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Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
Debbiereadsbook (1444 KP) rated In Safe Keeping (Heroes and Babies #2) in Books
Sep 3, 2019
excellent follow up!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is book two in the Heroes and Babies series, but you do NOT need to have read book one, In Safe Hands, before you read this one. There is (or I didn’t pick it up) no relation between the two books, save the Hero and the Baby! But I recommend you do read it, because its bloody brilliant!
Lucas couldn’t save his son, who died in a fire 3 years ago, but saving Owen and baby Mia goes a little way to help. But Owen in clearly running, from what Lucas doesn’t know. His protective instincts are out the roof for Owen and Mia, and Lucas will do anything to keep them safe.
Book one got me out of a bit of a book funk and blew me away, and book two did too!
Lucas’ pain isn’t immediate obvious, and it takes time for the full picture to become clear. I mean, two thirds of the book before you get it ALL laid out for you! And not everything is how you think it’s gonna be! Love being kept on my toes.
The attraction Lucas has for Owen is also slow to become clear, sort of sneaking up on him. While Lucas was married to a woman, he doesn’t question his attraction to Owen, and just runs with it.
Owen’s pain is equally slow in coming out, and it’s not easy reading, not at all. Owen’s attraction to Lucas is powerful, but Owen questions whether that is just the situation, rather than anything real. When they finally get to the “good stuff” though, Owen knows who he wants, he just hopes Lucas feels the same.
Because of the creeping up on Lucas thing, it is not especially explicit, but then again, it doesn’t need to be. It is hot though, it just takes a long time, right till nearly the end of the book!
Again, we get to hear from the bad guy, although said bad guy isn’t quite as bad as one would think, just a man in a really bad place. It is quite graphic, the level of violence that occurs but I think the IS needed, for Owen’s fright to be fully explained, for you to understand what it is he is running from.
Both have guys a say, and you know that makes me happy! I wasn’t sure if Owen would, at first, but he does. Both voices are different, and well written.
I am, currently, listening to book one, and I was hearing Michael Pauley narrate this, so I would hope he does narrate this as well as he does book one!
5 stars
**same worded review will appear elsewhere**
This is book two in the Heroes and Babies series, but you do NOT need to have read book one, In Safe Hands, before you read this one. There is (or I didn’t pick it up) no relation between the two books, save the Hero and the Baby! But I recommend you do read it, because its bloody brilliant!
Lucas couldn’t save his son, who died in a fire 3 years ago, but saving Owen and baby Mia goes a little way to help. But Owen in clearly running, from what Lucas doesn’t know. His protective instincts are out the roof for Owen and Mia, and Lucas will do anything to keep them safe.
Book one got me out of a bit of a book funk and blew me away, and book two did too!
Lucas’ pain isn’t immediate obvious, and it takes time for the full picture to become clear. I mean, two thirds of the book before you get it ALL laid out for you! And not everything is how you think it’s gonna be! Love being kept on my toes.
The attraction Lucas has for Owen is also slow to become clear, sort of sneaking up on him. While Lucas was married to a woman, he doesn’t question his attraction to Owen, and just runs with it.
Owen’s pain is equally slow in coming out, and it’s not easy reading, not at all. Owen’s attraction to Lucas is powerful, but Owen questions whether that is just the situation, rather than anything real. When they finally get to the “good stuff” though, Owen knows who he wants, he just hopes Lucas feels the same.
Because of the creeping up on Lucas thing, it is not especially explicit, but then again, it doesn’t need to be. It is hot though, it just takes a long time, right till nearly the end of the book!
Again, we get to hear from the bad guy, although said bad guy isn’t quite as bad as one would think, just a man in a really bad place. It is quite graphic, the level of violence that occurs but I think the IS needed, for Owen’s fright to be fully explained, for you to understand what it is he is running from.
Both have guys a say, and you know that makes me happy! I wasn’t sure if Owen would, at first, but he does. Both voices are different, and well written.
