingly nowhere to go, the small band of brothers agree to finish what they started, and go get Tama. The action is explosive, right from the moment the cops set foot inside the carnage begins and doesn’t really let itself catch breath for the 90 minutes.
The fight scenes in-particular are brilliantly choreographed, the climatic fight at the end just seems to keep going and going. A lot of work has gone into getting them just right, in fact the character Mad Dog who is played by Yayan Ruhian had a big part to play in orchestrating them.
There might be the risk that seeing one Indonesian getting the shit kicked out of them one after another may become boring, but that is not the case. Director Gareth Evans has immersed us fully in the action, with wide angled shots giving us a a beautiful picture to look at.
It’s a fully enjoyable film that will have you wincing in pleasure, there must be something about the tower block that attracts, but Evans has taken the action genre to great heights with this one.
The film follows Rama (Uwais) a rookie cop who is part of a S.W.A.T team sent into a tower block to bring down drug lord Tama (Sahetapy), who is holed up surrounded by a army of psychopathic knife wielding maniacs. This is a man that is not to be messed with as we see him viciously execute five men at close range. When he runs out of bullets on the last man we think he’ll let him go. Not so, as he goes to the desk draw, in it are a couple of bullets and a hammer….he takes the hammer.
Meanwhile as the team arrive at the building it’s clear that they are not going to get it all their own way as the majority of them are picked off one by one leaving only a few survivors trapped on the seventh floor. With seemingly nowhere to go, the small band of brothers agree to finish what they started, and go get Tama. The action is explosive, right from the moment the cops set foot inside the carnage begins and doesn’t really let itself catch breath for the 90 minutes.
The fight scenes in-particular are brilliantly choreographed, the climatic fight at the end just seems to keep going and going. A lot of work has gone into getting them just right, in fact the character Mad Dog who is played by Yayan Ruhian had a big part to play in orchestrating them.
There might be the risk that seeing one Indonesian getting the shit kicked out of them one after another may become boring, but that is not the case. Director Gareth Evans has immersed us fully in the action, with wide angled shots giving us a a beautiful picture to look at.
It’s a fully enjoyable film that will have you wincing in pleasure, there must be something about the tower block that attracts, but Evans has taken the action genre to great heights with this one.
Sexist, self-absorbed codswallop
This is probably one of the worst books I've read this year unfortunately. It's full of contradictions, too many to go through each and every one. But here are a few.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
Bob Mann (459 KP) rated Copshop (2021) in Movies
Sep 15, 2021
Ludicrous plot points ruin a promising actioner.
Teddy Murretto (Frank Grillo) is arrested after deliberately punching dedicated rookie cop Valerie Young (Alexis Louder) and incarcerated within Gun Creek City police station. Soon after, Bob Viddick (Gerard Butler) is dumped in the opposite cell for drunk driving. It’s clear both men intended to end up there, but why?
The wheels come off the night big time though when the psychopathic Anthony Lamb (Toby Huss) arrives, having the same mission as Viddick.
Positives:
- While the three male leads have fun with their roles, the star of the show for me was the (unknown to me) Alexis Louder. She delivers a really strong performance here, with a confident stillness in some of her close-ups.
- There are a number of nice lines in the script, some of which made me laugh out loud, which I wasn't expecting to do.
- As a 'park your brain at the door' shoot-em-up, the ending is fun, similar in many ways I thought to the claustrophobic violence of "Free Fire".
Negatives:
- Here's YET another example of a script that is downright insulting to the audience's intelligence. There are some genuine "WTF" moments in this script. I can't go into details without dropping spoilers, but the biggest of these - you'll know it when you see it - is a genuine "HANG ON A MINUTE!!!" moment.
- The sound mix drowns out a lot of the (already drawly and indistinct) dialogue with the incessant music. It's really difficult to pick up on some of the lines.
- There's something surprisingly 'retro' about the whole movie, right down to the use of split-screen at the end. The titles feel as if they were from a 70's TV show like Kojak. I could imagine this would work well... if the movie had actually been set in the 70's!
