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High Moor
10
10.0 (1 Ratings)
Book Rating
123 of 220
Kindle
High Moor ( book 1)
By Graeme Reynolds
⭐️⭐️⭐️⭐️⭐️

When John Simpson hears of a bizarre animal attack in his old home town of High Moor, it stirs memories of a long forgotten horror. John knows the truth. A werewolf stalks the town once more, and on the night of the next full moon, the killing will begin again. He should know. He survived a werewolf attack in 1986, during the worst year of his life.

It's 1986 and the town is gripped in terror after the mutilated corpse of a young boy is found in the woods. When Sergeant Steven Wilkinson begins an investigation, with the help of a specialist hunter, he soon realises that this is no ordinary animal attack. Werewolves are real, and the trail of bodies is just beginning, with young John and his friends smack in the middle of it.

Twenty years later, John returns to High Moor. The latest attack involved one of his childhood enemies, but there's more going on than meets the eye. The consequences of his past actions, the reappearance of an old flame and a dying man who will either save or damn him are the least of his problems. The night of the full moon is approaching and time is running out.

But how can he hope to stop a werewolf, when every full moon he transforms into a bloodthirsty monster himself?

I absolutely loved this book! It was good old hammer horror vibe werewolf fun with a little twist of some modern tales. So interesting and gory the characters were brilliant from the “goodies” to the “baddies”. I didn’t want to put it down best werewolf book I’ve read for a long time. Highly recommend!
  
Sophia (The Brides of San Fransico book 4)
Sophia (The Brides of San Fransico book 4)
Cynthia Woolf | 2018 | Fiction & Poetry, Romance
8
8.0 (1 Ratings)
Book Rating
few pages in but not as good as books 1-3, but could get better. (0 more)
romantic western
taken from amazon-Working long hours in a New York City bakery is not at all what Sophia Hayes had planned for her life. When her fiancé breaks their engagement her to marry her thinner, blonder, more beautiful sister, Sophia knows it is time to do something drastic, something completely unexpected. All she's ever wanted is to have a husband and family of her own. Agreeing to be a mail-order bride seems the perfect answer.

Robert Langley has been a sailor his entire life. As Captain of the Sapphire of India, his last cargo made him a very wealthy man, but his time at sea cost him much. His wife was killed in an accident while running away with another man leaving him a widower with four young children who barely recognize their own father. A mail-order bride seems to be the ideal solution. He simply needs a willing woman to warm his bed and a compassionate woman to raise his children. Love is not an option.

Sophia's sister is not content to leave well enough alone. When her husband dies unexpectedly, she makes her way to San Francisco to do what she has always done...take what she wants. And the moment she sets eyes on her sister's new family, what she wants is Robert Langley.

Sophia has always believed her stunning, talented sister deserved the best in life. But this time Sophia is in love, and she's not going to surrender without a fight.
  
Wonder Woman 1984 (2020)
Wonder Woman 1984 (2020)
2020 | Adventure, Fantasy
Gal Gadot: stunning (2 more)
Movie with real heart
Excellent cinematography
WW dot Well Worth Waiting for Gadot
The long delayed release of the Wonder Woman sequel has finally happened, and it is well worth waiting for.

Gal Gadot is fabulous as the Amazonian beauty (and then some) with Chris Pine reprising his role from the first thing. (Of all the WTF moments of 2020 trailers, this was top of the list.... just HOW? A McGuffin is involved, but no spoilers here!).

In brief, Patty Jenkins delivers a popcorn blockbuster than has legs (over and above Gadot's perfect specimens!): the Goblet-of-Fire-Potteresque pre-title sequence is thrilling and engaging. And the story builds cleverly through the first half of the movie. Above all, there is a heap of HEART involved here.... this is not your run of the mill supervillain showdown flick. In fact, it's a movie with TWO villain (normally a doom-laden premise for this reviewer... "Spider Man 3".... shudder), but here it really works well.

Sure, there is a requirement for a suspension of belief, but - hey - it's a DC movie. On a slight downside, the second half of the movie - for me -unfortunately doesn't quite live up to the promise of first half, blending "Bruce Almighty" with "Superman 2" and rather over-egging the pudding.

But in a morass of B-pics, this sequel is one that is gorgeous to look at (Matthew Jensen's cinematography is superb), gorgeous to listen to (an epic score by Hans Zimmer) and is genuinely engaging. There's also a nice vein of humour running through it... when Kristen Wiig is in a park, a rough sleeper on a bench is reading "Waiting for Godot".... or is it "Waiting for Gadot"??
 It's such a brief scene, I wasn't sure!

Although I DEPLORE the Warner Brother's decision to release their material in parallel to streaming, here is a movie that is WELL WORTH you getting out to the cinema to see... assuming that you can find a UK cinema open (I saw this in the excellent Showcase De Luxe in Southampton).

Oh, and if you are someone who dives for the exit at the first title... resist... there is an excellent mid-title sequence featuring a wonderful cameo for us older folks!

(Please check out the full graphical review on bob-the-movie-man, which will be going live shortly. Thanks).
  
The Conjuring (2013)
The Conjuring (2013)
2013 | Horror
Have the exact same opinion from when I first saw it, it's fun and has its share of scary moments but holy hell is it also exhausting and conventional. Very handsomely made with a lot of visual personality (it's impossible for Wan to make a bad film simply because of how damn good they look) but otherwise short on nuance and running about fifteen minutes too lengthy. I mean this was practically made for normies to love but otherwise in terms of its acclaim even at the time, I don't really get it? I can't stress enough how much this did for modern horror as we know it and I of course applaud it for that, but I think most people were just shocked that a high-grossing studio horror movie could be shot and acted well back then imo. Putting aside the fact that they're real-life bullshit artists, the Warrens depicted here are just about as bland as can be - for me this whole affair just doesn't have the verve or the flavor of Wan's 𝘐𝘯𝘴𝘪𝘥𝘪𝘰𝘶𝘴. His playfulness and the entire cast's conviction help ultimately sell this for me even in spite of its austerity; the moments when this feels like a rustic haunted house joyride make it work but the rest it of mostly *strains* man come on this shit is so beyond familiar territory even by this point. Fine, but could have been better.