I am, currently, listening to book one, and I was hearing Michael Pauley narrate this, so I would hope he does narrate this as well as he does book one!
5 stars
**same worded review will appear elsewhere**
Rachel King (13 KP) rated Rugged and Relentless (Husbands for Hire, #1) in Books
Feb 11, 2019
This book had quite an intriguing premise -- four women decide to place an ad for husbands in order to revive a dead mining town and turn it into a sawmill town. Their good intentions did not account for the reality of the kind of men who would be showing up for such a curious promise, and the likelihood of their being able to maintain control of a town full of men. I also found it a bit ironic that the book is marketed as a Christian fiction book, though the four women have made themselves heads over the men and are anything but submissive -- even Cora, the one woman actually engaged. Still, the scenario presents some humorous situations as the women interact with the various men of many colorful backgrounds.
The major issue of control is a point of contention for the women throughout the book, as it is obvious that food and lodging won't be enough to corral the men into subservience, even food as delicious as Evie's. Jake is one of the men that steps in to act as bodyguard to the women and leader over the men, since he conveniently has a background in running a sawmill. Jake's presence in Hope Falls is an accident, though, as he had no previous interest in obtaining a wife and was more interested in pursuing revenge for the murder of his brother. He adopts the name Jacob Creed to hide his identity, and uses the husband ad as a cover for his true intentions, but his attraction to Evie is obvious to all but Evie herself.
Evie's self-esteem issues regularly get in the way of her being able to build a relationship with any of the men, especially the one man who gets under her skin, Jacob. She covers her low self-esteem with a bossy pride that annoyed me throughout the book, as her main obstacle seemed to be herself. But Jacob's approach to her low self-image will have any woman with "heft" cheering, especially when he almost force-fed her cookies.
This book was a fun and humorous read, with an original concept that I found refreshing.
The major issue of control is a point of contention for the women throughout the book, as it is obvious that food and lodging won't be enough to corral the men into subservience, even food as delicious as Evie's. Jake is one of the men that steps in to act as bodyguard to the women and leader over the men, since he conveniently has a background in running a sawmill. Jake's presence in Hope Falls is an accident, though, as he had no previous interest in obtaining a wife and was more interested in pursuing revenge for the murder of his brother. He adopts the name Jacob Creed to hide his identity, and uses the husband ad as a cover for his true intentions, but his attraction to Evie is obvious to all but Evie herself.
Evie's self-esteem issues regularly get in the way of her being able to build a relationship with any of the men, especially the one man who gets under her skin, Jacob. She covers her low self-esteem with a bossy pride that annoyed me throughout the book, as her main obstacle seemed to be herself. But Jacob's approach to her low self-image will have any woman with "heft" cheering, especially when he almost force-fed her cookies.
This book was a fun and humorous read, with an original concept that I found refreshing.
Gareth von Kallenbach (980 KP) rated Friday Night Lights (2004) in Movies
Aug 14, 2019
For many small towns in America, the rituals surrounding football season have become so ingrained into the fabric of local society that all aspects of life revolve around the game each Friday.
One prime example of this is in the town of Odessa Texas, where every fall young men embrace the rituals of football as their ticket to bigger and better things in life, and where local merchants close their shops less than miss a single moment of the biggest show in town, the Perriman Panthers.
In the new film &”Friday Night Lights”, audiences get a firsthand look at the trials and tribulations that the team endured during its 1988 season that had previously been covered in the book of the same name by H.G. Bissinger which centered much like the film on the racial and economic overtones of the community.
The film stars Billy Bob Thornton as Coach Gary Gaines a man who despite a string of winning seasons and State Championships to his credit is under pressure to deliver not only a championship team, but an undefeated season as well. The players feel the pressure to, as every person they encounter on the eve of their season is quick to remind them to win it all and go undefeated.
