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LeftSideCut (3776 KP) rated Krampus (2015) in Movies
Dec 15, 2020
Krampus is an absolute gem of a Christmas movie. It manages to pack in a bit of festive spirit, whilst simultaneously being a fun-as-hell horror ride, and has enough strikingly creepy imagery, ensuring it satisfies horror fans, and potentially a slightly younger audience at the same time.
The first third is sort of a comedy, as the characters are introduced against the familiar backdrop of having the dreaded experience of extended family over for the holidays. The cast are all great - Adam Scott, David Koechner, Allison Tolman, Conchata Ferrell and Krista Stacker all carve out personas with their own unique traits, and all do it in a relatble manner. The shining star is of course Toni Collette, who just manages to be fantastic in everything she's in, even a silly comedy horror like Krampus. The kid actors are great as well, especially Emjay Anthony as lead character Max.
When the horror starts to unfold, it's executed in a sort of gateway-horror style. It's fun enough to appeal to a younger audience as mentioned, but still has creepy moments. For instance, when the titular Krampus is first glimpsed, bounding across rooftops in a blizzard, it's a striking visual that manages to be quite haunting. The whole aesthetic is fantastic, festive one minute, dark and cold the next, with an almost Nightmare Before Christmas look to all of the monsters. Krampus himself looks horrifying when he is finally revealed in all his demonic yuletide glory. There's also an incredibly charming animated segment around the midway point that just adds even more to the overall experience.
If you're looking for an alternative Christmas movie, then you can do a lot worse than Krampus. It's hugely entertaining and memorable, and just a good time all round, and the best movie to include a scene involving murderous gingerbread men (sorry Gingerbread Man...)
The first third is sort of a comedy, as the characters are introduced against the familiar backdrop of having the dreaded experience of extended family over for the holidays. The cast are all great - Adam Scott, David Koechner, Allison Tolman, Conchata Ferrell and Krista Stacker all carve out personas with their own unique traits, and all do it in a relatble manner. The shining star is of course Toni Collette, who just manages to be fantastic in everything she's in, even a silly comedy horror like Krampus. The kid actors are great as well, especially Emjay Anthony as lead character Max.
When the horror starts to unfold, it's executed in a sort of gateway-horror style. It's fun enough to appeal to a younger audience as mentioned, but still has creepy moments. For instance, when the titular Krampus is first glimpsed, bounding across rooftops in a blizzard, it's a striking visual that manages to be quite haunting. The whole aesthetic is fantastic, festive one minute, dark and cold the next, with an almost Nightmare Before Christmas look to all of the monsters. Krampus himself looks horrifying when he is finally revealed in all his demonic yuletide glory. There's also an incredibly charming animated segment around the midway point that just adds even more to the overall experience.
If you're looking for an alternative Christmas movie, then you can do a lot worse than Krampus. It's hugely entertaining and memorable, and just a good time all round, and the best movie to include a scene involving murderous gingerbread men (sorry Gingerbread Man...)
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LeftSideCut (3776 KP) rated Friday the 13th Part VI: Jason Lives (1986) in Movies
Dec 30, 2020
If you were to show someone who had never watched a Friday the 13th movie, one single film from the franchise, then Part VI would surely be the one. It does everything that this series aims to do so well - it's easy to see why it's such a fan favourite.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
Merissa (13854 KP) rated Atancia (The Durand Duology #1) in Books
Apr 15, 2023
This is the first book of two that details the changing life of Atty (Atancia). She is dealing with panic attacks, possibly brought on by the trauma of seeing a young boy die in front of her. Apart from that, her life is safe and normal. However, that all changes when she goes to a New Year's Eve party and meets Ben. Before you (or she) knows it, her life has changed drastically and not in all ways good. Her beloved nana has died and Atty feels personally responsible. Ben is her knight in shining armour and helps to ease things. Before long, Atty has left the States for Australia, needing some space to get closure whilst she figures out just who she is and what she wants to do with her life.
I won't go into any more details as I dislike giving spoilers but I will say that this book has a fresh take on the whole 'vampire' story which makes it a refreshing and intriguing read. There are lots of amazing characters in here that you will like or dislike, depending on the part they play. Perhaps, it's my twisted mind, but I will admit to looking for 'snakes in the grass' throughout this story. Did I find them? That's for me to know and for you to find out when you read the book!
A brilliant book to start the duology with. Totally recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 11, 2015
I won't go into any more details as I dislike giving spoilers but I will say that this book has a fresh take on the whole 'vampire' story which makes it a refreshing and intriguing read. There are lots of amazing characters in here that you will like or dislike, depending on the part they play. Perhaps, it's my twisted mind, but I will admit to looking for 'snakes in the grass' throughout this story. Did I find them? That's for me to know and for you to find out when you read the book!
A brilliant book to start the duology with. Totally recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 11, 2015
Twinkle, Twinkle Little Star
Education and Games
7.0
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~~ 9 educational activities & games inside + a full interactive Twinkle Twinkle song ~~ ~~ More than...
Daniel Boyd (1066 KP) rated Bronson (2009) in Movies
Nov 14, 2017
Beautifully Brutal
I saw this movie years ago and recently re-watched it. Tom Hardy has given some great performances over the years, but an argument could be made for this being his best. He is in almost every scene in the movie and he commands the screen masterfully. He is domineering yet endearing, in other words you can't take your eyes off of this guy, but you wouldn't want to be left in a room alone with him either. You really do get a sense of him being extremely dangerous and highly unpredictable.
The movie was directed by Nicolas Winding Refn and his unique directorial style works well in the context of this insane story. Refn clearly took influence from other stories of violent insanity, such as A Clockwork Orange and Natural Born Killers, but the movie wears this on its sleeve and never feels derivative for it. The cinematography and lighting are also well implanted in the film, shot by Larry Smith, who has previously worked with Kubrick on Eyes Wide Shut and The Shining. The addition of Smith's eerily pretty camera work adds to the off kilter tone that the movie maintains throughout.
I also like the way that this movie is structured. It comes across as erratic and unconventional, but this is intentional and serves the bizarre narrative perfectly. You have to remember that this is an insane person recalling his deranged memories to an audience inside his own head, it is going to be sporadic and manic at times.
Overall, I think Bronson is a fantastic view into a severely fractured psyche. It is a disturbing and intense watch, so it may not be for everyone, especially if aggressive violence bothers you, but I think it is a masterful film, with one of the greatest lead performances I have ever seen.
The movie was directed by Nicolas Winding Refn and his unique directorial style works well in the context of this insane story. Refn clearly took influence from other stories of violent insanity, such as A Clockwork Orange and Natural Born Killers, but the movie wears this on its sleeve and never feels derivative for it. The cinematography and lighting are also well implanted in the film, shot by Larry Smith, who has previously worked with Kubrick on Eyes Wide Shut and The Shining. The addition of Smith's eerily pretty camera work adds to the off kilter tone that the movie maintains throughout.
I also like the way that this movie is structured. It comes across as erratic and unconventional, but this is intentional and serves the bizarre narrative perfectly. You have to remember that this is an insane person recalling his deranged memories to an audience inside his own head, it is going to be sporadic and manic at times.
Overall, I think Bronson is a fantastic view into a severely fractured psyche. It is a disturbing and intense watch, so it may not be for everyone, especially if aggressive violence bothers you, but I think it is a masterful film, with one of the greatest lead performances I have ever seen.
Scrappy Little Nobody
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