Summary Thoughts on "Copshop": There's almost a good little action film buried in here struggling to get out. Alexis Louder makes a very positive impression with the best parts of the film happening when she is verbally sparring with Butler. But a good action movie needs to keep things credible, albeit on the edge of credibility (e.g. John McClane's lift shaft fall in "Die Hard" is very much on the boundary, if a little over it). Thanks to some ludicrous decisions within the script, this one lost all credibility for me and took me right out of the story.
(For the full graphical and video reviews, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
The wheels come off the night big time though when the psychopathic Anthony Lamb (Toby Huss) arrives, having the same mission as Viddick.
Positives:
- While the three male leads have fun with their roles, the star of the show for me was the (unknown to me) Alexis Louder. She delivers a really strong performance here, with a confident stillness in some of her close-ups.
- There are a number of nice lines in the script, some of which made me laugh out loud, which I wasn't expecting to do.
- As a 'park your brain at the door' shoot-em-up, the ending is fun, similar in many ways I thought to the claustrophobic violence of "Free Fire".
Negatives:
- Here's YET another example of a script that is downright insulting to the audience's intelligence. There are some genuine "WTF" moments in this script. I can't go into details without dropping spoilers, but the biggest of these - you'll know it when you see it - is a genuine "HANG ON A MINUTE!!!" moment.
- The sound mix drowns out a lot of the (already drawly and indistinct) dialogue with the incessant music. It's really difficult to pick up on some of the lines.
- There's something surprisingly 'retro' about the whole movie, right down to the use of split-screen at the end. The titles feel as if they were from a 70's TV show like Kojak. I could imagine this would work well... if the movie had actually been set in the 70's!
Summary Thoughts on "Copshop": There's almost a good little action film buried in here struggling to get out. Alexis Louder makes a very positive impression with the best parts of the film happening when she is verbally sparring with Butler. But a good action movie needs to keep things credible, albeit on the edge of credibility (e.g. John McClane's lift shaft fall in "Die Hard" is very much on the boundary, if a little over it). Thanks to some ludicrous decisions within the script, this one lost all credibility for me and took me right out of the story.
(For the full graphical and video reviews, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
JT (287 KP) rated Dredd (2012) in Movies
Mar 10, 2020
From the opening slow motion bullet to the face and exit wound that leaves a spray of deep red across the screen, it’s clear to see that this Dredd reboot is all about eradicating the memory of Stallone. It also does its best to stay true to the graphic novels in which this Judge Dredd leaves his helmet on for the entirety.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Darren (1599 KP) rated Marauders (2016) in Movies
Jul 25, 2019
Story: Marauders starts when a bank robbery which leaves the bank manager executed, the president of the bank Hubert (Willis) has an excellent reputation and with the FBI investigating the robbery, Montgomery (Meloni) and his team Stockwell (Bautista) and newbie Wells (Grenier) try to put the clues together.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
Kristy H (1252 KP) rated Things You Save in a Fire in Books
Aug 5, 2019
Cassie Hanwell is a great firefighter. She loves her job in Austin, Texas and her friendly crew. Cassie's life is shaped by a series of events that occurred on her sixteenth birthday, including her mother leaving her and her father. Now she stays clearly in her comfort zone. That zone includes work, work, and more work. No relationships, no real attachments to anyone, a strong resistance to forgiving her mother, and definitely not love. But when her mom calls Cassie and asks her to move to Boston to help her--due to an illness--Cassie has to leave that comfort zone. Big time. She has to go live with her mother, whom she barely knows anymore. She has to leave behind her progressive Austin crew and work with a group of guys in Boston who are appalled at the thought of a "lady" on their crew. Except for one guy, the new rookie, who has no problem with Cassie. And Cassie doesn't mind being around him. At all. In fact she even likes it. But love isn't in Cassie's vocabulary, and even if it was, everyone knows firefighters don't date other firefighters. Right?
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
The Plant-Based Journey: A Step-by-Step Guide for Transitioning to a Healthy Lifestyle and Achieving Your Ideal Weight
Howard Jacobson, Lani Muelrath, T. Colin Campbell and Neal Barnard
Book
It's been proven that a plant-based diet is good for your weight, health, budget, and the...