While the first game starts as an enjoyable romp for Perriman and fans it soon becomes tragic when all everything running back Boobie Miles (Derick Luke), injures his knee and as a result the team is routed in it’s next start causing the world to fall in around the coach as disgruntled local fans go so far as to clutter his home with for sale signs following a single loss.
Undaunted the team picks itself up and finds a way to get back to its winning ways and make a run for the state tournament. Along the way the players will be saddled with the standard issues including but not limited to injuries, self-doubt, an abusive father, a sick parent, and local pressure from rabid fans that will not accept anything short of an undefeated season.
While the game scenes of the fill are well done, as Director Peter Berg mixes footage of the 2003 Perriman team with recreated scenes to create a dynamic and engrossing recreation of the game that is perhaps one of the best ever captured on film. Sadly, the game sequences are the only good part of the film as when the story deviates from the actual games, it becomes bogged down in boring sentiment and sports film stereotypes that are so over used, the film has little tension or surprises as I was easily able to see what was coming.
As if this was not bad enough, Thornton is mostly wasted as aside from a few good one-liners, he is reduced to the stern coach with the heart of gold. We know his character loves his family and his team but we do not know what drives and motivates the man. Worse yet, the team is made up of generally bland and unremarkable individuals who do not gain much sympathy from the audience as they are so bland I found myself caring little as to their outcomes.
The more I watched the film, the more I kept being reminded of “Varsity Blues” which compared to “Lights”, is a much better film in almost every aspect. My advice, save this one for a rental.
One prime example of this is in the town of Odessa Texas, where every fall young men embrace the rituals of football as their ticket to bigger and better things in life, and where local merchants close their shops less than miss a single moment of the biggest show in town, the Perriman Panthers.
In the new film &”Friday Night Lights”, audiences get a firsthand look at the trials and tribulations that the team endured during its 1988 season that had previously been covered in the book of the same name by H.G. Bissinger which centered much like the film on the racial and economic overtones of the community.
The film stars Billy Bob Thornton as Coach Gary Gaines a man who despite a string of winning seasons and State Championships to his credit is under pressure to deliver not only a championship team, but an undefeated season as well. The players feel the pressure to, as every person they encounter on the eve of their season is quick to remind them to win it all and go undefeated.
While the first game starts as an enjoyable romp for Perriman and fans it soon becomes tragic when all everything running back Boobie Miles (Derick Luke), injures his knee and as a result the team is routed in it’s next start causing the world to fall in around the coach as disgruntled local fans go so far as to clutter his home with for sale signs following a single loss.
Undaunted the team picks itself up and finds a way to get back to its winning ways and make a run for the state tournament. Along the way the players will be saddled with the standard issues including but not limited to injuries, self-doubt, an abusive father, a sick parent, and local pressure from rabid fans that will not accept anything short of an undefeated season.
While the game scenes of the fill are well done, as Director Peter Berg mixes footage of the 2003 Perriman team with recreated scenes to create a dynamic and engrossing recreation of the game that is perhaps one of the best ever captured on film. Sadly, the game sequences are the only good part of the film as when the story deviates from the actual games, it becomes bogged down in boring sentiment and sports film stereotypes that are so over used, the film has little tension or surprises as I was easily able to see what was coming.
As if this was not bad enough, Thornton is mostly wasted as aside from a few good one-liners, he is reduced to the stern coach with the heart of gold. We know his character loves his family and his team but we do not know what drives and motivates the man. Worse yet, the team is made up of generally bland and unremarkable individuals who do not gain much sympathy from the audience as they are so bland I found myself caring little as to their outcomes.
The more I watched the film, the more I kept being reminded of “Varsity Blues” which compared to “Lights”, is a much better film in almost every aspect. My advice, save this one for a rental.
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BankofMarquis (1832 KP) rated Godzilla Minus One (2023) in Movies
Dec 14, 2023
Surprisingly Human...for a Monster Movie
The BankofMarquis just viewed one of the most entertaining films of 2023 - and it’s a GODZILLA film.
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)