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Darren (1599 KP) rated The Peanut Butter Falcon (2019) in Movies
Mar 14, 2020
Verdict: Beautiful Movie
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Carma (21 KP) rated Wanting Secret Baby in Books
Jun 17, 2019
Naomi has the worst luck finding men. She wants to find someone to settle down with and start a family but all the men she keeps interacting with are duds. At her friends engagement party she encounters the brother of the intended groom and sparks fly, at least on her end. Is Alex the man she needs in her life?
Naomi has enchanted Alex since first glance. Hes barely spoken to her, yet she envelops his nightly dreams. He cannot get her face out of his conscience and tries to come up with any excuse just to see her again. When his brother asks him to be his best man, knowing Naomi is the maid of honor gives him a perfect excuse to see her again.
Naomi is powerless whenever Alex is near her. She needs to find a way to be as far from him at all times as possible. He messes with her concentration to a point that she knows she cant trust herself near him. One stolen kiss is all it takes to send her over the edge.
Alex and Naomi cant fight the pull that is constantly at work when they are near each other. After sneaking away from the wedding reception they find themselves at the point of no return. A tragic phone call after sends Naomi running from Alex, but can she stay away from him forever?
Alex and Naomi find themselves apart but never far from each others thoughts. After an unexpected gift leaves Naomi scrambling to escape, will she ever be able to come home again? Alex has to get Naomi out of his mind, for good this time. He tries to move on but every woman has Naomis face. When she shows back up in town a year later, he realizes he still cares for her more than hes ever cared for any woman. Can he convince her to give him a chance?
Include some big secrets in the mix and Naomi and Alex find themselves fighting even harder to stay apart. Their chemistry is palpable. I received an advance copy without expectation for review, any and all opinions expressed are my own.
Naomi has enchanted Alex since first glance. Hes barely spoken to her, yet she envelops his nightly dreams. He cannot get her face out of his conscience and tries to come up with any excuse just to see her again. When his brother asks him to be his best man, knowing Naomi is the maid of honor gives him a perfect excuse to see her again.
Naomi is powerless whenever Alex is near her. She needs to find a way to be as far from him at all times as possible. He messes with her concentration to a point that she knows she cant trust herself near him. One stolen kiss is all it takes to send her over the edge.
Alex and Naomi cant fight the pull that is constantly at work when they are near each other. After sneaking away from the wedding reception they find themselves at the point of no return. A tragic phone call after sends Naomi running from Alex, but can she stay away from him forever?
Alex and Naomi find themselves apart but never far from each others thoughts. After an unexpected gift leaves Naomi scrambling to escape, will she ever be able to come home again? Alex has to get Naomi out of his mind, for good this time. He tries to move on but every woman has Naomis face. When she shows back up in town a year later, he realizes he still cares for her more than hes ever cared for any woman. Can he convince her to give him a chance?
Include some big secrets in the mix and Naomi and Alex find themselves fighting even harder to stay apart. Their chemistry is palpable. I received an advance copy without expectation for review, any and all opinions expressed are my own.
Successful Consulting: Teach Yourself
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Jesters_folly (230 KP) rated #Alive (2020) in Movies
Oct 17, 2020
Contains spoilers, click to show
#Alive is a Korean zombie movie that focuses on the survival of Oh Joon-woo, a young man who is stranded in his family's apartment at the outbreak of the zombie virus and follows him as he tries to work out what is happening, how he can survive and how he can cope with the fact that his family is probably dead.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
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Movie Metropolis (309 KP) rated Jurassic World (2015) in Movies
Jun 10, 2019
A Trip down memory lane
Can you believe it’s been 14 years since genetically modified dinosaurs rampaged across our screens in Joe Johnston’s underwhelming Jurassic Park III?
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
Movie Metropolis (309 KP) rated The Grey (2012) in Movies
Jun 10, 2019
Is there ever a better match up than Liam Neeson and a good solid action flick? This reviewer thinks not and this is exactly what we have here. However, Joe Carnahan’s latest offering, The Grey is a lot more than the formulaic paint by numbers action movie.
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/